Search

Search only in certain items:

The Most Dangerous Game (1932)
The Most Dangerous Game (1932)
1932 | Classics, Drama, Horror

"Made on the wonderful jungle sets of King Kong while that epic’s special effects were being finished, this is one of the great action-horror films and has provided a template for many “rich sicko” melodramas—the entire “torture porn” subgenre springs from the obsessions of its villain, Count Zaroff (Leslie Banks). Adapted from a short story by Richard Connell and codirected by Kong’s Ernest B. Schoedsack and character actor Irving Pichel, it has one of the most perfect plots in horror: a big-game hunter (Joel McCrea) changes his mind about how much fun his preferred sport is when he’s shipwrecked on an island where a mad Russian who’s grown tired of lesser game has opted to hunt human beings. Fay Wray, another Kong holdover, screams on the sidelines, and a pack of baying hounds provides additional menace."

Source
  
Before You Break (Secrets #1)
Before You Break (Secrets #1)
Joel Leslie (Narrator), KC Wells, Parker Williams | 2018 | Erotica, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
awesome narration of an awesome book!
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.

Six years ago, Ellis joined the Specialist Firearms Unit. Wayne was his partner, but Wayne wanted more, much more. Ellis is straight though. When Ellis begins a spiral downwards, and Wayne can no longer keep covering for him, he knows what he needs to do. Question is, will Ellis let Wayne help the way he wants to, the way Ellis NEEDS him to?

Book one of the Secrets series, which is a spin off from the Collars and Cuffs series. I’ve no read ANY of those, so this is brand new to me.

I really REALLY loved this one!

Ellis is, by his own admission, struggling to come to terms with his responsibilities forced on him at an early age, an age when he should have been learning how to be a boy, not a man. Wayne keeps covering for his silly mistakes but it’s getting more and more difficult. After a particularly difficult op, Wayne decides enough is enough and knows what Ellis needs. But Ellis has always portrayed himself as straight, and vanilla and Wayne is neither. Wayne knows Ellis needs to be “taken in hand” to get to the bottom of what’s bothering him, and Wayne is just the man to do it: the ONLY man to do it.

Not all of Ellis’ problems are immediately clear, and it takes time for the full picture to develop and I loved that. You don’t get a massive info dump. Ellis is. . . .difficult . . .when Wayne introduces him to the lifestyle and it is, in some places, rather amusing the conversations Ellis has with himself about what Wayne is doing, WHY he is doing it.

Wayne has loved Ellis since first meeting him 6 years ago, and to have carried that flame for so long was hard on him, but finally getting his hands (quite literally!) on Ellis is a balm to his soul. Ellis is his other half and he needs Ellis to see that.

The story unfolds at a steady pace, with Wayne kinda plodding along with Ellis till ELLIS decides he wants more, and I really did like that. Sometimes, things need to speed along but not so much here and it made for a great listen.

Joel Leslie narrates.

Leslie is, in my humble opinion, a MASTER at accents. These two guys are Londoners, and the accents were spot on. Jarod and Eli pop up, they are the new owners of Secrets and their accents are very different but again, spot on. Leslie does get all the emotions that both Ellis and Wayne are going through, and I cried in some places. I ooohhh-ed and aaahhh-ed and YAY-ed and NOOOOOOOOOOOOOOOOOOOOOOOOOO-ed in places, out loud. I don’t do that when I’m reading but when I’m listening I seem to be more vocal with my reactions and I can only assume that’s the skill of the narrator coming across.

I had to giggle a bit though. Mr Leslie is, I think, American, and the man CANNOT say leisurely like we do in the UK. Every other word was spot on, but that one? Nope, not right. But I won’t hold it against him, cos I LOVED this narration!

I already have book 2 lined up, and I hope that Wayne, Ellis, Eli and Jarod pop up along the way. Be great to catch up with them.

5 stars for the book
5 stars for the narration
5 stars overall

**same worded review will appear elsewhere**
  
American Horror Story - Season 9
American Horror Story - Season 9
2019 | Horror
The ninth season of AHS, subtitled "1984" is definitely up there in terms of silliness. However, where this has been an issue for me with a few previous seasons, this time around it's a huge strong point.

1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.

A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.

The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.

As a final thought - the synthwave version of the theme tune is fucking awesome.
  
40x40

Jackjack (877 KP) May 10, 2020

Where did you watch this?? Massive fan of this program and they only got 8 seasons on Netflix

40x40

LeftSideCut (3778 KP) May 10, 2020

I watched it when it aired last year, only just got round to writing a review! I can't imagine it will be too long before it's on Netflix though.