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Debbiereadsbook (1303 KP) rated Rock Crush and Roll in Books
Jun 2, 2024
not overly explicit but very steamy in places!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
From what I can see, this is a debut author, and I enjoyed this!
Tyler has crushed on Cary for some time. And Cary has crushed on Tyler too, but they work together, sorta, and Tyler has a strict no musicians rule after being hurt badly by one. But with very little effort, they start to see the person behind the mask, and
maybe, just maybe, Tyler can find her Happy Ever After.
This is cute, it really is. I liked that Tyler and Cary knew each other for a long time before they started a relationship. I liked that both of them fell fast and hard. I liked that Cary tried to spoil Tyler, but she managed to not let him get away with too
much.
It’s not overly explicit, but it does get steamy in places. Just the right amount for these two, I think.
Both Cary and Tyler have a say in the third person, The change usually occurs as the chapter changes, but sometimes in the middle. Each change is clearly headed and I liked that.
Lots and LOTS of one liners from well-known songs (each with the artist named too) and some not so well known to me. Didn’t take anything away from the story, but I found myself trying to spot them all! And then to proceed to sing said song in my head til I
came across the next one!
I struggled a bit with the workings of the music industry and found Tyler’s boss a slimeball, but he does get his comeuppence!
A great start from this author. When I come across a new (or new to me) author, my first question is always “Do I want to read more by this author?” and my answer here is a resounding “yes!”
So cute, and warm and fuzzies and a good solid 3 stars
*same worded review will appear elsewhere
From what I can see, this is a debut author, and I enjoyed this!
Tyler has crushed on Cary for some time. And Cary has crushed on Tyler too, but they work together, sorta, and Tyler has a strict no musicians rule after being hurt badly by one. But with very little effort, they start to see the person behind the mask, and
maybe, just maybe, Tyler can find her Happy Ever After.
This is cute, it really is. I liked that Tyler and Cary knew each other for a long time before they started a relationship. I liked that both of them fell fast and hard. I liked that Cary tried to spoil Tyler, but she managed to not let him get away with too
much.
It’s not overly explicit, but it does get steamy in places. Just the right amount for these two, I think.
Both Cary and Tyler have a say in the third person, The change usually occurs as the chapter changes, but sometimes in the middle. Each change is clearly headed and I liked that.
Lots and LOTS of one liners from well-known songs (each with the artist named too) and some not so well known to me. Didn’t take anything away from the story, but I found myself trying to spot them all! And then to proceed to sing said song in my head til I
came across the next one!
I struggled a bit with the workings of the music industry and found Tyler’s boss a slimeball, but he does get his comeuppence!
A great start from this author. When I come across a new (or new to me) author, my first question is always “Do I want to read more by this author?” and my answer here is a resounding “yes!”
So cute, and warm and fuzzies and a good solid 3 stars
*same worded review will appear elsewhere
Sufferborn
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Her life had been planned out for her, until an elf with a fiery past came to tempt her future. ...
Dark Fantasy
Wine with Food: Pairing Notes and Recipes from the New York Times
Eric Asimov and Florence Fabricant
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Pairing wine and food can bring out the best qualities in each. But how do you hit upon the right...
TheFiend13420 (21 KP) rated Where The Scary Things Are (2022) in Movies
Jun 28, 2022 (Updated Jun 28, 2022)
Excellent performances by virtually unknown cast (2 more)
Well written, fun and flows well
Beauty make-up job on the creature
The Loser's Club these kids are NOT
I have been waiting for this film to come out for months now. And it was totally worth the wait.
A group of friends, led by angry disruptive Ayla, venture out to the closed down Field of Screams Halloween Haunt in search of a local urban legend. Prompted by one of their teachers, They are asked to make up their own Legend and try to bring it to life to prove how false facts can create a sort of mass hysteria. And eventually. They become real... Like local urban legend, Lockjaw.
First off... These fucking kids
None of them are likable. They all have something that makes them horrible. There's no smiles and laughs while walking down the fucking train tracks in this not so feel good movie. The performances by these kids. Even the youngest one... Who you kind of want to kick in the face... puts in a stellar showing. The lead girl. With her serial killer like lack of emotion and empathy. If there were Oscars for horror. She would most definitely be nominated. Even the one kid who shows some form of common sense. Has not one real redeeming quality. These kids are just plain horrid. You literally wish death upon these teenagers
Second. The originality of the whole thing. I know it will probably garner some comparisons to Psycho Goreman. But... Believe me when i tell you... There is no similarity. These are two completely seperate entities.
The idea of Urban Legends coming true. And not being projected by some killer in a parka. makes me extremely happy. Not a slight against the series of Urban Legend movies... I love them... But...
Third. I love the pace of the film. It keeps going, doesn't let up in the slightest. Just when you think you've seen it all. The little bastards just break down the morality wall a little bit more. Such a fun ride to be on.
Was it worth the wait. Absolutely.
Would I recommend it to my friends.... 100%.
Will it be something I'd watch again... I'm actually watching it again... Right now... While I do this review.
Mr. Smith, you've done it again.
You have kept my interest and left me utterly satisfied with an hour and a half of pure horrific pleasure.
Not one stitch of disappointment here...
A group of friends, led by angry disruptive Ayla, venture out to the closed down Field of Screams Halloween Haunt in search of a local urban legend. Prompted by one of their teachers, They are asked to make up their own Legend and try to bring it to life to prove how false facts can create a sort of mass hysteria. And eventually. They become real... Like local urban legend, Lockjaw.
First off... These fucking kids
None of them are likable. They all have something that makes them horrible. There's no smiles and laughs while walking down the fucking train tracks in this not so feel good movie. The performances by these kids. Even the youngest one... Who you kind of want to kick in the face... puts in a stellar showing. The lead girl. With her serial killer like lack of emotion and empathy. If there were Oscars for horror. She would most definitely be nominated. Even the one kid who shows some form of common sense. Has not one real redeeming quality. These kids are just plain horrid. You literally wish death upon these teenagers
Second. The originality of the whole thing. I know it will probably garner some comparisons to Psycho Goreman. But... Believe me when i tell you... There is no similarity. These are two completely seperate entities.
The idea of Urban Legends coming true. And not being projected by some killer in a parka. makes me extremely happy. Not a slight against the series of Urban Legend movies... I love them... But...
Third. I love the pace of the film. It keeps going, doesn't let up in the slightest. Just when you think you've seen it all. The little bastards just break down the morality wall a little bit more. Such a fun ride to be on.
Was it worth the wait. Absolutely.
Would I recommend it to my friends.... 100%.
Will it be something I'd watch again... I'm actually watching it again... Right now... While I do this review.
Mr. Smith, you've done it again.
You have kept my interest and left me utterly satisfied with an hour and a half of pure horrific pleasure.
Not one stitch of disappointment here...
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Hazel (2934 KP) rated The Apartment Upstairs in Books
Jul 24, 2022
Let me give you a piece of advice; if you have never read one of Lesley Kara's books, get yourself to your usual book supplier or library and put it right by picking yourself one (or more!) You will not regret it because each and every one is unique and enthralling and The Apartment Upstairs is no different.
This is yet another cracker by Lesley Kara.
Would you want to live in a house where a beloved family member was brutally murdered? I don't think I could but Scarlett is clearly stronger than I am. Not only has she moved back into her flat beneath where her Aunt Rebecca was murdered by her partner who then committed suicide, but she is having to organise the funeral and manage the debilitating condition, ME (Myalgic Encephalomyelitis).
Dee is the owner of the 'alternative' funeral directors Scarlett contacts to make arrangements for her aunt's funeral. Dee has struggles of her own; as well as her own personal circumstances, her best friend went missing almost 10 years ago and she is organising an event to keep her in the public consciousness.
Little do Scarlett and Dee realise but their lives are going to become intertwined in the most unexpected and shattering way.
There is creeping sense of tension and unease from the very beginning which continues throughout and which had me gripped desperate to know what was going to happen but I definitely didn't see that ending coming ... and what a great ending it is!
With strong characters, a good pace and an engaging and enthralling plot that had me guessing, this is a book that I devoured quickly and one which I have no hesitation in recommending to those who enjoy a character-driven, gripping thriller.
Thanks go to Random House UK, Transworld Publishers and NetGalley for enabling me to read The Apartment Upstairs and share my views.
This is yet another cracker by Lesley Kara.
Would you want to live in a house where a beloved family member was brutally murdered? I don't think I could but Scarlett is clearly stronger than I am. Not only has she moved back into her flat beneath where her Aunt Rebecca was murdered by her partner who then committed suicide, but she is having to organise the funeral and manage the debilitating condition, ME (Myalgic Encephalomyelitis).
Dee is the owner of the 'alternative' funeral directors Scarlett contacts to make arrangements for her aunt's funeral. Dee has struggles of her own; as well as her own personal circumstances, her best friend went missing almost 10 years ago and she is organising an event to keep her in the public consciousness.
Little do Scarlett and Dee realise but their lives are going to become intertwined in the most unexpected and shattering way.
There is creeping sense of tension and unease from the very beginning which continues throughout and which had me gripped desperate to know what was going to happen but I definitely didn't see that ending coming ... and what a great ending it is!
With strong characters, a good pace and an engaging and enthralling plot that had me guessing, this is a book that I devoured quickly and one which I have no hesitation in recommending to those who enjoy a character-driven, gripping thriller.
Thanks go to Random House UK, Transworld Publishers and NetGalley for enabling me to read The Apartment Upstairs and share my views.
Haley Mathiot (9 KP) rated Dancing on Broken Glass in Books
Apr 27, 2018
I think this is the best book I've read in a really long time.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.
The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.
Now for the really important stuff:
The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.
And boy did I relate to some of these characters!
The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.
On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.
The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.
Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
BankofMarquis (1832 KP) rated Inception (2010) in Movies
May 20, 2018
A Modern Classic
I have a confession to make - INCEPTION is one of my favorite Christopher Nolan films - and, perhaps, it is in my list of TOP 10 ALL TIME FAVORITE films, so this might not be a fair and impartial review of the film. To be fair to me, I did make a conscience effort whilst watching this movie to scrape away my previous preconceptions and opinions of this film and just let it wash over me in this "new light" of my blog to see what my reaction is.
My reaction: I LOVE THIS FILM!!!
I was asked how far back do you have to go before you can consider a film a "classic" and, I guess, I'd have to say 2010, for this film - to me - is a classic.
In INCEPTION, Nolan, and his co-writer brother Jonathan Nolan, go into the dreamworld with the premise that we can join in "shared dreams" to extract information from people that are locked away deep in their conscious (or in some cases unconscious) minds. This film deals with the idea of "Inception", planting an idea into someone's mind. This is, in essence, a "heist" film where our team of heroes is constantly at war with the minds they are inhabiting (since they are seen as parasites). The clock is ticking and they must get in and get out before they get lost.
Speaking of time, Nolan - once again - plays with the idea of time in this film. Once you go into a dream, 1 minute is like 1 hour and when you go into a dream of a dream, then 1 minute is like 60 hours and when you go into a dream within a dream within a dream, then...well...you get the idea.
If someone loses their way in this film, it's because they are trying to make logical sense of a dream world that defies physics - and time. My suggestion to you is to let go and let the movie take you to some fantastical places - with some fantastical imagery and plot machinations - that I enjoyed the heck out of.
Helping out this film is that it is impeccably cast. Leonardo DiCaprio is Cobb the head of this group that enters the dream realm. He is perfectly cast and Nolan, and this film, relies on his likeableness, his charm and the feeling that something just isn't quite right with him. All to very good effect. Ellen Page is strong as Ariadne, the rookie of the team that is our eyes and ears into this world. Ken Watanabe brings his typically strong game to the role of Saito - the man that gives the team the job and goes along for the ride. Nolan regular Cillian Murphy is a welcome addition as the person who they are trying to "Incept" and even small parts are filled with wonderful character actors like the late great, Pete Postlethwaite, Tom Berenger and good ol' Michael Caine.
But it is the emergence of two of the co-stars that, up until this film I thought were "fair actors but not great" that really elevates this film for me. Joseph Gordon-Levitt was always the "long haired kid from 3RD ROCK FROM THE SUN", but in this - as Cobb's right-hand man Arthur - he excels and really jumps out of the film as a screen presence. Of course, it really helps him that he has one of the best action sequences - for the most part practically shot - that I have ever scene. And, of course, there's TOM HARDY. He is a movie star and really shows it in the supporting role of Eames. This guy will win an Oscar one day, probably for a film that Nolan Directs him in.
My only quibble - and it is a QUIBBLE - is that I didn't really feel any strong chemistry between Marion Cotillard's Mal and DiCaprio's Cobb. She was supposed to be the big "love of his life" and I just didn't sense that. She was very good - and imposing - as she infiltrated Cobb's mind (which is, I think, the purpose of her character), but I could have used a little more between her and DiCaprio. But...as I say...a quibble.
All in all, a terrific - different - film. One that I am calling a "classic".
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
My reaction: I LOVE THIS FILM!!!
I was asked how far back do you have to go before you can consider a film a "classic" and, I guess, I'd have to say 2010, for this film - to me - is a classic.
In INCEPTION, Nolan, and his co-writer brother Jonathan Nolan, go into the dreamworld with the premise that we can join in "shared dreams" to extract information from people that are locked away deep in their conscious (or in some cases unconscious) minds. This film deals with the idea of "Inception", planting an idea into someone's mind. This is, in essence, a "heist" film where our team of heroes is constantly at war with the minds they are inhabiting (since they are seen as parasites). The clock is ticking and they must get in and get out before they get lost.
Speaking of time, Nolan - once again - plays with the idea of time in this film. Once you go into a dream, 1 minute is like 1 hour and when you go into a dream of a dream, then 1 minute is like 60 hours and when you go into a dream within a dream within a dream, then...well...you get the idea.
If someone loses their way in this film, it's because they are trying to make logical sense of a dream world that defies physics - and time. My suggestion to you is to let go and let the movie take you to some fantastical places - with some fantastical imagery and plot machinations - that I enjoyed the heck out of.
Helping out this film is that it is impeccably cast. Leonardo DiCaprio is Cobb the head of this group that enters the dream realm. He is perfectly cast and Nolan, and this film, relies on his likeableness, his charm and the feeling that something just isn't quite right with him. All to very good effect. Ellen Page is strong as Ariadne, the rookie of the team that is our eyes and ears into this world. Ken Watanabe brings his typically strong game to the role of Saito - the man that gives the team the job and goes along for the ride. Nolan regular Cillian Murphy is a welcome addition as the person who they are trying to "Incept" and even small parts are filled with wonderful character actors like the late great, Pete Postlethwaite, Tom Berenger and good ol' Michael Caine.
But it is the emergence of two of the co-stars that, up until this film I thought were "fair actors but not great" that really elevates this film for me. Joseph Gordon-Levitt was always the "long haired kid from 3RD ROCK FROM THE SUN", but in this - as Cobb's right-hand man Arthur - he excels and really jumps out of the film as a screen presence. Of course, it really helps him that he has one of the best action sequences - for the most part practically shot - that I have ever scene. And, of course, there's TOM HARDY. He is a movie star and really shows it in the supporting role of Eames. This guy will win an Oscar one day, probably for a film that Nolan Directs him in.
My only quibble - and it is a QUIBBLE - is that I didn't really feel any strong chemistry between Marion Cotillard's Mal and DiCaprio's Cobb. She was supposed to be the big "love of his life" and I just didn't sense that. She was very good - and imposing - as she infiltrated Cobb's mind (which is, I think, the purpose of her character), but I could have used a little more between her and DiCaprio. But...as I say...a quibble.
All in all, a terrific - different - film. One that I am calling a "classic".
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
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INFINITE Tunes, Talk, Sports, and Entertainment Radio! CNET readers ranked ooTunes as #2 app...