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Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Sophia (Bookwyrming Thoughts) (530 KP) rated The Immortal Throne (Into the Dark, #3) in Books
Jan 23, 2020
Wow... It's been so long, I didn't even think I would remember this series.
Yet here we are, finally, <i>FINALLY</i>, getting to see the fates of Daphne, Haden and all the others, even after the doors to EgmontUSA closed years ago.
<h2><b>Let's chat about </b><i><b>The Immortal Throne</b></i><b>, shall we?</b></h2>
<b>Let me make it clear early on: I wasn't a fan of the first, and the second was better but not OMG I LOVE THIS SERIES.</b>
But I did want to find out what happened because <b>there was a cliffhanger and even if it's been years, I need that satisfaction. </b>#inthecornercurious
<h3><b>We've got a refresher.</b></h3>
Most people would reread the entire series (or at least skim it), but Despain gave the run down in book two and I was expecting her to do so with book three.
She does exactly that early on, and this makes forgetful me very happy. (Plus there are SO. MANY. BOOKS?! How do I keep track of the deets?)
<h3><b>We're jumping right in after the events in </b><i><b>The Eternity Key.</b></i></h3>
So not only do we get a refresher, but we also get things going on right at the moment, right after everything that happened in the second book. I highly recommend at least skimming the first two novels to get a sense if its been awhile (dont be like me, learn from my mistakes).
<h3><b>The ending is very satisfying.</b></h3>
Honestly Im just happy Daphne and Haden got an end to their story (BECAUSE WHAT IF IT DIDNT HAPPEN AND NO ONE PICKED UP THE LAST BOOK) and theres room for more if Despain so chooses to extend it (I think its fine though).
<h2><i><b>The Immortal Throne</b></i><b> is probably my favorite of the three - there are more risks at stake as we try to find out if the story will end horribly or if itll be a happily ever after.</b></h2>
(Secretly I wanted tragedy but Im evil.)
<a href="https://bookwyrmingthoughts.com/the-immortal-throne-by-bree-despain/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Yet here we are, finally, <i>FINALLY</i>, getting to see the fates of Daphne, Haden and all the others, even after the doors to EgmontUSA closed years ago.
<h2><b>Let's chat about </b><i><b>The Immortal Throne</b></i><b>, shall we?</b></h2>
<b>Let me make it clear early on: I wasn't a fan of the first, and the second was better but not OMG I LOVE THIS SERIES.</b>
But I did want to find out what happened because <b>there was a cliffhanger and even if it's been years, I need that satisfaction. </b>#inthecornercurious
<h3><b>We've got a refresher.</b></h3>
Most people would reread the entire series (or at least skim it), but Despain gave the run down in book two and I was expecting her to do so with book three.
She does exactly that early on, and this makes forgetful me very happy. (Plus there are SO. MANY. BOOKS?! How do I keep track of the deets?)
<h3><b>We're jumping right in after the events in </b><i><b>The Eternity Key.</b></i></h3>
So not only do we get a refresher, but we also get things going on right at the moment, right after everything that happened in the second book. I highly recommend at least skimming the first two novels to get a sense if its been awhile (dont be like me, learn from my mistakes).
<h3><b>The ending is very satisfying.</b></h3>
Honestly Im just happy Daphne and Haden got an end to their story (BECAUSE WHAT IF IT DIDNT HAPPEN AND NO ONE PICKED UP THE LAST BOOK) and theres room for more if Despain so chooses to extend it (I think its fine though).
<h2><i><b>The Immortal Throne</b></i><b> is probably my favorite of the three - there are more risks at stake as we try to find out if the story will end horribly or if itll be a happily ever after.</b></h2>
(Secretly I wanted tragedy but Im evil.)
<a href="https://bookwyrmingthoughts.com/the-immortal-throne-by-bree-despain/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
BookishWoo (317 KP) rated Buried Secrets in Books
Jun 14, 2020
An atmospheric, emotional, Rollercoaster ride that has you hooked from the start
I’m extremely excited to share my review of Buried Secrets by Krissy Baccaro, courtesy of Love Books Group Tours
What an atmospheric, emotional, Rollercoaster ride this took me on! I’m going to have to bite my tongue, so I don’t include spoilers!
After her Grandfather “Poppy” passes on, our main protagonist Ella, sets out to unravel a family mystery, when she finds “the box” that he asks her to find as it was his dying wish.
It’s not often I find a book in this genre that touches me so deeply. This literally had my eyes welling right from the start. Buried Secrets is a page turner that takes a hold on you from the start and you won’t be able to put it down.
Krissy sets the scene beautifully and you can imagine yourself right alongside the cast of characters, taking in the sights, sounds and smells of Italy that she so wonderfully depicts. I even caught myself googling the places that were visited and now want to go myself to follow in Ella’s footsteps.
The characters are so well developed, multi faceted and believable! Characters you can imagine amongst your own family and circle of friends.
Moving on to the plot, where do I start? It was full of twists, turns and surprises! Just when you thought you had solved the mystery………. nope you’re wrong! Krissy goes and throws in another treat of a twist to throw you off guard.
This seriously isn’t a book to pass up and by the end, you will be left with so many unanswered questions that you’ll be pleased to hear that this is the 1st of a series and let me tell you, I for one can’t wait for the 2nd Ella Perri instalment. So all you mystery, crime and thriller fans, why are you still reading my ramblings? Go buy the book already, so I can talk about it with you.
Krissy……You nailed it!
What an atmospheric, emotional, Rollercoaster ride this took me on! I’m going to have to bite my tongue, so I don’t include spoilers!
After her Grandfather “Poppy” passes on, our main protagonist Ella, sets out to unravel a family mystery, when she finds “the box” that he asks her to find as it was his dying wish.
It’s not often I find a book in this genre that touches me so deeply. This literally had my eyes welling right from the start. Buried Secrets is a page turner that takes a hold on you from the start and you won’t be able to put it down.
Krissy sets the scene beautifully and you can imagine yourself right alongside the cast of characters, taking in the sights, sounds and smells of Italy that she so wonderfully depicts. I even caught myself googling the places that were visited and now want to go myself to follow in Ella’s footsteps.
The characters are so well developed, multi faceted and believable! Characters you can imagine amongst your own family and circle of friends.
Moving on to the plot, where do I start? It was full of twists, turns and surprises! Just when you thought you had solved the mystery………. nope you’re wrong! Krissy goes and throws in another treat of a twist to throw you off guard.
This seriously isn’t a book to pass up and by the end, you will be left with so many unanswered questions that you’ll be pleased to hear that this is the 1st of a series and let me tell you, I for one can’t wait for the 2nd Ella Perri instalment. So all you mystery, crime and thriller fans, why are you still reading my ramblings? Go buy the book already, so I can talk about it with you.
Krissy……You nailed it!
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Debbiereadsbook (1788 KP) rated Without a Trace (Lancaster Falls Trilogy #2) in Books
Mar 23, 2020
Amazing book two!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Bok two in the Lancaster Falls trilogy. I would say you really SHOULD read book one, What Lies Beneath, before this one. There is a underlaying story line that runs through all three and you need the information that comes out in that book.
Drew returns home when his brother's remains are discovered. Logan is a cop in town, and the pair butt heads. But deeper than the need to know what happened to his brother, Drew finds he needs Logan at his side. Both men have their secrets, though. As the town reveals its darker side, Drew and Logan have to decide whether the other is worth the heartache.
So, book 2 and Lancaster Falls is giving up its secrets. Darker, deadly and so much MORE than book one, I LOVED this!
Drew ran, after Casey disappeared and did not return. He said some things, his mum said some things and they fell out, and Drew ran away to the army. Now, with Casey's body being found, Drew returns to face not only his own demons, but Casey's too. Logan is a distraction, one he will willing use to attempt to shut out his problems.
Logan will, in turn, use Drew but to a lesser extent. Their first coming together is angry, its a battle, and its glazed over in a way that I really and honestly LOVED! I mean, the whole scene is a couple of pages, but it packs a powerful punch. It sets the way for these two, in a way I really enjoyed watching develop, and in a way I really didn't quite see coming.
Something set me off about certain people, and turns out, I was right, but now I'm left with some questions about how things will become clear as to what happened, not only to Casey, but the others.
Again, nothing is laid out for you, and I find myself putting bits together all wrong and now, I want book three! I NEED book three and I have to wait til June. I need to know what happened to everyone, and what that epilogue means, cos let me tell ya, I have no freaking clue how this will play out and I bloody LOVE that I don't!
5 more amazing stars!
**same worded review will appear elsewhere**
Bok two in the Lancaster Falls trilogy. I would say you really SHOULD read book one, What Lies Beneath, before this one. There is a underlaying story line that runs through all three and you need the information that comes out in that book.
Drew returns home when his brother's remains are discovered. Logan is a cop in town, and the pair butt heads. But deeper than the need to know what happened to his brother, Drew finds he needs Logan at his side. Both men have their secrets, though. As the town reveals its darker side, Drew and Logan have to decide whether the other is worth the heartache.
So, book 2 and Lancaster Falls is giving up its secrets. Darker, deadly and so much MORE than book one, I LOVED this!
Drew ran, after Casey disappeared and did not return. He said some things, his mum said some things and they fell out, and Drew ran away to the army. Now, with Casey's body being found, Drew returns to face not only his own demons, but Casey's too. Logan is a distraction, one he will willing use to attempt to shut out his problems.
Logan will, in turn, use Drew but to a lesser extent. Their first coming together is angry, its a battle, and its glazed over in a way that I really and honestly LOVED! I mean, the whole scene is a couple of pages, but it packs a powerful punch. It sets the way for these two, in a way I really enjoyed watching develop, and in a way I really didn't quite see coming.
Something set me off about certain people, and turns out, I was right, but now I'm left with some questions about how things will become clear as to what happened, not only to Casey, but the others.
Again, nothing is laid out for you, and I find myself putting bits together all wrong and now, I want book three! I NEED book three and I have to wait til June. I need to know what happened to everyone, and what that epilogue means, cos let me tell ya, I have no freaking clue how this will play out and I bloody LOVE that I don't!
5 more amazing stars!
**same worded review will appear elsewhere**
Marylegs (44 KP) rated The Lovely Bones in Books
Aug 14, 2019
This is another book I have felt the urge to read after watching the film. I probably would never have picked this book up if I hadn’t seen the film previously. The Lovely Bones is not the easiest story to read, as it is the story of a 14 year old girl, Susie Salmon, being raped and murdered. Told from the perspective of Susie in her heaven watching over her family, friends and murderer as they carry on with their life in the years after her death. The story develops from the initial stages of grief and devastation felt by her family and friends to how the move on and, not forget her, but learn to live again.
This story could be hard work to read due to the subject matter, but in fact it is beautiful in all the right places. It is raw in detailing human emotions, and how people can feel guilty for feeling normal after the death of a loved one occurs. It is a lovely thought, of people moving onto a place where the heaven is what they make of it, that it is different for each person and that they can build upon it and still have the ability to watch over the family they left behind.
My one bug bear with the book was the character of Susie’s mother, Abigail. I understand that grief affects everyone differently but I couldn’t warm to her due to the actions she took in the subsequent years after her eldest daughter was killed. But I found all the other characters interesting and well developed including in particular Susie’s sister Lindsey, who had to grow up to quickly and Susie’s could have been boyfriend Ray, who didn’t let being accused of her murder destroy him. Even the killers’ character was interesting to read about and whilst I never sympathised with his past history as it is told, it felt important to include more about him than just having him defined by the murder he committed. Probably the most developed and grief stricken character was Susie’s father Jack, the way he dealt with his emotions is more how I imagined a parent would act after losing a child this way. It really pulled at your heart when he had to push down his grief to still try to be a father to his two remaining children, but the whole time feeling guilty that Susie wasn’t there which obviously made it harder for his to let go. I would recommend this book but due to the subject matter, no matter how delicately it is written and dealt with, still may not be for everyone.
This story could be hard work to read due to the subject matter, but in fact it is beautiful in all the right places. It is raw in detailing human emotions, and how people can feel guilty for feeling normal after the death of a loved one occurs. It is a lovely thought, of people moving onto a place where the heaven is what they make of it, that it is different for each person and that they can build upon it and still have the ability to watch over the family they left behind.
My one bug bear with the book was the character of Susie’s mother, Abigail. I understand that grief affects everyone differently but I couldn’t warm to her due to the actions she took in the subsequent years after her eldest daughter was killed. But I found all the other characters interesting and well developed including in particular Susie’s sister Lindsey, who had to grow up to quickly and Susie’s could have been boyfriend Ray, who didn’t let being accused of her murder destroy him. Even the killers’ character was interesting to read about and whilst I never sympathised with his past history as it is told, it felt important to include more about him than just having him defined by the murder he committed. Probably the most developed and grief stricken character was Susie’s father Jack, the way he dealt with his emotions is more how I imagined a parent would act after losing a child this way. It really pulled at your heart when he had to push down his grief to still try to be a father to his two remaining children, but the whole time feeling guilty that Susie wasn’t there which obviously made it harder for his to let go. I would recommend this book but due to the subject matter, no matter how delicately it is written and dealt with, still may not be for everyone.
Connor Sheffield (293 KP) rated Call of the Jersey Devil in Books
May 25, 2017
Brilliant humour (2 more)
Horror
Written by one of my favourite Gothic musicians, Aurelio Voltaire
Hilarious, Gruesome and a brilliantly written
Aurelio Voltaire has always been brilliantly funny and witty in his work. His music is something I'd recommend listening to if you haven't already, don't let the Goth genre allow your mine to judge before you listen to it, because I promise you, it's not what you expect.
This book of his, is as brilliantly written as his lyrics, and Voltaire knows how to write a gruesome, horrifying adventure that includes friendship, family curses, Himself (as the washed up Goth singer), the undead, and of course legendary beast known as The Jersey Devil. Voltaire was born and raised in New Jersey and he did not enjoy his years as a young Goth (though he didn't know he fit into a stereotype back then) as people ridiculed him, and the other kids bullied him. He has a son called 'Bomb New Jersey' and I believe he references these thoughts in other areas of his work as well.
Back to the book however, the tale begins by telling us how the Jersey Devil was banished from this realm on earth and then it jumps to present day. The first chapter is exciting and gripping, the next chapter is brilliant and hilarious, and includes a dildo lightsaber fight....yes you read that right. The mall rats are best friends, but they argue with one another a lot, and this is how the book gets your attention. You keep reading to see how their relationships evolve, and how they band together to help one another survive the hellish nightmare that unfolds in the Pine Barrens of New Jersey.
The detail in this book is written to give you gruesome images, of the grotesque undead, the large stature of the Jersey Devil, and the unearthly noise it makes.
I have met Aurelio Voltaire twice at Whitby Goth Weekend, and on the second time, I had the honour of being on stage with him, and a handful of other audience members, in order to be his Hellish choir that night, and it was incredible. I have my copy of the book signed and that makes it even more valuable to me. It's a great read, and I highly recommend to any fan of horror, and macabre.
This book of his, is as brilliantly written as his lyrics, and Voltaire knows how to write a gruesome, horrifying adventure that includes friendship, family curses, Himself (as the washed up Goth singer), the undead, and of course legendary beast known as The Jersey Devil. Voltaire was born and raised in New Jersey and he did not enjoy his years as a young Goth (though he didn't know he fit into a stereotype back then) as people ridiculed him, and the other kids bullied him. He has a son called 'Bomb New Jersey' and I believe he references these thoughts in other areas of his work as well.
Back to the book however, the tale begins by telling us how the Jersey Devil was banished from this realm on earth and then it jumps to present day. The first chapter is exciting and gripping, the next chapter is brilliant and hilarious, and includes a dildo lightsaber fight....yes you read that right. The mall rats are best friends, but they argue with one another a lot, and this is how the book gets your attention. You keep reading to see how their relationships evolve, and how they band together to help one another survive the hellish nightmare that unfolds in the Pine Barrens of New Jersey.
The detail in this book is written to give you gruesome images, of the grotesque undead, the large stature of the Jersey Devil, and the unearthly noise it makes.
I have met Aurelio Voltaire twice at Whitby Goth Weekend, and on the second time, I had the honour of being on stage with him, and a handful of other audience members, in order to be his Hellish choir that night, and it was incredible. I have my copy of the book signed and that makes it even more valuable to me. It's a great read, and I highly recommend to any fan of horror, and macabre.
Bob Mann (459 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 15, 2020
A lot of squawking birds
Although not saying much, Margot Robbie’s Harley Quinn was one of the best thing in the lacklustre D.C. outing “Suicide Squad” of 2016. Now, she returns in her own vehicle. Jared Leto’s Joker is a thing of the past (clearly he wasn’t keen on dredging up the past for even a cameo in this one).
Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.
Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.
As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.
It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.
Unfortunately, it didn’t last.
It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.
Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?
If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!
Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?
Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.
The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.
Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/
Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.
Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.
As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.
It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.
Unfortunately, it didn’t last.
It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.
Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?
If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!
Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?
Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.
The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.
Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/
