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Mudras: Concentration, Healing, Energy and Relaxation Techniques
Health & Fitness and Lifestyle
App
99 Therapeutic mudras is the application that will become a tool for our times of meditation,...
Degradation
7.0
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Book
Eighteen year old Tatum O'Shea is a naive, shy, little rich girl. Twenty-three year old Jameson Kane...
Erotic Dark Sadomasochism Young Adult
After the Rain
6.0
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Book
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a deeply emotional...
Tempted By Fire (Dragons of Bloodfire #1)
10.0
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Book
Dragon shifter Thane Ealdian has waited six hundred years to avenge the loss of his family, and...
Paranormal Romance
Mark @ Carstairs Considers (2456 KP) rated Death on the Set in Books
Sep 1, 2022 (Updated Sep 1, 2022)
Cooking Competitions are Killer
After losing her husband and her job, Brenna is back in her hometown trying to rebuild her life. Thanks for a friend who works at a temp agency, she’s landed a job as a production assistant on a cooking competition show being filmed in town. On her first full day of work, she shows up early to find the dead body of one of the contestants on the set. Since Brenna is a suspect, she starts investigating. Can she figure out what really happened?
The book jumps into the main mystery pretty quickly, just giving a brief mention to Brenna’s backstory. Yes, it is expanded on later, but I appreciated that we didn’t get a data dump, which would have been tempting. Unfortunately, the pacing of the mystery was still off; we got more details about Brenna’s job than I really needed. Still, there is a good mystery here, and I appreciated how the climax played out. Also, I liked that Brenna was mostly quick to share with the police anything she learned. There were a couple of continuity issues early on, but those disappeared as the book progressed. Brenna was a charming main character, and she is surrounded by a cast I enjoyed spending time with. There’s definitely potential for this to turn into a fun series.
The book jumps into the main mystery pretty quickly, just giving a brief mention to Brenna’s backstory. Yes, it is expanded on later, but I appreciated that we didn’t get a data dump, which would have been tempting. Unfortunately, the pacing of the mystery was still off; we got more details about Brenna’s job than I really needed. Still, there is a good mystery here, and I appreciated how the climax played out. Also, I liked that Brenna was mostly quick to share with the police anything she learned. There were a couple of continuity issues early on, but those disappeared as the book progressed. Brenna was a charming main character, and she is surrounded by a cast I enjoyed spending time with. There’s definitely potential for this to turn into a fun series.
BankofMarquis (1832 KP) rated Promising Young Woman (2020) in Movies
Apr 10, 2021
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Leigh J (71 KP) rated Doom Asylum (1987) in Movies
Nov 8, 2019
It's SO BAD... that it's actually quite good.
Contains spoilers, click to show
I honestly don't even know where to start with Doom Asylum. The dialogue is absolutely terrible and will leave you scratching your head (for example, a girl says to her Boyfriend "can I call you Mom?"... what?!), the acting is cringeworthy...I mean, it has to be bad if Kristin Davis (Sex in the City) is the best actor on the set and the Killer is confusing, to say the least.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou
Book
Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou is the first U.S. exhibition...
The Ride of a Lifetime
Book
The CEO of Disney, one of Time’s most influential people of 2019, shares the ideas and values he...
Lee (2222 KP) rated Avengers: Infinity War (2018) in Movies
May 1, 2018 (Updated May 1, 2018)
A truly epic culmination of 10 years
10 years and it's all been leading to this. And so much has happened in this last decade too, both in the Marvel universe and outside of it, in every day life. I remember watching the very first Iron Man with my brother-in-law, who sadly passed away just a few years later. I remember watching many other Marvel movies with the biggest Marvel geek of them all, my youngest brother, who also tragically passed away before Age of Ultron was released. On-screen we've been gradually introduced to countless wonderful characters, each one continuing to expand and enrich the cinematic universe, and each movie touching upon the bigger battle yet to come. Infinity War is the culmination of everything. Expectation and excitement were through the roof for me, as they would be for any Marvel fan, but at the same time I was feeling pretty emotional about it all too. Avoiding reviews and spoilers was agonising, and I can't remember ever heading into a movie feeling the way I was when heading into Infinity War.
I'm not sure what to say, other than it doesn't disappoint. And if you've followed the Marvel movies and enjoy them in any way at all, you won't be disappointed either. Every character gets their moment to shine. Every scene draws you in, thrills you to the point where you just don't want it to stop, then cuts to another scene where that feeling kicks off again - yet another epic moment of threat, action and joy. Characters are spread so far around the universe that many don't even cross paths, yet they all share one common goal. It never gets boring, the lengthy run time flies by, and it all just works.
In Thanos we finally have a worthy villain. A villain with a purpose you can believe in, a villain that brings credible threat to the universe, and even humour at times. A villain you can even empathise with.
And Marvel also have the balls to pull off the most intense, dramatic, gut wrenchingly final act. One that leaves you traumatised yet wanting more. A truly epic achievement.
I'm not sure what to say, other than it doesn't disappoint. And if you've followed the Marvel movies and enjoy them in any way at all, you won't be disappointed either. Every character gets their moment to shine. Every scene draws you in, thrills you to the point where you just don't want it to stop, then cuts to another scene where that feeling kicks off again - yet another epic moment of threat, action and joy. Characters are spread so far around the universe that many don't even cross paths, yet they all share one common goal. It never gets boring, the lengthy run time flies by, and it all just works.
In Thanos we finally have a worthy villain. A villain with a purpose you can believe in, a villain that brings credible threat to the universe, and even humour at times. A villain you can even empathise with.
And Marvel also have the balls to pull off the most intense, dramatic, gut wrenchingly final act. One that leaves you traumatised yet wanting more. A truly epic achievement.