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Kirk Bage (1775 KP) rated Seinfeld - Season 1 in TV
Jan 22, 2021
I always assumed I wouldn’t like Seinfeld in the 90s. In fact I was opposed to the very idea of it on principle. And that principle was: I’ve never heard of this guy as a comedian, and American stand-up usually isn’t funny. I never saw a single episode until six months ago – in my head it was some dumb, canned laughter show with very forced scripts and little charm. I just didn’t get why it was always quoted amongst the best sitcoms of all time, and I wasn’t willing to find out. This is called “being ignorant”. Guilty.
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!
Darren (1599 KP) rated Crawl (2019) in Movies
Aug 23, 2019
Verdict: Intense Creature Feature
Story: Crawl starts when college swimming student Haley (Scodelario) who after a family disagreement with her father Dave (Pepper) hasn’t spoken to him in a while gets a call from her sister Beth (Clark) to make sure their father is out of Florida after a hurricane has taken a turn to put him in the path of the destruction.
Haley arrives back home, bringing back the memories with father and his training to make her an elite swimming, only to find him injured in the crawlspace, where he has been a victim of an alligator attack, the two find themselves trapped against the alligators, with the flood water rising and time running out, can they make it out, that is the question.
Thoughts on Crawl
Characters – This is a film that only really has two characters in, we have Haley who is a college student on a scholarship for her swimming, she has been training her whole life and is starting to question her place in the sport going forward, she reluctantly goes to make sure her father has gotten out of Florida before the hurricane hits and here she must put aside their differences to face off against the alligators that are looking to feed. Her swimming skills do come in crucial when it comes to staying ahead of the gators, but she does fall into the stupid decisions being made. Dave is the father that has buried himself in work after his wife left him, he had spent most of Haley’s childhood coaching her to be the best in swimming, with them both getting success, he has however become injured due to the attack and helps his daughter to escape, so they can rebuild their relationship. Where the two have been going through a strained relationship, it does show how the working together process isn’t working well to start with and as they rebuild their relationship, we see just how well they can work together.
Performances – Kaya Scodelario in the leading role is strong for the most part, we get to see how she manages to look like she isn’t completely in a comfortable place with her future and that she will never give up the fight. Barry Pepper, despite spending most of the film injured, does bring us a strong performance too which shows us that both the main stars of the film do carry the load well.
Story – The story here follows a father and daughter that find themselves trapped in a crawlspace where they are being stalked by alligators, making walking out difficult, while also being in the path of a hurricane which will see them below water sooner rather than later. When we break down this story, we do have a creature feature film that does see man versus nature, with it being both natural disaster and a living predator. This is a battle to survive which does feel intense, even if the trailer does give away most of the film’s story, which is highly disappointing to see. This story does keep the pace up and does have the side of the story which sees the family needing to put aside their issues to make it out.
Action/Horror – The action comes from the alligator attacks, they are intense and show just how deadly they can be, this is a horror that wouldn’t be terrifying to live through, this all shows just how deadly of a predator alligator can be.
Settings – The film is set in one location, the house where Haley grew up, starting with a large part inside the crawlspace under the house, it is contained, and you can understand why the gators would be in there too.
Special Effects – The effects when it comes to injuries are brutal to watch, with one scene involving a leg being placed back together standing out, the alligators look terrifying too through the film.
Scene of the Movie – Boat wave.
That Moment That Annoyed Me – Does nobody in Florida know how deadly Alligators are?
Final Thoughts – This is a fun and intense creature feature that doesn’t hide away from the blood and will keep you on the edge of the seat.
Overall: Creature feature fun.
Story: Crawl starts when college swimming student Haley (Scodelario) who after a family disagreement with her father Dave (Pepper) hasn’t spoken to him in a while gets a call from her sister Beth (Clark) to make sure their father is out of Florida after a hurricane has taken a turn to put him in the path of the destruction.
Haley arrives back home, bringing back the memories with father and his training to make her an elite swimming, only to find him injured in the crawlspace, where he has been a victim of an alligator attack, the two find themselves trapped against the alligators, with the flood water rising and time running out, can they make it out, that is the question.
Thoughts on Crawl
Characters – This is a film that only really has two characters in, we have Haley who is a college student on a scholarship for her swimming, she has been training her whole life and is starting to question her place in the sport going forward, she reluctantly goes to make sure her father has gotten out of Florida before the hurricane hits and here she must put aside their differences to face off against the alligators that are looking to feed. Her swimming skills do come in crucial when it comes to staying ahead of the gators, but she does fall into the stupid decisions being made. Dave is the father that has buried himself in work after his wife left him, he had spent most of Haley’s childhood coaching her to be the best in swimming, with them both getting success, he has however become injured due to the attack and helps his daughter to escape, so they can rebuild their relationship. Where the two have been going through a strained relationship, it does show how the working together process isn’t working well to start with and as they rebuild their relationship, we see just how well they can work together.
Performances – Kaya Scodelario in the leading role is strong for the most part, we get to see how she manages to look like she isn’t completely in a comfortable place with her future and that she will never give up the fight. Barry Pepper, despite spending most of the film injured, does bring us a strong performance too which shows us that both the main stars of the film do carry the load well.
Story – The story here follows a father and daughter that find themselves trapped in a crawlspace where they are being stalked by alligators, making walking out difficult, while also being in the path of a hurricane which will see them below water sooner rather than later. When we break down this story, we do have a creature feature film that does see man versus nature, with it being both natural disaster and a living predator. This is a battle to survive which does feel intense, even if the trailer does give away most of the film’s story, which is highly disappointing to see. This story does keep the pace up and does have the side of the story which sees the family needing to put aside their issues to make it out.
Action/Horror – The action comes from the alligator attacks, they are intense and show just how deadly they can be, this is a horror that wouldn’t be terrifying to live through, this all shows just how deadly of a predator alligator can be.
Settings – The film is set in one location, the house where Haley grew up, starting with a large part inside the crawlspace under the house, it is contained, and you can understand why the gators would be in there too.
Special Effects – The effects when it comes to injuries are brutal to watch, with one scene involving a leg being placed back together standing out, the alligators look terrifying too through the film.
Scene of the Movie – Boat wave.
That Moment That Annoyed Me – Does nobody in Florida know how deadly Alligators are?
Final Thoughts – This is a fun and intense creature feature that doesn’t hide away from the blood and will keep you on the edge of the seat.
Overall: Creature feature fun.
Bong Mines Entertainment (15 KP) rated Back on Me - Single by Marshall Loren in Music
Jul 10, 2019
marshall loren is an up-and-coming singer-songwriter. Not too long ago, he released a heartfelt emo-pop tune, entitled, “Back on Me”.
“I said I know that we’re going different ways right now. Can’t help but think that you’re on your way back now. I know I’m the fool that let you go on the loose. Never thought I’d be the one that’s waiting for you.” – lyrics
‘Back on Me’ tells a bittersweet tale of a young guy who wants his ex-girlfriend back. Oftentimes, he reminisces about her and blames himself for their emotional breakup.
Later, he admits if he could change anything, he would have never let her go.
‘Back on Me’ contains a relatable storyline and harmonious vocals. Also, the likable tune possesses murky instrumentation flavored with hip-hop, trap, and urban-pop elements.
“‘Back on Me’ is about ending a relationship with someone that you wish you hadn’t. You see them moving on a lot faster than you anticipated which makes you feel a loss. It’s about wanting that person back in your life. Also, it’s time to bring back the influences of the early 2000s emo scene. This song starts with an old-school steel guitar to bring back those elements that my generation grew up on. The melodies are reminiscent of younger years while having a modern flair. I want to bring back nostalgia for my generation and to show the new kids a style they might not have heard before.” – marshall loren
“I said I know that we’re going different ways right now. Can’t help but think that you’re on your way back now. I know I’m the fool that let you go on the loose. Never thought I’d be the one that’s waiting for you.” – lyrics
‘Back on Me’ tells a bittersweet tale of a young guy who wants his ex-girlfriend back. Oftentimes, he reminisces about her and blames himself for their emotional breakup.
Later, he admits if he could change anything, he would have never let her go.
‘Back on Me’ contains a relatable storyline and harmonious vocals. Also, the likable tune possesses murky instrumentation flavored with hip-hop, trap, and urban-pop elements.
“‘Back on Me’ is about ending a relationship with someone that you wish you hadn’t. You see them moving on a lot faster than you anticipated which makes you feel a loss. It’s about wanting that person back in your life. Also, it’s time to bring back the influences of the early 2000s emo scene. This song starts with an old-school steel guitar to bring back those elements that my generation grew up on. The melodies are reminiscent of younger years while having a modern flair. I want to bring back nostalgia for my generation and to show the new kids a style they might not have heard before.” – marshall loren
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The Making of Prehistoric Wiltshire: Life, Ceremony & Death from the Earliest Times to the Roman Invasion
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Fantastic, twisty thriller with a heart
Felix Pink enters a home with one goal: to kindly keep a dying man company. But when he flees fifteen minutes later--more quickly than his seventy-five years usually allow--he's on the run from the police. Because Felix has made a mistake, and now his quiet life will never be the same.
"The [words] he needed finally dropped slowly from his numb lips. 'We killed the wrong man.'"
Oh my gosh, this book was amazing. Absolutely excellent. It has a different premise, keeps you guessing, and the characters are beyond superb. Bauer utterly captures Felix, with whom I fell completely in love. Yes, seventy-five-year-old widowed Felix is my new literary love. She also does an excellent job with Calvin, the young policeman who must investigate Felix Pink. These two men--along with the supporting cast--jump off the pages of this thriller. I was completely enthralled.
Even better, somehow this tale is witty despite it revolving around death. Felix has a superb sense of humor and the entire book is just infused with wit and a feeling of tenderness. It's also incredibly shocking, with a couple of plot twists that made me gasp. It's twisty and a total page turner. Rare do you get a mystery that is sweet yet exciting. But EXIT is just that.
Overall, this book is a total winner. Funny and heartwarming coupled with an excellent, intricate mystery plot that keeps you surprised at each turn. Highly recommend this one! 4.5 stars.
"The [words] he needed finally dropped slowly from his numb lips. 'We killed the wrong man.'"
Oh my gosh, this book was amazing. Absolutely excellent. It has a different premise, keeps you guessing, and the characters are beyond superb. Bauer utterly captures Felix, with whom I fell completely in love. Yes, seventy-five-year-old widowed Felix is my new literary love. She also does an excellent job with Calvin, the young policeman who must investigate Felix Pink. These two men--along with the supporting cast--jump off the pages of this thriller. I was completely enthralled.
Even better, somehow this tale is witty despite it revolving around death. Felix has a superb sense of humor and the entire book is just infused with wit and a feeling of tenderness. It's also incredibly shocking, with a couple of plot twists that made me gasp. It's twisty and a total page turner. Rare do you get a mystery that is sweet yet exciting. But EXIT is just that.
Overall, this book is a total winner. Funny and heartwarming coupled with an excellent, intricate mystery plot that keeps you surprised at each turn. Highly recommend this one! 4.5 stars.
Christine A. (965 KP) rated Don't Look for Me in Books
Sep 16, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
Although I have Wendy Walker's novels on my "to-read list," I have not had the pleasure of reading any until now. Why have I waited so long to read any of her work?
I could not put down her latest novel, Don't Look for Me. Told from two points of view, Molly Harper and her daughter Nic, we discover a family broken by tragedy, an accident from years ago. Molly is wracked with guilt and struggling to keep her family together. Nic, broken by guilt and anger, lashes out at Molly. Later Molly's car is found abandoned on the side of the road. The police think she walked away from her life. Nic refuses to believe her mom would leave them when they are all still recovering from tragedy. If she did not just walk away, then what happened to Molly?
Walker's brilliant writing leaves you unable to put the book down. She creates hard-to-forget characters. Often when an author includes numerous characters, they are flat. Walker's are fully formed, and her writing style leads you to suspect many outcomes.
I am sorry I waited so long to read Walker, but I am going to make up for time lost.
This review was published on Philomathinphila.com, on 9/15/20.
Although I have Wendy Walker's novels on my "to-read list," I have not had the pleasure of reading any until now. Why have I waited so long to read any of her work?
I could not put down her latest novel, Don't Look for Me. Told from two points of view, Molly Harper and her daughter Nic, we discover a family broken by tragedy, an accident from years ago. Molly is wracked with guilt and struggling to keep her family together. Nic, broken by guilt and anger, lashes out at Molly. Later Molly's car is found abandoned on the side of the road. The police think she walked away from her life. Nic refuses to believe her mom would leave them when they are all still recovering from tragedy. If she did not just walk away, then what happened to Molly?
Walker's brilliant writing leaves you unable to put the book down. She creates hard-to-forget characters. Often when an author includes numerous characters, they are flat. Walker's are fully formed, and her writing style leads you to suspect many outcomes.
I am sorry I waited so long to read Walker, but I am going to make up for time lost.
This review was published on Philomathinphila.com, on 9/15/20.
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