"Immigrant Song really kicked my ass. Every part of it. I couldn't play along with it - I was only 10 – but I could sing along with the 'Ah-ah-aaaaah-ah!' part. Every Led Zeppelin record had an impact on me, but Led Zeppelin III probably affected my thoughts on music the most."

"“Clapton is God,” they wrote when I was a teen-ager. I’ll say that with a small g, perhaps. He proves it on nearly all his recordings, none more so than here. (Honorable mention: Led Zeppelin, “Since I’ve Been Loving You,” from “How the West Was Won.”)"

"This one’s a no-brainer. It was the first time I’d ever heard any band play that way; Deep Purple weren’t the same as Led Zeppelin, they were unique. Though I don’t recall the year it happened, I saw Purple playing with Uriah Heep at Sheffield City Hall… which brings me to my next selection."

"Robert Plant has a horrible attempt at a wail at the beginning. He doesn’t get anywhere near it, but it’s still awesome. In a way, live stuff is about the mistakes. You don’t want a note-perfect recital of a song, you want a fucked up, exciting, bum notes everywhere, people falling off their stools version of it. And I think Led Zeppelin are brilliant at that kind of stuff. Everything on this is completely real and it sounds like they’re really trying and not quite getting there – and that’s the thrill. That’s what it’s all about. The white knuckle ride. We didn’t sign up for the teacup ride. It’s real life – there’s a human element to it, and you really get that on Led Zeppelin recordings."

"You have to remember that this came out when I was 10 years old, and my brothers started smoking pot and listening to that all the time. So we lived a lot of our young intense lives with all that cool Led Zeppelin shit playing. But when I hear Led Zeppelin IV, I guess that's where I discovered that idea of a rock group. So for me, Led Zeppelin never really evokes anything other than these dudes playing this bad ass music. Of course, it's impossible to really play like Led Zeppelin. I mean, they're a total fabrication of sounds and moods and little arranging techniques, little quirks. Jimmy Page is a master of that. It's a magical combination of, what, eight songs? When you listen to them altogether, which we do quite often, I don't see how anyone who loves music could listen to that and not think, 'Fuck, that's cool'. Such cool drumming, such cool effects on the guitars. Robert Plant... it's a weird way he sings. People have accepted it now, but it's a weird screech. So high, with so much velocity, he's really singing at the peak of his energy. That is driving the music. You can't take Robert Plant's screeching out of that and get the same effect. It's just what the song is. That song 'Rock N Roll' [sings] "been a long time since I rock 'n rolled"... if you don't sing it like that, it doesn't have the same effect. He screams that shit with that freaky echo on his voice, it's like some truth from beyond. It's fucking amazing. It's still amazing."

"He was already with Rod Stewart. I'd started following him because he'd been in The Yardbirds. But he was always the most animated guitar player. His mistakes were tasty. I loved English music - I came here in 1968 and I saw Bakerloo Blues Line, I saw Love Sculpture, I saw Jethro Tull, I saw Spooky Tooth. And The Jeff Beck Group was the template for Led Zeppelin."

"When I first heard Led Zeppelin, I was a kid in kindergarten but my uncle and my mum used to pump Led Zeppelin loudly. I grew up with those mad eight-tracks and all the imagery in their songs hit my imagination hard. It was so hard to pick one record of theirs – I obviously couldn't pick them all but this is the one that came to my mind first and the one I think I heard and played the most. I also loved the album cover for this; I used to look at this record cover for hours and I'd never get bored. I got deeper into this record I think because I was hearing stories that if you played the record backwards, it said something. There were so many folklore stories around this album when I was a kid growing up and it was ripe for the imagination. Next thing when you're listening you'd see the fucking hermit from the tarot cards and you'd hear these stories that Jimmy Page bought Aleister Crowley's house and then next they'd suddenly be going to India and working with all these different musicians. All these wild stories, all the mysticism behind the band is what really sucked me in with Led Zeppelin. When this record came out, there was no internet and you didn't know if the stories were all true or not so they had this great mystery to them. There were a couple of television shows but I'd never seen Led Zeppelin on TV; there were no music videos back then either. Even magazine articles about them were short. There was a great mystery to them and it just left it all open to your imagination to make up its own shit and my imagination is wild. Their stage shows were also ridiculous and they completely revolutionised touring today. So many things they did inspired me, inspired Cypress Hill."

"These were chosen by Ru [Taylor, drums]. He loves Keith Moon. It’s another drummer’s thing – when you hear a drummer on fire in the prime of his life, there’s nothing more exciting. I think drummers will always choose Led Zeppelin and The Who, won’t they? But everyone has a drummer inside them. If you look deep in your heart, you’ll find a drummer there. And you can’t fail to love these songs. "