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Nicole Hadley (380 KP) rated The Girl Who Saved Christmas in Books
Jun 14, 2018
The Girl Who Saved Christmas by Matt Haig is a very charming story that can be enjoyed by children and adults alike. It is the story of Amelia Wishart, who is the first child ever to receive a gift from Father Christmas. She never loses hope throughout the misery she encounters in her very young life and however much she would like to stop believing in magic and goodness, she never fully does. Her hope made that first visit possible, and, just a couple of years later, her hope might just save Christmas itself.
The story takes place in two locations that couldn't be more different: Elfhelm, where it is clean and only ever gets as cold as you want it to be, and in 1841 London, where it is dirty, cold and unfriendly place to orphans.
The characters in the story are quite fun. Amelia and Father Christmas both have strong personalities with a firm determination to get things done. Mr. Creeper is just as his name predicts, he is creepy and not a nice man at all. The guest appearances of a ruling head of state and a famous author are perfect. One passage was hilarious and it took me several minutes to sop laughing before I could continue reading. I was amused.
I recommend this book for read-a-loud's to children and for middle grade readers.
I received this book from NetGalley via Random House Children's Knopf Books for Young Readers in exchange for an honest review.
The story takes place in two locations that couldn't be more different: Elfhelm, where it is clean and only ever gets as cold as you want it to be, and in 1841 London, where it is dirty, cold and unfriendly place to orphans.
The characters in the story are quite fun. Amelia and Father Christmas both have strong personalities with a firm determination to get things done. Mr. Creeper is just as his name predicts, he is creepy and not a nice man at all. The guest appearances of a ruling head of state and a famous author are perfect. One passage was hilarious and it took me several minutes to sop laughing before I could continue reading. I was amused.
I recommend this book for read-a-loud's to children and for middle grade readers.
I received this book from NetGalley via Random House Children's Knopf Books for Young Readers in exchange for an honest review.
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When the Curtain Falls
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Kristy H (1252 KP) rated Normal People in Books
Mar 19, 2020
Marianne and Connell form a relationship in school, starting to talk to one another when Connell comes to pick up his mother at her job cleaning for Marianne's family. But at school itself, they pretend not to know each other, fiercely aware of where they stand in the social structure: Connell is a popular soccer star, while Marianne is smart but a social outcast. Things change a year later, when they are both studying at Trinity College. Marianne has found her social circle and is popular among her group of friends. Connell is known as smart, but feels awkward. The two's relationship ebbs and flows--at times, they are deeply in love; at other moments, they date other people and rarely speak.
I'm not exactly sure what to say about this one. I listened to this book over a couple of months as I traveled off and on for work. It felt very slow, and while I know part of it was the stops and starts when I was traveling, but some of it was the book itself. I can definitely recognize the brilliance others found in this novel. Rooney is a wonderful writer, and there were passages that I wish I could capture and save to savor later. At other moments, I wanted to hurry things along quite badly... she turned the water on in the shower, the water came out, the water fell to the floor, etc. Things are described in great detail, and often, I found myself frustrated at that.
This not a plot-driven novel, but a character-driven one. Told from the alternating perspectives of Marianne and Connell over time, it examines various points in their life. At times, they may even go back in time in their various point-of-view segment, forcing you to keep up with exactly what is happening and when. There is much explaining and much examining. A lot of talk of feelings and such. It's a very complex novel. I definitely did grow to be interested in Marianne and Connell, but it did take some time.
As I said, I can see why this book earned such rave reviews, but it wasn't entirely for me. I was frustrated that Marianne and Connell couldn't just talk to each other. The ending of the book left me annoyed--all this for that--and I often wanted things to happen more quickly than they did. Still, I appreciated Rooney's lovely writing. If you want a complicated look at how one relationship can affect two so-called normal people over time, this one is definitely for you. 3 stars.
I'm not exactly sure what to say about this one. I listened to this book over a couple of months as I traveled off and on for work. It felt very slow, and while I know part of it was the stops and starts when I was traveling, but some of it was the book itself. I can definitely recognize the brilliance others found in this novel. Rooney is a wonderful writer, and there were passages that I wish I could capture and save to savor later. At other moments, I wanted to hurry things along quite badly... she turned the water on in the shower, the water came out, the water fell to the floor, etc. Things are described in great detail, and often, I found myself frustrated at that.
This not a plot-driven novel, but a character-driven one. Told from the alternating perspectives of Marianne and Connell over time, it examines various points in their life. At times, they may even go back in time in their various point-of-view segment, forcing you to keep up with exactly what is happening and when. There is much explaining and much examining. A lot of talk of feelings and such. It's a very complex novel. I definitely did grow to be interested in Marianne and Connell, but it did take some time.
As I said, I can see why this book earned such rave reviews, but it wasn't entirely for me. I was frustrated that Marianne and Connell couldn't just talk to each other. The ending of the book left me annoyed--all this for that--and I often wanted things to happen more quickly than they did. Still, I appreciated Rooney's lovely writing. If you want a complicated look at how one relationship can affect two so-called normal people over time, this one is definitely for you. 3 stars.
Bob Mann (459 KP) rated David Brent: Life on the Road (2017) in Movies
Sep 29, 2021
A squirm-athon from beginning to end.
“Life on the Road” is a mockumentary sequel to the classic British version of the TV comedy “The Office” (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.