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Adrian VanderMolen (11 KP) rated Jurassic Park (1993) in Movies
Feb 17, 2018
Best movie ever!
Okay seriously this is the greatest movie of all time and if you disagree with me you're wrong. Sam Neil? Yep! Laura Dern? Yep! Jeff Goldblum? Yep! I could go on. Oh yeah, and it has dinosaurs and everything goes wrong because well obviously and they had to find a way out of that park to escape all of the dangerous dinosaurs that would kill them. Maybe it wasn't the best idea bringing back the dinosaurs but it sure does make for a great movie, let's leave it that way scientists on the big screen. “Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.”
Sarah (7798 KP) rated Cold Pursuit (2019) in Movies
Nov 8, 2019
Confused
Let's face it, any film released nowadays with Liam Neeson as the main character is likely to be very similar to everything else he's done recently and also pretty poor. And sadly Cold Pursuit is no different.
The plot isn't anything new. It's Liam Neeson getting revenge on people again. Admittedly the setting and scenery are beautiful, it's just a shame the rest of the film can't live up to it I found the entire film very confused and wasn't entirely sure if it was meant to be a thriller, an action or a black comedy - it had aspects of all three and sadly not all of them worked, especially the humour. It was all a bit weird. And I adore Tom Bateman but his American accent in this is far too odd and I cringed every time he was on screen. And then there's the wasted Laura Dern and the pointless cops.
This is vaguely entertaining, but it dips in the middle and sadly suffers from a few acting faults and confusion on what genre it seems to lie in.
The plot isn't anything new. It's Liam Neeson getting revenge on people again. Admittedly the setting and scenery are beautiful, it's just a shame the rest of the film can't live up to it I found the entire film very confused and wasn't entirely sure if it was meant to be a thriller, an action or a black comedy - it had aspects of all three and sadly not all of them worked, especially the humour. It was all a bit weird. And I adore Tom Bateman but his American accent in this is far too odd and I cringed every time he was on screen. And then there's the wasted Laura Dern and the pointless cops.
This is vaguely entertaining, but it dips in the middle and sadly suffers from a few acting faults and confusion on what genre it seems to lie in.
Sarah (7798 KP) rated Little Women (2019) in Movies
Feb 5, 2020
Great performances let down by the pace
I read Little Women quite a few years ago, and other than remembering the basic plot details, I went into this film with barely any preconceptions. And for the most part, it does quite well.
This film is all about the performances. I've always liked Saoirse Ronan and Timothee Chalamet, I think they're both charismatic and fantastic actors and any time these two are on screen in this film (either together or separately), it really is marvellous to watch. Throwing in a great turn from Florence Pugh and some wonderful support from Laura Dern, Chris Cooper, Meryl Streep and (a sadly forgettable) Emma Watson, the acting in this is pretty stellar
The major problem however is the pacing. The plot is interesting, but it's let down by the plodding dreadfully slow pace and a just over 2 hour film feels like a lifetime. It's such a shame, as had this been sped up a little or had a little of the runtime shaved off, it'd be a truly fantastic period drama.
This film is all about the performances. I've always liked Saoirse Ronan and Timothee Chalamet, I think they're both charismatic and fantastic actors and any time these two are on screen in this film (either together or separately), it really is marvellous to watch. Throwing in a great turn from Florence Pugh and some wonderful support from Laura Dern, Chris Cooper, Meryl Streep and (a sadly forgettable) Emma Watson, the acting in this is pretty stellar
The major problem however is the pacing. The plot is interesting, but it's let down by the plodding dreadfully slow pace and a just over 2 hour film feels like a lifetime. It's such a shame, as had this been sped up a little or had a little of the runtime shaved off, it'd be a truly fantastic period drama.
David McK (3207 KP) rated Jurassic Park (1993) in Movies
May 26, 2020
I've just realised (at the time of writing) that this movie is nearly 30 years old.
Man, I feel old.
Taking some liberties with Michael Crichtons's source material (Hammond dies and was not a very nice man; Grant likes kids), this is a disaster movie with stunning effects (that still hold up pretty well today) for the time, even if our understanding of the 'headline' dinosaurs has changed somewhat in the intervening years since its release (Raptors were the size of chickens, had feathers, and were NOT pack hunters. or so we now think).
Set on a tropical island hit by a storm just as the owner is given a pre-release tour to special invited guests to show off his scientific breakthrough - cloned Dinosaurs, because that's ALWAYS a good idea … - a series of events leads to the power going down, and the 'exhibits' breaking free to wreak havoc amongst those guests. And, lets not kid around the bush here, despite having the likes of Samuel L Jackson, Richard Attenborough, Sam Neil, Laura Dern and - uh- Jeff Goldblum ("life, uh, finds a way") amongst the cast - the real stars are those dinosaurs.
All the sequels (4 so far, with a 5th ion the way in Jurassic World: Dominion) pale in comparison.
Man, I feel old.
Taking some liberties with Michael Crichtons's source material (Hammond dies and was not a very nice man; Grant likes kids), this is a disaster movie with stunning effects (that still hold up pretty well today) for the time, even if our understanding of the 'headline' dinosaurs has changed somewhat in the intervening years since its release (Raptors were the size of chickens, had feathers, and were NOT pack hunters. or so we now think).
Set on a tropical island hit by a storm just as the owner is given a pre-release tour to special invited guests to show off his scientific breakthrough - cloned Dinosaurs, because that's ALWAYS a good idea … - a series of events leads to the power going down, and the 'exhibits' breaking free to wreak havoc amongst those guests. And, lets not kid around the bush here, despite having the likes of Samuel L Jackson, Richard Attenborough, Sam Neil, Laura Dern and - uh- Jeff Goldblum ("life, uh, finds a way") amongst the cast - the real stars are those dinosaurs.
All the sequels (4 so far, with a 5th ion the way in Jurassic World: Dominion) pale in comparison.
LoganCrews (2861 KP) rated Everything Must Go (2011) in Movies
Sep 21, 2020
Sterile and not funny, but more importantly yet another one of those mopey pity parties about a loathsome, middle/upper class, middle-aged white man who learns to love from those around him by first abusing them emotionally and wallowing in doldrums. The first stretch is pretty rough but that all being said, eventually turns into some serviceable sad porn. The Laura Dern scenes are pointless, and the direction barely rises above just adequate - but I feel the main problem is the very aspect that gets the most praise here; despite Ferrell's best efforts this character comes out as nothing much more than flat. It's clear they were going for like a Jim Carrey in 𝘌𝘵𝘦𝘳𝘯𝘢𝘭 𝘚𝘶𝘯𝘴𝘩𝘪𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘱𝘰𝘵𝘭𝘦𝘴𝘴 𝘔𝘪𝘯𝘥 or Adam Sandler in 𝘙𝘦𝘪𝘨𝘯 𝘖𝘷𝘦𝘳 𝘔𝘦, but they fail to have those crucial catharsis scenes, those bursts of emotion which made Ferrell's turn in 𝘚𝘵𝘳𝘢𝘯𝘨𝘦𝘳 𝘛𝘩𝘢𝘯 𝘍𝘪𝘤𝘵𝘪𝘰𝘯 come out unscathed. So instead we have this guy who comes across as more deflated than successfully melancholy and just sort of sulks around while the story does everything you expect it to, then it's suddenly all solved but who really cares by then? Anywho, he and Hall have some serious chemistry and their scenes are enough to make this not so bad even if it can't escape convention.
David McK (3207 KP) rated Jurassic World: Dominion (2022) in Movies
Aug 14, 2022
Insect park?
Jurassic Park (the original) is a masterpiece of cinema.
Jurassic Park 2: The Lost World has it's moments (the raptors in the long grass), but also has the annoying-kid-doing-gymnastics-while-a-Raptor-watches.
Jurassic Park 3 takes some scenes from the original novel (most noticeably the aviary) that were left out of the previous films, but also has the stupid ringing phone that a dinosaur has swallowed that remind the viewer too much (and not in a good way) of Peter Pan and Captain Hook crocodile.
Jurassic World follows the same format as Jurassic Park, except goes larger. It's not a bad movie.
Jurassic World: Fallen Kingdom goes in a completely different direction, going the haunted house route in the second half, and ends with the dinosaurs released on the mainland.
Which is where Jurassic World: Dominion picks up, roughly four years on from the ending of Fallen Kingdom. Lots have been made of the fact that this also reunites the original cast - Sam Neill, Laura Dern and Jeff Goldblum - alongside the newer duo of Chris Pratt and Bryce Dallas Howard.
The problem, however, is that more is quite often less, which I found to be the case here - plenty of action (and dinosaurs), yes, but also, well, just missing something :(
Jurassic Park 2: The Lost World has it's moments (the raptors in the long grass), but also has the annoying-kid-doing-gymnastics-while-a-Raptor-watches.
Jurassic Park 3 takes some scenes from the original novel (most noticeably the aviary) that were left out of the previous films, but also has the stupid ringing phone that a dinosaur has swallowed that remind the viewer too much (and not in a good way) of Peter Pan and Captain Hook crocodile.
Jurassic World follows the same format as Jurassic Park, except goes larger. It's not a bad movie.
Jurassic World: Fallen Kingdom goes in a completely different direction, going the haunted house route in the second half, and ends with the dinosaurs released on the mainland.
Which is where Jurassic World: Dominion picks up, roughly four years on from the ending of Fallen Kingdom. Lots have been made of the fact that this also reunites the original cast - Sam Neill, Laura Dern and Jeff Goldblum - alongside the newer duo of Chris Pratt and Bryce Dallas Howard.
The problem, however, is that more is quite often less, which I found to be the case here - plenty of action (and dinosaurs), yes, but also, well, just missing something :(
BankofMarquis (1832 KP) rated Marriage Story (2019) in Movies
Jan 19, 2020
Well Acted Scenes Do Not A Good Movie Make
Noah Baumbach is one of those filmmakers that is highly regarded in the "Art House" community for his semi-autobiographical humanistic films. These are domestic dramas heavy on dialogue - the type of film that "A-List" Actors swarm to perform in for the acting challenges it brings. His latest, MARRIAGE STORY, is no exception as it follows the dissolution of a marriage and the struggles of the 2 main players involved. The husband and wife are written realistically (according to Baumbach) with moments of pathos and moments of repulsion thrown in at equal measure.
So, naturally, Baumbach (THE SQUID AND THE WHALE) was able to draw 2 of the better performers working in film today to play the leads - Scarlett Johannson and Adam Driver - and they deliver the goods (along with Laura Dern) - all 3 were deserved Oscar nominees - and the performances of ALL of the actors on screen are worth watching.
But...that's about all this film has going for it. For I found the first hour and a half of this film tedious with (at times) preposterous dialogue that looked good on paper - and was enthusiastically performed - but wrang (at least to me) as unrealistic. Consequently, this film is filled with well acted scenes that I kept saying to myself - "that was a well acted scene and that was an interesting choice that that actor made in that scene", but I found that these disparate scenes in this part of the film did not hold together as a movie. It seemed to me a series of acting class scenes and not a film.
And, for that, I blame Writer/Director Baumbach. This film, purportedly, parallels his divorce from actress Jennifer Jason Leigh (HATEFUL 8) and it shows. It's a little too "on the nose" and "inside baseball" for my tastes. The dialogue, at times, was "too cute" and the pacing was deliberate - which is a nice way of saying "slow".
What saves this film is the performances. Johannson dominates the first part of this film and she brings her "A" game, bringing a strength and awakening purpose to her character that will have you rooting for her - at the beginning. The first half of the film (for the most part) is Johannson's film and is what gives her her Oscar nomination (she won't win), but she deserves the nomination.
Laura Dern is also Oscar nominated for her role as Johannson's Divorce Attorney. Bright, funny, articulate and a shark in the courtroom and boardroom, Dern's character was fascinating to watch onscreen. While I thought this performance was "fine" and I was "okay" with it getting an Oscar nomination, I kept waiting for the "Oscar scene" for this supporting character - and about 2/3 of the way into the film this character had that moment - and Dern killed it. I would now say Dern is the deserved frontrunner for Best Supporting Actress (ironically, over Johansson who is ALSO nominated for Supporting Actress for JoJo Rabbit).
This scene propels the last 1/3 of this film into interesting territory - a place that this film had not gone to thus far. I was sucked into this last part and I think it is in no small reason due to the fact that this part of the film is driven (no pun intended) by Adam Driver's character. I've always found Driver to be a fascinating actor and while his character was not front and center much in the first part of the film, he commands center stage in the last part and I could not take my eyes off of his powerful performance. In a strong year of Best Acting performances, he shines and I would be happily surprised and satisfied if he won the Best Actor Oscar.
Alan Alda, as usual, brings an interesting character to the screen as does Julie Hagerty (remember her from AIRPLANE?) as Scarlett's mother. The surprise to me was the strong play of Ray Liotta as one of Driver's lawyers - it is his best work in quite some time and shows he does have some acting chops. Finally, good ol' Wallace Shawn (the "inconceivable" Count Visini in PRINCESS BRIDE) was fun - and annoying - in his scenes.
So...if you want to see some good acting in scenes that I am sure will end up as good scenes in an acting class performed very strongly, then check out MARRIAGE STORY. Just make sure you are well rested. A fast-paced romp it is not.
Letter Grade: B (for the strong performances)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
So, naturally, Baumbach (THE SQUID AND THE WHALE) was able to draw 2 of the better performers working in film today to play the leads - Scarlett Johannson and Adam Driver - and they deliver the goods (along with Laura Dern) - all 3 were deserved Oscar nominees - and the performances of ALL of the actors on screen are worth watching.
But...that's about all this film has going for it. For I found the first hour and a half of this film tedious with (at times) preposterous dialogue that looked good on paper - and was enthusiastically performed - but wrang (at least to me) as unrealistic. Consequently, this film is filled with well acted scenes that I kept saying to myself - "that was a well acted scene and that was an interesting choice that that actor made in that scene", but I found that these disparate scenes in this part of the film did not hold together as a movie. It seemed to me a series of acting class scenes and not a film.
And, for that, I blame Writer/Director Baumbach. This film, purportedly, parallels his divorce from actress Jennifer Jason Leigh (HATEFUL 8) and it shows. It's a little too "on the nose" and "inside baseball" for my tastes. The dialogue, at times, was "too cute" and the pacing was deliberate - which is a nice way of saying "slow".
What saves this film is the performances. Johannson dominates the first part of this film and she brings her "A" game, bringing a strength and awakening purpose to her character that will have you rooting for her - at the beginning. The first half of the film (for the most part) is Johannson's film and is what gives her her Oscar nomination (she won't win), but she deserves the nomination.
Laura Dern is also Oscar nominated for her role as Johannson's Divorce Attorney. Bright, funny, articulate and a shark in the courtroom and boardroom, Dern's character was fascinating to watch onscreen. While I thought this performance was "fine" and I was "okay" with it getting an Oscar nomination, I kept waiting for the "Oscar scene" for this supporting character - and about 2/3 of the way into the film this character had that moment - and Dern killed it. I would now say Dern is the deserved frontrunner for Best Supporting Actress (ironically, over Johansson who is ALSO nominated for Supporting Actress for JoJo Rabbit).
This scene propels the last 1/3 of this film into interesting territory - a place that this film had not gone to thus far. I was sucked into this last part and I think it is in no small reason due to the fact that this part of the film is driven (no pun intended) by Adam Driver's character. I've always found Driver to be a fascinating actor and while his character was not front and center much in the first part of the film, he commands center stage in the last part and I could not take my eyes off of his powerful performance. In a strong year of Best Acting performances, he shines and I would be happily surprised and satisfied if he won the Best Actor Oscar.
Alan Alda, as usual, brings an interesting character to the screen as does Julie Hagerty (remember her from AIRPLANE?) as Scarlett's mother. The surprise to me was the strong play of Ray Liotta as one of Driver's lawyers - it is his best work in quite some time and shows he does have some acting chops. Finally, good ol' Wallace Shawn (the "inconceivable" Count Visini in PRINCESS BRIDE) was fun - and annoying - in his scenes.
So...if you want to see some good acting in scenes that I am sure will end up as good scenes in an acting class performed very strongly, then check out MARRIAGE STORY. Just make sure you are well rested. A fast-paced romp it is not.
Letter Grade: B (for the strong performances)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Marinated Meeple (1848 KP) rated Jurassic Park (1993) in Movies
Apr 5, 2018
The CGI (2 more)
The Special Effects
The Storytelling
The all time best dinosaur movie made so far....
This move is a great one and will hold up for many many years. They way the original king Kong holds up the groundbreaking special effects for the time are solid enough to fool people nowadays in a charming old fashioned way. Yes technology is evolving faster than dinosaurs ever did, but when something is made this well, it tends to age well, not poorly. Jaws is another example of aging well, yes we can see the flaws and the seems, but it doesn't matter. Yes I understand the science is flawed, but the premise is interesting, and the pseudo science is good enough to capture the imagination. And the imagination runs wild here like a T-Rex after a Jeep. It gobbled me up like a guy on a toilet. I still love to visit Isla Sorna. And plan to go back many many more times.
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
BankofMarquis (1832 KP) rated Cold Pursuit (2019) in Movies
Mar 1, 2019
Doesn't Quite Succeed In What It Was Attempting To Do
Liam Neeson has stated that COLD PURSUIT is going to be his last action film. And, if that is the case, he certainly picked an interesting one to go out on.
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)