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La Pasta HD – The Best Recipes
Food & Drink and Book
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***** All the best Italian Pasta recipes in one App! ***** Pasta is surely one of the excellences...
Boy Banned
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When the only way to win is to hide who you are, how far are you prepared to go? Reuben...
Contemporary MM Romance
Category Therapy: Sorting Words by Categories
Education and Medical
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Improve mental organization skills. Practice categories in a versatile speech therapy app. When you...
Ingubo - Design your own custom T-shirts
Shopping and Productivity
9.0
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Bring your designs to life! Create one-of-a-kind custom clothing with Ingubo. Ingubo is the fast,...
Chronicle - personal journal and secret diary - write notes
Lifestyle and Productivity
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Top 150 iPhone app at a great price! -- Chronicle is the perfect way to keep a journal or diary on...
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Thirty Day Boyfriend
Book
I should've never agreed to this arrangement... Thirty days ago, my boss--Mr. Wolf of Wall...
romance
Merissa (13585 KP) rated A Little Christmas: Rivi (A Little Christmas Season Four) in Books
Nov 6, 2025
A LITTLE CHRISTMAS: RIVI is part of A Little Christmas, Season Four. I love it when these books start to come out. It is one of my yearly treats, and none more so than Wendy Rathbone's addition.
Everyone has a favourite trope in the Daddy / little stories; my top one is caretaking. You can keep your brats who need firm discipline. Give me a caretaker with all the warm fuzzies, and I'm there every single time!!! And this book delivers that in spades.
Rivi is only twenty-one, is a virgin, doesn't have a boyfriend (or Daddy), but is in no doubt about himself and what he wants. I loved him so much! Just because you are shy and innocent (in some situations), doesn't mean you are stupid or don't know your own mind!
When Rivi meets Briar at a private Christmas party, he knows Briar is just who Rivi wants. There is a little fly in the ointment who goes by the name of Trent! His heart was in the right place, so maybe I'll let him off, but he hurt Rivi in the process, which was NOT good!
Briar is a marshmallow who wants nothing more than to have Rivi as his boy. He loves everything about Rivi, and is proud from the beginning that Rivi is with him (in a good way). There is no miscommunication in here or unnecessary complications. Instead, everything is discussed and sorted out in a way that suits everyone, showing trust in each other.
This was a fantastic book that enveloped me in a hug from the very first page. A great read and recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 5, 2025
Everyone has a favourite trope in the Daddy / little stories; my top one is caretaking. You can keep your brats who need firm discipline. Give me a caretaker with all the warm fuzzies, and I'm there every single time!!! And this book delivers that in spades.
Rivi is only twenty-one, is a virgin, doesn't have a boyfriend (or Daddy), but is in no doubt about himself and what he wants. I loved him so much! Just because you are shy and innocent (in some situations), doesn't mean you are stupid or don't know your own mind!
When Rivi meets Briar at a private Christmas party, he knows Briar is just who Rivi wants. There is a little fly in the ointment who goes by the name of Trent! His heart was in the right place, so maybe I'll let him off, but he hurt Rivi in the process, which was NOT good!
Briar is a marshmallow who wants nothing more than to have Rivi as his boy. He loves everything about Rivi, and is proud from the beginning that Rivi is with him (in a good way). There is no miscommunication in here or unnecessary complications. Instead, everything is discussed and sorted out in a way that suits everyone, showing trust in each other.
This was a fantastic book that enveloped me in a hug from the very first page. A great read and recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 5, 2025
RəX Regent (349 KP) rated The Goonies (1985) in Movies
Feb 25, 2019
Classic
Contains spoilers, click to show
I first watched this seminal 80's classic in 1988, when it first appeared on TV and I was blown away by it. I was 10, roughly the same age as the lads and here was a film with a raucous sense of humour, strong child characters and large-scale plot which has made this film a multi-generational classic, with our parents, us as parents and our children all investing in the spirit of adventure of The Goonies.
Named after the Goon Docks of which they inhabit, a group of kids, after finding a treasure map, decide that this is their last chance to save the town, which is to knocked down in favour of a Country Club. This leads them on an adventure through the booby-trapped underground catacombs of the town, as they follow the map to One Eyed Willie's treasure.
They get mixed up with the Fratelli's, a matriarchal crime family who get wind of the treasure and follows them into the caves.
The first ting that struck me about this, is after all these years what that it was still fun, enjoyable and even though I might not bother watching by myself, I would defiantly enjoy seeing again with the right audience. The raucous nature of a group of children together in a room is captured so expertly here, with a young Sean Austin, now famous for his portrayal of Samwise Gamgee in the Lord Of The Rings trilogy, holding the pack together; but the chaos is portrayed perfectly.
The language is good here too, with casual swearing amongst the kids, meaning that this must be one of the rare family films to truly capture the interplay between tweenage and teenage kids. Overall, this is a classic for all the right reasons, with the story by Steven Spielberg with only goes to further reinforce his status as one of Hollywood's greatest visionaries and a sharp, tight screenplay by Chris Columbus, who penned Gremlins the previous year and went on to direct the first two, but the weakest two Harry Potter movies.
There is also the questionable issue of the way that the Fratelli's treat Chunk. When you think about it he is threatened with torture after being kidnapped and spending time with the murdered corpse of two 'Feds' who have been shot in the head, murdered in cold blood.
I love this, treating the horror in a mature way, allowing it to used as humour but in a way to playfully scare kids, which it does. It is fun, but I do wonder where the PC brigade would let some of these plot points go in to a child friendly romp in 2011? I hope so, as it is the combination of elements that made this film what it is today.
Named after the Goon Docks of which they inhabit, a group of kids, after finding a treasure map, decide that this is their last chance to save the town, which is to knocked down in favour of a Country Club. This leads them on an adventure through the booby-trapped underground catacombs of the town, as they follow the map to One Eyed Willie's treasure.
They get mixed up with the Fratelli's, a matriarchal crime family who get wind of the treasure and follows them into the caves.
The first ting that struck me about this, is after all these years what that it was still fun, enjoyable and even though I might not bother watching by myself, I would defiantly enjoy seeing again with the right audience. The raucous nature of a group of children together in a room is captured so expertly here, with a young Sean Austin, now famous for his portrayal of Samwise Gamgee in the Lord Of The Rings trilogy, holding the pack together; but the chaos is portrayed perfectly.
The language is good here too, with casual swearing amongst the kids, meaning that this must be one of the rare family films to truly capture the interplay between tweenage and teenage kids. Overall, this is a classic for all the right reasons, with the story by Steven Spielberg with only goes to further reinforce his status as one of Hollywood's greatest visionaries and a sharp, tight screenplay by Chris Columbus, who penned Gremlins the previous year and went on to direct the first two, but the weakest two Harry Potter movies.
There is also the questionable issue of the way that the Fratelli's treat Chunk. When you think about it he is threatened with torture after being kidnapped and spending time with the murdered corpse of two 'Feds' who have been shot in the head, murdered in cold blood.
I love this, treating the horror in a mature way, allowing it to used as humour but in a way to playfully scare kids, which it does. It is fun, but I do wonder where the PC brigade would let some of these plot points go in to a child friendly romp in 2011? I hope so, as it is the combination of elements that made this film what it is today.
Fruity Smoothies! - Make Frozen Ice Drinks
Games and Education
App
Blend your own healthy green drinks with your very own virtual smoothie machine! Making Smoothies is...