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Andy Bell recommended Definitely Maybe by Oasis in Music (curated)
Leanne Crabtree (480 KP) rated The Sky Is Everywhere in Books
Jan 7, 2021
So I finally knuckled down to finish this since it's been two weeks since I started it...and I wasn't all that impressed.
The writing was so...poetically pretty? It wasn't how I'd have expected a 16/17 year old girl to think, although now that I think about it Wuthering Heights is her favourite book and her family life seems a little boho-y/care free. And her vocabulary? Stultifyingly? Dildonic? Ornery? Messessentialist? I think she must eat a dictionary for breakfast or something because I had no idea what any of those words meant at that age, and I'm still not sure about three of them now.
Getting the writing out of the way, I wanted her to be happy with Joe but I didn't understand the whole Toby thing either. And I kind of agree with Grams that Lennie was a little selfish. You'd all lost Bailey, it wasn't just you and Toby.
The bit I liked most was probably the bit near the middle where she described herself/her love as being like a flower that bloomed in 15 seconds, and then a few paragraphs later in 3 seconds. It was a really nice picture and I can imagine Lennon doing that.<br/><br/>I don't think I'll be reading more of this authors books.
The writing was so...poetically pretty? It wasn't how I'd have expected a 16/17 year old girl to think, although now that I think about it Wuthering Heights is her favourite book and her family life seems a little boho-y/care free. And her vocabulary? Stultifyingly? Dildonic? Ornery? Messessentialist? I think she must eat a dictionary for breakfast or something because I had no idea what any of those words meant at that age, and I'm still not sure about three of them now.
Getting the writing out of the way, I wanted her to be happy with Joe but I didn't understand the whole Toby thing either. And I kind of agree with Grams that Lennie was a little selfish. You'd all lost Bailey, it wasn't just you and Toby.
The bit I liked most was probably the bit near the middle where she described herself/her love as being like a flower that bloomed in 15 seconds, and then a few paragraphs later in 3 seconds. It was a really nice picture and I can imagine Lennon doing that.<br/><br/>I don't think I'll be reading more of this authors books.
Thundercat recommended Journey to Love by Stanley Clarke in Music (curated)
Mudras: Concentration, Healing, Energy and Relaxation Techniques
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Degradation
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Eighteen year old Tatum O'Shea is a naive, shy, little rich girl. Twenty-three year old Jameson Kane...
Erotic Dark Sadomasochism Young Adult
After the Rain
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From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a deeply emotional...
Tempted By Fire (Dragons of Bloodfire #1)
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Dragon shifter Thane Ealdian has waited six hundred years to avenge the loss of his family, and...
Paranormal Romance
Mark @ Carstairs Considers (2165 KP) rated Death on the Set in Books
Sep 1, 2022 (Updated Sep 1, 2022)
Cooking Competitions are Killer
After losing her husband and her job, Brenna is back in her hometown trying to rebuild her life. Thanks for a friend who works at a temp agency, she’s landed a job as a production assistant on a cooking competition show being filmed in town. On her first full day of work, she shows up early to find the dead body of one of the contestants on the set. Since Brenna is a suspect, she starts investigating. Can she figure out what really happened?
The book jumps into the main mystery pretty quickly, just giving a brief mention to Brenna’s backstory. Yes, it is expanded on later, but I appreciated that we didn’t get a data dump, which would have been tempting. Unfortunately, the pacing of the mystery was still off; we got more details about Brenna’s job than I really needed. Still, there is a good mystery here, and I appreciated how the climax played out. Also, I liked that Brenna was mostly quick to share with the police anything she learned. There were a couple of continuity issues early on, but those disappeared as the book progressed. Brenna was a charming main character, and she is surrounded by a cast I enjoyed spending time with. There’s definitely potential for this to turn into a fun series.
The book jumps into the main mystery pretty quickly, just giving a brief mention to Brenna’s backstory. Yes, it is expanded on later, but I appreciated that we didn’t get a data dump, which would have been tempting. Unfortunately, the pacing of the mystery was still off; we got more details about Brenna’s job than I really needed. Still, there is a good mystery here, and I appreciated how the climax played out. Also, I liked that Brenna was mostly quick to share with the police anything she learned. There were a couple of continuity issues early on, but those disappeared as the book progressed. Brenna was a charming main character, and she is surrounded by a cast I enjoyed spending time with. There’s definitely potential for this to turn into a fun series.
BankofMarquis (1832 KP) rated Promising Young Woman (2020) in Movies
Apr 10, 2021
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Leigh J (71 KP) rated Doom Asylum (1987) in Movies
Nov 8, 2019
It's SO BAD... that it's actually quite good.
Contains spoilers, click to show
I honestly don't even know where to start with Doom Asylum. The dialogue is absolutely terrible and will leave you scratching your head (for example, a girl says to her Boyfriend "can I call you Mom?"... what?!), the acting is cringeworthy...I mean, it has to be bad if Kristin Davis (Sex in the City) is the best actor on the set and the Killer is confusing, to say the least.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.