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<a href="http://fuzzysparrow.tumblr.com/post/96277346177">This was my Book of the Month for August 2014.</a>
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
The recently televised novel <i>The 100</i> by Kass Morgan is the first in a unique dystopian series set centuries into the future. Cataclysmic nuclear and biological wars rendered Earth uninhabitable forcing humans to create a new life in space on a very large ship. Three hundred years later scientists judge that the harmful radiation that destroyed Earth may have reduced or even completely disappeared meaning that the planet would finally be safe for humans. To test this theory the Colony sends one hundred adolescent lawbreakers with the mission to begin to recolonize Earth.
The novel is told from the point of view of four characters: Clarke, Wells, Bellamy and Glass. The first three are on the drop ship to Earth, however Glass escapes at the very last second and remains behind. Although there may be a hundred people on this mission, none of them have any idea what to expect or how to live on a planet. It does not help matters when the drop ship crash lands leaving them, particularly Clarke, the only one with medical knowledge, with an even more difficult situation than they were anticipating. Meanwhile, back on ship Glass is discovering that human life may be in as much danger there as they would be on Earth.
Each character also has flashbacks to their life on the ship, which gradually reveals the events that led up to them being convicted as criminals and thus sent to their new lives, or even possible deaths. Due to this there was less action set on Earth than there could have been – there was not enough time for a <i>Lord of the Flies</i> situation to arise. However it was fascinating to imagine their reaction to the first time they saw the sun set or felt the rain; being mesmerized by bird song and enjoying their first ever piece of meat.
As with most young adult novels there is the inevitable romance theme consisting of conflicting feelings and love triangles. The overall situation the main characters found themselves in was, in part, due to actions they committed in the name of love. Sometimes this theme could get a little annoying and hinder the dystopian side of the story, however it would not have been able to function without these elements.
Kass Morgan concludes <i>The 100</i> at the peak of the climax leaving us desperately wanting to find out what happens next. This is a highly recommended book for young adult readers with a love for science fiction.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
The recently televised novel <i>The 100</i> by Kass Morgan is the first in a unique dystopian series set centuries into the future. Cataclysmic nuclear and biological wars rendered Earth uninhabitable forcing humans to create a new life in space on a very large ship. Three hundred years later scientists judge that the harmful radiation that destroyed Earth may have reduced or even completely disappeared meaning that the planet would finally be safe for humans. To test this theory the Colony sends one hundred adolescent lawbreakers with the mission to begin to recolonize Earth.
The novel is told from the point of view of four characters: Clarke, Wells, Bellamy and Glass. The first three are on the drop ship to Earth, however Glass escapes at the very last second and remains behind. Although there may be a hundred people on this mission, none of them have any idea what to expect or how to live on a planet. It does not help matters when the drop ship crash lands leaving them, particularly Clarke, the only one with medical knowledge, with an even more difficult situation than they were anticipating. Meanwhile, back on ship Glass is discovering that human life may be in as much danger there as they would be on Earth.
Each character also has flashbacks to their life on the ship, which gradually reveals the events that led up to them being convicted as criminals and thus sent to their new lives, or even possible deaths. Due to this there was less action set on Earth than there could have been – there was not enough time for a <i>Lord of the Flies</i> situation to arise. However it was fascinating to imagine their reaction to the first time they saw the sun set or felt the rain; being mesmerized by bird song and enjoying their first ever piece of meat.
As with most young adult novels there is the inevitable romance theme consisting of conflicting feelings and love triangles. The overall situation the main characters found themselves in was, in part, due to actions they committed in the name of love. Sometimes this theme could get a little annoying and hinder the dystopian side of the story, however it would not have been able to function without these elements.
Kass Morgan concludes <i>The 100</i> at the peak of the climax leaving us desperately wanting to find out what happens next. This is a highly recommended book for young adult readers with a love for science fiction.
BankofMarquis (1832 KP) rated The Lion King (2019) in Movies
Jul 21, 2019
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
Bong Mines Entertainment (15 KP) rated In Disguise - Single by Ashe in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Bong Mines Entertainment (15 KP) rated Prom - Single by COTIS in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
⇒ Buy Tickets to see Ashe perform ⇐
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Bong Mines Entertainment (15 KP) rated Redeye - Single by Roken in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
Bong Mines Entertainment (15 KP) rated Sweet Boy - Single by Krissy in Music
Jun 25, 2019
Ashe is a talented singer-songwriter based in California. Not too long ago, she released a lovely alternative-pop tune, entitled, “In Disguise”, released via Mom + Pop Music.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
“I was living free like I wanted to, but they laughed at me. So, I came to you asking for a good time and a ticket out of my mind. You said people ‘round the world will try to bring you down. Told me don’t give in to the power, you got power yourself. Everybody’s got their reasons they can all go to hell if they like.” – lyrics
‘In Disguise’ tells an interesting tale of a young woman who would rather be hated for who she is than waste it all giving a damn.
Apparently, she would rather dig her own grave than to listen to what people have to say about her.
Later, she admits that it’s beneficial to follow your own heart. Also, it’s important to find out who your friends are in disguise.
‘In Disguise’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an alternative-pop aroma.
“‘In Disguise’ is about having healthy boundaries with the people around you. I don’t want to make everyone feel suspicious about the people they love. I just know there have been several people in my life who were seemingly ‘there for me’ when they really just wanted to use me. It’s just another look at the human condition.” – Ashe
‘In Disguise’ marks the announcement of the sprawling Mom’s First Headline Tour presented by Live Nation’s Ones To Watch and features support from Charlie Burg.
Ones To Watch is Live Nation’s discovery platform for emerging artists of all genres. As avid supporters of Ashe’s music since day one, they are proud to present what is set to be the prolific talent’s breakout tour.
The trek will begin on September 10th in Washington, DC, and run through October 25th as she wraps up over a month of performances in Atlanta, Georgia.
Ashe has established an incredible track record which includes being Amazon’s 2019 Artists To Watch, performing on Last Call with Carson Daly, and co-writing Demi Lovato’s hit single, entitled, “You Don’t Do It For Me Anymore”.
Her music has amassed over 48M global streams online, repeated appearances on Spotify’s Global Viral 50, and nine HypeM #1 slots in a row.
BankofMarquis (1832 KP) rated The Cider House Rules (1999) in Movies
Apr 26, 2020
Great acting, great writing, great directing
When we do our "Secret Cinema" adventures at our house (one person picks the film and the rest of the family doesn't know what it is until it starts running), we try to give clues. This film was nominated for 7 Oscars for the 1999 season, winning 2 - including a 2nd BEST SUPPORTING ACTOR OSCAR for a veteran actor. It is based on a wonderful novel and features 3 young actors well before they became stars.
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
II
If I Were You (Inside Out, #1)
9.3
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Book
How it all started… One day I was a high school teacher on summer break, leading a relatively...
Hazel (1853 KP) rated Alice Takes Back Wonderland in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
Gareth von Kallenbach (977 KP) rated Chronicle (2012) in Movies
Aug 7, 2019
Walking into the theatre to see Chronicle I was pretty excited. I had not heard much about this movie, in fact I’ll be honest here… I heard a small amount of info about two months ago and then it dropped off my radar before a trailer appeared last Sunday.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.