Search
Acanthea Grimscythe (300 KP) rated Let the Right One In in Books
May 16, 2018
Several years ago, I had the pleasure (I think?) of watching the American remake of the film, Let the Right One In, which was titled Let Me In. I don’t remember any of it -only that I had found it interesting at the time. Undoubtedly, it had something to do with the fact that, during those years, I had an obsession with vampires. In fact, I gobbled up the Twilight books around then, and yes I am ashamed to admit that. Let the Right One In never crossed my mind again after that, until I received a box of books for free and found a copy of the Thomas Dunne Books translation inside it. Remembering the movie vaguely, and knowing the original version is among my boyfriend’s favorite films, I decided to give it a read and, once again, I am not in the least bit disappointed. I’m not sure if it’s a difference in what Americans find to be taboo in comparison to Swedish folk or what, but between John Ajvide Lindqvist and Stieg Larsson, I think I’m ready to delve deeper into Scandinavian novels!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Acanthea Grimscythe (300 KP) rated Let Me In in Books
May 16, 2018
Several years ago, I had the pleasure (I think?) of watching the American remake of the film, Let the Right One In, which was titled Let Me In. I don’t remember any of it -only that I had found it interesting at the time. Undoubtedly, it had something to do with the fact that, during those years, I had an obsession with vampires. In fact, I gobbled up the Twilight books around then, and yes I am ashamed to admit that. Let the Right One In never crossed my mind again after that, until I received a box of books for free and found a copy of the Thomas Dunne Books translation inside it. Remembering the movie vaguely, and knowing the original version is among my boyfriend’s favorite films, I decided to give it a read and, once again, I am not in the least bit disappointed. I’m not sure if it’s a difference in what Americans find to be taboo in comparison to Swedish folk or what, but between John Ajvide Lindqvist and Stieg Larsson, I think I’m ready to delve deeper into Scandinavian novels!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Josh Radnor recommended Before Sunrise (1995) in Movies (curated)
Josh Radnor recommended Before Sunset (2004) in Movies (curated)
graveyardgremlin (7194 KP) rated One Night for Love (Bedwyn Prequels, #1) in Books
Feb 15, 2019
<i>One Night for Love</i> was a lovely book, with a touching love story. Yes, I'll admit the story is a little heavy-handed, but Ms. Balogh did a nice job of anchoring it with believable, and likable, characters. I especially liked how she let the heroine be her own person, had her find herself, and had the hero accept her the way she was before any of it! That in itself is unique in the romance genre, in particular in historical (Regency) romances. I felt for everyone - Lily and Lauren, mostly. I'm not sure how I feel going into <i>A Summer to Remember</i> right after this, but hope Mary Balogh can work her magic and I'll grow to love Lauren as I do Lily...just in a different way. :) I know how Lily felt, never feeling like she was home, so I'm glad she was able to become a whole person with a new and extended family.
GoOut - Best Events Anywhere
Entertainment, Events and Lifestyle
App
GoOut is the first step on your way to having a great time out, your personal cultural guide that...
Jesters_folly (230 KP) rated Let Me Make You A Martyr (2016) in Movies
Jun 15, 2020
Contains spoilers, click to show
Drew Glass returns to his home town to reconnect with his stepsister & lover June and to right the wrongs of his past.
Let Me Make You A Martyr starts off as a slow paced ‘Tarantino’ esq. film. The story is mostly told by Drew, parts of the film are shown out of sequence and follow two story lines which converge around an hour in.
The film has a very dark tone and features themes of drug use, violence, people trafficking and rape although most of the violence takes place off screen or on the edge of the screen, giving just the hint of what is happening, and that’s the thing about ‘Let Me Make You A Martyr’, it’s not an action film. It has the feel of something from Tarantino but with a much slower pace. The violence is almost subdued, being of screen or shot through a filter.
Like a Tarantino move ‘Let Me Make You A Martyr’ goes from talking to silence and back to talking and, as the film goes on you notice that there are a lot of musings about death and the afterlife. Death and the afterlife are themes that runs throughout the film which even has a killer called Pope (Played by Marilyn Manson).
If you want a fast paced action film then ‘Let Me Make You A Martyr’ is not for you and the films ending is possibly not what you’d expect from a revenge movie, leaving off with at least one question but, if you can handle a dark, slow, sometimes non liner film then give ‘Let Me Make You A Martyr’ a watch.
Let Me Make You A Martyr starts off as a slow paced ‘Tarantino’ esq. film. The story is mostly told by Drew, parts of the film are shown out of sequence and follow two story lines which converge around an hour in.
The film has a very dark tone and features themes of drug use, violence, people trafficking and rape although most of the violence takes place off screen or on the edge of the screen, giving just the hint of what is happening, and that’s the thing about ‘Let Me Make You A Martyr’, it’s not an action film. It has the feel of something from Tarantino but with a much slower pace. The violence is almost subdued, being of screen or shot through a filter.
Like a Tarantino move ‘Let Me Make You A Martyr’ goes from talking to silence and back to talking and, as the film goes on you notice that there are a lot of musings about death and the afterlife. Death and the afterlife are themes that runs throughout the film which even has a killer called Pope (Played by Marilyn Manson).
If you want a fast paced action film then ‘Let Me Make You A Martyr’ is not for you and the films ending is possibly not what you’d expect from a revenge movie, leaving off with at least one question but, if you can handle a dark, slow, sometimes non liner film then give ‘Let Me Make You A Martyr’ a watch.
Leanne Crabtree (480 KP) rated Elect (Eagle Elite, #2) in Books
Jan 11, 2021
*ARC provided via Netgalley in exchange for an honest review*
This one seemed more of a mystery than the first. Who was behind the killing? Who was Phoenix scared of? What did he know that made him so scared? Ooh, let the snooping begin.
So we’re back with our beloved characters from the first: Nixon, Trace, Chase, Mo, Tex…Phoenix, and we’re still hip deep in the family business. Only this time it’s worse, much worse. The original Sicilian family is on it’s way over to investigate the death of another leader and it isn’t looking good for anyone.
After Phoenix’s actions in the last one, I cant say I was very warm at his reappearance in this but the more I read the more I began to feel sorry for him. He wasn’t all bad; he’d just been forced to do bad things from an early age, stuff he didn’t want to do and it had begun to be ingrained in him. In the end, he did the right thing and that put him back up with the rest of ‘em for me.
Chase. *sigh* He’s such a great guy and deserves happiness. I loved him in Elite but in this…well, I fell even faster and harder, seeing how he struggles with his feelings while at the same time trying to do the right thing. Nawwwww, he’s lovely. :’)
I was intrigued throughout when more information came out about who the bad guy was and I was eagerly awaiting his demise for the last 20% or so of the book.
It’s hard to write too much without spoiling it. All I’ll say is that the ending has left me wanting more!!
If you read and enjoyed the first, you should totally check this out too.
This one seemed more of a mystery than the first. Who was behind the killing? Who was Phoenix scared of? What did he know that made him so scared? Ooh, let the snooping begin.
So we’re back with our beloved characters from the first: Nixon, Trace, Chase, Mo, Tex…Phoenix, and we’re still hip deep in the family business. Only this time it’s worse, much worse. The original Sicilian family is on it’s way over to investigate the death of another leader and it isn’t looking good for anyone.
After Phoenix’s actions in the last one, I cant say I was very warm at his reappearance in this but the more I read the more I began to feel sorry for him. He wasn’t all bad; he’d just been forced to do bad things from an early age, stuff he didn’t want to do and it had begun to be ingrained in him. In the end, he did the right thing and that put him back up with the rest of ‘em for me.
Chase. *sigh* He’s such a great guy and deserves happiness. I loved him in Elite but in this…well, I fell even faster and harder, seeing how he struggles with his feelings while at the same time trying to do the right thing. Nawwwww, he’s lovely. :’)
I was intrigued throughout when more information came out about who the bad guy was and I was eagerly awaiting his demise for the last 20% or so of the book.
It’s hard to write too much without spoiling it. All I’ll say is that the ending has left me wanting more!!
If you read and enjoyed the first, you should totally check this out too.
Erika Kehlet (21 KP) rated Let the Dead Speak (Maeve Kerrigan, #7) in Books
Feb 19, 2018
This is the 7th novel in the Maeve Kerrigan series, but only the second one I have read. I have to say that I am really enjoying this series. The characters are very well rounded and realistic, and the procedural aspect of the mystery is detailed enough to make me feel as though I’m right there in the thick of things.
When 18 year old Chloe Emery leaves her father’s house earlier than planned to return home to her mother’s house, she’s greeted with what appears to be the scene of a homicide, but no body. As Maeve and her team dig into the matter, they find more and more suspects, and more people guilty of something, whether to not it be murder, than they know what to do with. The story is suspenseful, deliberately paced, and full of twists. Let the Dead Speak is a must-read for mystery lovers.
When 18 year old Chloe Emery leaves her father’s house earlier than planned to return home to her mother’s house, she’s greeted with what appears to be the scene of a homicide, but no body. As Maeve and her team dig into the matter, they find more and more suspects, and more people guilty of something, whether to not it be murder, than they know what to do with. The story is suspenseful, deliberately paced, and full of twists. Let the Dead Speak is a must-read for mystery lovers.