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Hazel (1853 KP) rated A Song for Issy Bradley in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>A Song for Issy Bradley</i> is the captivating debut novel of talented author Carys Bray. Set in modern day Britain this heart-breaking story shows a family’s struggle to overcome the loss of their youngest child whilst also adhering to the strict rules of their Mormon religion.
It begins with seven-year-old Jacob’s birthday and Mum, Claire, is rushing around with last minute party preparations, whilst her husband, Bishop Ian, is off attending to his religious duties. Although Claire is aware that Issy is feeling poorly she does not realize how serious it is until much later - too much later. After being rushed to hospital with meningitis Issy’s prognosis is not good. Despite Ian’s blessings and prayers no miracle occurs and Issy passes away the following day.
The main storyline is about how the characters cope with this shockingly sudden loss. Claire hides herself away from everyone by remaining in bed for weeks and ignoring her duties and her family’s pleas. Ian, worried that Claire is not grieving in the proper Mormon way, throws himself even deeper into religion by focusing on what is expected of him as a Bishop rather than concentrating on his children’s needs.
Zipporah, the eldest, is expected to become the woman of the house until Claire returns to “normal”. As well as studying for her exams and doing the housework, Ian insists she attend all church events for people her age. Alone she worries about love, marriage and falling into sin; she would really like to be able to talk to her Mum. Alma, on the other hand, is becoming more and more rebellious. Not only does he have a stupid name (Alma was named after a prophet in the book of Mormon) his ambition to become a professional footballer is not conducive to living the gospel. Although he makes jokes and rude remarks about religious ideas there is still a part of him that believes, and despite his attitude it is clear he is deeply affected by Issy’s death.
Jacob’s reaction is the most heart wrenching of all. Being so young he believes everything he is told especially the bible stories he hears at church. If Jesus can bring people back to life, perhaps Issy can live again? He puts his faith in God and waits in vain for his sister’s miraculous return.
The story is shown through each of these five character’s point of views, which is interesting as the reader gets a chance to see how each person’s actions affect the others and gives a greater insight into character developments. It is gratifying to witness, albeit slowly, the family pick themselves up and begin to work together and carry on.
As to be expected with a story about Mormons there is a large amount of bible quotation. Many are from the Book of Mormon but there are numerous biblical references that Christians of all denominations will appreciate. The author was raised as a Mormon so it can only be assumed that all the details are accurate. Non-believers, however, should not be put off from reading this beautiful book: it is the way in which people deal with loss that is important and there is no preaching at the reader or attempts to convert.
This novel is highly recommended for female and male readers alike, particularly those who enjoy emotionally charged stories; and, of course, those interested in religion will love this book too.
<i>A Song for Issy Bradley</i> is the captivating debut novel of talented author Carys Bray. Set in modern day Britain this heart-breaking story shows a family’s struggle to overcome the loss of their youngest child whilst also adhering to the strict rules of their Mormon religion.
It begins with seven-year-old Jacob’s birthday and Mum, Claire, is rushing around with last minute party preparations, whilst her husband, Bishop Ian, is off attending to his religious duties. Although Claire is aware that Issy is feeling poorly she does not realize how serious it is until much later - too much later. After being rushed to hospital with meningitis Issy’s prognosis is not good. Despite Ian’s blessings and prayers no miracle occurs and Issy passes away the following day.
The main storyline is about how the characters cope with this shockingly sudden loss. Claire hides herself away from everyone by remaining in bed for weeks and ignoring her duties and her family’s pleas. Ian, worried that Claire is not grieving in the proper Mormon way, throws himself even deeper into religion by focusing on what is expected of him as a Bishop rather than concentrating on his children’s needs.
Zipporah, the eldest, is expected to become the woman of the house until Claire returns to “normal”. As well as studying for her exams and doing the housework, Ian insists she attend all church events for people her age. Alone she worries about love, marriage and falling into sin; she would really like to be able to talk to her Mum. Alma, on the other hand, is becoming more and more rebellious. Not only does he have a stupid name (Alma was named after a prophet in the book of Mormon) his ambition to become a professional footballer is not conducive to living the gospel. Although he makes jokes and rude remarks about religious ideas there is still a part of him that believes, and despite his attitude it is clear he is deeply affected by Issy’s death.
Jacob’s reaction is the most heart wrenching of all. Being so young he believes everything he is told especially the bible stories he hears at church. If Jesus can bring people back to life, perhaps Issy can live again? He puts his faith in God and waits in vain for his sister’s miraculous return.
The story is shown through each of these five character’s point of views, which is interesting as the reader gets a chance to see how each person’s actions affect the others and gives a greater insight into character developments. It is gratifying to witness, albeit slowly, the family pick themselves up and begin to work together and carry on.
As to be expected with a story about Mormons there is a large amount of bible quotation. Many are from the Book of Mormon but there are numerous biblical references that Christians of all denominations will appreciate. The author was raised as a Mormon so it can only be assumed that all the details are accurate. Non-believers, however, should not be put off from reading this beautiful book: it is the way in which people deal with loss that is important and there is no preaching at the reader or attempts to convert.
This novel is highly recommended for female and male readers alike, particularly those who enjoy emotionally charged stories; and, of course, those interested in religion will love this book too.
Lee (2222 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019 (Updated May 31, 2019)
Well, I liked it!
Before heading into Godzilla: King of the Monsters, I saw a lot of wildly mixed reviews online. People were either hating it or loving it, with nobody really feeling anything in-between. Even those cinema goers who were fully prepared for nothing more than a bunch of big monsters fighting alongside insignificant human bystanders were coming away from it fuming. Well, I’m happy to say that I’m putting myself firmly in the ‘loved it’ category, although I do understand and appreciate a lot of the issues that the haters have with it.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Real Tractor Farm Simulator 2017
Games and Entertainment
App
Farm simulator Pro is a new adventure concept. Agriculture is the foundation of the development of...
Ross (3284 KP) rated We Ride The Storm in Books
May 18, 2021
Great Asian-inspired twisting, back-stabbing fantasy
'We Ride the Storm' is an epic fantasy book set in an Asian-inspired world, with savage tribes, in-bred empires and age-old family rivalries.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
Zuky the BookBum (15 KP) rated A Pleasure and a Calling in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/a-pleasure-and-a-calling-by-phil-hogan
<b><I>You won’t remember Mr Heming. He showed you round your comfortable home, suggested a sustainable financial package, negotiated a price with the owner and called you with the good news. The less good news is that, all these years later, he still has the key.
That’s absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine?
The answer to that is, he has the keys to them all.</b></i>
This is a truly chilling novel. With such a unique plot line, excellent narration and beautiful descriptions, I’m amazed this hasn’t found itself being more popular. After scanning this books lower reviews, I can understand some people's frustrations with this because they were expecting a thriller, and while this technically does class as a thriller, it’s not what most people associate with thrillers. When you think of a thriller, you think Jason Bourne, fast-paced, exciting, and, of course, thrilling, so when you open this to find it’s slow-paced narration of Heming’s day-to-day life you’re going to be a bit miffed. So don’t go into this thinking your socks are going to be blown off in super fast-paced action.
Heming is a seriously unreliable narrator. Thanks to his wonderful storytelling, we’re drawn into his life, eager to know what happens next with almost no regard to the horrible things he’s actually doing! The narration is amazing at masking the creepiness of the situations Heming puts himself into, making you want to like his character, when really we know we shouldn’t.
Each character in this novel was presented in an excellent way, giving you enough to know about them without things becoming confusing and too heavy. As for the plot, well, what can I say? It was magnificent! It was so well thought out and solidly presented. I had wanted to read this novel for such a long time, I’m remarkably pleased it didn’t let me down, not even in the slightest!
I don’t have a lot more to say about this other than I loved it completely, I don’t think it let itself down at all and I was prepared for it to be a slow moving, almost dream like novel (which is a writing style I personally adore). In many ways, this is a very Lolita-esque novel, the unreliable narrator, the slow moving pace, in-depth and beautiful descriptions, deep infatuation etc etc, so if Lolita was a novel you enjoyed, for all of those reasons, then definitely give this a try.
<b><I>You won’t remember Mr Heming. He showed you round your comfortable home, suggested a sustainable financial package, negotiated a price with the owner and called you with the good news. The less good news is that, all these years later, he still has the key.
That’s absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine?
The answer to that is, he has the keys to them all.</b></i>
This is a truly chilling novel. With such a unique plot line, excellent narration and beautiful descriptions, I’m amazed this hasn’t found itself being more popular. After scanning this books lower reviews, I can understand some people's frustrations with this because they were expecting a thriller, and while this technically does class as a thriller, it’s not what most people associate with thrillers. When you think of a thriller, you think Jason Bourne, fast-paced, exciting, and, of course, thrilling, so when you open this to find it’s slow-paced narration of Heming’s day-to-day life you’re going to be a bit miffed. So don’t go into this thinking your socks are going to be blown off in super fast-paced action.
Heming is a seriously unreliable narrator. Thanks to his wonderful storytelling, we’re drawn into his life, eager to know what happens next with almost no regard to the horrible things he’s actually doing! The narration is amazing at masking the creepiness of the situations Heming puts himself into, making you want to like his character, when really we know we shouldn’t.
Each character in this novel was presented in an excellent way, giving you enough to know about them without things becoming confusing and too heavy. As for the plot, well, what can I say? It was magnificent! It was so well thought out and solidly presented. I had wanted to read this novel for such a long time, I’m remarkably pleased it didn’t let me down, not even in the slightest!
I don’t have a lot more to say about this other than I loved it completely, I don’t think it let itself down at all and I was prepared for it to be a slow moving, almost dream like novel (which is a writing style I personally adore). In many ways, this is a very Lolita-esque novel, the unreliable narrator, the slow moving pace, in-depth and beautiful descriptions, deep infatuation etc etc, so if Lolita was a novel you enjoyed, for all of those reasons, then definitely give this a try.
Christina Haynes (148 KP) rated Avoiding Alpha in Books
Jun 14, 2018
Contains spoilers, click to show
So Tessa is now a Werewolf, Human and Bruja (Witch in Spanish) She has accepted the fact she is one and can't do anything about it. She has also accepted that Dastien is her mate. But what she hasn't accepted is that she is going to have to change into a wolf... And that scares her.
With the Vampires gone, and her and Dastien enjoying life as mates. Things couldn't be better (other than the changing into a Werewolf part) However there is a Tribunal approaching because of the whole Dastien biting her thing... (Because wolves aren't allowed to bite human and Dastien broke that rule. They have to have tribubal. Although he bit her due to her being his mate, it still has to happen) She is terrified of what might happen to them both.
Then Meredith her best friend and room neighbor. Was cursed a few years ago so her wolf can't come out and she is never about to change into one again. This curse is now breaking. With Meredith finding her mate in Donovan, who is one of the seven (one of the high Werewolves, who are in charge of all Were.) She freaks and her wolf tries to break out and this gets her really ill. So ill she could die.
Tessa tries to find away to help her by breaking the curse and freeing her wolf. She tries magic and asks for her cousins help. But unfortunately there is no way to break another Witches curse. So Tessa suggests trying to keep the curse to save her life and then working on away to stop this curse later. Once Meredith is better.
We then find out who cursed her and why, Tessa then tries to talk to this Witch and get her to break that curse. But this Witch the leader of the Coven hates all Werewolves and will only break this curse (put the curse back on her and stop the wolf coming back) if she can do the same to Tessa and she joins the Coven she is destined to lead. But Tessa won't join.
Tessa tries to break the curse again and tries to keep Meridith's wolf at bay. But is unsuccessful in doing so. She goes back to the Coven ready to make a deal, but in going there she learns how to break the curse completely. But in order to break this curse she needs to accept she is going to have to change to become a wolf. Which she finally does.
With the Tribunal approaching Tessa has so many emotions. She needs to relax and save Meredith and become one with who she is.
3☕ – NOT A BAD BOOK
Love, Christina ?
With the Vampires gone, and her and Dastien enjoying life as mates. Things couldn't be better (other than the changing into a Werewolf part) However there is a Tribunal approaching because of the whole Dastien biting her thing... (Because wolves aren't allowed to bite human and Dastien broke that rule. They have to have tribubal. Although he bit her due to her being his mate, it still has to happen) She is terrified of what might happen to them both.
Then Meredith her best friend and room neighbor. Was cursed a few years ago so her wolf can't come out and she is never about to change into one again. This curse is now breaking. With Meredith finding her mate in Donovan, who is one of the seven (one of the high Werewolves, who are in charge of all Were.) She freaks and her wolf tries to break out and this gets her really ill. So ill she could die.
Tessa tries to find away to help her by breaking the curse and freeing her wolf. She tries magic and asks for her cousins help. But unfortunately there is no way to break another Witches curse. So Tessa suggests trying to keep the curse to save her life and then working on away to stop this curse later. Once Meredith is better.
We then find out who cursed her and why, Tessa then tries to talk to this Witch and get her to break that curse. But this Witch the leader of the Coven hates all Werewolves and will only break this curse (put the curse back on her and stop the wolf coming back) if she can do the same to Tessa and she joins the Coven she is destined to lead. But Tessa won't join.
Tessa tries to break the curse again and tries to keep Meridith's wolf at bay. But is unsuccessful in doing so. She goes back to the Coven ready to make a deal, but in going there she learns how to break the curse completely. But in order to break this curse she needs to accept she is going to have to change to become a wolf. Which she finally does.
With the Tribunal approaching Tessa has so many emotions. She needs to relax and save Meredith and become one with who she is.
3☕ – NOT A BAD BOOK
Love, Christina ?
Kristy H (1252 KP) rated I'll Be Your Blue Sky in Books
Feb 26, 2018
Revisits former characters (3 more)
Features unexpected twists and turns
Beautiful characters that fit together well
Funny and touching
Lovely look at some favorite characters
The weekend of her wedding, Clare Hobbes meets an elderly woman, Edith Herron, at the venue. While they only have a few brief conversations, they provide Clare with the insight and courage she so badly needs. So much that she finds the strength to call off her wedding and return home alone. A few weeks later, Clare receives some sad and surprising news: Edith has passed away and left Clare a seaside home in Delaware. Desperately seeking a place to reevaluate her life, Clare decamps to the "Blue Sky House" and there begins to learn more about Edith and the remarkable life she led. This includes the discovery of two ledgers--one depicting a list of the guests who stayed at Edith's home when it was a beach guesthouse and another, "shadow" ledger, with mysterious notations. With the help of her former boyfriend, now best friend Dev Tremain, Clare starts to unravel Edith's brave and fascinating past. Along the way, she starts to get closer to working out more about herself as well.
I absolutely adore Marisa de los Santos and was really excited to see she had written another book picking up on the characters first introduced in Love Walked In: A Novel and Belong to Me. Both still hold a place of honor on the bookshelves of my home. Still, Goodreads told me it was nearly ten years since I'd read those gems. Considering I can forget a lot of what I've read a few months ago, it took a little remembering and time to get back into the characters. There's a lot to keep track of in the beginning. Still, once I got into the groove, it was like being back with old friends.
Getting to know more about Clare--all grown up now--is lovely. You find yourself drawn to her immediately. Her finance, Zach, made me nervous from the start, and in many ways, the novel can be a little stressful, between Clare navigating Zach, learning about what Edith was up to, and just some of the general topics of the novel. I always know a book is well-written when I find myself getting nervous on the characters' behalf.
The book generally alternates chapters between Clare and the story of Edith, the woman she meets at her wedding venue. Edith's story mainly takes place in the 1940s and 1950s, and I found myself always wishing for more and more of her tale, as she's a fascinating character in her own right. As Clare moves into Edith's old home and starts to investigate the woman's past, we learn a little more about her through Clare and Dev's sleuthing. It's a very effective format, and I found the book surprisingly suspenseful, with several unexpected twists and turns thrown in along the way.
Indeed, I was never really sure where this one was going. It meanders a bit and kept surprising me as it did. There are points where the sadness can be really hard and heartbreaking (in a wow, this novel is incredibly well-written and I feel as if these characters are real way). All the characters fit together so well and come to life before you--no surprise to anyone who has read a Marisa de los Santos novel before. It's so easy to get lost in the world she creates for us. At other times, I just found myself laughing, as Clare and Dev, for instance, could just be so funny and real.
In the end, I just wound up really loving this one. I was along for the ride wherever Clare and her gang were going to take me. I loved her, I loved Edith, and now I'd wait ten years for another book without any issue whatsoever. It's a lovely book about connections and about the family we have and the family we make. It's about love (very appropriate that I finished it on Valentine's Day). Thanks for revisiting these characters, Ms. de los Santos. I didn't know I needed them again, but I'm glad you did. 4+ stars.
I I received a copy of this novel from the publisher and Edelweiss in return for a honest review. More at http://justacatandabookatherside.blogspot.com/
I absolutely adore Marisa de los Santos and was really excited to see she had written another book picking up on the characters first introduced in Love Walked In: A Novel and Belong to Me. Both still hold a place of honor on the bookshelves of my home. Still, Goodreads told me it was nearly ten years since I'd read those gems. Considering I can forget a lot of what I've read a few months ago, it took a little remembering and time to get back into the characters. There's a lot to keep track of in the beginning. Still, once I got into the groove, it was like being back with old friends.
Getting to know more about Clare--all grown up now--is lovely. You find yourself drawn to her immediately. Her finance, Zach, made me nervous from the start, and in many ways, the novel can be a little stressful, between Clare navigating Zach, learning about what Edith was up to, and just some of the general topics of the novel. I always know a book is well-written when I find myself getting nervous on the characters' behalf.
The book generally alternates chapters between Clare and the story of Edith, the woman she meets at her wedding venue. Edith's story mainly takes place in the 1940s and 1950s, and I found myself always wishing for more and more of her tale, as she's a fascinating character in her own right. As Clare moves into Edith's old home and starts to investigate the woman's past, we learn a little more about her through Clare and Dev's sleuthing. It's a very effective format, and I found the book surprisingly suspenseful, with several unexpected twists and turns thrown in along the way.
Indeed, I was never really sure where this one was going. It meanders a bit and kept surprising me as it did. There are points where the sadness can be really hard and heartbreaking (in a wow, this novel is incredibly well-written and I feel as if these characters are real way). All the characters fit together so well and come to life before you--no surprise to anyone who has read a Marisa de los Santos novel before. It's so easy to get lost in the world she creates for us. At other times, I just found myself laughing, as Clare and Dev, for instance, could just be so funny and real.
In the end, I just wound up really loving this one. I was along for the ride wherever Clare and her gang were going to take me. I loved her, I loved Edith, and now I'd wait ten years for another book without any issue whatsoever. It's a lovely book about connections and about the family we have and the family we make. It's about love (very appropriate that I finished it on Valentine's Day). Thanks for revisiting these characters, Ms. de los Santos. I didn't know I needed them again, but I'm glad you did. 4+ stars.
I I received a copy of this novel from the publisher and Edelweiss in return for a honest review. More at http://justacatandabookatherside.blogspot.com/
Bob Mann (459 KP) rated Roma (2018) in Movies
Sep 28, 2021
“Siempre estamos solas”
Alfonso Cuarón‘s “Roma” has been lauded with praise and award’s hype, and I must admit to have been a little bit snooty about it. A black-and-white Spanish language film with subtitles that – to be honest – looks a bit dreary: can it really be that good? Having now (finally) seen it on Netflix I can confirm that’s a big YES from my point of view. It’s a novelty of a glacially slow film that grips like a vice.
A primer on 70’s Mexican History.
This is a film about ordinary life set against tumultuous times. Set in the Colonia Roma district of Mexico City (if you were puzzled, as I was, where the title came from) it is an “Upstairs, Downstairs” tale of Cleo (Yalitza Aparicio), a maid and nanny to a middle class family in the early 70’s.
There are two intertwined stories here: Cleo’s personal story and that of the family background in which she works.
Cleo has a pleasant enough life working as partners in crime in the household with Adela (Nancy García García). Life is about getting the work done (well, more of less), keeping the four children happy – to who she is devoted – and scraping enough by to spend her downtime with her martial arts boyfriend Ramón (José Manuel Guerrero Mendoza).
Meanwhile the lady of the house Senora Sofia (Marina de Tavira) has an affluent and cosseted lifestyle amid her loving family.
But times are about to change for all of the players, as events – not just the events of the ‘Mexican Dirty War’ of 1971 going on in the background – transpire to change all their lives forever.
A masterclass in framing.
It’s criminal that I wasn’t able to get to see this in the cinema. Since every frame of this movie is a masterpiece of detail. There is just so much going on that your eyes dart this way and that, and you could probably watch it five times and see more. Even the opening titles are mesmerising, as the cobbled floor becomes a screen and an airliner lazily flies across it.
Even major action sequences, that other directors would fill the screen with (“Do you KNOW how much this scene is costing for God’s sake??”), are seen as they would typically be seen in real life – second hand, from a place of hiding. This is typified by the depiction of the Corpus Christi Massacre of June ’71, where the military, and more controversially the elite El Halconazo (The Hawks) of the Mexican army, turned on a student protest. Most of the action is seen as glimpses through the windows by the characters during a shopping trip to the second floor of a department store. How this was enacted and directed is a mystery to me, but it works just brilliantly.
A masterclass in pacing and panning.
One of Cuarón’s trademarks is the long take (think “Children of Men”) and here he (literally!) goes to town with the technique. An incredibly impressive scene has Cleo and Adela running through the streets of the City to meet their lovers at the cinema. It’s a continuous pan that again defies belief in the brilliance of its execution.
Even the mundane act of Cleo tidying up the apartment is done with a glorious slow pan around the room. Some of this panning is done to set the mood for the film (“Get settled in… this is going to be a long haul”) but others manage to evoke a sense of rising dread, an example at the beach being a brilliant case in point.
The cinematography was supposed to have been done by the great Emmanuel Lubezki, but he was unavailable so Cuarón did it himself! And it’s quite brilliant. So, that’s a lesson learned then that will reduce the budget for next time!
A personal story.
Cuarón wrote the script. Of course he did… it’s his story! He’s the same age as I am, so was nine years old for the autobiographical events featured in the film (he is the kid who gets punished for eavesdropping). Numerous aspects of the film are from his own childhood, including the fact that his younger brother kept spookily coming out with things that he’d done in his past lives! It’s a painful true story of his upbringing and of the life of Liboria Rodríguez: “Libo” to whom the film is dedicated.
Where the script is delightful is in never destroying the mood with lengthy exposition. Both of the key stories evolve slowly and only gradually do you work out what’s really going on. This is grown-up cinema at its finest.
It’s also a love letter from Cuarón to the cinema of his youth, a passion that sparked his eventual career. We see a number of trips to the local fleapit, and in one cute scene we seen a clip from the Gregory Peck space epic “Marooned”: the film that inspired Cuarón’s own masterpiece “Gravity“.
A naturalistic cast.
Casting a large proportion of the cast from unknowns feels like a great risk, but its a risk that pays off handsomely, particularly in the case of Yalitza Aparicio, who is breathtakingly naturalistic. Cuarón withheld the script from his cast, so some of the “acting” is not acting at all – specifically a gruelling and heartrending scene featuring Cleo later in the film. That’s real and raw emotion on the screen.
Marina de Tavira, although an actress with a track record, is also mightily impressive as the beleaguered and troubled wife.
Final Thoughts.
This is a masterpiece, and thoroughly deserves the “Best Picture” awards it has been getting. It’s certainly my odds on favourite, as well as being my pick, for the Oscar on Sunday. Will it be for everyone? Probably not.
There are some scenes which feel slightly ostentatious. A forest fire scene is brilliantly done (“Put out the small fires kids”), but then a guy in a monster suit pulls off his head-wear and starts singing a long and mournful song. Sorry?
There will also be many I suspect who will find the leisurely pace of the film excruciating; “JUST GET ON WITH IT” I hear them yelling at the screen. But if you give it the time and let it soak in, then you WILL be moved and you WILL remember the film long after you’ve seen it.
I remain cross however that this was released through Netflix. This is a film that deserves a full and widespread cinema release in 70mm format. It’s like taking an iPhone snap of the Mona Lisa and putting the phone on display instead.
A primer on 70’s Mexican History.
This is a film about ordinary life set against tumultuous times. Set in the Colonia Roma district of Mexico City (if you were puzzled, as I was, where the title came from) it is an “Upstairs, Downstairs” tale of Cleo (Yalitza Aparicio), a maid and nanny to a middle class family in the early 70’s.
There are two intertwined stories here: Cleo’s personal story and that of the family background in which she works.
Cleo has a pleasant enough life working as partners in crime in the household with Adela (Nancy García García). Life is about getting the work done (well, more of less), keeping the four children happy – to who she is devoted – and scraping enough by to spend her downtime with her martial arts boyfriend Ramón (José Manuel Guerrero Mendoza).
Meanwhile the lady of the house Senora Sofia (Marina de Tavira) has an affluent and cosseted lifestyle amid her loving family.
But times are about to change for all of the players, as events – not just the events of the ‘Mexican Dirty War’ of 1971 going on in the background – transpire to change all their lives forever.
A masterclass in framing.
It’s criminal that I wasn’t able to get to see this in the cinema. Since every frame of this movie is a masterpiece of detail. There is just so much going on that your eyes dart this way and that, and you could probably watch it five times and see more. Even the opening titles are mesmerising, as the cobbled floor becomes a screen and an airliner lazily flies across it.
Even major action sequences, that other directors would fill the screen with (“Do you KNOW how much this scene is costing for God’s sake??”), are seen as they would typically be seen in real life – second hand, from a place of hiding. This is typified by the depiction of the Corpus Christi Massacre of June ’71, where the military, and more controversially the elite El Halconazo (The Hawks) of the Mexican army, turned on a student protest. Most of the action is seen as glimpses through the windows by the characters during a shopping trip to the second floor of a department store. How this was enacted and directed is a mystery to me, but it works just brilliantly.
A masterclass in pacing and panning.
One of Cuarón’s trademarks is the long take (think “Children of Men”) and here he (literally!) goes to town with the technique. An incredibly impressive scene has Cleo and Adela running through the streets of the City to meet their lovers at the cinema. It’s a continuous pan that again defies belief in the brilliance of its execution.
Even the mundane act of Cleo tidying up the apartment is done with a glorious slow pan around the room. Some of this panning is done to set the mood for the film (“Get settled in… this is going to be a long haul”) but others manage to evoke a sense of rising dread, an example at the beach being a brilliant case in point.
The cinematography was supposed to have been done by the great Emmanuel Lubezki, but he was unavailable so Cuarón did it himself! And it’s quite brilliant. So, that’s a lesson learned then that will reduce the budget for next time!
A personal story.
Cuarón wrote the script. Of course he did… it’s his story! He’s the same age as I am, so was nine years old for the autobiographical events featured in the film (he is the kid who gets punished for eavesdropping). Numerous aspects of the film are from his own childhood, including the fact that his younger brother kept spookily coming out with things that he’d done in his past lives! It’s a painful true story of his upbringing and of the life of Liboria Rodríguez: “Libo” to whom the film is dedicated.
Where the script is delightful is in never destroying the mood with lengthy exposition. Both of the key stories evolve slowly and only gradually do you work out what’s really going on. This is grown-up cinema at its finest.
It’s also a love letter from Cuarón to the cinema of his youth, a passion that sparked his eventual career. We see a number of trips to the local fleapit, and in one cute scene we seen a clip from the Gregory Peck space epic “Marooned”: the film that inspired Cuarón’s own masterpiece “Gravity“.
A naturalistic cast.
Casting a large proportion of the cast from unknowns feels like a great risk, but its a risk that pays off handsomely, particularly in the case of Yalitza Aparicio, who is breathtakingly naturalistic. Cuarón withheld the script from his cast, so some of the “acting” is not acting at all – specifically a gruelling and heartrending scene featuring Cleo later in the film. That’s real and raw emotion on the screen.
Marina de Tavira, although an actress with a track record, is also mightily impressive as the beleaguered and troubled wife.
Final Thoughts.
This is a masterpiece, and thoroughly deserves the “Best Picture” awards it has been getting. It’s certainly my odds on favourite, as well as being my pick, for the Oscar on Sunday. Will it be for everyone? Probably not.
There are some scenes which feel slightly ostentatious. A forest fire scene is brilliantly done (“Put out the small fires kids”), but then a guy in a monster suit pulls off his head-wear and starts singing a long and mournful song. Sorry?
There will also be many I suspect who will find the leisurely pace of the film excruciating; “JUST GET ON WITH IT” I hear them yelling at the screen. But if you give it the time and let it soak in, then you WILL be moved and you WILL remember the film long after you’ve seen it.
I remain cross however that this was released through Netflix. This is a film that deserves a full and widespread cinema release in 70mm format. It’s like taking an iPhone snap of the Mona Lisa and putting the phone on display instead.
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Michael J. Bess (2 KP) rated Facebook in Apps
Jul 6, 2018
Great way to maintain relationships, but bad if you do not want your personal life all out there
I use Facebook to keep in contact with men and women I served with when I was in the Marine Corps. Whenever I remember the name of one, I go online and try to track them down. At least 1/4 of my 1000+ friend's list consists of veterans and current servicemembers and civilian employees.
But one thing that Facebook needs to improve on is it's verification process. My 13-year-old niece has had a page (TWO pages in fact!) since she was barely ten. I immediately contacted Facebook about this because I didn't want my niece to be another stat where she is preyed upon online by some phedophile. Facebook continued to keep the pages up.
Another reason the process needs to be improved is because someone may end up being "Catfished," for a lack of better term. My personal business was posted online by a woman whom I never met and I had no idea why this person would do something like that. More than two years later, I found that it wasn't a woman who posted the info, but it was a male friend of mine! A person who I had played practical jokes on the past but never to this extreme. Needless to say we are not longer friends as his ex-wife (my current girlfriend) informed me of other scrupulous things he had done with this particular page.
But one thing that Facebook needs to improve on is it's verification process. My 13-year-old niece has had a page (TWO pages in fact!) since she was barely ten. I immediately contacted Facebook about this because I didn't want my niece to be another stat where she is preyed upon online by some phedophile. Facebook continued to keep the pages up.
Another reason the process needs to be improved is because someone may end up being "Catfished," for a lack of better term. My personal business was posted online by a woman whom I never met and I had no idea why this person would do something like that. More than two years later, I found that it wasn't a woman who posted the info, but it was a male friend of mine! A person who I had played practical jokes on the past but never to this extreme. Needless to say we are not longer friends as his ex-wife (my current girlfriend) informed me of other scrupulous things he had done with this particular page.