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Haley Mathiot (9 KP) rated Shatter Me in Books
Apr 27, 2018
Shatter Me is one of those books that will stick with me forever. I may even re-read it just because I enjoyed it so much! I mean, I never re-read books! But I may very well re-read this one! It's one that I can pick up the next one after not having read it for a year, and I can jump right back in because I remember it all. I can't wait until the next book comes out! Oh my gosh! Why on earth did I wait so long to read it? Oh yeah. College.
The writing was magnificent (man has it been a long time since I've been able to say that). It was interesting, and different, and felt like a free flowing train of thought instead of conscious sentences or pages from a diary. It was beautiful and poetic, and full of metaphors about nature and beauty and pain that were so honest and true that I couldn't figure out why I hadn't thought them up myself first. Sometimes there would be a phrase that Juliette thought to herself that was true but she refused to admit to thinking, and it would be crossed out. (like that ^). I really liked this, because it showed what she was really thinking, but it also showed what kind of person she wanted to be.
The plot was fantastic. It never stopped moving forward. There were brief times of rest in the thriller aspect of the story, but the tension itself never went away, and there were no dead plot fillers thrown in.
I really liked Juliette. She wants to be strong, but after a long life of being emotionally abused, she's a weak broken pitiful creature who just wants to be loved and nurtured back to health. She will do anything to be on good terms with someone she loves. She's dying to be touched, but she knows she can't be because she'll kill whoever touches her. And she doesn't want to hurt anyone. She wants to help people and comfort them, but she knows she'll kill them. What a horrible place to be in!
I won't say too much about her love interest, Adam, but I will say he is so going on my list of favorite literary crushes. He is hott stuff. And because of that, I'm going to put my recommendation as ages 16+. If you can't read Hush Hush or Hourglass, I'd hold off on this one for a while…
Content/recommendation: Some hot kissing scenes, and I'm seeing a potential for more in the later books. Ages 16+
The writing was magnificent (man has it been a long time since I've been able to say that). It was interesting, and different, and felt like a free flowing train of thought instead of conscious sentences or pages from a diary. It was beautiful and poetic, and full of metaphors about nature and beauty and pain that were so honest and true that I couldn't figure out why I hadn't thought them up myself first. Sometimes there would be a phrase that Juliette thought to herself that was true but she refused to admit to thinking, and it would be crossed out. (like that ^). I really liked this, because it showed what she was really thinking, but it also showed what kind of person she wanted to be.
The plot was fantastic. It never stopped moving forward. There were brief times of rest in the thriller aspect of the story, but the tension itself never went away, and there were no dead plot fillers thrown in.
I really liked Juliette. She wants to be strong, but after a long life of being emotionally abused, she's a weak broken pitiful creature who just wants to be loved and nurtured back to health. She will do anything to be on good terms with someone she loves. She's dying to be touched, but she knows she can't be because she'll kill whoever touches her. And she doesn't want to hurt anyone. She wants to help people and comfort them, but she knows she'll kill them. What a horrible place to be in!
I won't say too much about her love interest, Adam, but I will say he is so going on my list of favorite literary crushes. He is hott stuff. And because of that, I'm going to put my recommendation as ages 16+. If you can't read Hush Hush or Hourglass, I'd hold off on this one for a while…
Content/recommendation: Some hot kissing scenes, and I'm seeing a potential for more in the later books. Ages 16+
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Phil Leader (619 KP) rated Everything to Nothing in Books
Nov 13, 2019
Everything to Nothing follows the story of three young women and the paths their lives take after one fateful night when they each end up with a man. The repercussions of the events lead by turns to each of them losing everything they had, even if they had nothing or everything to start with.
Sarah is at college and struggling to cope with an absent father and an alcoholic mother. She escapes from this life by clubbing and sex until the night in question when she is introduced to the highs available from hard drugs.
Michelle is at college with Sarah and they sometimes meet out clubbing. Michelle is looking for a man who likes her for who she is rather than what she looks like. Could Simon be that man?
Sally is Michelle's best friend. She is also the daughter of a billionaire businessman and lives a life full of servants, fast cars and designer clothes. She has it all except a man who is not interested in her because of her money.
This story is a real rollercoaster of a book. It did take a while to get going and introduce the characters, taking it time to fill in their personalities and circumstances but this is time well spent for later. Of the three Michelle is necessarily less well developed since there is no specific hook to her storyline beyond her association with both of the others. All the characters are well drawn with a sense of realism, even for Sally who lives a lifestyle entirely outside of the experience of 99.99% of the population. They have their flaws but this a real strength and the various dalliances and romances are painted very well and are not in any way forced.
The emotions the story evokes run the whole gamut. Laugh out loud humour at the antics of David's gran; wanting to shake Sarah out of her clearly stupid and self destructive decisions, down to the very harrowing end of the book.
And that ending is the most powerful part of the book and will stay with you for a long time. This is not a morality tale where bad things only happen to bad people and the good guys ride off into the sunset. Bad things can happen to good people and often for little or no reason and the complete deconstruction of the worlds around the three women in final act, although requiring some suspension of belief at some of the coincidences and circumstances, is shocking. And then becomes even more shocking with every page. You have been warned!
The book is not perfect; it is a little slow at times and the 'flashback' sections when the characters are introduced I felt could have been covered with a couple of paragraphs rather than pages of close description of the events as they happened. And occasionally the prose is a little clumsy when trying to express some fine or complex point about a character. But overall this is definitely worth a read. But only if you don't like happy endings.
Note: This book is rated Adult due to frequent and detailed descriptions of sexual acts and drug use
Sarah is at college and struggling to cope with an absent father and an alcoholic mother. She escapes from this life by clubbing and sex until the night in question when she is introduced to the highs available from hard drugs.
Michelle is at college with Sarah and they sometimes meet out clubbing. Michelle is looking for a man who likes her for who she is rather than what she looks like. Could Simon be that man?
Sally is Michelle's best friend. She is also the daughter of a billionaire businessman and lives a life full of servants, fast cars and designer clothes. She has it all except a man who is not interested in her because of her money.
This story is a real rollercoaster of a book. It did take a while to get going and introduce the characters, taking it time to fill in their personalities and circumstances but this is time well spent for later. Of the three Michelle is necessarily less well developed since there is no specific hook to her storyline beyond her association with both of the others. All the characters are well drawn with a sense of realism, even for Sally who lives a lifestyle entirely outside of the experience of 99.99% of the population. They have their flaws but this a real strength and the various dalliances and romances are painted very well and are not in any way forced.
The emotions the story evokes run the whole gamut. Laugh out loud humour at the antics of David's gran; wanting to shake Sarah out of her clearly stupid and self destructive decisions, down to the very harrowing end of the book.
And that ending is the most powerful part of the book and will stay with you for a long time. This is not a morality tale where bad things only happen to bad people and the good guys ride off into the sunset. Bad things can happen to good people and often for little or no reason and the complete deconstruction of the worlds around the three women in final act, although requiring some suspension of belief at some of the coincidences and circumstances, is shocking. And then becomes even more shocking with every page. You have been warned!
The book is not perfect; it is a little slow at times and the 'flashback' sections when the characters are introduced I felt could have been covered with a couple of paragraphs rather than pages of close description of the events as they happened. And occasionally the prose is a little clumsy when trying to express some fine or complex point about a character. But overall this is definitely worth a read. But only if you don't like happy endings.
Note: This book is rated Adult due to frequent and detailed descriptions of sexual acts and drug use
Lee (2222 KP) rated The Festival (2018) in Movies
Aug 29, 2018
Fairly enjoyable comedy
The Festival is directed by Iain Morris, who co-created and wrote The Inbetweeners show and subsequent movies. It feels just like another Inbetweeners movie too, especially as star Joe Thomas plays what appears to be an exact copy of his Inbetweeners character Simon, pining for his girlfriend and obsessing over her throughout the movie. The result is a fairly likeable and enjoyable comedy, still a lot better than most movie comedies these days, and with some laugh out loud moments. But, you can't help comparing it to The Inbetweeners and, unfortunately, it's just nowhere near as good as that.
In The Festival, Joe Thomas plays Nick, preparing to graduate and soon to head off to a festival with best friend Shane and girlfriend Caitlin. After a cringe-worthy ejaculation gag involving his mother, getting dumped by Caitlin and having a breakdown on stage at his graduation ceremony, Nick becomes depressed and it's up to Shane to try and drag him along to the festival and moveon with life. On the train to the festival they meet up with Amy, who's also on her way to the festival, and when they do finally get there they end up camping right next to ex-girlfriend Caitlin and her friends.
Your level of enjoyment throughout The Festival is going to vary depending on how you feel about festivals as a whole. If you're like Nick for much of the movie, then you're going to share his discomfort with the mud, the toilets and the cramped camping arrangements, laughing at him and his frustrations with it all ("I just want to go home and have a nice shower and a poo!"). If you're a festival goer yourself then you'll revel in the whole experience lived out on screen, as the movie was actually filmed during a real festival. Along the way there's drink, drugs, druids(!) and nudity for Nick to endure as he hopes to get back with Caitlin, and then later on a blue smurf girl who he hooks up with for a one night stand.
The supporting cast are all fairly funny, particularly Hammed Animashaun and Claudia O'Doherty as friends Shane and Amy. But, it's the brilliant Jemaine Clement as Shanes stepdad who manages to steal every single scene he's in and is just hilarious. Sadly though he's not in it as much as he should be.
In The Festival, Joe Thomas plays Nick, preparing to graduate and soon to head off to a festival with best friend Shane and girlfriend Caitlin. After a cringe-worthy ejaculation gag involving his mother, getting dumped by Caitlin and having a breakdown on stage at his graduation ceremony, Nick becomes depressed and it's up to Shane to try and drag him along to the festival and moveon with life. On the train to the festival they meet up with Amy, who's also on her way to the festival, and when they do finally get there they end up camping right next to ex-girlfriend Caitlin and her friends.
Your level of enjoyment throughout The Festival is going to vary depending on how you feel about festivals as a whole. If you're like Nick for much of the movie, then you're going to share his discomfort with the mud, the toilets and the cramped camping arrangements, laughing at him and his frustrations with it all ("I just want to go home and have a nice shower and a poo!"). If you're a festival goer yourself then you'll revel in the whole experience lived out on screen, as the movie was actually filmed during a real festival. Along the way there's drink, drugs, druids(!) and nudity for Nick to endure as he hopes to get back with Caitlin, and then later on a blue smurf girl who he hooks up with for a one night stand.
The supporting cast are all fairly funny, particularly Hammed Animashaun and Claudia O'Doherty as friends Shane and Amy. But, it's the brilliant Jemaine Clement as Shanes stepdad who manages to steal every single scene he's in and is just hilarious. Sadly though he's not in it as much as he should be.
Bong Mines Entertainment (15 KP) rated Lost Without You - Single by Teasley in Music
Jul 10, 2019
Teasley is an LA-based singer-songwriter who was raised in Oakland, California. Not too long ago, he released a danceable pop tune, entitled, “Lost Without You”, produced by Buchanan Westover.
“I don’t wanna leave too soon ‘cause I’m lost without you. I don’t wanna seem too rude when I’m leaving town. Hoping I come back to find out that you miss me too. And you’re not upset, screaming out loud, ‘I been so lost without you’.” – lyrics
‘Lost Without You’ tells an interesting tale of a young guy who thinks about a special woman in his life while on a one-way flight to Brooklyn.
Even though he’s successful and making money, he doesn’t want to spend it alone because he feels like he owes her something, since they started out with nothing.
But things have changed between them and he’s been so lost without her. Later, he admits that if she’s gone, then he won’t live on.
What he really wants is one more dance before he lets go completely. Hopefully, he can get her to stay on the phone long enough to convince her that their relationship doesn’t have to end.
“I wrote this song reflecting on the relationships that have fallen to the wayside in the process of chasing something bigger than myself. So much time is spent on self-improvement that I’ve had to give up most late nights at the club with friends and love interests. I’m hopeful that I will continue to attract everything that is meant for me and that’s what this track speaks too. Hope.” – Teasley
Teasley draws inspiration from the chill coastal lifestyle. Whether on the beach or in the gym, he strives to embody a laid-back California vibe.
Not too long ago, the bubbly crooner released his debut EP, entitled, “Feeling Better”, co-produced by EDM trio Cheat Codes.
The project featured “Hit It”, which reached over 1 million streams online. Also, the accompanying music video was sponsored by Red Bull and reached the top 10 on MTV dance charts.
‘Lost Without You’ contains a relatable storyline, pleasing vocals, and summer-inspired instrumentation flavored with a dance-floor friendly pop aroma. Also, the likable tune will be featured on Teasley’s upcoming project, entitled, “Pineapple Juice”.
“I don’t wanna leave too soon ‘cause I’m lost without you. I don’t wanna seem too rude when I’m leaving town. Hoping I come back to find out that you miss me too. And you’re not upset, screaming out loud, ‘I been so lost without you’.” – lyrics
‘Lost Without You’ tells an interesting tale of a young guy who thinks about a special woman in his life while on a one-way flight to Brooklyn.
Even though he’s successful and making money, he doesn’t want to spend it alone because he feels like he owes her something, since they started out with nothing.
But things have changed between them and he’s been so lost without her. Later, he admits that if she’s gone, then he won’t live on.
What he really wants is one more dance before he lets go completely. Hopefully, he can get her to stay on the phone long enough to convince her that their relationship doesn’t have to end.
“I wrote this song reflecting on the relationships that have fallen to the wayside in the process of chasing something bigger than myself. So much time is spent on self-improvement that I’ve had to give up most late nights at the club with friends and love interests. I’m hopeful that I will continue to attract everything that is meant for me and that’s what this track speaks too. Hope.” – Teasley
Teasley draws inspiration from the chill coastal lifestyle. Whether on the beach or in the gym, he strives to embody a laid-back California vibe.
Not too long ago, the bubbly crooner released his debut EP, entitled, “Feeling Better”, co-produced by EDM trio Cheat Codes.
The project featured “Hit It”, which reached over 1 million streams online. Also, the accompanying music video was sponsored by Red Bull and reached the top 10 on MTV dance charts.
‘Lost Without You’ contains a relatable storyline, pleasing vocals, and summer-inspired instrumentation flavored with a dance-floor friendly pop aroma. Also, the likable tune will be featured on Teasley’s upcoming project, entitled, “Pineapple Juice”.
Kristy H (1252 KP) rated American Dirt in Books
Apr 9, 2020
So I put this book on hold at the library before it exploded into controversy and then it was the last book I was allowed to check out before our library closed down due to the pandemic. I can't tell if it was a great book to read in a pandemic (people with lives even worse on a daily basis) or if it just made my anxiety even worse! At this point, I'm just going to give a short review and try not to dip into the whole uproar over the book, but I do encourage you to read up on it and to read some #ownvoices authors, as well.
Lydia Perez lives in Acapulco with her husband, a journalist, and their eight-year-old son, Luca. She runs a bookstore, and one day someone comes in and buys several books that Lydia stocks solely because they are her favorites, not because she expects them to sell. They strike up a friendship and Javier returns frequently to her bookstore. It's only later that Lydia realizes that he is the leader of the newest, powerful drug cartel in town--the one that is ruining Acapulco. And the same jefe about whom her husband is writing an explosive journalistic profile. Once it's published, Lydia and Luca must flee Acapulco, becoming migrants overnight. They are heading to the United States, the one place Javier can't hurt them. But can they survive the dangerous journey?
This is an eye-opening and sad book. It's certainly heart-rendering and gives you such empathy for what Lydia and Luca must go through. For me, it was Luca who made this book. He is an endearing and indomitable character, and I loved him dearly. Cummins is a strong writer, and her characters certainly do come to life. I did find the story a little slow; it took it a while to really get going. It was also incredibly stressful--no surprise there--so I was on edge the entire time I was reading. However, I found myself rooting for Lydia and Luca as if they were true, actual people and for that, I applaud Cummins, no matter her motivations for writing this book. There's also so much about this story that broke my heart and it made me even further aware of so many deplorable things. The world is a terrible and scary place.
Lydia Perez lives in Acapulco with her husband, a journalist, and their eight-year-old son, Luca. She runs a bookstore, and one day someone comes in and buys several books that Lydia stocks solely because they are her favorites, not because she expects them to sell. They strike up a friendship and Javier returns frequently to her bookstore. It's only later that Lydia realizes that he is the leader of the newest, powerful drug cartel in town--the one that is ruining Acapulco. And the same jefe about whom her husband is writing an explosive journalistic profile. Once it's published, Lydia and Luca must flee Acapulco, becoming migrants overnight. They are heading to the United States, the one place Javier can't hurt them. But can they survive the dangerous journey?
This is an eye-opening and sad book. It's certainly heart-rendering and gives you such empathy for what Lydia and Luca must go through. For me, it was Luca who made this book. He is an endearing and indomitable character, and I loved him dearly. Cummins is a strong writer, and her characters certainly do come to life. I did find the story a little slow; it took it a while to really get going. It was also incredibly stressful--no surprise there--so I was on edge the entire time I was reading. However, I found myself rooting for Lydia and Luca as if they were true, actual people and for that, I applaud Cummins, no matter her motivations for writing this book. There's also so much about this story that broke my heart and it made me even further aware of so many deplorable things. The world is a terrible and scary place.
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Green Planet is a beautiful home of the little mechanical life forms known as “Minirobots”....