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Death of a Salesman
Death of a Salesman
Arthur Miller, Enoch Brater | 2017 | Essays
7
7.2 (13 Ratings)
Book Rating
Wow. Death of a Salesman was a different style of a literary classic that I was honestly never expecting. It grabbed my emotions and pulled on my heartstrings. The plot contained a rollercoaster of events, and I’ll admit, there were a few times I was utterly confused and wanted to throw the book across the room. But towards the end of the ride, I was able to understand what each issue each of the characters had and what it meant to them.

Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!

Genre: Literary Classic, plays

Audience: Young Adult and Adults

Interests: Plays, salesmen, American Dreams, family-ties

Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.

Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.

Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”

“I realized what a ridiculous lie my whole life has been.”

“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”

Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.

“The only thing you’ve got in this world is what you can sell.”
  
After seven long years in Devon, Lady Maud Worlington returns to London to reclaim life on her own terms, but a nefarious shadow and the prospect of financial ruin dog her steps. An impulsive and unforgettable kiss under the mistletoe creates a connection with Geoffrey, the handsome, young Duke of Tilbury. Yet as pleasant as it is to have a suitor, Maud is not sure how a boy of one-and-twenty can prove an equal partner in life and the equal of all the forces mounted against her.

The Duke of Tilbury considers himself as adept at managing matters as he is at swordplay, but his beautiful new acquaintance Lady Worlington has other ideas about how to manage her complicated life. Intrigued by their stolen kiss, Geoffrey pursues Lady Worlington’s affections, only to be foiled by the lady’s own doubts, by rivals for her hand, and by a sudden death, that affects both their families. When Jacob Pevensey, the investigator from Bow Street enters the scene, the duke becomes a prime suspect in the murder case. Truths are unearthed that Geoffrey would rather keep hidden, and the twelve days of Christmas race toward a perilous end.





My Thoughts: A story full of mystery, suspense, romance, and some charming characters. I truly enjoyed this story, based on the twelve days of Christmas, in true Victorian style. The characters were well developed and easy to relate to. Some you liked and some you dislike. It was good to see the strengthening of Maude's character, that she was finally able to stand up for herself and to go on with life without being bullied or blackmailed. This story takes many twists and turns and has many surprises for the reader. This is a book for those who like historical fiction. A wonderful read just in time for the Christmas season!
  
The Lion King (2019)
The Lion King (2019)
2019 | Adventure, Animation, Family
The short review: This film is a crowd pleasing movie for fans of the original animated film. This hits all the highlights you love about the first version.

The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.

Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
  
Buffy the Vampire Slayer (1992)
Buffy the Vampire Slayer (1992)
1992 | Action, Comedy, Horror

"Ok, I know this one’s cheating. I don’t care. So it’s not a movie, so what? It did start as a movie, so it totally counts. No TV show has meant more to me than Buffy the Vampire Slayer. Stop laughing, I’m serious. It’s one of the greatest things ever created in the history of mankind. I said stop. How dare you?! I will fight you! I will fight you and I will win. It’s the best. Every right-thinking person knows that. When Buffy was on the air, I recorded every single episode on my TiVo. I’m pretty sure my DVR thought I was a fourteen year-old girl. Whatever. The show was incredible. It refused to be pigeonholed. It defied, merged, bent, and blended genres, masterfully commingling fantasy and reality. It dealt with issues of real substance. It treated its audience intelligently, with the utmost respect. Over a decade after it went off the air, it still had residence in my head and heart, and served as a model for what Kubo became: real life wrapped in metaphor. Like Buffy, we explore triumph and tragedy, loss and healing, and compassion, and forgiveness through the stylized prism of fantasy. We acknowledge that part of life… is death. That lives can be thrown away and lost and upended in an unfair and random act of casual violence, without the grandeur and rousing speechifying often found in heroic movie deaths. People we love are often ripped away from us, in an instant. And we need to find a way to reconcile that a part of life is struggle, and it has a cost. Kubo and the Two Strings, like life, like Buffy, is wonderfully bittersweet. So thank you, Joss Whedon, for giving me so much high-spirited joy and gut-wrenching heartache. You saved the world. A lot."

Source
  
The Illustrated Child
The Illustrated Child
Polly Crosby | 2020 | Contemporary, Fiction & Poetry, Mystery
9
9.5 (2 Ratings)
Book Rating
Romilly and her father Tobias move in to a run-down house in the countryside when she is 9 years old. Her father is an eccentric artist, and she doesn’t know anything about her mother. Later, Monty the cat joins Romilly and her friend Stacey on adventures in the local countryside, in what seems to be an idyllic childhood.

Tobias creates a series of beautifully illustrated books starring both Romilly and Monty, and their lives are changed. They find fame, as readers believe that the books are a kind of treasure hunt - which, incidentally, reminded me of the Kit Williams book, Masquerade, published in the late 1970’s. Strangers start to camp out in their garden, digging holes all over their land to find the treasure - meaning that Romilly is unable to leave the house.

Life changes again when Tobias’ behaviour becomes more and more erratic, Romilly’s mother comes back in to her life, and she meets her grandmother. Things seem to be continuously changing, and nothing is consistent - there’s no stability in Romilly’s life.

This book was not at all what I expected. It started out as something of an idyllic childhood, but as time went on, Romilly’s life is irrevocably changed. I felt so much sadness for her, and there were times when I was almost in tears (you might need a hanky!). This deals with some pretty serious themes: dementia, mental illness, death and child abuse. All the way through I was rooting for Romilly and hoping that she would get the help that she needed and deserved. This is such a beautifully written book, and I would have no hesitation in recommending it.

Many thanks to the publisher and NetGalley for my e-ARC.