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Three Colors: Blue (Trois Couleurs: Bleu) (1993)
Three Colors: Blue (Trois Couleurs: Bleu) (1993)
1993 | Drama, International, Mystery

"I saw Blue for the first time when I was in film school. I checked out a VHS tape from the library and watched it on a twelve-inch TV/VCR. The movie finished and I sat staring at the dark screen while the tape auto-rewound. When it reached the beginning, I pressed “Play” and watched it a second time. When it stopped the second time, I turned everything off, went to bed, and stared at the ceiling. A week or so later, I finished the trilogy and thought, If these are called movies, we need a new name for everything else. I’ve never seen music sewn through film so deeply, as if the actors were thinking the soundtrack while they were acting. However he did it, Kieślowski caught the chaos of being human without the mania (for instance, the elderly woman carefully disposing of recyclables). His films are life-affirming for the jaded—they are the smartest and sexiest of unintentionally philosophical films, never talking down or forgetting to entertain. And the ending of Red—well, isn’t that the ending of everything?"

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Three Colors: Red (Trois couleurs: Rouge) (1994)
Three Colors: Red (Trois couleurs: Rouge) (1994)
1994 | International, Drama, Romance
9.0 (1 Ratings)
Movie Favorite

"I saw Blue for the first time when I was in film school. I checked out a VHS tape from the library and watched it on a twelve-inch TV/VCR. The movie finished and I sat staring at the dark screen while the tape auto-rewound. When it reached the beginning, I pressed “Play” and watched it a second time. When it stopped the second time, I turned everything off, went to bed, and stared at the ceiling. A week or so later, I finished the trilogy and thought, If these are called movies, we need a new name for everything else. I’ve never seen music sewn through film so deeply, as if the actors were thinking the soundtrack while they were acting. However he did it, Kieślowski caught the chaos of being human without the mania (for instance, the elderly woman carefully disposing of recyclables). His films are life-affirming for the jaded—they are the smartest and sexiest of unintentionally philosophical films, never talking down or forgetting to entertain. And the ending of Red—well, isn’t that the ending of everything?"

Source
  
Three Colors: White (Trois Couleurs: Blanc) (1994)
Three Colors: White (Trois Couleurs: Blanc) (1994)
1994 | International, Comedy, Drama
8.0 (1 Ratings)
Movie Favorite

"I saw Blue for the first time when I was in film school. I checked out a VHS tape from the library and watched it on a twelve-inch TV/VCR. The movie finished and I sat staring at the dark screen while the tape auto-rewound. When it reached the beginning, I pressed “Play” and watched it a second time. When it stopped the second time, I turned everything off, went to bed, and stared at the ceiling. A week or so later, I finished the trilogy and thought, If these are called movies, we need a new name for everything else. I’ve never seen music sewn through film so deeply, as if the actors were thinking the soundtrack while they were acting. However he did it, Kieślowski caught the chaos of being human without the mania (for instance, the elderly woman carefully disposing of recyclables). His films are life-affirming for the jaded—they are the smartest and sexiest of unintentionally philosophical films, never talking down or forgetting to entertain. And the ending of Red—well, isn’t that the ending of everything?"

Source
  
Eyes Without a Face (1960)
Eyes Without a Face (1960)
1960 | Horror

"I became obsessed with horror at a very early age. Knowing this, my dad would often recall the greatest horror film he ever saw. It was black and white, it was French, and it was, in his words, “really, really gory.” He would tell me it was about a mad surgeon who tries to restore the face of his daughter, disfigured in a car accident, by mutilating young women and stealing their fair skin. And he would go on and on about how great it was, how scary it was, and how I would simply have to see it. But . . . He could not recall the name of the film. I tried to cross-reference with horror guidebooks in the library, but without the invention of the Internet and plot keywords, I was left stumped for a long time. Years later, I saw Eyes Without a Face and called my dad immediately. I told him the crucial fact he’d been missing, the actual name of the greatest horror film he had ever seen. I then agreed with him that, yes, it was a quite extraordinary film."

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Kindred: A Graphic Novel Adaptation
Kindred: A Graphic Novel Adaptation
John Jennings, Octavia E. Butler, Damian Duffy | 2017 | Comics & Graphic Novels, Fiction & Poetry
10
9.3 (6 Ratings)
Book Rating
Kindred is the story of a black woman who is repeatedly transported from her 1970s apartment to Antebellum Maryland - and it’s not a place where any black person would really want to be.

I haven’t read the original novel, so I can’t compare them - but this is really good in its own right. It’s rich in both dialogue and artistry - the pictures are at times graphic (when Dana, the lead character, is whipped and her ensuing injuries), and there is talk of the white plantation owner raping ‘his’ slaves. Dana learns that her purpose is to keep the plantation owners son, Rufus, alive - which isn’t easy when he seems set on doing things that put his life in danger. Dana learns that Rufus is in fact her great great (great?) grandfather, and he has yet to sire the child that will ensure Dana’s existence.

This isn’t a book for the faint-hearted, and I’m so glad I’ve read it - all thanks go to my local library, who have started providing graphic novel ebooks. A graphic novel habit is an expensive one, so it’s great that they’re able to do this!
  
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    SHAHID VOD

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    Entertainment and Lifestyle

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    SHAHID هى خدمة الفيديو حسب الطلب الأولى في العالم العربي و...