
Sarah (7800 KP) rated Rocketman (2019) in Movies
May 29, 2019
This is more like an Elton John musical complete with rather strange fantasy elements, and I have to admit that the fantasy is mostly the bit I didn’t like. Singing with younger versions of himself were fine, but the rest I just found a little too odd and ill fitting. However despite this, it’s still a rather good musical. All of the songs that you’d expect are in here and it was a struggle not to sing along. I do think that the general sound on the music in this didn’t seem quite as good as Bohemian Rhapsody, it didn’t feel quite as immersive and concert like and it was in the same screen!
Taron Egerton does a wonderful job, I’ve said before that he’s a marvellous actor and he proves it yet again here. Whilst he doesn’t look exactly like Elton John i can’t imagine anyone else playing this role and there were some moments later on in the film that I had to do a double take as he looked so like him! There are other great performances too, namely Richard Madden as the smarmy John Reid and Jamie Bell as Bernie Taupin. There are some scenes with Bernie and Elton that almost have me in tears. I know fairly little about Elton’s earlier life so for me this was rather an informative and fascinating film too, and I was beyond glad at the end to hear that Bernie is still going. I couldn’t have coped if he wasn’t!
This film isn’t faultless and I felt like it was rather drawn out, but it’s still a rather good musical biopic and definitely one I’d like to see again and sing along too. Indeed, wouldn’t this be marvellous as a musical stage show?

Kristin (149 KP) rated Wingless and Damned in Books
Dec 7, 2018
At the start, we meet Ciarra, the tribal healer, doing her best in a bad situation by performing a spell on tribesmen that will turn them into werewolves. Unfortunately, there's no way to turn them back, as her spirit guides tell her. But at that moment, a mysterious man, Aison, comes out of the forest and grabs Ciarra, taking her to a cave deep in the woods, where his brethren, the Strigoi, those beings the werewolves were created to kill, are waiting. Aison and the others force Ciarra to alter the spell, forever cursing all future members of her tribe to become weres at 26 years old, as they have kidnapped the pregnant leader's wife, Kimi, as leverage. Ciarra is attacked by the other Strigoi, and Aison turns her, but not before Kimi gives birth and dies. Ciarra saves the baby and gives her to two Fae, enslaved by the Strigoi, to protect in their world until the time is right for her to meet her tribal mate and help bring down the original Strigoi. Years later, we meet Lea, the "wingless Fae" from the prophecy, and her story continues from there.
I really enjoyed this book, as there were lots of supernatural elements that I found really interesting. There are Strigoi, werewolves, Fae, tribal curses, spirit guides, etc., and it was really fun to read. However, I feel it would've been better had it been longer, as there were several instances I thought were rushed, such as the battle in the woods between the werewolves and Strigoi. I think it would've made a great novel, including a little more depth to the battle, the tribe's way of life and coping with the curse, etc. However, I still liked it a lot, and I look forward to more.
4 stars

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LeftSideCut (3776 KP) rated Sin City (2005) in Movies
Jan 7, 2021 (Updated Jan 11, 2021)
The main positives are of course the cast, and the style.
The cast is stacked - Bruce Willis, Rosario Dawson, Benicio Del Toro, Brittany Murphy, Michael Madsen, Clive Owen, Micky Rourke, Jessica Alba, Elijah Wood, Powers Boothe, Devon Aoki, Rutger Hauer, Michael Clarke Duncan, Carla Gugino, Jaime King... that's a fair ensemble if you ask me.
The style is of course a huge part of Sin City. It's neo noir black and white with splashes of colour translate perfectly from page to screen. 15 years later, the effects still look pretty decent and the overall look of the film is practically watching the graphic novels come to life, a strength that is bolstered by the cast involved.
It has a cheesy yet engaging screenplay - the runtime clocks in at over two hours, but never gets boring (just about), and the constant growly voiceovers and on the nose script beats could have potentially been laughable in anyone else's hands, but Robert Rodriguez somehow gets away with it.
The comics ultraviolence is well realised - the movie doesn't shy away from the grimness of proceedings. Some of the content however feels a little problematic in this day and age. The whole thing is plagued by a steady stream of misogyny, which would have probably been toned down if released today, but in my opinion, it's never glamorised. 95% of the male characters are grim shitbags, and the audience know it well.
I understand why a fair few people have an issue with Sin City and it's content, but personally, I find it to be a unique film with plenty of positives, a project that respects it's source material, and just about manages to avoid falling inside of its own arse.

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