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Hazel (1853 KP) rated This Secret We're Keeping in Books
May 25, 2017
Well-Written
I received this book for free through Goodreads First Reads.
A pupil and a teacher. Is it ever right to break the rules? This is the dilemma which debut author Rebecca Done basis her novel on. This Secret We’re Keeping is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
This Secret We’re Keeping causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, This Secret We’re Keeping can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, This Secret We’re Keeping was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. This Secret We’re Keeping is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
A pupil and a teacher. Is it ever right to break the rules? This is the dilemma which debut author Rebecca Done basis her novel on. This Secret We’re Keeping is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
This Secret We’re Keeping causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, This Secret We’re Keeping can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, This Secret We’re Keeping was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. This Secret We’re Keeping is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
Haley Mathiot (9 KP) rated A Certain Wolfish Charm (Westfield Wolves, #1) in Books
Apr 27, 2018
Rating:
3.75
Lily is worried about her nephew, Oliver, whom she has raised since he was six. He’s nearly doubled in size, he’s always angry, and she’s never raised a boy before so she has no idea what to think. So she turns to his legal guardian, Simon Westfield the duke of Blackmoor, who has never been involved in the 12-year old’s life except to send money when Lily writes to him. When she finally finds him, he won’t talk to her, won’t listen to her, and won’t help her.
But then Simon seems to realize what the problem is—because he experienced it himself: Oliver is turning into a werewolf—and demands to take Oliver under his control, to help and raise him himself. Lilly refuses to leave her nephew, and finds herself falling for Simon, then engaged to him in order to protect her reputation.
But Simon doesn’t want Lily in his life—though he can’t deny the attraction he has for her—because of the horrible stories of werewolf love going wrong. But how can he keep her away when she’s all he wants?
A Certain Wolfish Charm is book 1 in the series. The other two books center around the other two brothers Westfield, but all three books cover the same period of time.
My favorite thing about the book was the characters. I love the characters, especially the interaction between the three brothers. They love each other quite obviously, but they bicker and argue all the time. one will randomly throw something at another with lethal intents, and the other will duck and go on with life as if it was normal. which, it is. They are always threatening to kill each other, though I doubt they ever would. But let’s just say it’s a good thing werewolves heal fast.
Another thing I liked was the plot. It was simple, no crazy thriller or mystery, It was just a simple romance. But it was compelling, and had enough story to it to keep you reading.
Simon… goodness he’s a passionate one (I’m pretty sure it’s illegal to be that handsome). Lily, at times, seemed dense and silly, especially for not talking out her problems with her husband. And they were both a bit melodramatic at times, but that was rare and it only felt that way because of the sentence structure. With that in mind, the sentences may have changed as I got the ARC for review, not the finished version.
It was a bit difficult to tell if they had accents or not due to the writing. Sometimes it felt like they did, and sometimes it felt like they didn’t and it was a bit annoying. However their voices were all very clear in my head.
The writing was fine, it wasn’t fantastic but it was readable and enjoyable. I don’t particularly like the cover, I think they could have done more werewolfish stuff and less typical romance novel stuff.
A Certain Wolfish Charm was really cute, highly addictive, and fast paced. I can’t wait to read the other two!
Content: Some sex, a little swearing, mention of nudity. no violence.
Recommendation: Ages 18+ for anyone who loves a good werewolf story.
3.75
Lily is worried about her nephew, Oliver, whom she has raised since he was six. He’s nearly doubled in size, he’s always angry, and she’s never raised a boy before so she has no idea what to think. So she turns to his legal guardian, Simon Westfield the duke of Blackmoor, who has never been involved in the 12-year old’s life except to send money when Lily writes to him. When she finally finds him, he won’t talk to her, won’t listen to her, and won’t help her.
But then Simon seems to realize what the problem is—because he experienced it himself: Oliver is turning into a werewolf—and demands to take Oliver under his control, to help and raise him himself. Lilly refuses to leave her nephew, and finds herself falling for Simon, then engaged to him in order to protect her reputation.
But Simon doesn’t want Lily in his life—though he can’t deny the attraction he has for her—because of the horrible stories of werewolf love going wrong. But how can he keep her away when she’s all he wants?
A Certain Wolfish Charm is book 1 in the series. The other two books center around the other two brothers Westfield, but all three books cover the same period of time.
My favorite thing about the book was the characters. I love the characters, especially the interaction between the three brothers. They love each other quite obviously, but they bicker and argue all the time. one will randomly throw something at another with lethal intents, and the other will duck and go on with life as if it was normal. which, it is. They are always threatening to kill each other, though I doubt they ever would. But let’s just say it’s a good thing werewolves heal fast.
Another thing I liked was the plot. It was simple, no crazy thriller or mystery, It was just a simple romance. But it was compelling, and had enough story to it to keep you reading.
Simon… goodness he’s a passionate one (I’m pretty sure it’s illegal to be that handsome). Lily, at times, seemed dense and silly, especially for not talking out her problems with her husband. And they were both a bit melodramatic at times, but that was rare and it only felt that way because of the sentence structure. With that in mind, the sentences may have changed as I got the ARC for review, not the finished version.
It was a bit difficult to tell if they had accents or not due to the writing. Sometimes it felt like they did, and sometimes it felt like they didn’t and it was a bit annoying. However their voices were all very clear in my head.
The writing was fine, it wasn’t fantastic but it was readable and enjoyable. I don’t particularly like the cover, I think they could have done more werewolfish stuff and less typical romance novel stuff.
A Certain Wolfish Charm was really cute, highly addictive, and fast paced. I can’t wait to read the other two!
Content: Some sex, a little swearing, mention of nudity. no violence.
Recommendation: Ages 18+ for anyone who loves a good werewolf story.
Movie Metropolis (309 KP) rated Avengers: Age of Ultron (2015) in Movies
Jun 10, 2019
This one belongs to James Spader
I doubt that Joss Whedon and the team down at Marvel knew just how successful 2012’s Avengers Assemble would go on to be. After just a few months of release it became the third highest-grossing film of all time, by no means an easy feat to achieve.
Therefore, Whedon and co had their work cut out trying to build on the solid foundations they had laid when it came to producing a sequel. However, three years and $250m later Avengers: Age of Ultron hits our screens. But is it the follow-up everyone was asking for?
Age of Ultron follows the dynamic team of superheroes as they continue to save the world following the near cataclysmic events of the 2009 predecessor and of course every Marvel film released since. Here however, they are tasked with taking down a robot hell bent on destroying the world – a tough day at the office to say the least.
All the fan favourites return as well as some new faces in a film that is technically spectacular but a little overambitious at times. There are 11, count them 11, major characters vying for screen time in Age of Ultron and while Whedon manages to give each of them their own story arc, at times it feels a little rushed.
Joining the cast is James Spader as the voice of Ultron, a robot accidentally created by Tony Stark, and he is by far the most intriguing character in an already impressive line-up. Robert Downey Jr. continues to be on fine form as the wise-cracking Iron Man/Stark with Chris Hemsworth providing the eye-candy as Thor.
It’s also nice to see Scarlett Johansson and Jeremy Renner’s Black Widow and Hawkeye get some much-needed fleshing out after their fairly limited roles in previous Marvel films, and Mark Ruffalo’s Hulk is a joy to watch.
Kick-Ass’ Aaron Taylor-Johnson and Godzilla’s Elizabeth Olsen also join the cast as Quicksilver and Scarlet Witch, two characters fans of the X-Men universe will recognise. However, due to legal requirements their origins are changed and the fact that they are mutants is never revealed, unfortunately limiting their appeal.
When it comes to special effects, Whedon has made sure every sequence is brimming with the highest quality CGI, and despite a couple of lapses early on in the film, the majority of the picture is flawless with some stunning global locations beautifully juxtaposed with the characters doing their thing.
What stands out in Age of Ultron however is the plot. Avengers Assemble was a fine film right up until the generic city-levelling, headache inducing climax that looked like it could have come straight out of a Michael Bay movie.
Thankfully, whilst the action is dialled up a few notches here, the plot is much more detailed and the final scenes are utterly breath-taking.
Overall, Avengers: Age of Ultron had a massive amount to live up to and in some respects it falls a little short, its overambitious nature is its downfall with too many characters needing screen time. However, as a good-time blockbuster it’s hard to find one better and James Spader is genuinely mesmerising as Ultron.
Is it the best film in the Marvel Cinematic Universe? Well, it’s definitely an improvement on its predecessor – but for me, Guardians of the Galaxy just takes that title by a whisker.
https://moviemetropolis.net/2015/04/26/this-one-belongs-to-james-spader-avengers-age-of-ultron-review/
Therefore, Whedon and co had their work cut out trying to build on the solid foundations they had laid when it came to producing a sequel. However, three years and $250m later Avengers: Age of Ultron hits our screens. But is it the follow-up everyone was asking for?
Age of Ultron follows the dynamic team of superheroes as they continue to save the world following the near cataclysmic events of the 2009 predecessor and of course every Marvel film released since. Here however, they are tasked with taking down a robot hell bent on destroying the world – a tough day at the office to say the least.
All the fan favourites return as well as some new faces in a film that is technically spectacular but a little overambitious at times. There are 11, count them 11, major characters vying for screen time in Age of Ultron and while Whedon manages to give each of them their own story arc, at times it feels a little rushed.
Joining the cast is James Spader as the voice of Ultron, a robot accidentally created by Tony Stark, and he is by far the most intriguing character in an already impressive line-up. Robert Downey Jr. continues to be on fine form as the wise-cracking Iron Man/Stark with Chris Hemsworth providing the eye-candy as Thor.
It’s also nice to see Scarlett Johansson and Jeremy Renner’s Black Widow and Hawkeye get some much-needed fleshing out after their fairly limited roles in previous Marvel films, and Mark Ruffalo’s Hulk is a joy to watch.
Kick-Ass’ Aaron Taylor-Johnson and Godzilla’s Elizabeth Olsen also join the cast as Quicksilver and Scarlet Witch, two characters fans of the X-Men universe will recognise. However, due to legal requirements their origins are changed and the fact that they are mutants is never revealed, unfortunately limiting their appeal.
When it comes to special effects, Whedon has made sure every sequence is brimming with the highest quality CGI, and despite a couple of lapses early on in the film, the majority of the picture is flawless with some stunning global locations beautifully juxtaposed with the characters doing their thing.
What stands out in Age of Ultron however is the plot. Avengers Assemble was a fine film right up until the generic city-levelling, headache inducing climax that looked like it could have come straight out of a Michael Bay movie.
Thankfully, whilst the action is dialled up a few notches here, the plot is much more detailed and the final scenes are utterly breath-taking.
Overall, Avengers: Age of Ultron had a massive amount to live up to and in some respects it falls a little short, its overambitious nature is its downfall with too many characters needing screen time. However, as a good-time blockbuster it’s hard to find one better and James Spader is genuinely mesmerising as Ultron.
Is it the best film in the Marvel Cinematic Universe? Well, it’s definitely an improvement on its predecessor – but for me, Guardians of the Galaxy just takes that title by a whisker.
https://moviemetropolis.net/2015/04/26/this-one-belongs-to-james-spader-avengers-age-of-ultron-review/