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Satan and Salem: The Witch-Hunt Crisis of 1692
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The result of a perfect storm of factors that culminated in a great moral catastrophe, the Salem...
June's Journey
Games
7.5
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A hidden object game for story lovers everywhere Discover June’s Journey, the brand new hidden...
Bob Mann (459 KP) rated The Mauritanian (2021) in Movies
Apr 14, 2021
Great acting from all four leads, especially Tahar Rahim (2 more)
Great use of screen ratios for flashbacks
Very thought provoking
War crimes don't just happen on the battlefield
It’s 2001. Bush and Rumsfeld seek vengeance on the perpetrators of 9/11. Quite right too. But rounding up hundreds of suspects and incarcerating them for years, without charge, in Guantánamo Bay in Cuba was an appalling act for a supposedly first-world country.
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
The Karamazov Brothers
Fyodor Dostoyevsky and Ignat Avsey
8.0
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Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime...
Borderlines
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The debut novel by a British writer with nearly two decades of African experience - a compelling...
Matthew McConaughey: The Biography
Book
Matthew McConaughey is a Hollywood star with an Oscar to his name and the world at his feet. Growing...
BankofMarquis (1832 KP) rated Roman J. Israel, Esq. (2018) in Movies
Feb 23, 2018
Come for Denzel, stay for...well...there isn't much else to stay for
Denzel Washington is one of the finest actors of his generation. A charismatic screen presence, he commands the viewer's attention whether he is performing a comedy, drama or action film. He has won 2 Oscars as a performer and has been nominated for his acting 6 other times - including (rightfully so) for his performance as the titular character in ROMAN J ISRAEL, ESQ.
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) created a post
Sep 15, 2021
A User's Guide to Copyright
Tom Rivers, Clive Thorne, Jonathan Cornthwaite and Michael Flint
Book
A User's Guide to Copyright, 7th edition is long established as one of the key texts in the field....