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LeftSideCut (3778 KP) rated American Horror Story - Season 9 in TV
May 10, 2020
The ninth season of AHS, subtitled "1984" is definitely up there in terms of silliness. However, where this has been an issue for me with a few previous seasons, this time around it's a huge strong point.
1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.
A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.
The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.
As a final thought - the synthwave version of the theme tune is fucking awesome.
1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.
A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.
The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.
As a final thought - the synthwave version of the theme tune is fucking awesome.
Alison Pink (7 KP) rated Cleaning Nabokov's House in Books
Jan 15, 2018
I won this book on First Reads. The write up caught my attention so I entered, with very few expectations on winning a copy or for the book itself. I am happy to say that I was pleasantly surprised!
This book was an easy read, but not one of those reads that is so easy you breeze through without paying attention to the plot. The book tells the story of newly divorced Barbara. In the divorce she lost custody of her 2 children & soon found herself living in a dive motel in the small town her "experson" had moved to her to. It goes through the story of Barb regaining her confidence, her children, & in the process herself.
The writing was poetically simple & often laugh out loud funny or tears streaming touching. I found myself rooting for Barb all the way through this book. I look forward to reading more from Leslie Daniels in the future!
This book was an easy read, but not one of those reads that is so easy you breeze through without paying attention to the plot. The book tells the story of newly divorced Barbara. In the divorce she lost custody of her 2 children & soon found herself living in a dive motel in the small town her "experson" had moved to her to. It goes through the story of Barb regaining her confidence, her children, & in the process herself.
The writing was poetically simple & often laugh out loud funny or tears streaming touching. I found myself rooting for Barb all the way through this book. I look forward to reading more from Leslie Daniels in the future!
Awix (3310 KP) rated The Most Dangerous Game (1932) in Movies
Mar 25, 2020
(Can't see that movie about people being hunted for entertainment as all the cinemas are shut, so went for this instead (the daddy of the genre).) Much mimicked pulp adventure movie. Big-game hunter survives a shipwreck but pitches up on the private island of an insane Russian aristo who hunts people for sport.
Slots very nicely into the development of early-30s genre cinema - the premise vaguely recalls Dracula, while many of the key personnel would go on to make King Kong the following year. Still stands up well as an adventure movie in many ways; above average script, some rousing set pieces, and an enjoyably extravagant performance from Leslie Banks as the bad guy. The short running time does count against it though (the hunt only gets underway in the final third of the movie). One of the progenitors of the modern action blockbuster, and a fine movie in its own right.
Slots very nicely into the development of early-30s genre cinema - the premise vaguely recalls Dracula, while many of the key personnel would go on to make King Kong the following year. Still stands up well as an adventure movie in many ways; above average script, some rousing set pieces, and an enjoyably extravagant performance from Leslie Banks as the bad guy. The short running time does count against it though (the hunt only gets underway in the final third of the movie). One of the progenitors of the modern action blockbuster, and a fine movie in its own right.
Midge (525 KP) rated SEAL's Homecoming in Books
Jan 31, 2019 (Updated Jan 31, 2019)
Hot romance (2 more)
Great lead characters
Action and suspense
A Delightful, Sexy Must Read!
I absolutely adored this wonderful, hot, little romance from the very beginning.
Chance McCallister is a Navy SEAL with dark brown eyes a perfectly honed body and likes sprucing up classic cars. He and his brothers have returned to their home town of Springwell, Georgia for their father’s funeral. Chance buys the car parts from the garage that his ex-girlfriend owns, who he is trying to avoid and hasn’t seen for twelve years. No problem, unless things start to get complicated....
Enter Mandy Loomis, a stunning, petite, curvy, russet-haired beauty, to whom he lost his virginity and who he thought he’d marry until she ripped out his heart just before he left for the Navy. Mandy’s gambler father died two years ago, leaving her the garage family business and a whole load of related debt, owed to a loan shark.
To Mandy, Chance was her childhood sweetheart who abandoned her 12 years ago. Then he was 18 years old, now she is drowning in lust for him and he is bigger, stronger and even sexier, with an aura of danger and a reputation of fighter and predator. Just as the two are beginning to realize they could have a future together, the loan shark starts to make some serious trouble for them, putting both their love and their lives in danger.
Although Chance has a bad-boy image, I loved the sexy chemistry between him and Mandy whenever they were together and they were both very likeable characters. Mandy is bright, ambitious, fiercely independent and very much knows her own mind. Chance is gorgeous and his actions are always carried out with good intentions.
"SEAL’s Homecoming" is a short fast-paced read with lots of action, some suspense and plenty of lust and love. Leslie North has written another brilliant story that was sweet and captivating to the end and loads of fun to read.
I would wholeheartedly recommend this book to anyone.
Thank you to Hidden Gems and the author, Leslie North, for a free ARC of this book in exchange for a voluntary, honest review.
Chance McCallister is a Navy SEAL with dark brown eyes a perfectly honed body and likes sprucing up classic cars. He and his brothers have returned to their home town of Springwell, Georgia for their father’s funeral. Chance buys the car parts from the garage that his ex-girlfriend owns, who he is trying to avoid and hasn’t seen for twelve years. No problem, unless things start to get complicated....
Enter Mandy Loomis, a stunning, petite, curvy, russet-haired beauty, to whom he lost his virginity and who he thought he’d marry until she ripped out his heart just before he left for the Navy. Mandy’s gambler father died two years ago, leaving her the garage family business and a whole load of related debt, owed to a loan shark.
To Mandy, Chance was her childhood sweetheart who abandoned her 12 years ago. Then he was 18 years old, now she is drowning in lust for him and he is bigger, stronger and even sexier, with an aura of danger and a reputation of fighter and predator. Just as the two are beginning to realize they could have a future together, the loan shark starts to make some serious trouble for them, putting both their love and their lives in danger.
Although Chance has a bad-boy image, I loved the sexy chemistry between him and Mandy whenever they were together and they were both very likeable characters. Mandy is bright, ambitious, fiercely independent and very much knows her own mind. Chance is gorgeous and his actions are always carried out with good intentions.
"SEAL’s Homecoming" is a short fast-paced read with lots of action, some suspense and plenty of lust and love. Leslie North has written another brilliant story that was sweet and captivating to the end and loads of fun to read.
I would wholeheartedly recommend this book to anyone.
Thank you to Hidden Gems and the author, Leslie North, for a free ARC of this book in exchange for a voluntary, honest review.
Kevin Wilson (179 KP) rated Dracula - Dead and Loving It (1995) in Movies
Jul 14, 2018
A lot of fun, the humour is great (1 more)
A fun cast
Its just a fun movie
This is a fun movie. You should not take this seriously. I have found myself quoting this more and more as the years went on. I saw this again and again as a child and watching it again after so long I can appreciate it a lot more.
Leslie Nielson is great as Dracula. He brings in a fun, charming performance as always. Not his best role but does a good job with it.
Peter MacNicol as Renfield is by far my favourite character right from the start. He is funny, crazy with some amazing lines. He is where my favourite quotes come from mostly.
This is a typical Mel brooks spoof movie. He directs and stars and is quite funny. The rest of the cast I wasn't that interested about to be honest.
Not sure if it's intentional but the acting isn't the greatest but still a lot of fun.
Leslie Nielson is great as Dracula. He brings in a fun, charming performance as always. Not his best role but does a good job with it.
Peter MacNicol as Renfield is by far my favourite character right from the start. He is funny, crazy with some amazing lines. He is where my favourite quotes come from mostly.
This is a typical Mel brooks spoof movie. He directs and stars and is quite funny. The rest of the cast I wasn't that interested about to be honest.
Not sure if it's intentional but the acting isn't the greatest but still a lot of fun.
Mark @ Carstairs Considers (2086 KP) rated Gingerbread Cookies and Gunshots in Books
Jan 4, 2024
Missing Child at Christmas
Lucy Stone gets involved when a four-year-old boy is kidnapped in her community. With no clues to go on, Lucy begins to think that something much larger is happening. Is she right?
Even though I don’t normally read this series, I didn't have any trouble jumping into the characters here. There was enough explanation of who people were that I could follow along. The bits about those I assume are series regulars didn't mean quite as much to me, but I enjoyed meeting everyone. This is on the serious side of the cozy spectrum, and the atmosphere was carried perfectly throughout the story. Lucy did seem to jump to one conclusion, but since she was proved right with evidence later on, I can't call it a major flaw. There are two recipes at the end of this story to enjoy later. This is probably my favorite of the stories I’ve read from Leslie Meier.
NOTE: This is a novella, roughly 100 pages along.
NOTE 2: This was originally published in the anthology Gingerbread Cookie Murder.
Even though I don’t normally read this series, I didn't have any trouble jumping into the characters here. There was enough explanation of who people were that I could follow along. The bits about those I assume are series regulars didn't mean quite as much to me, but I enjoyed meeting everyone. This is on the serious side of the cozy spectrum, and the atmosphere was carried perfectly throughout the story. Lucy did seem to jump to one conclusion, but since she was proved right with evidence later on, I can't call it a major flaw. There are two recipes at the end of this story to enjoy later. This is probably my favorite of the stories I’ve read from Leslie Meier.
NOTE: This is a novella, roughly 100 pages along.
NOTE 2: This was originally published in the anthology Gingerbread Cookie Murder.
BankofMarquis (1832 KP) rated The Great Race (1965) in Movies
Jul 6, 2018
A fun throwback to 1920's Silent Film Farces
In a tribute to films of a bygone era, Director Blake Edwards pays homage to silent film farces of the 1920's - even dedicating this film to "Mr. Laurel and Mr. Hardy" - with the slapstick comedy THE GREAT RACE - and succeeds, mostly.
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Matthew Krueger (10051 KP) rated Ransom (1996) in Movies
Jul 14, 2020 (Updated Jul 14, 2020)
This Is Your Ransom
Ransom- is a great thriller. Full of suspense, drama, action, crime and thrills.
The plot: Through a life of hard work, airline owner Tom Mullen (Mel Gibson) has amassed a great deal of wealth. When a group of criminals want a piece of his cash, they kidnap his son (Brawley Nolte) for a $2 million ransom. Encouraged by his wife (Rene Russo) and an FBI agent (Delroy Lindo), Tom prepares to pay the money, but the ransom drop goes awry. Enraged, Tom decides to turn the tables on the kidnappers by making the ransom a bounty on their heads -- which he announces on national television.
The original story came from a 1954 episode of The United States Steel Hour titled "Fearful Decision". In 1956, it was adapted by Richard Maibaum and Cyril Hume into the feature film Ransom!, starring Glenn Ford, Donna Reed, and Leslie Nielsen. The film was also influenced by Ed McBain's police procedural novel King's Ransom.
Also it has a great surporting cast: Rene Russo, Gary Sinise, Brawley Nolte, Delroy Lindo, Liev Schreiber, Evan Handler, Donnie Wahlberg, and Lili Taylor. Gibson. Ron Howard does it again.
Its a great thriller and a must watch film, it will leave you on the edge of your seat until the very end of the film.
The plot: Through a life of hard work, airline owner Tom Mullen (Mel Gibson) has amassed a great deal of wealth. When a group of criminals want a piece of his cash, they kidnap his son (Brawley Nolte) for a $2 million ransom. Encouraged by his wife (Rene Russo) and an FBI agent (Delroy Lindo), Tom prepares to pay the money, but the ransom drop goes awry. Enraged, Tom decides to turn the tables on the kidnappers by making the ransom a bounty on their heads -- which he announces on national television.
The original story came from a 1954 episode of The United States Steel Hour titled "Fearful Decision". In 1956, it was adapted by Richard Maibaum and Cyril Hume into the feature film Ransom!, starring Glenn Ford, Donna Reed, and Leslie Nielsen. The film was also influenced by Ed McBain's police procedural novel King's Ransom.
Also it has a great surporting cast: Rene Russo, Gary Sinise, Brawley Nolte, Delroy Lindo, Liev Schreiber, Evan Handler, Donnie Wahlberg, and Lili Taylor. Gibson. Ron Howard does it again.
Its a great thriller and a must watch film, it will leave you on the edge of your seat until the very end of the film.
Jackjack (877 KP) May 10, 2020
LeftSideCut (3778 KP) May 10, 2020