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Lee (2222 KP) rated Annabelle Comes Home (2019) in Movies
Jul 12, 2019
Enjoyable, not as good as Annabelle Creation
Annabelle Comes Home is the third standalone movie for the creepy looking doll since her introduction during the original Conjuring movie. It's also the seventh feature movie from the ever expanding 'Conjuring Universe', a series of movies that have seen wildly varying degrees of quality and success thus far. I tend to start my reviews for this series of movies by declaring my love for the first Conjuring, before wishing that the latest release I'm reviewing might actually match that. But so far the only other movie in the series to come anywhere close to doing that for me was the last Annabelle movie - Annabelle Creation. So, I had very high hopes for this next Annabelle installment.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
Connor Sheffield (293 KP) rated Logan (2017) in Movies
Apr 19, 2017
Hugh Jackman completes his journey as Wolverine (1 more)
An emotional journey
Mutant with Human emotion
There are so many superhero movies these days, that the genre becomes somewhat dull and repetitive, especially when it comes to Marvel (not saying Marvel is dull and boring, but some of the films are somewhat lacking due to how many films there are each year - Just my opinion), but Logan is one of the greatest comic book movies I have seen for a while, for the fact that it makes Logan more human and explores the feeling of trying to fit into society, despite being so different.
Logan has always had a part of him deep down that just wants to be normal. He never wanted his power and though he's thankful for it in some ways he feels like he wouldn't have been lost without it if he never had it to begin with. This film explores that notion even further than the previous films as shows us Logan in the role of a father figure to young Laura and a son figure to a now very old Charles Xavier. In this film Logan doesn't feel like he's a mutant in the company of other mutants, He feels like he's apart of a family.
SPOILERS AHEAD!!
Later in the film we see Logan's fatherly side after Charles passes away, and Logan risks everything to keep Laura safe and to teach her right and wrong, and give her a parenting love that she hasn't known before in her young life. This also shines through the portrayal of young Laura (portrayed by the talented Dafne Keen) as we see her become more and more attached to Old Man Logan (I had to!). This is what makes this film the most human feeling superhero movie that I've ever seen.
The R rating makes this film come to life by bringing death in the most brutal of ways because it allows Laura to see what Logan has become and makes his message to her and to the audience a lot clearer. "Don't become what they made you"
Through all of the bloody violence and anger Laura is able to understand those words more clearly than if it was a 15 rated film because we see Logan when he becomes savage and truly unleashes his full anger that's built up over his long lifetime of war and hatred.
When this film comes to an end (my lord that ending had me balling like a baby) and we see Laura say her final goodbyes to Logan, you don't want it to end because you know that this has finally been the one time that Logan felt human and felt a true connection to someone. (Also because we want Hugh Jackman to be Wolverine forever)
The cinematography and directing of this movie is beautiful to look at and witness as the scenes unfold. The cast perform to the highest of standards and really deliver a convincing story the makes you feel sympathetic to each of the main characters.
Wolverine will never be the same without Hugh Jackman, but we must not be too quick to dismiss the new casting choice when it comes around. You never know, they might surprise you.
Logan has always had a part of him deep down that just wants to be normal. He never wanted his power and though he's thankful for it in some ways he feels like he wouldn't have been lost without it if he never had it to begin with. This film explores that notion even further than the previous films as shows us Logan in the role of a father figure to young Laura and a son figure to a now very old Charles Xavier. In this film Logan doesn't feel like he's a mutant in the company of other mutants, He feels like he's apart of a family.
SPOILERS AHEAD!!
Later in the film we see Logan's fatherly side after Charles passes away, and Logan risks everything to keep Laura safe and to teach her right and wrong, and give her a parenting love that she hasn't known before in her young life. This also shines through the portrayal of young Laura (portrayed by the talented Dafne Keen) as we see her become more and more attached to Old Man Logan (I had to!). This is what makes this film the most human feeling superhero movie that I've ever seen.
The R rating makes this film come to life by bringing death in the most brutal of ways because it allows Laura to see what Logan has become and makes his message to her and to the audience a lot clearer. "Don't become what they made you"
Through all of the bloody violence and anger Laura is able to understand those words more clearly than if it was a 15 rated film because we see Logan when he becomes savage and truly unleashes his full anger that's built up over his long lifetime of war and hatred.
When this film comes to an end (my lord that ending had me balling like a baby) and we see Laura say her final goodbyes to Logan, you don't want it to end because you know that this has finally been the one time that Logan felt human and felt a true connection to someone. (Also because we want Hugh Jackman to be Wolverine forever)
The cinematography and directing of this movie is beautiful to look at and witness as the scenes unfold. The cast perform to the highest of standards and really deliver a convincing story the makes you feel sympathetic to each of the main characters.
Wolverine will never be the same without Hugh Jackman, but we must not be too quick to dismiss the new casting choice when it comes around. You never know, they might surprise you.
Bong Mines Entertainment (15 KP) rated The Beginning - Single by The Crab Apples in Music
Jul 10, 2019
The Crab Apples is an indie pop-rock band based in Barcelona. Not too long ago, they released a wonderful indie-pop tune, entitled, “The Beginning”.
“You’ve already taken all your roots. Planted at least two seeds and you talk about them and I smile and nod my head. Though deep down I feel like dying. ‘Cause I know you have your life across the sea while I’m stuck in here, lost, wondering what I might potentially be.” – lyrics
‘The Beginning’ tells a bittersweet tale of a young woman who wants to travel overseas to visit a special guy in her life, someone who she desires to be with.
While in preparation to depart, she decides not to go and see him anymore. Subsequently, she rejects the idea of traveling on a plane to a far-away land.
Her sudden decision might be based on the fact that she considers herself an easy prey whose heart was effortlessly captured by the above-mentioned individual.
Later, she admits that if he would have opened his hand, she would’ve fallen into his trap like a big dumb fly.
What she wants now is to be free from his enchanting hook, which he uses to catch victims who are attracted to his charm.
But in order to achieve her desired goal, she can’t go to see him because she will fall under his spell once again.
‘The Beginning’ contains a relatable storyline, pleasing vocals, and buoyant instrumentation flavored with guitar products and alternative-pop elements. Also, the likable tune is featured on The Crab Apples’ “More Mistakes” EP.
“‘The End’ and ‘The Beginning’ are two parts of the same song. But in the versions we have made, we understand each part as different entities. Recording ‘The End’ was amazing because we experienced like never before. We went crazy with voice effects and synths. Laia came to the studio when she only needed to record the bass and recorded it in a shot as she listened and discovered how she had mutated the song throughout the process. All this took us away from our habitual ways of doing things and took us to lands we had never explored before.” – The Crab Apples
The Crab Apples consists of Carla Gimeno (vocals, guitar), Laia Alsina (electric guitar), Laia Martí (bass) and Mauro Cavallaro (drums).
What started as a project between four friends from the same town, quickly grew and they became the group we know now.
The release of their EP has led the dynamic foursome to comfortably play on stages all over Spain.
Not too long ago, Laia Alsina mentioned why their custom pedalboards for guitar and bass gives them freedom and peace of mind while on tour.
“I’ve been practically two years with the Evo Track S2 pedalboard and it has certainly been a great change. I find it very comfortable and easy to use to carry my pedals and especially when playing live. The elevation of the second row really helps me to activate and deactivate the effects easily. It prevents me to play accidentally the pedal on the side (common). I’m very happy because I’ve toured a lot and the pedalboard still lasts.” – Laia Alsina
Although they might not look like it at first sight, The Crab Apples considers their mistakes beautiful. Through their scars, what once seemed weak is now attractively strong.
“You’ve already taken all your roots. Planted at least two seeds and you talk about them and I smile and nod my head. Though deep down I feel like dying. ‘Cause I know you have your life across the sea while I’m stuck in here, lost, wondering what I might potentially be.” – lyrics
‘The Beginning’ tells a bittersweet tale of a young woman who wants to travel overseas to visit a special guy in her life, someone who she desires to be with.
While in preparation to depart, she decides not to go and see him anymore. Subsequently, she rejects the idea of traveling on a plane to a far-away land.
Her sudden decision might be based on the fact that she considers herself an easy prey whose heart was effortlessly captured by the above-mentioned individual.
Later, she admits that if he would have opened his hand, she would’ve fallen into his trap like a big dumb fly.
What she wants now is to be free from his enchanting hook, which he uses to catch victims who are attracted to his charm.
But in order to achieve her desired goal, she can’t go to see him because she will fall under his spell once again.
‘The Beginning’ contains a relatable storyline, pleasing vocals, and buoyant instrumentation flavored with guitar products and alternative-pop elements. Also, the likable tune is featured on The Crab Apples’ “More Mistakes” EP.
“‘The End’ and ‘The Beginning’ are two parts of the same song. But in the versions we have made, we understand each part as different entities. Recording ‘The End’ was amazing because we experienced like never before. We went crazy with voice effects and synths. Laia came to the studio when she only needed to record the bass and recorded it in a shot as she listened and discovered how she had mutated the song throughout the process. All this took us away from our habitual ways of doing things and took us to lands we had never explored before.” – The Crab Apples
The Crab Apples consists of Carla Gimeno (vocals, guitar), Laia Alsina (electric guitar), Laia Martí (bass) and Mauro Cavallaro (drums).
What started as a project between four friends from the same town, quickly grew and they became the group we know now.
The release of their EP has led the dynamic foursome to comfortably play on stages all over Spain.
Not too long ago, Laia Alsina mentioned why their custom pedalboards for guitar and bass gives them freedom and peace of mind while on tour.
“I’ve been practically two years with the Evo Track S2 pedalboard and it has certainly been a great change. I find it very comfortable and easy to use to carry my pedals and especially when playing live. The elevation of the second row really helps me to activate and deactivate the effects easily. It prevents me to play accidentally the pedal on the side (common). I’m very happy because I’ve toured a lot and the pedalboard still lasts.” – Laia Alsina
Although they might not look like it at first sight, The Crab Apples considers their mistakes beautiful. Through their scars, what once seemed weak is now attractively strong.
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Games and Health & Fitness
7.6
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Whatchareadin (174 KP) rated Those Girls in Books
May 10, 2018
So the third time is the charm. I have really been in a book funk lately and haven't picked up a book in a very long time. I checked this book out three times from the library before I was able to finish it. <B>BUT THAT HAS NOTHING TO DO WITH THIS BOOK!</B>
My mother introduced me to Chevy Stevens a few years ago and ever since, I try to read whatever she has put out. So far I think I am missing one maybe two. This book was so exciting and a thrill to read, I was made that my mood made it hard for me to pick up a book.
Jess, Courtney and Dani live with their father in Canada. Their father is usually gone for weeks at a time working and the girls are left to fend for themselves and work the ranch they live on to survive. When their father returns home late one night after drinking and finding out some disturbing news about his middle daughter Courtney, he is quite upset and hurls all of his anger on the girls. When the unthinkable happens, the girls know they must escape before they are thrust back into the foster care system. On the run from their father and their past, they make a stop in a small town when their truck breaks down. Only things here only get worse for the girls. Trapped for days with no one knowing where they are, they manage to escape again, running for their lives.
Now almost 18 years later, life is very different for the girls who are now women. They have changed their names and tried to move on from the horrific events that have plagued their past. When one of the sisters is gone for a few days, they don't think much of it, but when her niece goes missing too, there are many questions in the search for these women. Haunted by their past the remaining sisters travel back to the small town that changed their lives to try and find their sister and niece, but will they be able to find them before it is too late?
Chevy Stevens knows how to write a book that will keep you on the edge of your seat. She draws you into the story and keeps you captivated from the start. Whenever I did pick up this book I would read until I could no longer keep my eyes open. I will let you know, not as a spoiler, but the end of this book had me in tears. I mean full out running down the face tears. I hope it will release the same emotions in you. Highly recommended.
My mother introduced me to Chevy Stevens a few years ago and ever since, I try to read whatever she has put out. So far I think I am missing one maybe two. This book was so exciting and a thrill to read, I was made that my mood made it hard for me to pick up a book.
Jess, Courtney and Dani live with their father in Canada. Their father is usually gone for weeks at a time working and the girls are left to fend for themselves and work the ranch they live on to survive. When their father returns home late one night after drinking and finding out some disturbing news about his middle daughter Courtney, he is quite upset and hurls all of his anger on the girls. When the unthinkable happens, the girls know they must escape before they are thrust back into the foster care system. On the run from their father and their past, they make a stop in a small town when their truck breaks down. Only things here only get worse for the girls. Trapped for days with no one knowing where they are, they manage to escape again, running for their lives.
Now almost 18 years later, life is very different for the girls who are now women. They have changed their names and tried to move on from the horrific events that have plagued their past. When one of the sisters is gone for a few days, they don't think much of it, but when her niece goes missing too, there are many questions in the search for these women. Haunted by their past the remaining sisters travel back to the small town that changed their lives to try and find their sister and niece, but will they be able to find them before it is too late?
Chevy Stevens knows how to write a book that will keep you on the edge of your seat. She draws you into the story and keeps you captivated from the start. Whenever I did pick up this book I would read until I could no longer keep my eyes open. I will let you know, not as a spoiler, but the end of this book had me in tears. I mean full out running down the face tears. I hope it will release the same emotions in you. Highly recommended.
Kyera (8 KP) rated A Crown of Wishes (The Star-Touched Queen, #2) in Books
Feb 1, 2018
A Crown of Wishes is a companion novel to Roshani Chokshis A Star-Touched Queen, but neither needs to be read to enjoy the other. They can either be read in conjunction or be read as a stand-alone without the story being affected significantly in either case. That being said, A Crown of Wishes takes place later in time than A Star-Touched Queen and if you plan to read both perhaps reading them in chronological order would be best. I personally enjoyed A Crown of Wishes more than A Star-Touched Queen. The writing was equally lyrical and beautiful, but I found it to be more engaging than its predecessor.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
Ian Anderson recommended Classic FM Presents... by Alfie Boe in Music (curated)
Kristy H (1252 KP) rated Mother May I in Books
Apr 15, 2021
A riveting and addictive thriller about the power of motherhood
Bree Cabbat wakes up in the middle night, convinced a witch was peering into her bedroom window. Surely it was just a dream, she thinks, trying to get over the bad feeling the dream leaves behind. But the next day she sees the witch again--a haggard old woman--at the private school her daughters attend. Minutes later, Bree's infant son, Robert, vanishes, stolen from his car seat while she watches her oldest daughter rehearse. There's a note left behind, and Bree is told she cannot go to the police or fail to the follow instructions whatsoever. A woman contacts Bree, and Bree learns the old woman is a mother herself. She has a task for Bree; Bree agrees to do it, for she would do anything to get her son back. But completing that request sets off a series of events that Bree could have never foreseen, unleashing buried secrets and disastrous consequences. And in the end, it comes down to this: how far will two mothers go to protect their children?
"I felt more than I thought, Something bad is coming for us."
Wow, MOTHER MAY I was an excellent thriller! I was sucked in from the beginning, and this riveting page-turner never let me go. It was surprisingly captivating and so suspenseful--Bree's son Robert is taken nearly immediately, and the rest of the book revolves around her frantically trying to get him back. As she does, she learns more about the woman who stole him. The relationship the two form over the phone is fascinating. Bree is one tough cookie, as is her friend from college, Marshall, a PI at her husband's law firm.
"If you ever want to see your baby again, GO HOME"
Bree was once a poor kid, raised by a fearful mother in rural Georgia, but she's now a wealthy wife and mother, having married an attorney with family money and connections. She's worked hard to push off her mom's fears and wariness and feels like that her picture perfect life has proved her right. But with Robert's kidnapping, she starts to wonder if her mom was justified all along. The novel deftly explores the theme of class. It offers some wonderful messages on the power of motherhood--no matter how wealthy you may be. It certainly makes you think: what would you do in Bree's situation? And the old woman's?
Perhaps not everything in this tale is plausible, but I could have cared less. I was here for all of it! It was incredibly suspenseful and twisty, with information oozing out and surprising you at every turn. I truly couldn't put it down. This is definitely a winning thriller in my book! 4.5 stars.
"I felt more than I thought, Something bad is coming for us."
Wow, MOTHER MAY I was an excellent thriller! I was sucked in from the beginning, and this riveting page-turner never let me go. It was surprisingly captivating and so suspenseful--Bree's son Robert is taken nearly immediately, and the rest of the book revolves around her frantically trying to get him back. As she does, she learns more about the woman who stole him. The relationship the two form over the phone is fascinating. Bree is one tough cookie, as is her friend from college, Marshall, a PI at her husband's law firm.
"If you ever want to see your baby again, GO HOME"
Bree was once a poor kid, raised by a fearful mother in rural Georgia, but she's now a wealthy wife and mother, having married an attorney with family money and connections. She's worked hard to push off her mom's fears and wariness and feels like that her picture perfect life has proved her right. But with Robert's kidnapping, she starts to wonder if her mom was justified all along. The novel deftly explores the theme of class. It offers some wonderful messages on the power of motherhood--no matter how wealthy you may be. It certainly makes you think: what would you do in Bree's situation? And the old woman's?
Perhaps not everything in this tale is plausible, but I could have cared less. I was here for all of it! It was incredibly suspenseful and twisty, with information oozing out and surprising you at every turn. I truly couldn't put it down. This is definitely a winning thriller in my book! 4.5 stars.
Erika (17788 KP) rated Wrath of Man (2021) in Movies
May 23, 2021 (Updated May 23, 2021)
Guy Ritchie’s newest film, Wrath of Man, is based upon a French film called le Convoyeur, or ‘Cash Truck’. It’s one of the first ‘big’ films that’s only been released in theaters here in the US.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
Gareth von Kallenbach (980 KP) rated Wonder Woman (2017) in Movies
Jul 11, 2019
The extent of my knowledge of Wonder Woman comes from vague memories of the TV show with Lynda Carter in the 70s and the Super Friends cartoon in the early 80s. So I knew she was an Amazon princess from Paradise Island who flew an invisible plane. I may have been Wonder Woman for Halloween back when you stuck your arms through a plastic sheet with Wonder Woman’s torso painted on it, that tied at the neck like a cheap, hospital gown, with a mask with eyes cutout and a mouth you really couldn’t breathe through. So really, I knew OF her, but I never really actually knew much about Wonder Woman.
Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.
Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.
Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.
I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.
Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.
Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.
Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.
Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.
I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.
Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.