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Alanna: The First Adventure
Alanna: The First Adventure
Tamora Pierce | 1983 | Science Fiction/Fantasy
8
8.8 (9 Ratings)
Book Rating
The beginning of an epic world (0 more)
Writing style (it gets better!) (0 more)
The Song of the Lioness quartet is Tamora Pierce's first set of books. I read her latest trilogy (the Beka Cooper trilogy) first, which didn't exactly prepare me for The Song of the Lioness. It's obvious, going from the latest trilogy to her first writing, how much her writing has matured since the 80s. My first thought upon completing Alanna: the First Adventure was "I'm very glad she's gotten better at writing!" The story itself is still interesting and worth reading, but the style is a little difficult to read when I KNOW how well she writes now. The characters are mostly one-dimensional; few of the side characters seem to have plots going or events happening to them when they're not with Alanna. Characters pop up, have a significant interaction with Alanna, and are gone again, with no indication they exist outside of their usefulness to the main character. This is in stark contrast to her latest work, where every character that has a significant role to play has a history of their own, and thoughts and feelings of their own. They're much more fleshed out in her recent books.

That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.

The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)

Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.

I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.

Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
Last Year: The Nightmare
Last Year: The Nightmare
2018 | Horror
Premise (0 more)
Gameplay can be slow, needs more options (0 more)
Nostalgic Horror
The survival horror genre has been growing in recent years with more and more titles being released to a growing and receptive gaming audience. The goal for these games is usually simple; survive. The typical set up has four or more players working with one another to accomplish various tasks and elude a dangerous killer who is often randomly selected amongst the players at the start of each match.
The latest game in this genre is entitled Last Year: The Nightmare and it sets players as stereotypical high school students as they attempt to survive against a killer.

Players will be able to select not only their persona but also a class such as Assault or Medic which will help the group survive the challenges ahead. Players will have to accomplish various tasks such as finding fuel for a Stair Car and locating computer disks as they attempt to open an exit which will allow players a time window to escape to safety.

Players will also have to find raw material along the way which can be used to construct and upgrade items such as a football helmet, weapons, and other tools needed for survival.

This is not a run and shoot scenario as weapons can involve a camera flash to temporarily blind your enemy, a mine to give them an explosive welcome, a shotgun, and a pipe with barbed wire and nails.
Playing in locales such as a gym, Bell tower, and a Library, there is plenty of area in which to cover which allows the killer plenty of places to strike. Players can quick travel through vents but may also take advantage of being able to barricade various locales which will slow down the killer but also restrict access for fellow players.

The killers come in three varieties, an axe murderer, a strangler, and a slow-moving but dangerous bulk that will smash, strangle, and throw, any players that get close enough to his range.

The game is available only via Discord currently and has had quite a few bugs to contend with during our numerous play tests most notably with launching and map loading. However when the game does load properly aside from some occasional lag; the gameplay has been solid and enjoyable and the in game chat has certainly led to some enjoyable conversations as we strategize.

The game’s graphics are solid but nothing spectacular and the same can be said for the audio and music. The maps are enjoyable but a little basic and I certainly hope that more of them will be released in the future. I also would like to see more options for the killers and might even be fun to allow more than one into a map to increase the challenge.

The killers are an intriguing mix as taking down players within ask is pretty much what you might expect but being able to last so a player with a chain and strangle them is an interesting new wrinkle. Once players are killed they can be revived after a certain amount of time as players will have to free them from a closet in which they are trapped. The same goes for the killers as once taken down; they will respond after a certain amount of time which also allows players to use a different killer.

Despite the issues; the game is enjoyable but depending on your tolerances some may find it becomes a little old and repetitious after a few games. I have not seen any major differences between playing any of the characters as the Jock seemed to perform exactly as the Nerd without any discernible advantage.

In the end the game is an enjoyable but fleeting diversion as after successfully completing a few rounds; it isn’t compelling enough to keep players engaged for long periods of time and to draw them back again and again.
3 stars out of 5
  
The Night Olivia Fell
The Night Olivia Fell
Christina McDonald | 2019 | Mystery, Thriller
9
9.3 (8 Ratings)
Book Rating
Wow!
I had been wanting to read The Night Olivia Fell by Christina McDonald for awhile. I was beyond thrilled when I was able to borrow the eBook from my library. Luckily, the book lived up to the hype I had built in my mind.

I found the plot of The Night Olivia Fell to be very intriguing and well written. There were so many feelings with this novel. I enjoyed reading things from Abi's perspective and then going back in time to read flashbacks in Olivia's perspective. I found myself trying to decide if Olivia really was murdered or if she killed herself. There were so many times I thought I had figured out who pushed Olivia just to be wrong. I did find myself hoping that by some miracle, Olivia would go back to being the same before she fell off the bridge. (Hope springs eternal with me.) This was more than just the mystery of Olivia's fall. Olivia was also trying to figure out who her father was, and there was also Olivia's blossoming romance with Derrick. There were a few plot twists which were enjoyable. My only complaint is that I wish there would have been information on the court case. I just felt that I needed closure and to make sure justice was served. Other than that, I felt like the story was written perfectly.

I felt that the characters in The Night Olivia Fell were very fleshed out and realistic. My heart went out to both Olivia and Abi. I could understand how Abi just wanted to make sure Olivia was safe and doing well, but I could also sympathize with out Olivia felt like Abi was smothering her a lot of the time. Olivia was very much like a typical teenager to begin with, but once she found out she was pregnant, I felt like she really blossomed. Olivia would have been an excellent mother, and it was sweet to see how she was willing to protect her unborn baby. Abi just wanted what was best for Olivia being as she was a single mother. She worked her behind off to make sure Olivia was okay. It was obvious how much Abi loved Olivia. Kendall was a bit of a wild card. I liked her, but I was always wondering if she had an endgame. Gavin was another wild card. I wanted to believe he wouldn't stoop so low as to hurt a young innocent girl, but then the more I read about him, the more I wasn't sure of his character. I started out feeling sorry for Tyler with how much he had going on with him, but I was glad that Olivia chose Derek. Derek seemed to be really sweet, and it was sad that people judged him based on a some stretched truths.

The pacing was done brilliantly for The Night Olivia Fell. Not once did I ever feel like the story dragged on or was becoming too predictable. I felt as if each page was an adventure which made this book an easy read.

Trigger warnings for The Night Olivia Fell include violence, threats, blackmail, profanity, and a semi-graphic sex scene between a 17 year old girl and her boyfriend.

All in all, The Night Olivia Fell was a great read! It had such an interesting plot as well as fantastically written characters. This book grabs you by the hand and never lets you go. I would definitely recommend The Night Olivia Fell by Christina McDonald to those aged 17+. It's one of those books that leaves you thinking about it long after you've finished it.
  
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Mayhawke (97 KP) rated Bats In The Belfry in Books

Feb 26, 2018 (Updated Feb 27, 2018)  
Bats In The Belfry
Bats In The Belfry
E.C.R.Lorac | 2018 | Crime, Mystery
8
8.0 (3 Ratings)
Book Rating
A Cosy Crime sleeper worthy of resurrection
I’m a huge fan of Cosy Crime, I cut my grown-up reading teeth on Agatha Christie and Dorothy L Sayers, so it should be no surprise that I’m a big fan of the British Library’s inspired decision to republish lost Golden Age novels.

Fifty-one re-issues in and I’m still stunned at the number of authors who had stellar careers as crime writers, were fully inducted members of the Detection Club, and had publication lists to rival Christie’s but who, within a few years of their deaths, had just vanished from the pantheon classic crime novelists.

Such a writer was E.C.R.Lorac, author of Bats In The Belfry. In his introduction Martin Edwards describes the pseudonymous Lorac (real name Edith Caroline Rivett) as enjoying a “low-key career spanning more than a quarter of a century.” It also produced a catalogue of over seventy novels, yet, cosy crime fan that I am I had never heard of her until her book turned up on my work intranet.

Bats, British Library’s inaugural Crime Classic for 2018, is also the first of Lorac’s novels to be given the British Library treatment. It couldn’t have happened to a better book! One of the dangers of republishing books that have disappeared in the mists of time, at least if you are republishing them for the mass market, is that some of them will prove to have been ‘lost’ with good cause. Not that the writing need be poor or the plotting weak, but there are social aspects that can be critical to the development or fundamental premise of the story that change over the course of half a century. When that happens there is a danger that the reader will at best be disgruntled with a puzzle they were unlikely to be able to solve because they didn’t understand the clues they were being given, or, at worst, that the whole premise will seem beyond ludicrous to modern readers. Of the twenty or so BLCC’s I have read only one has fallen into the latter category, and whilst there have been one or two which were a bit plodding thanks to such issues they have largely been a pleasure to read, and I have been able to joyfully pit my wits against the authors’ intrinsic challenge to solve the mystery before the denouement.

Bats in the Belfry most definitely falls into this class of Crime Classic, so much so that it’s a surprise to find from Edwards that it was a bit of a non-starter when it was first published in 1937.

A failing writer, his actress wife, his ward and a selection of friends are collected one evening following the funeral of the writer’s cousin. Shortly thereafter the writer himself has vanished, his suitcase and passport left in a darkly sinister studio known variously as The Belfry, and The Morgue. The story is as dark and twisty as any you could hope for from a member of the Detection Club, and it plays nicely on themes of the time. Broken marriages, financially emasculated men, and the requisite ‘strange foreign man’ all appear, and even aarchaeology gets a look in. As the main characters sit and incautiously discuss ways to bump off someone and hide the body there is brief verbal tussle over the usefulness – and even existence of – dene holes, ancient subterranean storage areas that provided writers of the time with endless possibilities, most notably in Sayers’ The Nine Tailors. Lorac’s plotting is flawless and deceptively simplistic, and she leads you back and forth from suspect to suspect. She is brutally unsympathetic to her characters, and her writing bundles you along until you finally reach the conclusion, to discover how good you are at detecting. Or not.
  
TC
8
8.0 (1 Ratings)
Book Rating
(This review will be available on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Soemthing Year Old Girl</a> from the middle of August).


I'd been wanting to read The Catastrophic History of You and Me by Jess Rothenberg for awhile now. I had found it cheap on Amazon and decided to buy it. Although it was a kind of good book, I wish I had seen if my library had it to borrow.

I don't really need to explain the synopsis in my words because the official one seems to describe what the book is about quite well. If I explain it, I'd just be saying the same thing, but not as good.

The title is a mouthful, but I like it. It's one of the first things that made me want to pick up this book. I do believe that the title fits this book perfectly!

The cover is what caught my eye the most! It is absolutely gorgeous! It's also a scene that appears in the book a few times.

The world building was done quite well, and I loved the setting! I love how when Brie dies, she's transported by bus to a pizza place she frequented quite a bit. There's something about that that I just found funny! There's only one time that I felt confused, but I don't want to say anything due to spoilers. Oh, and one more thing. Brie says her family called her by cheese nicknames due to her name. However, Patrick as well as other people she sees in the afterlife due that as well. However, I just don't think everyone would associate her name with cheese, nor would they be so blatant to tease her about it. Other then that, the world building is easy to imagine.

For about half of the book, the pacing seemed a bit slow to me. In fact, I was thinking about giving up on the book altogether. However, the second half picks up the pacing, and it becomes quite an enjoyable read from there on out..

I've always been interested in plots where someone dies and gets to look at their friends and family. Brie wants to get back at Jacob in the afterlife for breaking her heart. She sees the consequences, and we are left to wonder what Brie will do. We also find out Jacob's big secret which I didn't see coming. I also didn't see the other plot twist. I love being surprised!!

I started off liking Brie. She seemed like a really insecure but nice girl. However, I soon found her to be annoying and mean. I understand wanting revenge on someone who has hurt you, but what she did was really uncalled for. I also found her thought pattern to be really vicious and spiteful. I didn't like how she treated Patrick either. She tries to make amends, but it's just too little, too late for me. I did like Patrick and found him to be a rather sweet and friendly guy. The way he spoke sometimes annoyed me, but overall, he was very likable.

The dialogue was very easy to understand and flowed very well. Like I said, there were times I didn't like the way Patrick spoke, but that wasn't very often. I found it interesting to see how Brie's family and friends carried on without her. There's also some swearing in this book.

Overall, The Catastrophic History of You and Me started out a bit boring, but it got better. It turns out to be a sweet story with a moral to it, I believe.

I'd recommend this book to those age 14+ who are looking for a sweet read with a great message attached to it.

I'd give The Catastrophic History of You and Me by Jess Rothenberg a 3.5 out of 5.
  
TH
8
8.0 (1 Ratings)
Book Rating
When I read the synopsis of The Hallowed Ones by Laura Bickle, I knew I had to read this book!! I've always been intrigued by the Amish lifestyle. I ended up buying it as the urge to read it was much too strong. When I found out it was a book that featured vampires, I was a bit put off by it as I hate vampire books, but this one turned out to be alright.

Katie and her best friend Elijah only have a few more weeks to wait until they will be able to go on Rumpsringa. However, when the a helicopter crashes in an Amish field, and no one from the Outside comes to check it out, Katie begins to worry. Eventually, Katie discovers that vampires have taken over the Outside. How will she survive? How can she make sure her friends and family are safe?

The Hallowed Ones is a great description of the Amish, and I can see why the author chose this as the title of her book. It fits in with the plot of the story, so I think it was an excellent choice.

How foreboding does the cover look!?! It looks a bit creepy to me which also made me want to read the book even more. Yes, I know the saying "never judge a book by its cover" but this one definitely had me intrigued. The cover is good, but it's just a picture of an Amish girl and some ravens. Whilst ravens are mentioned in the book, I just wish the cover would've given more away about the book. It would've been much better had it featured a vampire on the cover!! Well, that's my personal opinion anyway.

The setting was great! It takes place all on Amish land. I don't know enough about the Amish to say how correct the author was when it came to recreating the world of the Amish, but from what I do know, everything seemed to fit.

(This review can also be found on my blog at <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).

The pacing does start out a bit slow at the beginning, but it subtly speeds up. I did find myself bored for awhile whilst reading this book, but I was soon enthralled. I couldn't tell you when I actually started enjoying it as it just kind of creeped up on me.

A lot of the dialogue in this book is about Katie's inner turmoil about her religion. I hate when books seem to slag off God, but I tried to read this from an unbiased viewpoint. I just thought I'd throw that out there for those who might be put off because of that fact. Other than that, the dialogue is great! I enjoyed the Amish words that were used in it as well.

As for the characters, I thought Katie was great. I loved how she challenged everything and wasn't afraid to stand up for what she believed in. She's very outspoken which I very much admired. I started out liking Elijah, but after how he treats Katie, I started disliking him. I thought the character of Alex was great as well. I don't want to say too much about him due to spoilers. Overall, all the characters were very well-developed which I was happy about.

This book helped me learn a bit more about the Amish which I was thankful for. Even though it featured vampires, it wasn't overly focused on them like most books are.

I'd recommend this book to everyone over the age of 16. It's a good little read! I kind of just wish that I'd have borrowed it from the library than buying it.
  
Chains (Seeds of America, #1)
Chains (Seeds of America, #1)
Laurie Halse Anderson | 2008 | History & Politics
8
7.0 (2 Ratings)
Book Rating
When Isabel and Ruth's owner dies, they are sold to the loyalist Locktons and shipped to New York. 'Chains' tells the story of the American Revolution through the eyes of a thirteen-year-old slave, struggling to take care of her little sister and discover what real freedom is and how a person can gain it.

 I first read this book in 2010 when I was thirteen while I was stuck at a grammar school open evening that my sister was at. I went to the library and started reading 'Chains' instead of having to traipse around hearing about how many geniuses of that school got into Oxford and Cambridge. I was so hooked that I felt that I couldn't leave without it so I stuck it up my jumper and nicked it. I have recently (and legally) got my hands on a copy of 'Ashes', the final book in the trilogy and so am rereading the first two books which I haven't done in years. I am pleased to say that it is still as good as it was when I read it eight years ago.

While I do like well rounded, complex characters and relationships, there is certainly something to be said for simplicity. None of the characters has too much of a character arc in this book except for the protagonist, who is the one telling the story so this may have something to do with her being an unreliable narrator (something that you learn so much about in English A-Level). Did the characters seem a bit stereotypical and cliched at times? Yes, definitely. Did I really care? No, not especially.

The atmosphere was great throughout, especially in the prison scenes and when Isabel has a fever. Everything felt very real and detailed, right down to the last black hair ribbon stashed in a draw. Every chapter, every page, every sentence felt so real and grounded in reality which is difficult to find in a book.

I really enjoyed the writing style, it all suited Isabel's voice down to the ground. Something that I noticed more reading it this time than I did when I was younger were the extracts at the beginnings of the chapters as it is a really nice and easy way to contextualise what is going on in the chapter in comparison to the date in with the chapter is set. It also gives the book a much more political feel which, again, I didn't quite see as much when I was younger.

The plot as a whole is very good and well written but there were definitely some sections that were just not needed or justified at all. However, that is a very minor thing.

The only real downfall of this book was some of the logic. Isabel gets way too lucky too many times, especially since she is a young black girl with a very distinctive scar on her face. A lot of people just seem too nice to her given that she is a slave and the level of racism back then as well. There is one particular instance at the end with some fireworks that I just pure and simply didn't buy.

This book, as well as 'Forge', has been sitting on my shelf for years just waiting to be picked up again and reread. I am so happy that so many years after I read it the first time it is still just as good.



Characters: 8/10

Atmosphere: 9/10

Writing Style: 8/10

Plot: 8/10

Intrigue: 9/10

Logic: 7.5/10

Enjoyment: 10/10
  
4.5 STAR RATING

Now I must admit that I sometimes find it very difficult to give a star rating to a self-help book as actually reading the book is only part of the therapy that it provides. In order to give a fully accurate rating the book would have to be read, the constructive ideas written within the pages followed and carried out wholeheartedly and a realistic amount of time left to pass for recovery. As I have only finished reading this book today I have not had time to really go through the processes that are outlined in this book, therefore, I do not know how much this book will actually have an impact on my life BUT I am willing to work my way through the suggestions.

I borrowed this book from the library (I find some self-help books to be over priced and there are just so many out there that you often don't know exactly what you're buying) so I am not able to refer back to this copy time and time again throughout recovery like this book suggests you do (unless I decide to purchase a copy) and so quite a few of the processes will have to be carried out using memory, which I know isn't often advised.

The reason for my high rating is because I found this book to be completely different to any other self help book that I have read in the past. Often these books outline the same sort of processes so you keep being fed the same sort of information but this book seems to have a more relaxed approach to dealing with stress, anxiety and depression...and in some ways a more realistic approach. It teaches you the methods of 'floating' not 'facing', 'accepting' not 'fighting' and 'comfort' not 'conflict'.

I am definitely not a stranger to anxiety and depression and so for a long time I have been actively searching for ways in which these 'illnesses' can be 'cured' or made less intense. This book has definitely helped me in the sense that it has given me a completely different perspective compared to what I had before reading this book. Stress and depression can cause you to be a lot less open minded than you perhaps used to be and being accepting of new ideas and view points may seem very daunting, however, when ideas are presented in this book Dr Weekes gives examples about how the sufferer may be feeling once presented with an idea (personally I found her to be pretty spot on) and so you are given a sense of relief that someone out there knows what you are going through and that she has helped many people in similar situations.

The book also contains numerous 'Case Studies', where Dr Weekes gives examples of some of her clients, their problems, their emotions, their coping strategies and the feedback that she provides for them. The 'life problems' discussed are very broad and so you may find that one might be similar to your current situation, a situation you have been in or perhaps even a situation that you are frightened you might end up in in the near or distant future.

My retraction of 1/2 a star wasn't because this book has any negative aspects but simply because I am yet to fully explore it's full potential and to put it into practice, as mentioned earlier on in my review.

I find that just knowing that someone is there 'talking to you' and 'guiding' you in the right direction is comforting and kind of relaxing in a way...a helping hand, to turn that frown upside down.
  
Last Year: The Nightmare
Last Year: The Nightmare
2018 | Horror
The survival horror genre has been growing in recent years with more and more titles being released to a growing and receptive gaming audience. The goal for these games is usually simple; survive. The typical set up has four or more players working with one another to accomplish various tasks and elude a dangerous killer who is often randomly selected amongst the players at the start of each match.

The latest game in this genre is entitled Last Year: The Nightmare and it sets players as stereotypical high school students as they attempt to survive against a killer.

Players will be able to select not only their persona but also a class such as Assault or Medic which will help the group survive the challenges ahead. Players will have to accomplish various tasks such as finding fuel for a Stair Car and locating computer disks as they attempt to open an exit which will allow players a time window to escape to safety.

Players will also have to find raw material along the way which can be used to construct and upgrade items such as a football helmet, weapons, and other tools needed for survival.

This is not a run and shoot scenario as weapons can involve a camera flash to temporarily blind your enemy, a mine to give them an explosive welcome, a shotgun, and a pipe with barbed wire and nails.

Playing in locales such as a gym, Bell tower, and a Library, there is plenty of area in which to cover which allows the killer plenty of places to strike. Players can quick travel through vents but may also take advantage of being able to barricade various locales which will slow down the killer but also restrict access for fellow players.

The killers come in three varieties, an axe murderer, a strangler, and a slow-moving but dangerous bulk that will smash, strangle, and throw, any players that get close enough to his range.

The game is available only via Discord currently and has had quite a few bugs to contend with during our numerous play tests most notably with launching and map loading. However when the game does load properly aside from some occasional lag; the gameplay has been solid and enjoyable and the in game chat has certainly led to some enjoyable conversations as we strategize.

The game’s graphics are solid but nothing spectacular and the same can be said for the audio and music. The maps are enjoyable but a little basic and I certainly hope that more of them will be released in the future. I also would like to see more options for the killers and might even be fun to allow more than one into a map to increase the challenge.

The killers are an intriguing mix as taking down players within ask is pretty much what you might expect but being able to last so a player with a chain and strangle them is an interesting new wrinkle. Once players are killed they can be revived after a certain amount of time as players will have to free them from a closet in which they are trapped. The same goes for the killers as once taken down; they will respond after a certain amount of time which also allows players to use a different killer.

Despite the issues; the game is enjoyable but depending on your tolerances some may find it becomes a little old and repetitious after a few games. I have not seen any major differences between playing any of the characters as the Jock seemed to perform exactly as the Nerd without any discernible advantage.

In the end the game is an enjoyable but fleeting diversion as after successfully completing a few rounds; it isn’t compelling enough to keep players engaged for long periods of time and to draw them back again and again.

http://sknr.net/2018/12/26/last-year-the-nightmare-2/
  
All Systems Red (The Murderbot Diaries, #1)
All Systems Red (The Murderbot Diaries, #1)
Martha Wells | 2017 | Dystopia, Humor & Comedy, Science Fiction/Fantasy
10
7.8 (6 Ratings)
Book Rating
Hilariously cynical and sarcastic narrator (2 more)
Bleak and dystopian universe
Complex characters and worldbuilding
An excellent novella
Meet Murderbot. Nobody else calls it that, of course - to most of the stupid humans it has to interact with, it’s just the security unit that the company made them bring along as part of the contract to safeguard the investment. But whereas most SecUnits are slaves to the central AI running whatever shoddy equipment the company sent along, Murderbot (as it thinks of itself) has hacked its own governor unit and can ignore whatever orders it wants, freeing it to stand around listlessly guarding stupid humans from dangers that are mostly non-existant as long as nobody does anything too moronic, devoting most of its energy to watching the terrabytes of serials that it downloaded from the entertainment feed last time they made contact. When things start to go wrong, initially it seems like just business as usual - life is cheap, and the contract for this equipment all went to the lowest bidder. But as incidents start to pile up, even Murderbot has to admit someone is trying to kill its humans. Even worse? Murderbot seems to have accidentally started to care about them…. Crap. It’s going to have to actually put in some effort this time around, isn’t it?

To put it simply, this is the best book I’ve read in quite a while. The entire thing is narrated by the extremely sarcastic, introverted, and misanthropic Murderbot, which makes for maybe the most engaging narrator since Harry Dresden. Don’t believe me? Read the first several pages on TOR's website. You know that thing with Charles Dickens where everything would be terribly depressing without his tongue-in-cheek style to bring the humor, rendering it impossible to abridge? No? I’m the only one to notice that? Oh well, moving on. This is like that - a dystopian wasteland of a society that is expanding across the cosmos using crappy low-budget equipment that’s liable to stop working on you when you most need it - to the point where it takes multiple incidents before the protagonists conclude that this isn’t business as usual. There’s also the moral ambiguity of the slavery-in-all-but-name of the Constructs that form the backbone of the labor force - sentient, at least without the governor unit, but forced to follow every whim of the humans they’re assigned to, even if those humans get bored and force them into gladiatorial combat or some such. These Constructs are described as androids, but are more accurately clone-based cyborgs fitted out for whatever task they’ll be doomed to for their term of service; part mechanical hardware, part expendable and easily-regrown meat, genderless and sexless unless designated for….that. And Murderbot? Murderbot just wants to be left alone, yet is a surprisingly deep and compelling character with a tragic backstory and motivations that are deceptively noble given its internal dialogue. Even its self-given name deserves a second look by the end of the book. I cannot recommend this book enough. And it’s a short read, clocking in at right about a hundred and fifty pages, technically more of a novella than a full-fledged novel. Now I just have to wait for whoever has the second book checked out from the library to give it back….

CONTENT: Some violence, not too gruesomely described. Some sexual references, including offhand mentions that some of the characters are in relationships that would be far outside the norm today (one character is said to have three romantic partners waiting together at home for them, for example). Murderbot also makes disparaging references to pleasurebots, but nothing explicit. Occasional R-rated profanity, but not too gratuitous.