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Famine (The Four Horsemen #3)
8.0
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Saving a dying man might be just what Famine, the Black Horseman, needs to feed his starving heart. ...
MM Paranormal Romance
Bad Girls Drink Blood by S.L. Choi
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Part sun fae, part blood fae, all abomination. There is only one hybrid fae in existence, and...
Adult Fantasy
Murder in Morningside Heights
9.0
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In the latest from the bestselling author of Murder on St. Nicholas Avenue, former police sergeant...
Relentless (Relentless, #1)
9.0
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Sara Grey’s world shattered ten years ago when her father was brutally murdered. Now at seventeen,...
Young Adult Fantasy Paranormal Romance
The Low Road
8.0
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In 1828, two young women were torn apart as they were sentenced to transportation to Botany Bay....
Women's Fiction Historical Fiction LGBT+
"That's impossible! How will the Emperor maintain control without the bureaucracy?"
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
Kristy H (1252 KP) rated More Than Words in Books
Apr 22, 2021
This is the thirteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.
"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."
This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.
Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.
"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."
This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.
Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
Laura Doe (1350 KP) rated The Funny Thing About Norman Foreman in Books
Jul 1, 2021
The thing that really attracted me to this little gem of a book was it’s title and wondering whether there was actually a character named Norman Foreman in it or not. Then when I read the blurb I knew that I just had to read it.
We follow a mother and son, Sadie and Norman Foreman, through a challenging time in their life - Norman’s best friend Jax dying from an asthma attack. Norman and Jax did everything together, and loved watching comedy sketches and comedians and had big dreams of becoming a comedy duo and performing at the Edinburgh Fringe Festival when they were 15.
However, that plan drastically changes when Jax dies aged 12 and leaves Norman not really knowing what to do and not particularly coping very well. Norman then comes up with the idea to get himself to the Edinburgh Fringe Festival that year as a tribute to Jax and also along the way decides he wants to finally find out who his dad is.
Sadie is also struggling with Jax’s death and struggling to help Norman grieve as she never truly grieved her own dad’s death. She has to come to relive her past where she spent a month after her dad’s death completely off the rails and now has four potential fathers for Norman. Along the way she confides in a work colleague, a little old man called Leonard, who decides that he wants in on this adventure and helps Sadie organise her thoughts and helps them both get to the Edinburgh Fringe and to find the four potential fathers.
Some of it may be a little far fetched at points, but that doesn’t stop it from being a really heartwarming story of a child trying to come to terms with the grief of losing his best friend and how you don’t have to be sad all the time in order to grieve.
I loved the whole book from start to finish, and I’m so glad that I got to read it courtesy of Pigeonhole and Julietta Henderson!
We follow a mother and son, Sadie and Norman Foreman, through a challenging time in their life - Norman’s best friend Jax dying from an asthma attack. Norman and Jax did everything together, and loved watching comedy sketches and comedians and had big dreams of becoming a comedy duo and performing at the Edinburgh Fringe Festival when they were 15.
However, that plan drastically changes when Jax dies aged 12 and leaves Norman not really knowing what to do and not particularly coping very well. Norman then comes up with the idea to get himself to the Edinburgh Fringe Festival that year as a tribute to Jax and also along the way decides he wants to finally find out who his dad is.
Sadie is also struggling with Jax’s death and struggling to help Norman grieve as she never truly grieved her own dad’s death. She has to come to relive her past where she spent a month after her dad’s death completely off the rails and now has four potential fathers for Norman. Along the way she confides in a work colleague, a little old man called Leonard, who decides that he wants in on this adventure and helps Sadie organise her thoughts and helps them both get to the Edinburgh Fringe and to find the four potential fathers.
Some of it may be a little far fetched at points, but that doesn’t stop it from being a really heartwarming story of a child trying to come to terms with the grief of losing his best friend and how you don’t have to be sad all the time in order to grieve.
I loved the whole book from start to finish, and I’m so glad that I got to read it courtesy of Pigeonhole and Julietta Henderson!
LeftSideCut (3776 KP) rated Till Death (2021) in Movies
Oct 6, 2021
Contains spoilers, click to show
Till Death is a pretty middle-of-the-road thriller that somehow manages to both benefit and suffer from its no-nonsense approach to, well everything really. On the one hand, it's premise is an enticing one - after finding out about her affair, Emma's (Megan Fox) husband leads her out to a remote cabin under the false pretense of an anniversary getaway, handcuffs the two of them together by the wrists, and proceeds to shoot himself, leaving her attached to his dead body and fighting for her life when two hitmen come by to finish the job. This setup leads to a decent amount of tension, it's snowy setting exacerbating her survival conditions.
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
Mark @ Carstairs Considers (2346 KP) rated Murder Packs a Suitcase (Murder Packs a Suitcase, #1) in Books
Mar 9, 2018
Mallory Marlowe is attempting to get her life back together after her husband's accidental death. Her new job is as a travel writer, and her first stop is Orlando, where she is part of a press tour. Their first night there, the obnoxious member of the group is found floating in a fountain. Even though she just met him, Mallory is the prime suspect. Can she figure out who really did it? I found Mallory a charming travel companion. Occasionally the bits about the tour were a little long, but the mystery moved along as a consistently fast pace even if it did rely on coincidence a little more then I would have liked. This was my first book by Cynthia Baxter, but I will be reading more.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/04/book-review-murder-packs-suitcase-by.html">Carstairs Considers</a>.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/04/book-review-murder-packs-suitcase-by.html">Carstairs Considers</a>.