Search
Search results
Sam Rockwell recommended The Man Who Shot Liberty Valance (1962) in Movies (curated)
Lee KM Pallatina (951 KP) rated Escape from New York (1981) in Movies
Jun 18, 2019
Snaaaaaake!
Escape from New York is a 1981 dystopian science fiction-action film.
In 1997, a major war between the U.S and Russia is continuing and the whole of Manhattan has been converted into a giant free roaming maximum security prison. When Air Force One is hijacked and crashes into the island, the president is taken hostage by inmates. Snake Plissken (Kurt Russell), a former Special Forces soldier turned criminal, is recruited to retrieve the president in exchange for his own freedom.
Dark toned action adventure spawning a cult franchise and heavily inspired the Metal Gear Solid franchise. (I mean its lead character is snake plissken)
co-written, co-scored and directed by John Carpenter.
It stars Kurt Russell, Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton
In 1997, a major war between the U.S and Russia is continuing and the whole of Manhattan has been converted into a giant free roaming maximum security prison. When Air Force One is hijacked and crashes into the island, the president is taken hostage by inmates. Snake Plissken (Kurt Russell), a former Special Forces soldier turned criminal, is recruited to retrieve the president in exchange for his own freedom.
Dark toned action adventure spawning a cult franchise and heavily inspired the Metal Gear Solid franchise. (I mean its lead character is snake plissken)
co-written, co-scored and directed by John Carpenter.
It stars Kurt Russell, Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton
Awix (3310 KP) rated The Beast From 20,000 Fathoms (1953) in Movies
May 31, 2018 (Updated May 31, 2018)
American A-bomb test has unexpected consequences when the blast defrosts a frozen, wholly fictional dinosaur; the creature swims off to devastate the nearest city for no particularly well-explained reason. A decent monster movie with a surprisingly gritty tone (by the standards of the genre, anyway); in terms of cultural impact, utterly eclipsed by an unofficial Japanese remake which came out the following year and has had 31 sequels to date.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.