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Arthur Phillip: Sailor, Mercenary, Governor, Spy
Book
Australians know Arthur Phillip as the first Governor of the colony of New South Wales. But few know...
Grace
Book
For decades, Grace Coddington's personal touch has steered wildly imaginative fashion spreads in...
Autovelox Maps
Navigation and Travel
App
Autovelox Maps helps you to travel safely. Safety Cameras and PointToPoint Cameras updated in...
Bong Mines Entertainment (15 KP) rated FRiENDS - Single by Derek Simpson in Music
Jul 10, 2019
Derek Simpson is an artist, producer, songwriter, and multi-instrumentalist based in Long Beach, CA. Not too long ago, he released a DIY music video for his camaraderie tune, entitled, “FRiENDS”.
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
The Least Likely Man: Marshall Nirenberg and the Discovery of the Genetic Code
Book
The genetic code is the Rosetta Stone by which we interpret the 3.3 billion letters of human DNA,...
The Islamist: Why I Joined Radical Islam in Britain, What I Saw Inside and Why I Left
Book
Ed Husain's The Islamist is the shocking inside story of British Islamic fundamentalism, told by a...
Boy: One Child's Fight to Survive in the Brutal British Care System
Book
"My parents had to try for eighteen months to conceive me, but my father was adamant he wanted one...
Caption Ideas for Instagram, Facebook & bio ideas
Social Networking and Utilities
App
This app is here to make your life easy! Ideas for all kinds of social media captions! Can't think...
Lee (2222 KP) rated Colossal (2016) in Movies
Jul 26, 2017
Colossal is written and directed by Nacho Vigalondo, who also wrote and directed 2007’s Timecrimes. One of my favourite movies and probably the best movie about time travel that isn’t Back to the Future! So, I’d been looking forward to catching this, his latest movie, for a while now. Luckily, it didn’t disappoint.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Kristy H (1252 KP) rated The Lost Girls in Books
Feb 13, 2018
In 1935, on the last evening of summer vacation, six-year-old Emily disappears from her family's vacation lake home. Emily's doting mother is devastated, and she and her two daughters (Emily's older sisters) spend the rest of their lives at the lake house, waiting for Emily to return. Six decades later, only Lucy, the middle sister, is still alive. Afraid of dying without telling her story, she writes the tale down in a notebook and leaves it, along with the house, to her sister's granddaughter, Justine. When Justine receives the news that her great-aunt has left her a house in Minnesota, she's shocked. They've only met once, after all, and Justine's flighty mother is still living. But Justine realizes the house represents a way to flee the suffocating life she's living now, and to give her daughters a better life. So they pack up for Minnesota, only to find the house run down, the Minnesota winter cold and isolating, and their only neighbors two elderly men who live in the nearby lodge. Justine's older daughter, Melanie, becomes interested in Emily's disappearance; her mother, Maurie, returns, bringing her usual craziness; and ghosts from Justine's own past threaten their safety. Justine doesn't know what happened at the lake sixty years ago, nor does she know if it's safe for her family now...
This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.
This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.
This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;