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Kristy H (1252 KP) rated Mother May I in Books
Apr 15, 2021
A riveting and addictive thriller about the power of motherhood
Bree Cabbat wakes up in the middle night, convinced a witch was peering into her bedroom window. Surely it was just a dream, she thinks, trying to get over the bad feeling the dream leaves behind. But the next day she sees the witch again--a haggard old woman--at the private school her daughters attend. Minutes later, Bree's infant son, Robert, vanishes, stolen from his car seat while she watches her oldest daughter rehearse. There's a note left behind, and Bree is told she cannot go to the police or fail to the follow instructions whatsoever. A woman contacts Bree, and Bree learns the old woman is a mother herself. She has a task for Bree; Bree agrees to do it, for she would do anything to get her son back. But completing that request sets off a series of events that Bree could have never foreseen, unleashing buried secrets and disastrous consequences. And in the end, it comes down to this: how far will two mothers go to protect their children?
"I felt more than I thought, Something bad is coming for us."
Wow, MOTHER MAY I was an excellent thriller! I was sucked in from the beginning, and this riveting page-turner never let me go. It was surprisingly captivating and so suspenseful--Bree's son Robert is taken nearly immediately, and the rest of the book revolves around her frantically trying to get him back. As she does, she learns more about the woman who stole him. The relationship the two form over the phone is fascinating. Bree is one tough cookie, as is her friend from college, Marshall, a PI at her husband's law firm.
"If you ever want to see your baby again, GO HOME"
Bree was once a poor kid, raised by a fearful mother in rural Georgia, but she's now a wealthy wife and mother, having married an attorney with family money and connections. She's worked hard to push off her mom's fears and wariness and feels like that her picture perfect life has proved her right. But with Robert's kidnapping, she starts to wonder if her mom was justified all along. The novel deftly explores the theme of class. It offers some wonderful messages on the power of motherhood--no matter how wealthy you may be. It certainly makes you think: what would you do in Bree's situation? And the old woman's?
Perhaps not everything in this tale is plausible, but I could have cared less. I was here for all of it! It was incredibly suspenseful and twisty, with information oozing out and surprising you at every turn. I truly couldn't put it down. This is definitely a winning thriller in my book! 4.5 stars.
"I felt more than I thought, Something bad is coming for us."
Wow, MOTHER MAY I was an excellent thriller! I was sucked in from the beginning, and this riveting page-turner never let me go. It was surprisingly captivating and so suspenseful--Bree's son Robert is taken nearly immediately, and the rest of the book revolves around her frantically trying to get him back. As she does, she learns more about the woman who stole him. The relationship the two form over the phone is fascinating. Bree is one tough cookie, as is her friend from college, Marshall, a PI at her husband's law firm.
"If you ever want to see your baby again, GO HOME"
Bree was once a poor kid, raised by a fearful mother in rural Georgia, but she's now a wealthy wife and mother, having married an attorney with family money and connections. She's worked hard to push off her mom's fears and wariness and feels like that her picture perfect life has proved her right. But with Robert's kidnapping, she starts to wonder if her mom was justified all along. The novel deftly explores the theme of class. It offers some wonderful messages on the power of motherhood--no matter how wealthy you may be. It certainly makes you think: what would you do in Bree's situation? And the old woman's?
Perhaps not everything in this tale is plausible, but I could have cared less. I was here for all of it! It was incredibly suspenseful and twisty, with information oozing out and surprising you at every turn. I truly couldn't put it down. This is definitely a winning thriller in my book! 4.5 stars.

Erika (17789 KP) rated Wrath of Man (2021) in Movies
May 23, 2021 (Updated May 23, 2021)
Guy Ritchie’s newest film, Wrath of Man, is based upon a French film called le Convoyeur, or ‘Cash Truck’. It’s one of the first ‘big’ films that’s only been released in theaters here in the US.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.

Gareth von Kallenbach (980 KP) rated Wonder Woman (2017) in Movies
Jul 11, 2019
The extent of my knowledge of Wonder Woman comes from vague memories of the TV show with Lynda Carter in the 70s and the Super Friends cartoon in the early 80s. So I knew she was an Amazon princess from Paradise Island who flew an invisible plane. I may have been Wonder Woman for Halloween back when you stuck your arms through a plastic sheet with Wonder Woman’s torso painted on it, that tied at the neck like a cheap, hospital gown, with a mask with eyes cutout and a mouth you really couldn’t breathe through. So really, I knew OF her, but I never really actually knew much about Wonder Woman.
Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.
Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.
Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.
I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.
Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.
Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.
Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.
Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.
I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.
Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.

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Heather Cranmer (2721 KP) rated The Thousand Year Curse in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> towards the end of September).
When I first found out about this book, I was very interested. I couldn't wait to read it! Luckily, it totally delivered.
Ryder is a 17 year old high school student who isn't very popular. Her ex-best friend makes her life a living hell at school. When Ollie arrives, he takes an immediate interest. Ryder is thrilled and feels as if Ollie is her soul mate. Not much later, Ari turns up, and Ryder can't help but feel as if she's known him. There's also some kind of attraction there. Ryder must choose between the two boys. As if that wasn't hard enough, Ryder has just found out her mother is a Greek goddess. Ryder wants to find her mother but doing so may put everyone in danger.
The title is definitely interesting. It does go with what the books about, and I think it's an awesome choice.
To be honest, I'm not really a fan of the cover. I think it's just a personal thing simply because I'm not a big fan of symbolism. I do like the whole pretty flower in the midst of dead things, but I just don't like it for this book. It doesn't really say much about the book.
The world building is alright. There's a few things that hurt the world building. For example, it seemed to me that Ryder just accepted everything she was told at face value. Sure, a few weird things are happening to her, but it's like she's told by a boy she just met, and she believes it all. Her best friend is even worse. He's told that Ryder is a half-goddess, and he just believes it with no questions asked. Also, I don't really think this whole curse is explained well enough. In fact, I'm still a little confused about the curse. So if both guys find her, even if she chooses one, she'll die a horrible death and be reincarnated? I'm just wondering how long she has before she dies because it just seemed like the curse wasn't that imminent. There's also Ryder's powers. She's had super strength since the beginning of the book, yet later on she has another super strength episode, and she acts like it's the first one she's had and is all shocked. Another thing that I found confusing was the whole reincarnation thing. She's been reincarnated by Hades for a thousand years. This life, she is a half goddess which makes things a bit difficult for Hades. Surely if Hades is the one that put the curse on her, then he should've been able to make her human. Saying that, I don't want people to think the world building is horribly written. It's far from it actually. The world is very interesting, but I just tend to over think things, I think. (See what I mean)?
The pacing is great in this book. The pacing really picks up during the Hell scenes, I thought. These were the scenes that held my attention the most although the whole book held my attention. The Hell scenes just made me want to read faster to find out what would happen next!
The plot is definitely an interesting one. I love the infusion of Greek mythology, and Ms. Lavati does an excellent job of making mythology work in her book. I've read a few books where the author tried to use some sort of mythology, and the book was just too boring. However, The Thousand Year Curse is by no means boring! There is a love triangle, and I usually hate them, but this one works in this story. I also like the fact that the plot involved going into Hell. That was definitely a good move on Ms. Lavati's part to include it in her book. There's no cliff hangar ending, but there are questions left unanswered to make way for the second book in the series. I, personally, am looking forward to the next book in the series.
The characters were written really well. I liked Ryder, and I liked how she dealt with her problems. At times, I did get annoyed with her because I just wanted her to choose one guy. However, I would have to remind myself that without this problem, there'd be no series. Ryder felt like a real girl and not just words on a paper. Ollie was written really well, but I just didn't like him. For one, I felt like he was just too serious. I also felt like he was too distant with Ryder a lot of the time. I also wanted to see more about Ollie in the book. My favorite character was Ari. I swooned over Ari! He had enough of that bad boy personality without being too much of an annoying character. I liked how he liked to take chances, and it seemed like he knew how to have fun. I'm Team Ari all the way! I'm hoping that Ryder ends up with Ari in the long run. I can actually feel the chemistry between those two.
There are quite a lot of grammar errors in this book. I feel that it does affect the quality of the book a little bit, but not so much so that it makes it unreadable. However, the dialogue in this book is fantastic especially in the scenes that Ari is in. (Okay, so I'm a bit biased). The characters all speak like they're from this time period even though two of them are gods. I was super thankful the characters spoke like normal people. I've read a book before where the character who is a god spoke rather strangely hence why I was so happy with the dialogue in this book.
Overall, The Thousand Year Curse by Taylor Lavati is an enjoyable read. Sure, it could do with some better editing and the world building could've used a little bit of work, but it's still really interesting. Plus, I've learned that Ms. Lavati wrote this book in 30 days for the NaNoWriMo competition. After learning that, my respect for Ms. Lavati went up a lot! To write a book as good as The Thousand Year Curse in 30 days is no small feat. After saying that, I'm definitely looking forward to reading the next book in the series!
I'd recommend this book to those aged 17+ who are after a fantastic book with Greek mythology infusions.
(I was provided with a free paperback copy of this title from the author in exchange for a fair and honest review).
When I first found out about this book, I was very interested. I couldn't wait to read it! Luckily, it totally delivered.
Ryder is a 17 year old high school student who isn't very popular. Her ex-best friend makes her life a living hell at school. When Ollie arrives, he takes an immediate interest. Ryder is thrilled and feels as if Ollie is her soul mate. Not much later, Ari turns up, and Ryder can't help but feel as if she's known him. There's also some kind of attraction there. Ryder must choose between the two boys. As if that wasn't hard enough, Ryder has just found out her mother is a Greek goddess. Ryder wants to find her mother but doing so may put everyone in danger.
The title is definitely interesting. It does go with what the books about, and I think it's an awesome choice.
To be honest, I'm not really a fan of the cover. I think it's just a personal thing simply because I'm not a big fan of symbolism. I do like the whole pretty flower in the midst of dead things, but I just don't like it for this book. It doesn't really say much about the book.
The world building is alright. There's a few things that hurt the world building. For example, it seemed to me that Ryder just accepted everything she was told at face value. Sure, a few weird things are happening to her, but it's like she's told by a boy she just met, and she believes it all. Her best friend is even worse. He's told that Ryder is a half-goddess, and he just believes it with no questions asked. Also, I don't really think this whole curse is explained well enough. In fact, I'm still a little confused about the curse. So if both guys find her, even if she chooses one, she'll die a horrible death and be reincarnated? I'm just wondering how long she has before she dies because it just seemed like the curse wasn't that imminent. There's also Ryder's powers. She's had super strength since the beginning of the book, yet later on she has another super strength episode, and she acts like it's the first one she's had and is all shocked. Another thing that I found confusing was the whole reincarnation thing. She's been reincarnated by Hades for a thousand years. This life, she is a half goddess which makes things a bit difficult for Hades. Surely if Hades is the one that put the curse on her, then he should've been able to make her human. Saying that, I don't want people to think the world building is horribly written. It's far from it actually. The world is very interesting, but I just tend to over think things, I think. (See what I mean)?
The pacing is great in this book. The pacing really picks up during the Hell scenes, I thought. These were the scenes that held my attention the most although the whole book held my attention. The Hell scenes just made me want to read faster to find out what would happen next!
The plot is definitely an interesting one. I love the infusion of Greek mythology, and Ms. Lavati does an excellent job of making mythology work in her book. I've read a few books where the author tried to use some sort of mythology, and the book was just too boring. However, The Thousand Year Curse is by no means boring! There is a love triangle, and I usually hate them, but this one works in this story. I also like the fact that the plot involved going into Hell. That was definitely a good move on Ms. Lavati's part to include it in her book. There's no cliff hangar ending, but there are questions left unanswered to make way for the second book in the series. I, personally, am looking forward to the next book in the series.
The characters were written really well. I liked Ryder, and I liked how she dealt with her problems. At times, I did get annoyed with her because I just wanted her to choose one guy. However, I would have to remind myself that without this problem, there'd be no series. Ryder felt like a real girl and not just words on a paper. Ollie was written really well, but I just didn't like him. For one, I felt like he was just too serious. I also felt like he was too distant with Ryder a lot of the time. I also wanted to see more about Ollie in the book. My favorite character was Ari. I swooned over Ari! He had enough of that bad boy personality without being too much of an annoying character. I liked how he liked to take chances, and it seemed like he knew how to have fun. I'm Team Ari all the way! I'm hoping that Ryder ends up with Ari in the long run. I can actually feel the chemistry between those two.
There are quite a lot of grammar errors in this book. I feel that it does affect the quality of the book a little bit, but not so much so that it makes it unreadable. However, the dialogue in this book is fantastic especially in the scenes that Ari is in. (Okay, so I'm a bit biased). The characters all speak like they're from this time period even though two of them are gods. I was super thankful the characters spoke like normal people. I've read a book before where the character who is a god spoke rather strangely hence why I was so happy with the dialogue in this book.
Overall, The Thousand Year Curse by Taylor Lavati is an enjoyable read. Sure, it could do with some better editing and the world building could've used a little bit of work, but it's still really interesting. Plus, I've learned that Ms. Lavati wrote this book in 30 days for the NaNoWriMo competition. After learning that, my respect for Ms. Lavati went up a lot! To write a book as good as The Thousand Year Curse in 30 days is no small feat. After saying that, I'm definitely looking forward to reading the next book in the series!
I'd recommend this book to those aged 17+ who are after a fantastic book with Greek mythology infusions.
(I was provided with a free paperback copy of this title from the author in exchange for a fair and honest review).

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Connor Sheffield (293 KP) rated Pirates of the Caribbean: Dead Man's Chest (2006) in Movies
Jun 5, 2017
The creations of the pirate lore brought to life (3 more)
Original Cast return for the sequel
The addition of new incredible casting choices such as Bill Nighy
It maintains the franchises humour in new ways
Giving Pirate Lore a new image
Since I have reviewed the first, fourth and fifth films of this franchise, I thought it to be necessary for me to review the second and third installments as well.
Disney created something truly entertaining when they brought to us 'The Pirates of the Caribbean: The Curse of the Black Pearl', and I know that i personally could not wait to see what journeys these characters would take us on. Jack Sparrow should probably be, and probably is, the highlight of all the films, because let's face it, Johnny Depp is ridiculously talented and this role helps us see him as something other than a Tim Burton creation. (Not saying I dislike Tim Burton or Johnny's roles in his films, but he is obviously in a lot of Tim Burton films, and he seems very typecasted in my opinion.)
But the later installments brought us talent that drives our attention away from the drunken idiot pirate captain, and draws us in by bringing to life the one name that all pirates fear; Davey Jones!
Davey Jones, to my knowledge, was never really given a true figure in the minds of pirates. He was always just a name to be feared, more so for the fact that the famous Davey Jones' Locker represented the bottom of the sea, and is used as a euphemism for drowning. When ships were wrecked in battle, or a sailor could not be retrieved after being thrown overboard, resulting in drowning, they would say that these sailors were now in Davey Jones' Locker. However, one thing that crossed my mind when I heard that they were bringing Davey Jones is as a villain (of sorts) to the film, was the bewilderment of who might play such a devilish character. Since there was never a figure before now, anyone could be cast. So the choices were almost endless. When the news came that Bill Nighy would be portraying him, I thought back to his role of Victor in the Underworld franchise, and I couldn't have chosen a better actor myself if I'm honest. His voice is different to many others and has a certain threatening spark to it, but one which didn't have to shout or change fully in tone to express anger or disgust. His voice, just is what it is and it's one that sticks in your head, and one you'll not forget anytime soon.
Two other famous lore based aspects, brought to life in this film are the Kraken, and of course the thing that the film is named after, the Dead Man's Chest. The Kraken would have been easier to come up with, because everyone knows the tale of the fearsome Kraken, the giant squid that can drag and entire ship down in one and make many a fierce pirate cower at the warning sign, known as the black spot, most often told to be placed upon the hand of the one it hunts.
However, I was really intrigued at the creators take on the famous Dead Man's Chest, and before I continue, here's a fun fact that'll give you a clue as to why it intrigues me so.
Fun Fact: Dead Man's Chest is actually an island called Dead Chest Island. The reason it is called Dead Chest Island, is because it is uninhabited, has no fresh water or trees and only sparse vegetation. However it is not entirely certain if this is the same island that the original Pirates of the golden age spoke of, but since there is no other island with a name that even closely resembles Dead Man's Chest, then this would seem to be the legendary island where it was told that Blackbeard used as punishment. Leaving his men stranded on the island with nothing but a cutlass and a bottle of rum each. When he returned after a month, there would be less men alive on the island than when he left. This inspired Robert Louis Stevenson's fictional sea shanty "15 Men on the dead man's chest, yo ho ho and a bottle of rum..".
So, the aspect that intrigues me is making this legend, and actual chest and connecting it to Davey Jones himself. In the film the chest contains the still beating heart of Davey Jones, and whoever pierced the heart becomes the next Captain of the Flying Dutchman, Davey Jone's famous ship. The look of Davey Jones himself is incredible, and the choice of giving him a squid face really adds to the fantasy of these films, and actually makes him terrifying, though not as much so if you were to read this. "Squid for a head...sounds silly" some people have said, yet when I show them a picture, they respond with something like "That's actually terrifying but awesome"
Overall, this installment has great casting choices and great visual effects, as well as an entertaining take on Pirate lore and as always, it is brilliantly funny.
Disney created something truly entertaining when they brought to us 'The Pirates of the Caribbean: The Curse of the Black Pearl', and I know that i personally could not wait to see what journeys these characters would take us on. Jack Sparrow should probably be, and probably is, the highlight of all the films, because let's face it, Johnny Depp is ridiculously talented and this role helps us see him as something other than a Tim Burton creation. (Not saying I dislike Tim Burton or Johnny's roles in his films, but he is obviously in a lot of Tim Burton films, and he seems very typecasted in my opinion.)
But the later installments brought us talent that drives our attention away from the drunken idiot pirate captain, and draws us in by bringing to life the one name that all pirates fear; Davey Jones!
Davey Jones, to my knowledge, was never really given a true figure in the minds of pirates. He was always just a name to be feared, more so for the fact that the famous Davey Jones' Locker represented the bottom of the sea, and is used as a euphemism for drowning. When ships were wrecked in battle, or a sailor could not be retrieved after being thrown overboard, resulting in drowning, they would say that these sailors were now in Davey Jones' Locker. However, one thing that crossed my mind when I heard that they were bringing Davey Jones is as a villain (of sorts) to the film, was the bewilderment of who might play such a devilish character. Since there was never a figure before now, anyone could be cast. So the choices were almost endless. When the news came that Bill Nighy would be portraying him, I thought back to his role of Victor in the Underworld franchise, and I couldn't have chosen a better actor myself if I'm honest. His voice is different to many others and has a certain threatening spark to it, but one which didn't have to shout or change fully in tone to express anger or disgust. His voice, just is what it is and it's one that sticks in your head, and one you'll not forget anytime soon.
Two other famous lore based aspects, brought to life in this film are the Kraken, and of course the thing that the film is named after, the Dead Man's Chest. The Kraken would have been easier to come up with, because everyone knows the tale of the fearsome Kraken, the giant squid that can drag and entire ship down in one and make many a fierce pirate cower at the warning sign, known as the black spot, most often told to be placed upon the hand of the one it hunts.
However, I was really intrigued at the creators take on the famous Dead Man's Chest, and before I continue, here's a fun fact that'll give you a clue as to why it intrigues me so.
Fun Fact: Dead Man's Chest is actually an island called Dead Chest Island. The reason it is called Dead Chest Island, is because it is uninhabited, has no fresh water or trees and only sparse vegetation. However it is not entirely certain if this is the same island that the original Pirates of the golden age spoke of, but since there is no other island with a name that even closely resembles Dead Man's Chest, then this would seem to be the legendary island where it was told that Blackbeard used as punishment. Leaving his men stranded on the island with nothing but a cutlass and a bottle of rum each. When he returned after a month, there would be less men alive on the island than when he left. This inspired Robert Louis Stevenson's fictional sea shanty "15 Men on the dead man's chest, yo ho ho and a bottle of rum..".
So, the aspect that intrigues me is making this legend, and actual chest and connecting it to Davey Jones himself. In the film the chest contains the still beating heart of Davey Jones, and whoever pierced the heart becomes the next Captain of the Flying Dutchman, Davey Jone's famous ship. The look of Davey Jones himself is incredible, and the choice of giving him a squid face really adds to the fantasy of these films, and actually makes him terrifying, though not as much so if you were to read this. "Squid for a head...sounds silly" some people have said, yet when I show them a picture, they respond with something like "That's actually terrifying but awesome"
Overall, this installment has great casting choices and great visual effects, as well as an entertaining take on Pirate lore and as always, it is brilliantly funny.

Sophia (Bookwyrming Thoughts) (530 KP) rated Titans in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Titans</i> is amazing, I adored the book and everything that came with it, and...
I want a Titan of my own as well.... Then again, I don't have horse riding experience, so I'll probably fall straight onto the ground face first. I'll stick with those wooden sticks that only have a horse head.
Here's what I adored and loved about Victoria Scott's latest novel (this is my first time reading her works....):
<ul>
<li>Mechanical horses, and it's not just a mechanical horse for experimental purposes. The mechanical horses, known as Titans in the book are horses used for racing. They not only resemble real horses, but they have emotions as well, and that's a little scary. The Kentucky Derby just got a new twist.</li>
<li>Victoria Scott almost always has a dash of humor in her characters' dialogue. I think this takes talent.</li>
<li>I adored each and every one of the major characters in the story. And if I didn't like them at first, I loved them by the end. That says something.</li>
</ul>
We have Astrid, a girl living an extremely rough life with everything on the line and sometimes scavenging to make a living. Being able to race in the Titan Derby allows her the chance to turn her rough life around, and she is determined to do what it takes within honorable boundaries. She also has a talent with math and can probably Calculus better than I ever did.
Then there's Magnolia, Astrid's best friend since childhood with the same amount of problems as Astrid if not more. But despite all of that, there is a strong bond of friendship between the two girls and Magnolia is there for Astrid every step of the way throughout the race, encouraging and supporting her. She is also hilarious and basically makes everything seem much better than they really are.
Victoria also introduces us to Rags, one of the key players who started the whole Titans spiel for Astrid (okay, he also started the whole Titans spiel in the first place) and allowing her the opportunity to race in the derby. He's a grumpy old man who comes across as overly crabby at first, but is secretly warm, fuzzy, and grandpa-ish.
Another key player to the whole Titans spiel is Barney, and he is definitely not the purple dinosaur from childhood. Although to be honest... he certainly reminds me of Childhood Barney in a weird way.
And later completing the ensemble, Victoria eventually introduces us to Lottie, a wealthy lady who has a history with Rags and gives off an "I seem intimidating because of my status, but I'm not <em>that</em> intimidating" vibe. She is also one of the few people who has hopes for Astrid early in the races and offers to be Astrid's sponsor, along with teaching her (and Magnolia) proper etiquette among the upper classes. Lottie is almost a surrogate mother outside of Astrid's home.
But even though they are all different from each other and normally wouldn't be caught dead together, the five of them click well throughout the duration of the race, forming a lasting friendship. The combination of friendship with the aspect of mechanical horses put together makes <i>Titans</i> a fantastic read for all ages.
<a href="https://bookwyrmingthoughts.com/arc-review-titans-by-victoria-scott/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Titans</i> is amazing, I adored the book and everything that came with it, and...
I want a Titan of my own as well.... Then again, I don't have horse riding experience, so I'll probably fall straight onto the ground face first. I'll stick with those wooden sticks that only have a horse head.
Here's what I adored and loved about Victoria Scott's latest novel (this is my first time reading her works....):
<ul>
<li>Mechanical horses, and it's not just a mechanical horse for experimental purposes. The mechanical horses, known as Titans in the book are horses used for racing. They not only resemble real horses, but they have emotions as well, and that's a little scary. The Kentucky Derby just got a new twist.</li>
<li>Victoria Scott almost always has a dash of humor in her characters' dialogue. I think this takes talent.</li>
<li>I adored each and every one of the major characters in the story. And if I didn't like them at first, I loved them by the end. That says something.</li>
</ul>
We have Astrid, a girl living an extremely rough life with everything on the line and sometimes scavenging to make a living. Being able to race in the Titan Derby allows her the chance to turn her rough life around, and she is determined to do what it takes within honorable boundaries. She also has a talent with math and can probably Calculus better than I ever did.
Then there's Magnolia, Astrid's best friend since childhood with the same amount of problems as Astrid if not more. But despite all of that, there is a strong bond of friendship between the two girls and Magnolia is there for Astrid every step of the way throughout the race, encouraging and supporting her. She is also hilarious and basically makes everything seem much better than they really are.
Victoria also introduces us to Rags, one of the key players who started the whole Titans spiel for Astrid (okay, he also started the whole Titans spiel in the first place) and allowing her the opportunity to race in the derby. He's a grumpy old man who comes across as overly crabby at first, but is secretly warm, fuzzy, and grandpa-ish.
Another key player to the whole Titans spiel is Barney, and he is definitely not the purple dinosaur from childhood. Although to be honest... he certainly reminds me of Childhood Barney in a weird way.
And later completing the ensemble, Victoria eventually introduces us to Lottie, a wealthy lady who has a history with Rags and gives off an "I seem intimidating because of my status, but I'm not <em>that</em> intimidating" vibe. She is also one of the few people who has hopes for Astrid early in the races and offers to be Astrid's sponsor, along with teaching her (and Magnolia) proper etiquette among the upper classes. Lottie is almost a surrogate mother outside of Astrid's home.
But even though they are all different from each other and normally wouldn't be caught dead together, the five of them click well throughout the duration of the race, forming a lasting friendship. The combination of friendship with the aspect of mechanical horses put together makes <i>Titans</i> a fantastic read for all ages.
<a href="https://bookwyrmingthoughts.com/arc-review-titans-by-victoria-scott/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>

Bob Mann (459 KP) rated A Quiet Place: Part II (2021) in Movies
May 29, 2021
Continuation of the original story, with thrills and suspense throughout (1 more)
Great cast - Millicent Simmonds and Noah Jupe are particularly good
Plot Summary:
In a pre-title sequence, we return to “Day 1” of the events of the first movie to see how life in the Abbott’s home town changed forever when chaos reigned down from the skies.
Rolling forward 473 days later, the plot picks up on the life of Evelyn (Emily Blunt), Regan (Millicent Simmons) and Marcus (Noah Jupe), following the dramatic events of “A Quiet Place” and the death of husband/father Lee (John Kravinski).
The three, together with Evelyn’s newborn, set off on a perilous journey to find help.
Positives:
- Sequels often try to over-reach, lobbing-in over-the-top action and forgetting why the audience so loved the original hit. This sequel doesn't fall into that trap, continuing the story in a seamless way. We very quickly get reinvested in the character's dire situation (as their situation suddenly gets even more dire!).
- The pre-title sequence is perfectly paced and utterly thrilling. It's the sequence that most grabbed my attention so many months (years?!) ago when - pre-Covid - I first saw the trailer attached below. That bus!!
- The ensemble cast works well together. Cillian Murphy is a fine actor, filling the Krasinski-shaped hole. And Emily Blunt is as kick-ass and wonderful as always. But special 'attaboys' need to go to the two youngsters, Millicent Simmonds and Noah Jupe. They were impressive in the first movie but here have to carry even more of the dramatic action and are just brilliant.
- Technically, the film has Oscar-worthy strengths.
-- The editing here is first rate: many of the jump scares are well-signposted, but they still work thanks to the timing of the cuts.
-- The sound design is (as you would expect) fantastic: once again this is a movie where snacks should be banned!
-- The soundtrack, by Marco Beltrami, is great, building on his themes from the original but knowing when to shut-up as well!
Negatives:
- It's a genuine joy to see John Krasinski in the dramatic pre-title sequence reprising his role of Lee Abbott. But then his massive presence is missed for the rest of the movie. Perhaps killing him off at the end of part 1 wasn't such a good idea?
- There's a lot of 'grief and mourning' to contend with here, post- (or nearly post-) Covid. This didn't affect me. But the illustrious Mrs Movie Man was 'not mentally ready' for it, and actively disliked the film as a result.
Summary Thoughts on "A Quiet Place Part II": Often a sequel doesn't live up to my expectations. Particularly so when I've loved the original AND had to wait SOOOOOOoooooooo long to see it. But this time I was not disappointed. I gave the original 5 stars. This naturally lacks the originality of the premise and is - imho - less good. But not by a great margin. It's still a rollercoaster thrill-ride that - at 97 minutes - doesn't overstay its welcome. Sometimes 'more of the same' is enough.
This is also a great movie to get people back into cinemas. Because, ladies and gents, since this is a MUST SEE on the big screen, and ideally in a screen with a great sound system.
As long as Krasinski stays at the helm, I'll personally be looking forwards to AQP - Part III, which I understand is in the works.
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
In a pre-title sequence, we return to “Day 1” of the events of the first movie to see how life in the Abbott’s home town changed forever when chaos reigned down from the skies.
Rolling forward 473 days later, the plot picks up on the life of Evelyn (Emily Blunt), Regan (Millicent Simmons) and Marcus (Noah Jupe), following the dramatic events of “A Quiet Place” and the death of husband/father Lee (John Kravinski).
The three, together with Evelyn’s newborn, set off on a perilous journey to find help.
Positives:
- Sequels often try to over-reach, lobbing-in over-the-top action and forgetting why the audience so loved the original hit. This sequel doesn't fall into that trap, continuing the story in a seamless way. We very quickly get reinvested in the character's dire situation (as their situation suddenly gets even more dire!).
- The pre-title sequence is perfectly paced and utterly thrilling. It's the sequence that most grabbed my attention so many months (years?!) ago when - pre-Covid - I first saw the trailer attached below. That bus!!
- The ensemble cast works well together. Cillian Murphy is a fine actor, filling the Krasinski-shaped hole. And Emily Blunt is as kick-ass and wonderful as always. But special 'attaboys' need to go to the two youngsters, Millicent Simmonds and Noah Jupe. They were impressive in the first movie but here have to carry even more of the dramatic action and are just brilliant.
- Technically, the film has Oscar-worthy strengths.
-- The editing here is first rate: many of the jump scares are well-signposted, but they still work thanks to the timing of the cuts.
-- The sound design is (as you would expect) fantastic: once again this is a movie where snacks should be banned!
-- The soundtrack, by Marco Beltrami, is great, building on his themes from the original but knowing when to shut-up as well!
Negatives:
- It's a genuine joy to see John Krasinski in the dramatic pre-title sequence reprising his role of Lee Abbott. But then his massive presence is missed for the rest of the movie. Perhaps killing him off at the end of part 1 wasn't such a good idea?
- There's a lot of 'grief and mourning' to contend with here, post- (or nearly post-) Covid. This didn't affect me. But the illustrious Mrs Movie Man was 'not mentally ready' for it, and actively disliked the film as a result.
Summary Thoughts on "A Quiet Place Part II": Often a sequel doesn't live up to my expectations. Particularly so when I've loved the original AND had to wait SOOOOOOoooooooo long to see it. But this time I was not disappointed. I gave the original 5 stars. This naturally lacks the originality of the premise and is - imho - less good. But not by a great margin. It's still a rollercoaster thrill-ride that - at 97 minutes - doesn't overstay its welcome. Sometimes 'more of the same' is enough.
This is also a great movie to get people back into cinemas. Because, ladies and gents, since this is a MUST SEE on the big screen, and ideally in a screen with a great sound system.
As long as Krasinski stays at the helm, I'll personally be looking forwards to AQP - Part III, which I understand is in the works.
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)