Smashbomb

"Guralnick’s two-volume biography of Elvis is one of the best written accounts of a musician’s life. It carefully takes the myth of Elvis and puts it into human terms, giving you a sense of the shock of the new. From childhood in Tupelo, Mississippi through his years in Memphis, Hollywood and Las Vegas, the book puts you in the room with Elvis and his family, friends and collaborators. In the early years you are struck by the genuine innocence and good-naturedness he personified – an accessible small-town boy. Fans would line up outside his mother’s kitchen and he would come out to spend time with them after finishing the family dinner. You can see a kid trying to navigate an unformed world, a world we now know as the modern music business. He was self-aware, though, and brought a new vulnerability and disregard to performing. The first book ends with his mother’s death and his induction into the army, in many ways the beginning of his descent into drugs and isolation. In Hollywood he becomes commodified and put under a kind of artistic house arrest. It is frustrating to read how often his intentions and creative ideas were thwarted. His music had become carefully controlled and the way he had made his great early music was undermined. Later, in the 70s, you get accounts of him gatecrashing the White House and demanding to be made an FBI agent on the spot (Richard Nixon’s henchmen agreed) or starting his Tennessee Karate Institute with outlandish personalised karate uniforms. Though it is impossible for a book to sum up a life, especially one on the scale of Elvis’s, Guralnick’s accounts are ultimately about the impossibility of coming through your wildest dreams unscathed. But it’s more than a cautionary tale: it’s a document of the ways Elvis embodied the childlike and the primal and turned it into a kind of freedom."

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Too Late to Say Goodbye

Ann Rule

5.0 (1 Ratings) Rate It

Book

Jenn Corbin, a lovely, slim, brown-eyed blonde, appeared to have it all: two dear little boys, a...

Paleo

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Tabletop Game

Paleo is a co-operative adventure game set in the stone age, a game in which players try to keep the...

Sing, Memory

Makana Eyre

8.0 (1 Ratings) Rate It

Book

A Polish musician, a Jewish conductor, a secret choir, and the rescue of a trove of music from the...

Haley Mathiot (9 KP) rated The Life of Glass in Books

Apr 27, 2018

Melissa’s father died almost two years ago. She has been struggling, but is surviving with the help of her best friend Ryan. But through a series of events, her world gets turned upside down. A new girl comes to school and befriends her immediately, for some unknown reason. Ryan gets a girlfriend. Melissa’s mom is dating some guy. Ashley, her older sister, is… well just being an annoying older sister with problems. And in the middle of it all, Melissa still has unsolved mysteries about her father, her desires, and herself.

The Life of Glass is a fast read—I tore through it in a matter of hours. I wasn’t particularly sure why I couldn’t stop reading it. Maybe it was the easy language, maybe it was the characters, maybe I was just in the mood for a good romance novel and that was what was on my shelf. Either way, I didn’t stop reading until my sister turned the light out on me.

I liked the characters a lot (though some of them I despised) and others remained mysteries until later in the book; they were those “oh I had no idea they were that kind of person” characters, and I liked the mystery of their personalities. They were relatable and likeable.

That being said, there was nothing hugely spectacular about The Life of Glass: nothing that will make it a long lasting fantastic memory or escape for me. I enjoyed it and I won’t forget it, but it won’t be one of those “second reads.”

This was part of the 1 ARC Tours for Bloody Bad.

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Jarvis Cocker recommended track Gut Feeling by Devo in Greatest Hits by Devo in Music (curated)

Greatest Hits by Devo

1990 | Rock

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Gut Feeling by Devo

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"I kept reading about punk, but the local radio station wouldn’t play punk; they didn’t think it was real music. That led to me one of the musical discoveries of my life. One night, I really wanted to hear what this punk music was and, turning the radio dial, I heard John Peel’s radio show. I started listening to it and taking songs off there all the time, and that became my musical education. It made me want to form a group; the early Pulp were really just a ragbag of the influences that we’d picked up from listening to John Peel’s show every night. The first Devo album came out that year [in 1978], and I went to see them play at the City Hall in Sheffield, which was quite influential. One of the first songs that Pulp learned how to play was the Devo song “Gut Feeling.” A couple of years later, when we first did some recordings, I took them to John Peel—he used to do these road shows at colleges, and I just went along to the one he did in Sheffield and hung around and gave him the tape after when he was putting all his records back into his DJ box at the end. He listened to it on the way home, and that really changed my life. Then he gave us a session [in 1981]. We were all still at school. I was 16 or maybe just 17, and the drummer was 15 and he looked about 12. He could hardly reach the bass drum pedal to play the drum."

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