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Solo: A Star Wars Story (2018)
Solo: A Star Wars Story (2018)
2018 | Action, Sci-Fi
Han & Chewie's first meeting (7 more)
Don Glover as Lando
Ehrenreich as Han
Suotamo as Chewbacca
Woody as Beckett
The Kessel Run
The "HOLY SH*T!" cameo
The train robbery scene
Movie is very dark. And I mean dark, like "Put on the lights!" dark (1 more)
Music not as good as other Star Wars movies
Almost perfect Star Wars movie
I think people didn't like The Last Jedi & so, they didn't even want to give this a chance. Well, they're missing out, because Solo was awesome! As you can tell from my positives, I thought the actors were perfect for their roles. We get all of Solo's back story here. The first meeting of Han & Chewbacca. The meeting of Han & Lando. The "introduction" of the Millennium Falcon. The infamous Kessel Run, as well as the spice mines. Now I know why C-3PO was scared to be sent there.

The action scenes in this film are some of the best I've seen in a Star Wars movie. somewhat Maybe my favorite was the train robbery scene. It was intense! And the Falcon really takes a pounding in this one.

Like all prequels, there is the problem where we know nothing is going to happen to the main characters, since we know they live long enough to have been in the later films. But somehow, it doesn't matter with this film. I still felt suspense as Chewbacca hung on for dear life. If I have one problem, it's that the movie was very dark & I found it hard to see what was going on in some scenes. The focus was somewhat soft too. Not sure if that was the theater's problem though. I will definitely have to buy this when it comes out on Blu-ray.

If you haven't seen it yet, give yourselves a treat and see it when you can. Very fun!
  
Heart Bandit (Gargoyle Night Guardians #1)
Heart Bandit (Gargoyle Night Guardians #1)
Rosalie Redd | 2020 | Paranormal, Romance
10
8.0 (3 Ratings)
Book Rating
wonderful new series!
*purchased copy Jan 2020*

I have a *thing* for the more obscure paranormal creatures, and gargoyles are at the top of that list, since so few are written. Add in an author who is a firm favourite, and really, you can't go wrong!

And I LOVED this gargoyle book!

It has twists and turns, new additions to the folklore of gargoyles. It has a feisty young lady, with an old head on her shoulders. It has an old solider, with a hardened heart. It has a scorned witch, and some bad as sin fae folk who want nothing more than to destroy all the gargoyles!

Beaumont (not ever shortened to Beau, so many Brownie points!) is old, and actually has had enough. Faced with his little pickpocket stealing his most precious stone, he knows that he will die if he doesn't get it back. But since meeting the feisty little thief, his attitude is changing, and maybe, just maybe, he can find it, and be happy with Sadie.

I loved that Beaumont only calls Sadie her given name but once in the whole book. She's his little thief, his pickpocket, all those sorts of names. Why? He doesn't like that Sadie contains the word SAD! I was like, "oh thats so sweet!"

I liked that Sadie's sister will play a huge part in another gargoyle's life, in book 2. And I wonder if the scorned witch will be making another appearence in a later book to redeem herself.

Ms Redd has started a new series with a bang, and I hope to get to read them all!

5 full and shiny stars!

**same worded review will appear elsewhere**
  
Journey to Italy (1954)
Journey to Italy (1954)
1954 | Drama, Romance
(0 Ratings)
Movie Favorite

"Blew my mind. I didn’t see it until I was middle-aged, after decades of thriving on the ongoing French New Wave. I thought of the New Wave as beginning in these subversive young Parisian cineastes’ love for American genre films. My jaw was dropped the whole length of Journey to see the sensibility and techniques of the New Wave appearing first in this Italian flick (though English-language, starring George Sanders and Ingrid Bergman). Later I read that Truffaut called it the “first modern movie,” and I believe he’s right. I haven’t researched, so don’t know if this is a commonplace, but, on a side note, it’s interesting to consider the parallels between Journey and Godard’s Contempt. They’re both about a couple whose marriage is failing, who are foreigners on a visit to Italy, where their stiff estrangement reaches a head amid the vital, pagan-slash-Catholic ancient culture of the area around Naples. Noble, erotically charged, millennia-old statuary reverently track-circled to swelling music. Local color, and travelogue landmarks of aesthetic and mythologically poetic power, integrated naturally into the story (almost Hitchcockian in a way, except with an emotional and intellectual justification). The most groundbreaking thing about it, though, is the way it’s not exactly a story, but rather a situation, depicted in fragments and episodes—the emotional situation of a couple, displaced within a continuously intruding, alien or disorienting environment, and one that keeps us conscious of death and history. A lot is pointedly artificial about it—to me the dialogue all feels like exposition, and is delivered that way, as presentation of the situation, rather than anything natural—or at least frankly cinema, but at the same time it feels like life in a way that movies hadn’t before."

Source
  
HM
High Moor
10
10.0 (1 Ratings)
Book Rating
123 of 220
Kindle
High Moor ( book 1)
By Graeme Reynolds
⭐️⭐️⭐️⭐️⭐️

When John Simpson hears of a bizarre animal attack in his old home town of High Moor, it stirs memories of a long forgotten horror. John knows the truth. A werewolf stalks the town once more, and on the night of the next full moon, the killing will begin again. He should know. He survived a werewolf attack in 1986, during the worst year of his life.

It's 1986 and the town is gripped in terror after the mutilated corpse of a young boy is found in the woods. When Sergeant Steven Wilkinson begins an investigation, with the help of a specialist hunter, he soon realises that this is no ordinary animal attack. Werewolves are real, and the trail of bodies is just beginning, with young John and his friends smack in the middle of it.

Twenty years later, John returns to High Moor. The latest attack involved one of his childhood enemies, but there's more going on than meets the eye. The consequences of his past actions, the reappearance of an old flame and a dying man who will either save or damn him are the least of his problems. The night of the full moon is approaching and time is running out.

But how can he hope to stop a werewolf, when every full moon he transforms into a bloodthirsty monster himself?

I absolutely loved this book! It was good old hammer horror vibe werewolf fun with a little twist of some modern tales. So interesting and gory the characters were brilliant from the “goodies” to the “baddies”. I didn’t want to put it down best werewolf book I’ve read for a long time. Highly recommend!
  
Mirror, Mirror
Mirror, Mirror
Jen Calonita | 2019 | Young Adult (YA)
6
7.8 (4 Ratings)
Book Rating
Review by Disney Bookworm
Contains spoilers, click to show
If I’m honest I initially thought the tagline to this Snow White twisted tale novel was a massive plot spoiler but, when you are 300 pages into a book and no-one has eaten a poisoned apple, it may be the ideal opportunity to admit you were wrong. This book is not that simple!

Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.

Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.

Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.

Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.

You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?

This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.

I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.

Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.

Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.

The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.

In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.

While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!

Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.

Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.

The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.

It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.

Written by The Disney Bookworm:
https://disneybookworm.home.blog