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Kristy H (1252 KP) rated The Stone Circle (Ruth Galloway, #11) in Books
Jun 21, 2019
When DCI Nelson receives the letter, he's immediately transported back to twenty years ago, when young Lucy Downey went missing and the first letters began. Then, to ten years later, when they found the bones in the Saltmarsh. It was then that Ruth first came in to Nelson's life, when she was called to examine the bones. While the bones weren't related to Lucy, she also took a look at the letters. And, of course, became entwined in Nelson's life. During that time, another child died, and the killer drowned on the marshes. The letter writer, Erik Anderssen, Ruth's mentor, also died that night too. Now, Ruth is assisting with a new dig in the Saltmarsh in a stone circle--one with ties to Erik. While digging, they find recent bones believed to belong to Margaret Lacey, who went missing in 1981 at the age of twelve. As the the investigation into Margaret's case begins, it looks like it has ties to Nelson's earlier cases--the letters, the bones, the missing kids, and more. But that killer is dead--right?
"'He's back,' says Clough. 'Bollocks,' says Nelson. 'He's dead.'"
The wonderful Elly Griffiths brings us back to her first Ruth Galloway book, The Crossing Places in this, her eleventh Ruth story. Yet, the tale feels as fresh and intriguing as ever. I just love the Ruth Galloway series--the tone of these books is unlike almost any other. Ruth seems real to me by now, like an old friend, and don't even get me started on Nelson, our beloved, sarcastic, DCI. Griffiths has an amazing ability to characterize Ruth and Nelson (and the whole crew) and capture their own distinct voices. Her books are at turns funny, familiar, and sometimes heartbreaking as Ruth and Nelson try to navigate their own relationship--and the other relationships that may or may not keep them apart. Michelle, Nelson's wife, has her baby in this one (cliffhanger resolved), and there is progress made on other personal fronts as well.
It almost seems like icing on the cake that we are treated to an enjoyable mystery along with our lovely characters and just overall familiarity. I found the case in this one to be engrossing, especially with the ties back to the earlier book. (I highly recommend reading this series from the beginning--it's the best way to catch all the little nuances and bits of humor, but the book will stand alone.) Margaret's disappearance is interesting--and her story brings a whole new cast of characters, several of whom entwine with our usual suspects.
All in all, as always, another winner from Griffiths. I could read her books constantly, and I love Ruth and Nelson (and Kate, Ruth's seven-year-old) so dearly! They truly seem real to me. If you've been reading this series from book #1, you'll enjoy the usual humor (oh Nelson) and returning to our cast of characters. If you like a good mystery (with some archaeological flavor sprinkled in), you won't be disappointed either. 4.5 stars.
"'He's back,' says Clough. 'Bollocks,' says Nelson. 'He's dead.'"
The wonderful Elly Griffiths brings us back to her first Ruth Galloway book, The Crossing Places in this, her eleventh Ruth story. Yet, the tale feels as fresh and intriguing as ever. I just love the Ruth Galloway series--the tone of these books is unlike almost any other. Ruth seems real to me by now, like an old friend, and don't even get me started on Nelson, our beloved, sarcastic, DCI. Griffiths has an amazing ability to characterize Ruth and Nelson (and the whole crew) and capture their own distinct voices. Her books are at turns funny, familiar, and sometimes heartbreaking as Ruth and Nelson try to navigate their own relationship--and the other relationships that may or may not keep them apart. Michelle, Nelson's wife, has her baby in this one (cliffhanger resolved), and there is progress made on other personal fronts as well.
It almost seems like icing on the cake that we are treated to an enjoyable mystery along with our lovely characters and just overall familiarity. I found the case in this one to be engrossing, especially with the ties back to the earlier book. (I highly recommend reading this series from the beginning--it's the best way to catch all the little nuances and bits of humor, but the book will stand alone.) Margaret's disappearance is interesting--and her story brings a whole new cast of characters, several of whom entwine with our usual suspects.
All in all, as always, another winner from Griffiths. I could read her books constantly, and I love Ruth and Nelson (and Kate, Ruth's seven-year-old) so dearly! They truly seem real to me. If you've been reading this series from book #1, you'll enjoy the usual humor (oh Nelson) and returning to our cast of characters. If you like a good mystery (with some archaeological flavor sprinkled in), you won't be disappointed either. 4.5 stars.
Chris Sawin (602 KP) rated Zombieland (2009) in Movies
Jun 22, 2019
Columbus is a loner in every sense of the word. He usually spent his nights indoors playing World of Warcraft, so it's safe to say he probably didn't get out much. He wasn't even all that close to his family. So when the zombie apocalypse finally began to spread across the globe, Columbus already had an advantage over the majority of the population. In addition to that, Columbus had a lot of weird phobias (like clowns and those wet towels they use to wipe down tables at big restaurants). As his experience with the undead grew, so did his list of rules on how to survive in Zombieland. Columbus is on his way to Ohio, where his parents reside, hoping that by some miracle they're still alive. Before he can get very far, he runs into the first human face he's seen since the outbreak, Tallahassee. Tallahassee seems to be fearless, lives life in the moment, and worries about consequences later. His hatred for zombies bleeds through so much that his zombie killing ways are practically down to a fine art. What starts out as a potential ride to get him to his final destination could wind up being everything Columbus has ever wanted and that's a family that he feels comfortable with.
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."
Sophia (Bookwyrming Thoughts) (530 KP) rated First Kill (The Slayer Chronicles, #1) in Books
Jan 23, 2020
Original Review posted on <a title="First Kill by Heather Brewer" href="http://bookwyrming-thoughts.blogspot.com/2013/06/review-first-kill-by-heather-brewer.html">Bookwyrming Thoughts</a>
Note: Formatting has been lost due to copy and paste.
Joss has always had this perfect life good parents, a super close cousin that can pass as a best friend, and an ever so adorable little sister until she was murdered. Then his life goes downhill from there and he discovers a group of vampire slayers that some of his family members are a part of for generations that can help avenge his sister's death.
I thought The Slayer Chronicles would be a spin-off from The Chroniclesof Vladimir Tod (you know... after that kind of cliff-hanger in Twelfth Grade Bites.) But it's not and now that I think about it... Captain Obvious pretty much slaps me in the face. Of course it wouldn't be a spin-off. Go figure. But I probably already embarrassed myself saying that in my review for Twelfth Grade Bites from earlier this year (oopsies). And even if it's not... at least we get to hear the other side of the story and how Joss friend, enemy, frenemy? - became a Slayer and crossed paths with our best vampire friend from Bathory, Vladimir Tod. ^_^
Joss's sister is absolutely adorable (then again, aren't all little kids are? Even if most hate me for no particular reason... O_o) so it was really depressing that she was murdered by a vampire. (Thank gods it's not Vlad!) In front of Joss. It's a lot for a 10 year old to handle a loved one getting murdered by a creature of the night that is usually find in fairy tales or books. Abraham hasn't changed that much from Vlad's side still strict and harsh, and definitely not getting any nicer. Maybe a little, but in the broad side, not really. But it's hard to imagine Abraham being creamed and practically screaming "bloody vampire" and it somehow gets worse than that.
I would never have expected who the traitor would actually be. For some reason, I thought it would be anyone but him (his name is anonymous in this review, by the way. ;)). He was like an alternative father that Joss didn't seem to have after his sister's death who was sympathetic/empathetic, kind, caring pretty much everything that you can imagine from a perfect father (or maybe Father of the Year) and just seemed too nice to be backstabbing his fellow Slayers in the end.
It's also really surprising, however, to find Joss making promises but later breaks them after he meets Vlad (I probably would've done the same if I were Joss...). But of all places, what in the world is someone else* doing interacting with Joss? (Curiosity hasn't killed the cat has it?) And -! Consider that break off as probably saying too much if I say it. Wayyy too much. O_o
*Words have been changed to avoid possible spoilers. You're welcome. :)
Note: Formatting has been lost due to copy and paste.
Joss has always had this perfect life good parents, a super close cousin that can pass as a best friend, and an ever so adorable little sister until she was murdered. Then his life goes downhill from there and he discovers a group of vampire slayers that some of his family members are a part of for generations that can help avenge his sister's death.
I thought The Slayer Chronicles would be a spin-off from The Chroniclesof Vladimir Tod (you know... after that kind of cliff-hanger in Twelfth Grade Bites.) But it's not and now that I think about it... Captain Obvious pretty much slaps me in the face. Of course it wouldn't be a spin-off. Go figure. But I probably already embarrassed myself saying that in my review for Twelfth Grade Bites from earlier this year (oopsies). And even if it's not... at least we get to hear the other side of the story and how Joss friend, enemy, frenemy? - became a Slayer and crossed paths with our best vampire friend from Bathory, Vladimir Tod. ^_^
Joss's sister is absolutely adorable (then again, aren't all little kids are? Even if most hate me for no particular reason... O_o) so it was really depressing that she was murdered by a vampire. (Thank gods it's not Vlad!) In front of Joss. It's a lot for a 10 year old to handle a loved one getting murdered by a creature of the night that is usually find in fairy tales or books. Abraham hasn't changed that much from Vlad's side still strict and harsh, and definitely not getting any nicer. Maybe a little, but in the broad side, not really. But it's hard to imagine Abraham being creamed and practically screaming "bloody vampire" and it somehow gets worse than that.
I would never have expected who the traitor would actually be. For some reason, I thought it would be anyone but him (his name is anonymous in this review, by the way. ;)). He was like an alternative father that Joss didn't seem to have after his sister's death who was sympathetic/empathetic, kind, caring pretty much everything that you can imagine from a perfect father (or maybe Father of the Year) and just seemed too nice to be backstabbing his fellow Slayers in the end.
It's also really surprising, however, to find Joss making promises but later breaks them after he meets Vlad (I probably would've done the same if I were Joss...). But of all places, what in the world is someone else* doing interacting with Joss? (Curiosity hasn't killed the cat has it?) And -! Consider that break off as probably saying too much if I say it. Wayyy too much. O_o
*Words have been changed to avoid possible spoilers. You're welcome. :)
Lee (2222 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 28, 2019 (Updated Aug 28, 2019)
Well, that was a fun surprise!
While my youngest daughter was growing up, I watched a lot of Dora the Explorer on TV. She absolutely loved the show and its characters, its catchphrases and the music all ended up becoming a permanent fixture in my brain for a few years. When news broke of a live action movie, Dora and The Lost City of Gold, accompanied by a trailer and poster, I wasn't really sure what to make of it all. My daughter on the other hand, now aged 14, basically couldn't care less. But, when a succession of fairly positive reviews started coming through, including comparisons to Spy Kids and the classic Indiana Jones movies, I managed to convince her to come with me. And it's pretty fair to say, we both had a great time!
Kicking off with a seriously fun nostalgia trip for anyone who has seen more than their fair share of Dora episodes, the movie pretty much recreates the opening credits from the TV show. The song! Dora's talking backpack and map! And cousin Diego is there too!! But, it turns out Dora and Diego aren't actually just a couple of kids driving recklessly around the jungle in a jeep - they are in fact just using their imagination, driving a homemade cardboard vehicle at the jungle home where Dora lives with her parents.
10 years later and Dora hasn't really changed that much, enthusiastically exploring the jungle and communicating with all of the animals. When her parents (played by Michael Peña and Eva Longoria) decide to venture off in search of a lost city of gold, they pack Dora off to the big city where she joins Diego at high school. But Dora and her over friendly, extrovert ways prove to be a big embarrassment for cousin Diego, who has grown up to be a fairly normal, moody teenager, leaving behind his imaginative jungle childhood.
When her parents suddenly go missing one day, Dora enlists the help of Diego and a couple of unwitting fellow students to venture with her into the jungle in order to try and find them and the lost city of gold. What follows is an extremely enjoyable jungle adventure, complete with mysteries, puzzles to solve, and even bad guys too. Isabela Moner, who featured earlier this year as a troubled teenager in the brilliant Instant Family, is perfect as Dora as she brings the older version of the character to life. Her teen co stars all bring something different to the story too, and prove to be a real fun, mixed cast.
Throw in a poo song, an animated Dora scene brought on by breathing in hallucinogenic pollen and a catchy final song and dance number and Dora and the Lost City of Gold is the summer family movie you never knew you needed in your life!
Kicking off with a seriously fun nostalgia trip for anyone who has seen more than their fair share of Dora episodes, the movie pretty much recreates the opening credits from the TV show. The song! Dora's talking backpack and map! And cousin Diego is there too!! But, it turns out Dora and Diego aren't actually just a couple of kids driving recklessly around the jungle in a jeep - they are in fact just using their imagination, driving a homemade cardboard vehicle at the jungle home where Dora lives with her parents.
10 years later and Dora hasn't really changed that much, enthusiastically exploring the jungle and communicating with all of the animals. When her parents (played by Michael Peña and Eva Longoria) decide to venture off in search of a lost city of gold, they pack Dora off to the big city where she joins Diego at high school. But Dora and her over friendly, extrovert ways prove to be a big embarrassment for cousin Diego, who has grown up to be a fairly normal, moody teenager, leaving behind his imaginative jungle childhood.
When her parents suddenly go missing one day, Dora enlists the help of Diego and a couple of unwitting fellow students to venture with her into the jungle in order to try and find them and the lost city of gold. What follows is an extremely enjoyable jungle adventure, complete with mysteries, puzzles to solve, and even bad guys too. Isabela Moner, who featured earlier this year as a troubled teenager in the brilliant Instant Family, is perfect as Dora as she brings the older version of the character to life. Her teen co stars all bring something different to the story too, and prove to be a real fun, mixed cast.
Throw in a poo song, an animated Dora scene brought on by breathing in hallucinogenic pollen and a catchy final song and dance number and Dora and the Lost City of Gold is the summer family movie you never knew you needed in your life!
Kristy H (1252 KP) rated Saints for All Occasions in Books
Mar 6, 2019
Beautiful story of parenthood, immigration, siblings, religion, and so much more
Nora and Theresa Flynn are only twenty-one and seventeen when they leave their native Ireland and immigrate to the U.S. For her entire life, Nora has been the quintessential older sister, raising Theresa and their younger brother after the death of their mother. Now she's headed to Boston to be married to their former Irish neighbor, Charlie, whom Nora doesn't really even love. Theresa, meanwhile, is outgoing, beautiful, and intelligent. She loves the dances and social atmosphere in Boston, but that all changes when she winds up pregnant. Both Nora and Theresa are forced to make some drastic life decisions that will affect them for the rest of their lives. Fifty years later, in 2009, Nora and Charlie have four children: John, Bridget, Brian, and Patrick. But Theresa and Nora are no longer speaking, and Theresa lives as a cloistered nun in an abbey in Vermont. What happened between the two sisters? And how will a sudden tragedy affect their current, separate lives?
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know
Kristy H (1252 KP) rated Saints for All Occasions in Books
Jan 30, 2018
Well-written (1 more)
Striking characters
Gorgeous family saga
Nora and Theresa Flynn are only twenty-one and seventeen when they leave their native Ireland and immigrate to the U.S. For her entire life, Nora has been the quintessential older sister, raising Theresa and their younger brother after the death of their mother. Now she's headed to Boston to be married to their former Irish neighbor, Charlie, whom Nora doesn't really even love. Theresa, meanwhile, is outgoing, beautiful, and intelligent. She loves the dances and social atmosphere in Boston, but that all changes when she winds up pregnant. Both Nora and Theresa are forced to make some drastic life decisions that will affect them for the rest of their lives. Fifty years later, in 2009, Nora and Charlie have four children: John, Bridget, Brian, and Patrick. But Theresa and Nora are no longer speaking, and Theresa lives as a cloistered nun in an abbey in Vermont. What happened between the two sisters? And how will a sudden tragedy affect their current, separate lives?
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know.
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know.
Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
Twisting My Melon
Book
Shaun Ryder has lived a life of glorious highs and desolate lows. As lead singer of the "Happy...
Tell Me Who I am: Sometimes it's Safer Not to Know
Book
Imagine waking up one day to discover that you have forgotten everything about your life. Your only...
Tell Me Who I am: Sometimes it's Safer Not to Know
Book
Imagine waking up one day to discover that you have forgotten everything about your life. Your only...