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ClareR (6118 KP) rated Limberlost in Books
Oct 22, 2023
Limberlost is a place. It’s the orchard belonging to Ned West’s family; but all Ned can think about is sailing in a boat of his own, far from life in Limberlost.
The story moves back and forth between Ned’s childhood and his adulthood. Ned’s older brothers go away to fight in WW2, and he lives with his father and older sister. Their lives revolve around worry for the brothers and the apple crop. Ned is struggling as the brother left behind, so he decides to trap rabbits and sell their fur in order to buy his own boat. When he accidentally traps a quoll, only he and Callie (who lives on the next farm and is his best friend Jackbirds sister) know. He decides to nurse it back to health.
Ned’s childhood is seen through three significant moments: the capture of the quoll, the rebuilding of a Huon pine boat, and years before when his father borrowed a boat and took his children out to look at the whales.
Many years later, Ned still remembers these moments.
It was interesting (and sobering) to read about mans, and Neds, impact on the land: how his crop spraying may have been the cause of his wife’s cancer, and how colonisation was the reason why the orchard was his and not the native people’s anymore.
This is such a gentle, gorgeously written novel, and utterly devastating in parts. Even the description of Ned sanding his boat was told with such tenderness - the reader is there, inhaling the scent of pine.
This is yet another utterly entrancing novel from Robbie Arnott. I’m most definitely a fan.
BankofMarquis (1832 KP) rated The Banshees of Inisherin (2022) in Movies
Jan 13, 2023
15 years later, McDonagh does it again with THE BANSHEES OF INISHERIN.
Set in the 1920s in the fictional Island of Inisherin (off the coast of Ireland), BANSHEES reunites Writer/Director McDonagh with his two stars of the previous film - Brendan Gleeson (“Mad Eye” Mooney in the Harry Potter films) and Colin Farrell (unrecognizable as The Penguin in the recent BATMAN movie) - and the resultant character study is just as interesting and intriguing to watch in a setting just as interesting…and breath-takingly beautifully bleak.
McDonagh, more than likely, will be nominated (as he was with IN BRUGES) for his screenplay for this film - it IS Oscar worthy - but for me, he was better as the Director of this character study, pointing his camera with a keen eye and surety in what he wanted to show all the while letting the performers and the countryside tell the story.
Both lead performers (and the Supporting Actors) are perfectly cast. Farrell, as Padraic,is the protagonist - a simple man who just wants to be able to go to the pub everyday and have conversation with his best friend, Colm (Gleeson) who, one day, proclaims that he no longer wants to be friends with Padraic. Padraic, then spends the rest of the film trying to understand why this is so, what happened and what he can do to make amends.
Farrell will earn an Oscar nomination for his portrayal of the simple (but not simple-minded) Padraic who is having a hard time grappling with deeper issues seeping into his simple life. Farrell has really grown into a fine actor and he (at this point in time) has to be considered on of the FrontRunners for the Best Actor Oscar for his work in this film.
Just as good is Gleeson as Colm, the recalcitrant, stoic friend who stubbornly wants nothing to do with Padraic. In lesser hands, this character could have come off as “one-note” being, simply, an immovable object in the way of Padraic’s irresistible force, but in Gleeson’s skilled hands, Colm has layers and depth that seep out through the cracks of his stoney facade. I would not be surprised if Gleeson, too, is nominated for an Oscar (probably in the Supporting category).
These two are capably assisted by Kerry Condon (Stacey Ehrmantraut in BETTER CAUL SAUL) and Barry Keoghn (DUNKIRK) as Padraic’s sister and a friend of both Padraic and Colm (respectively). Both bring their “A” games to this film and truly show the meaning of the term “Supporting” in “Supporting Performance”.
Special mention needs to be made for the Cinematography of Ben Davis (GUARDIANS OF THE GALAXY) who brings beauty to the bleak, stark and harsh Irish countryside. This cinematography is, actually, another character of this piece and brings strong emotional support to the performances.
Not the fastest moving film you will ever see, THE BANSHEES OF INISHERIN is an interesting, intriguing - and beautifully shot - character study that will stay with you long after the film ends.
Letter Grade: A-
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)