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Tyondai Braxton recommended Multistability by Mark Fell in Music (curated)

 
Multistability by Mark Fell
Multistability by Mark Fell
(0 Ratings)
Album Favorite

"Revelatory meditations on a classic FM synth sounds. The end of an era and the beginning of one. I came to his music maybe later in my life, and he's one of those guys where you just slap your head and go "Oh man, how have I not known about this guy?" Only in the last couple of years have I approached him. He does micro-electronic stuff, kind of like preceded a lot of labels that have since flourished with that, like Raster-Noton and Editions Mego. What he's done - and I think this must be a running theme of things that I like – as far as liberating an idea from its historical context. Like Feldman and Varese, it's him taking these dance sounds, these FM synth sounds that you hear in techno even, and isolating them, turning them into this simple object which is hanging on your wall. And in doing so, it's reduced to something so pure that it's profound and it's absurd. And it's powerful and funny. It's so simple, the idea behind it. Production-wise, he has his own methodology that I'm not too sure about. It's not basic, but it's so obvious in its clarity, that it makes you ask, "How has someone not done this already?" So profound in a way. It's so simple, this idea. It's literally one pulsing sound. You understand it, but you are thinking "How do I listen to this? What is it for?""

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40x40

Keegan McHargue recommended Lola (2001) in Movies (curated)

 
Lola (2001)
Lola (2001)
2001 | International, Drama
(0 Ratings)
Movie Favorite

"In the recent documentary Gerhard Richter Painting, the painter speaks at length about being a young artist emerging in post–World War II Germany. He says that he always considered painting to be nothing more than a trade that one dedicates oneself to day after day. Working is, above all, very respectable. Perhaps this attitude can be attributed to the fact that postwar Germans were faced with the arduous (but perhaps liberating) task of writing a new history for themselves—trying to come to terms with the past while simultaneously looking toward the future and the endless possibilities therein. With such daunting business at hand, a workhorse spirit would be a must for all German artists. Fassbinder most definitely had that spirit, leaving behind forty feature-length films and playing countless other roles over the course of his short career. Lola alludes to some of these particular pressures and concerns. Lola herself is a woman with a troubled past pressing forward with her life. It is a great, classic story, and a lot can be read into it. But on a purely aesthetic level, Lola is a sumptuous visual journey. So many textures and colors . . . if Zéro de conduite is a Dadaist masterpiece and The Scarlet Empress is expressionism on film, Lola is pure Technicolor pop art, and one of the best late Fassbinder films. Coincidentally, Rainer Werner Fassbinder died the day before I was born."

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