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Elli H Burton (1288 KP) rated The Change-Up (2011) in Movies
Jun 14, 2019
Why why why...??
So, another Freaky Friday film so to start with you know you're in for a hit and miss time. Actually really like the main cast in other films and I'm shocked that I'm unhappy about a film with them in.
So didn't want to see nudity in a baby and a pregnant woman, seriously disturbing. Also Leslie Mann is an awesome actress and feel like her nude scene was uncalled for and unnecessary. The story is just ridiculous and feel as though it's forced.
It's annoying that Ryan Reynolds- the guy that brought is Deadpool, wasted his time on this film.
Cringy film - wouldn't watch again.
So didn't want to see nudity in a baby and a pregnant woman, seriously disturbing. Also Leslie Mann is an awesome actress and feel like her nude scene was uncalled for and unnecessary. The story is just ridiculous and feel as though it's forced.
It's annoying that Ryan Reynolds- the guy that brought is Deadpool, wasted his time on this film.
Cringy film - wouldn't watch again.
The 40 Year Old Virgin (2005)
7.1
Rate It
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Andy Stitzer (Steve Carell) has gone 40 years without “doing it.” Now his pals are making it...
And Some Fell on Stony Ground: A Day in the Life of an RAF Bomber Pilot
Book
A unique glimpse of the deadliest profession of the Second World War. In June 1941, Flight Sergeant...
Gareth von Kallenbach (962 KP) rated This is 40 (2012) in Movies
Aug 7, 2019
The last time we saw Pete and Debbie in the movie “Knocked Up”, they were just reconciling after a short separation. Pete found Debbie too controlling and regularly escaped the house leading Debbie to believe he was having an affair when really he was in a fantasy baseball draft. Five years later, Pete is no longer a band promoter but trying to keep his own record label afloat, while Debbie owns and manages a clothing boutique.
To the casual observer, Pete and Debbie, played with great chemistry by Paul Rudd and Leslie Mann, live an idyllic life with a nice house, two daughters and promising businesses. But a closer look finds Pete would rather play Scrabble on his iPad while on the toilet than spend time playing with his daughters. Most would never guess Debbie is a stress smoker since she goes to great lengths to hide her habit. Stressing over turning 40 isn’t helping her quit and neither is trying to figure out which of her employees is stealing from her. Is it the sexpot Desi, played easily by Megan Fox, or is it the strange Jodi, played with eerie weirdness by Charlyne Yi? As for Pete’s business, his stubborn antipathy towards popular music is driving his record label towards bankruptcy. But that’s not all that’s troubling Pete and Debbie. Both have daddy issues and neither know how quite to handle their over-emotional 14 year old daughter.
Sound like a hodge-podge of dilemmas? It certainly is. What started out as an amusing tale of turning 40 quickly devolved into a manic mess of pointing fingers, curse words, teenage angst and mental breakdowns. At one point in the film, Debbie’s dad, played by John Lithgow, looked utterly confused and I could empathize. If this movie had a storyline, it got lost along with any sympathy for Pete or Pete’s dad played by Albert Brooks. You know it’s bad when you start hoping the 8 year old daughter, Charlotte, says something funny again to break the tension.
With this strong cast of actors, including director Judd Apatow’s daughters Maude and Iris who played Pete and Debbie’s daughters, Sadie and Charlotte, there was no issue with the performances. Maybe some of the story was trimmed away in the editing room, but with a run time of 134 minutes, one would think some semblance of a storyline could have been left. Sure, there was plenty to laugh at, especially with bit parts played by Jason Segal, Melissa McCarthy and Chris O’Dowd.
I really wanted to like this movie. Judd Apatow, Paul Rudd and Leslie Mann sounded like the perfect trio to make a funny movie. Alas, the funny stuff is in the trailers. Save yourself some dough and wait for the DVD, where some of the storyline may make it in the deleted scenes.
To the casual observer, Pete and Debbie, played with great chemistry by Paul Rudd and Leslie Mann, live an idyllic life with a nice house, two daughters and promising businesses. But a closer look finds Pete would rather play Scrabble on his iPad while on the toilet than spend time playing with his daughters. Most would never guess Debbie is a stress smoker since she goes to great lengths to hide her habit. Stressing over turning 40 isn’t helping her quit and neither is trying to figure out which of her employees is stealing from her. Is it the sexpot Desi, played easily by Megan Fox, or is it the strange Jodi, played with eerie weirdness by Charlyne Yi? As for Pete’s business, his stubborn antipathy towards popular music is driving his record label towards bankruptcy. But that’s not all that’s troubling Pete and Debbie. Both have daddy issues and neither know how quite to handle their over-emotional 14 year old daughter.
Sound like a hodge-podge of dilemmas? It certainly is. What started out as an amusing tale of turning 40 quickly devolved into a manic mess of pointing fingers, curse words, teenage angst and mental breakdowns. At one point in the film, Debbie’s dad, played by John Lithgow, looked utterly confused and I could empathize. If this movie had a storyline, it got lost along with any sympathy for Pete or Pete’s dad played by Albert Brooks. You know it’s bad when you start hoping the 8 year old daughter, Charlotte, says something funny again to break the tension.
With this strong cast of actors, including director Judd Apatow’s daughters Maude and Iris who played Pete and Debbie’s daughters, Sadie and Charlotte, there was no issue with the performances. Maybe some of the story was trimmed away in the editing room, but with a run time of 134 minutes, one would think some semblance of a storyline could have been left. Sure, there was plenty to laugh at, especially with bit parts played by Jason Segal, Melissa McCarthy and Chris O’Dowd.
I really wanted to like this movie. Judd Apatow, Paul Rudd and Leslie Mann sounded like the perfect trio to make a funny movie. Alas, the funny stuff is in the trailers. Save yourself some dough and wait for the DVD, where some of the storyline may make it in the deleted scenes.
Gareth von Kallenbach (962 KP) rated Funny People (2009) in Movies
Aug 9, 2019
We all have our favorite Adam Sandler movies. There are the fans of The Wedding Singer and 50 First Dates and there’s the loyal camp who can quote Happy Gilmore or Big Daddy verbatim. You hear the name Adam Sandler’s and you think goofy, lovable guy. Dependably funny and quotable, from the mid-90’s on, he was the go-to comedian when we looked for an easy laugh. Of late, with the growing list of popular movies under his belt, when you think goofy, lovable funny guy, another name comes up: Seth Rogan. In “Funny People” you get them both.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Sandler plays George Simmons, a popular comedian who’s diagnosed with a fatal disease. Playing a comedian is hardly a stretch for Sandler, but for one whose dramatic turns can be counted on one hand, he plays the stricken man who’s suddenly face to face with his immortality quite convincingly. Rogan is Ira Wright, a desperate young comic who’s still vying for stage time at the local comedy club. George, perhaps recognizing a bit of himself or seeing a glimmer of comedic genius in Ira after catching his act, hires Ira to write for him.
Ira goes from writer and personal assistant/confidante to opening act as he helps George deal with his illness. He encourages the veteran comedian to reconnect with his compatriots in the business, opening the film to a parade of old faces from the stand-up circuit. George’s reflections on his life eventually lead him back to a lost love, Laura, played by Leslie Mann. Amidst the funny, laugh-out-loud scenes, are some believably tender moments, not just between Mann and Sandler but also, oddly enough, Sandler and Rogan.
Directing the comedic duo is writer/director Judd Apatow, who gave Rogan that growing list of successful movies after first casting him in The 40-Year-Old Virgin. Sandler could certainly use some of Apatow’s Midas-like touch after his recent string of marginal films. With a strong supporting cast of Jonah Hill and Jason Schwartzman who play Ira’s roommates Leo and Mark and Eric Bana, Laura’s husband, the movie is in turns hilarious and puzzling. The strong storyline of a veteran comedian taking a novice comic under his wings gets lost when George pursues a second chance with an unhappily married Laura. What could’ve been a touching passing of the torch tale is confused by an annoying love triangle. When the movie returns its focus to George and Ira, it’s saved, just barely, by the fact that we’re still watching two of comedy’s goofy, lovable funny guys.
Gareth von Kallenbach (962 KP) rated How To Be Single (2016) in Movies
Aug 6, 2019
Being a single twenty something in New York City is one of the best and one of the worst things all at the same time. Alice (Dakota Johnson) thinks it is time to see what the single life is all about by take a “break” from her longtime boyfriend Josh (Nicholas Braun). Unfortunately as we all know things don’t always work out the way people want and Alice must figure out who she is. With the help of her friend Robin (Rebel Wilson) and her sister Meg (Leslie Mann), Alice faces the challenges and benefits that come with being single. While Alice is trying to find her way the plot looks into the lives of Tom (Anders Holm) the flirty bartender who would pretty much bang anything that walks, Lucy (Alison Brie) the crazed romantic who believes she can find the one, and Meg, Alice’s doctor sister who find out she wants everything she never wanted. “How to Be Single” shows us that we need to take time to find ourselves and that things do happen in time.
Directed by Christian Ditter and loosely based off of Liz Tuccillo’s novel How to Be Single the film is actually quite relatable. While it is not a necessity to be single, finding yourself is an essential part of life and people should explore new opportunities no matter what others tell them. As far as the acting goes, it was ok but nothing Oscar worthy. Also for a romantic comedy I feel this movie is more relatable then most, it shows that love isn’t perfect and instantaneous. I would recommend this film to people who are going to have a girl’s night, because to its core this movie came down to friendship. Would I see this film again? Sure, Rebel Wilson’s one liners in the film were hilarious and kept me hooked.
Directed by Christian Ditter and loosely based off of Liz Tuccillo’s novel How to Be Single the film is actually quite relatable. While it is not a necessity to be single, finding yourself is an essential part of life and people should explore new opportunities no matter what others tell them. As far as the acting goes, it was ok but nothing Oscar worthy. Also for a romantic comedy I feel this movie is more relatable then most, it shows that love isn’t perfect and instantaneous. I would recommend this film to people who are going to have a girl’s night, because to its core this movie came down to friendship. Would I see this film again? Sure, Rebel Wilson’s one liners in the film were hilarious and kept me hooked.
Lee (2222 KP) rated Welcome to Marwen (2018) in Movies
Jan 11, 2019
Steve Carell (1 more)
Leslie Mann
This year, I made a resolution to try not to let critic reviews heavily influence my decision to go see a movie or not. In the period between Christmas and New year, I'd booked to go see Holmes and Watson, but when the very bad reviews for it started coming it, I decided to cancel, opting to continue lazing on the sofa with food, drink and Netflix instead. That particular choice I don't regret, but I feel there have been many occasions over the last year where I've either hated a movie the critics loved, or loved a movie the critics were negative about. Time to try and change that.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
Dianne Robbins (1738 KP) rated Blithe Spirit (2020) in Movies
Mar 31, 2021 (Updated Mar 31, 2021)
The women act like shrews. (6 more)
Cheap jokes.
Lack of class and style.
Poor character development.
No depth to the characters at all.
Unsophisticated.
Would have been funnier without the sex jokes.
No! No! No! This is not the way Noel Coward is meant to be seen. Avoid this!
Contains spoilers, click to show
I am a HUGE fan of Noel Coward and absolutely adore the original Blithe Spirit. I had high hopes for this version as I like all of the actors involved in the movie. Unfortunately, it was a complete disappointment. Judi Dench's Madame Arcati paled in the memory of Margaret Rutherford, though much of the dialogue and actions during the seance scene were the same. She tried her best but the script just wasn't any good. I did appreciate the backstory of her losing her husband in the Boer War and that being the reason she was interested in the occult. The significance of the song Always was not mentioned, though it was very important to the plot in the original and made the movie relatable. Gone was the ethereal, sweet, mischievous little minx Elvira, played by Kay Hammond in the original. Enter the selfish, unlovable shrew of a first wife, played by the usually lovable Leslie Mann in the remake. The relationship between Charles and Elvira does not make any sense to the viewer and there was no point for them to have been together or for her to have thought of her and to bring her forth in the present. This is a missed plot point. In the original, it is actually the maid who was thinking of Elvira, not Charles, but the maid is merely a go-between for props in this movie and has no reason for being there, nor the chef. The relationship between Ruth and Charles is also not a good one and they have no reason to be together in this remake, though in the original, they at least have a few things in common. They seem to have nothing but derision toward each other. Again, I don't see the point of them being together. All of them are miserable together. Even when Elvira and Charles are intimate, it is not for romance and love but for mere hatred, jealousy, and spite. There is even a cheap crotch shot joke that I was appalled to see in this work. And the ending of the movie makes little sense. It's hardly the charming farce Noel Coward intended. Oh, the horrors. Skip this version. Watch the original. Trust me on this. This movie is not the way Noel Coward is meant to be seen.
Gareth von Kallenbach (962 KP) rated Welcome to Marwen (2018) in Movies
Jul 2, 2019
Cap’t Hogie (Steve Carell) is saved from of Nazi’s, after his plane crashed in a swamp in Belgium, by a squad women. They are able to take the beaten and battered Hogie back to their town of Marwen. Or at least that the story Mark Hogancamp (also Steve Carell) has conjured in his art installation outside his trailer home. Mark himself was found by a bartender, Wendy (Stefanie von Pfetten), after he was beaten with an inch of his life by a group of white supremacist. Hogancamp was a successful sketch artist and now can hardly write his own name. He also has little to no memory of the life before the beating. But he is still and artist and now his art lives in the dolls he uses to create a fantasy story that mirrors his real life.
The group of women dolls that seem to always save his Hogie character are all based on the women his life. There is G.I. Julie, aka Julie (Janelle Monae), his rehab partner after his accident and Roberta (Merritt Wever), the friendly neighborhood hobby story clerk. Plus there is Anna (Gwendoline Christie) nurse who brings Hogie his mail and supplies in real life and Carlala (Eiza Gonzalez) his coworker in real life. These make up the majority of his bad ass Nazi killing crew in Marwen. The newest addition is his neighbor Nicole (Leslie Mann) who he think might help him defeat the Nazi’s in Marwen for good and be a special new friend in real life. He will need both his Marwen crew and his real life friends as the sentencing for his real life attackers gets closer and his fragile mental health is pushed to a stressful breaking point.
This unique story is based on the real life of world famous photographic artist Mark Hogancamp. Mark was brutally beaten because he made a smart comment about liking to wear women’s shoes. It’s also a story of overcoming addiction and mental health issues. He turned the disaster into a passion for creating art and using fantasy to cope with tragedy.
This was a really interesting way of telling a one of a kind true story. I thought that director, Robert Zemeckis (Forest Gump, Flight) used both real life and the fantasy world of Marwen to create one story. There were times when the story really didn’t flow great between the two worlds but overall was really original filmmaking. The pace and flow were a little off with the transitions. I thought the animation was exceptionally done. The story also had a bunch of topics it tackled, from mental health and memory loss to addiction but also had a good mix of humor. Carell dual performances were really well done and the supporting cast was also good. Films that are original and try new and interesting things are always worth a view in my opinion. I could see the content not really being for everyone but I thought the overall story left me feeling good.
The group of women dolls that seem to always save his Hogie character are all based on the women his life. There is G.I. Julie, aka Julie (Janelle Monae), his rehab partner after his accident and Roberta (Merritt Wever), the friendly neighborhood hobby story clerk. Plus there is Anna (Gwendoline Christie) nurse who brings Hogie his mail and supplies in real life and Carlala (Eiza Gonzalez) his coworker in real life. These make up the majority of his bad ass Nazi killing crew in Marwen. The newest addition is his neighbor Nicole (Leslie Mann) who he think might help him defeat the Nazi’s in Marwen for good and be a special new friend in real life. He will need both his Marwen crew and his real life friends as the sentencing for his real life attackers gets closer and his fragile mental health is pushed to a stressful breaking point.
This unique story is based on the real life of world famous photographic artist Mark Hogancamp. Mark was brutally beaten because he made a smart comment about liking to wear women’s shoes. It’s also a story of overcoming addiction and mental health issues. He turned the disaster into a passion for creating art and using fantasy to cope with tragedy.
This was a really interesting way of telling a one of a kind true story. I thought that director, Robert Zemeckis (Forest Gump, Flight) used both real life and the fantasy world of Marwen to create one story. There were times when the story really didn’t flow great between the two worlds but overall was really original filmmaking. The pace and flow were a little off with the transitions. I thought the animation was exceptionally done. The story also had a bunch of topics it tackled, from mental health and memory loss to addiction but also had a good mix of humor. Carell dual performances were really well done and the supporting cast was also good. Films that are original and try new and interesting things are always worth a view in my opinion. I could see the content not really being for everyone but I thought the overall story left me feeling good.
Gareth von Kallenbach (962 KP) rated Blockers (2018) in Movies
Jul 8, 2019
Three childhood friends, Sam (Gideon Adlon), Kayla (Geraldine Viswanathan) and Julie (Kathryn Newton, make a pack that they will all have sex for the first time with their dates on prom night. They get together at Julie’s house the night of prom to and get sent off by all families. They head out in a limo for the most memorable night of their lives. Little do they know that Julie left her laptop on with their group chat open. Julie’s mom, Lisa (Leslie Mann), finds the laptop and with the help of Kayla’s dad, Mitchell (John Cena), and Sam’s dad, Hunter (Ike Barinholtz), they decipher the emoji messages and discover the girls’ sex pact. Lisa a single mom, who just found out that her daughter has been accepted to a college thousands of miles away, thinks her daughter is making a huge mistake and wants to confront her. Mitchell, an overprotective father, agrees and they decide to race after the girls to confront them at the dance. Hunter who has been out of his daughter’s life and just wants her to have a great night tries to first talk them out of it, then physically stop them as they get into Lisa’s car. All three in the car they speed off to what will definitely me a memorable prom night for them and their three daughters.
This comedy is the directorial debut for Kay Cannon (writer Pitch Perfect 2, screenplay Pitch Perfect, actress How to Be Single). She does a good job and this is a well-made comedy. The story does an okay job of blending comedy with a heartfelt story of the relationship between parents and children. There are definitely parts that had the audience roaring in laughter. The jokes at time were a little juvenile and for shock value alone, but other times were very witty. There is also a decent amount of cheesiness in this film that didn’t necessarily fit all of the time. With a rooster in front of the title you have to assume there are going to be some raunchy moments. Over all the performances were good. John Cena has some very funny moments but also some pretty campy lines. I did feel his character had the same moment several times though. They had him cry multiple times throughout the film and by the end the big tough guy crying grew old for me. Ira Barinholtz has some fun moments also.
Sometimes the best moments in a comedy are spoiled in the trailers and for me they did a good job of putting enough of the high points in the trailer will out ruining the punchline. I found myself enjoying the buildup to the payoff more than the big finish. I thought that seeing this film in a theater also helped as many of the laughs more contagious audience laughter than punchlines. Overall I left the theater enjoying the film and thinking it was better than expected.
This comedy is the directorial debut for Kay Cannon (writer Pitch Perfect 2, screenplay Pitch Perfect, actress How to Be Single). She does a good job and this is a well-made comedy. The story does an okay job of blending comedy with a heartfelt story of the relationship between parents and children. There are definitely parts that had the audience roaring in laughter. The jokes at time were a little juvenile and for shock value alone, but other times were very witty. There is also a decent amount of cheesiness in this film that didn’t necessarily fit all of the time. With a rooster in front of the title you have to assume there are going to be some raunchy moments. Over all the performances were good. John Cena has some very funny moments but also some pretty campy lines. I did feel his character had the same moment several times though. They had him cry multiple times throughout the film and by the end the big tough guy crying grew old for me. Ira Barinholtz has some fun moments also.
Sometimes the best moments in a comedy are spoiled in the trailers and for me they did a good job of putting enough of the high points in the trailer will out ruining the punchline. I found myself enjoying the buildup to the payoff more than the big finish. I thought that seeing this film in a theater also helped as many of the laughs more contagious audience laughter than punchlines. Overall I left the theater enjoying the film and thinking it was better than expected.