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Eleanor Luhar (47 KP) rated Hurt in Books
Jun 24, 2019
I am going to try to avoid spoilers as much as I can in this book, but I'm afraid there will be some. I'd also like to say that this book includes a lot of graphic details and references to rape and suicide.
At first I felt that Mathéo was a bit too in love with Lola - he's only seventeen, and his adoration for her was bordering on sickly. But then I suppose young love does feel as all-consuming and important as Mathéo made it out to be. Lola, his girlfriend, was a beautiful young lady who moved into Mathéo's rich town. Unlike him, her house is small and cluttered and comfy - very different to his strict and orderly lifestyle.
First, Mathéo's rich-boy lifestyle is too much for him; he's not happy. But then his memory of the most awful night returns, and things get a whole lot worse. After a diving accident (Mathéo is expected to win an Olympic gold medal in a year's time) and a couple of near-death experiences while on holiday, I really thought Mathéo's life couldn't get any worse. But it did. Oh god, it did.
I will not give away the ending, but it honestly made me cry. Maybe it just hit a little too close to home, or maybe the contrast of such a lively, bright character with such a dark event was just too much for me. Either way, the ending was so unexpected and so, so sad. But I liked how the epilogue sort of tied things up, without being too sappy or "feel-good". I felt like this was a brutally honest story. Not to mention that the events/themes in this book are incredibly important to talk about - I really appreciated that this focused on a male rape victim.
Although I kind of felt like Suzuma had written the openening this book with a theosaurus on hand, seeing how many new words she could include, I got sucked in really quick. I really wanted to know more about what had happened, what was going to happen, and I really got emotional for Mathéo. His relationship with his little brother, and the development of their relationship, was really nice. And the epilogue... God, it's sad, but it's honest. Most people don't stay in touch after school. Most people do move on and forget each other.
The ending was fantastic, so I'm going to have to give this 5 stars.
At first I felt that Mathéo was a bit too in love with Lola - he's only seventeen, and his adoration for her was bordering on sickly. But then I suppose young love does feel as all-consuming and important as Mathéo made it out to be. Lola, his girlfriend, was a beautiful young lady who moved into Mathéo's rich town. Unlike him, her house is small and cluttered and comfy - very different to his strict and orderly lifestyle.
First, Mathéo's rich-boy lifestyle is too much for him; he's not happy. But then his memory of the most awful night returns, and things get a whole lot worse. After a diving accident (Mathéo is expected to win an Olympic gold medal in a year's time) and a couple of near-death experiences while on holiday, I really thought Mathéo's life couldn't get any worse. But it did. Oh god, it did.
I will not give away the ending, but it honestly made me cry. Maybe it just hit a little too close to home, or maybe the contrast of such a lively, bright character with such a dark event was just too much for me. Either way, the ending was so unexpected and so, so sad. But I liked how the epilogue sort of tied things up, without being too sappy or "feel-good". I felt like this was a brutally honest story. Not to mention that the events/themes in this book are incredibly important to talk about - I really appreciated that this focused on a male rape victim.
Although I kind of felt like Suzuma had written the openening this book with a theosaurus on hand, seeing how many new words she could include, I got sucked in really quick. I really wanted to know more about what had happened, what was going to happen, and I really got emotional for Mathéo. His relationship with his little brother, and the development of their relationship, was really nice. And the epilogue... God, it's sad, but it's honest. Most people don't stay in touch after school. Most people do move on and forget each other.
The ending was fantastic, so I'm going to have to give this 5 stars.
Becs (244 KP) rated Song Of The Sparrow in Books
Oct 2, 2019
Genre: Historical Fiction, Young Adult, Fantasy, Poetry, Romance.
Type: Stand-alone
Audience/ Reading Level: 12+
Interests: King Arthur and the Knights of the Round Table, Historical Reads, Lyricism, Poetry, Retellings.
Point of View: Third person
Promise: A tale of love, betrayal, and war.
Insights: I have no idea where or when I received/ got this novel. But ever since that day, Song of the Sparrow has been one of my favorite retellings of King Arthur and the Knights of the Round Table. My copy is very beaten up, so it’s gotten it’s many of read-throughs in. It also makes me think that I use to be pretty rough with my books. (what in the heck is wrong with you Becca! smh) I remember reading through SotS and thinking of myself as Elaine, the MC. Does anybody else do that? Because it hasn’t gone away with me.
I loved every aspect of this little novel. My favorite part was not only the retelling of King Arthur and the Knights but also how the novel was written in a sort of lyricism way, a lot like poetry. Novels written this way have always drawn my attention and I find them quite refreshing to read when in a slump or trying to get out of one.
Favorite Quotes: “I am Elaine daughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller, ever smaller now, even more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.”
“So long ago now. But you remind me of her, you know. Sometimes I forget that you are not she. Sometimes I forget that I should not blame you for leaving me. It was her. I was her.”
What will you gain?: A new telling of what life back in the olden days was like for a female in an all men village.
Aesthetics: Everytime I read-through Song of the Sparrow, I always stare at the cover. Something about it is just very appealing, not only to the eyes but also with the mind. Another aesthetic I found that I loved was how the story was written like lyricism/poetry.
“And at that moment, a lilting melody lifts to the moon as a single sparrow sings.”
Type: Stand-alone
Audience/ Reading Level: 12+
Interests: King Arthur and the Knights of the Round Table, Historical Reads, Lyricism, Poetry, Retellings.
Point of View: Third person
Promise: A tale of love, betrayal, and war.
Insights: I have no idea where or when I received/ got this novel. But ever since that day, Song of the Sparrow has been one of my favorite retellings of King Arthur and the Knights of the Round Table. My copy is very beaten up, so it’s gotten it’s many of read-throughs in. It also makes me think that I use to be pretty rough with my books. (what in the heck is wrong with you Becca! smh) I remember reading through SotS and thinking of myself as Elaine, the MC. Does anybody else do that? Because it hasn’t gone away with me.
I loved every aspect of this little novel. My favorite part was not only the retelling of King Arthur and the Knights but also how the novel was written in a sort of lyricism way, a lot like poetry. Novels written this way have always drawn my attention and I find them quite refreshing to read when in a slump or trying to get out of one.
Favorite Quotes: “I am Elaine daughter of Barnard of Ascolat. Motherless. Sisterless. I sing these words to you now, because the point of light grows smaller, ever smaller now, even more distant now. And with this song, I pray I may push back the tides of war and death. So, I sing these words that this light, this tiny ray of light and hope may live on. I dare not hope that I may live on too.”
“So long ago now. But you remind me of her, you know. Sometimes I forget that you are not she. Sometimes I forget that I should not blame you for leaving me. It was her. I was her.”
What will you gain?: A new telling of what life back in the olden days was like for a female in an all men village.
Aesthetics: Everytime I read-through Song of the Sparrow, I always stare at the cover. Something about it is just very appealing, not only to the eyes but also with the mind. Another aesthetic I found that I loved was how the story was written like lyricism/poetry.
“And at that moment, a lilting melody lifts to the moon as a single sparrow sings.”
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Nov 3, 2021
TheFiend13420 (21 KP) rated Where The Scary Things Are (2022) in Movies
Jun 28, 2022 (Updated Jun 28, 2022)
Excellent performances by virtually unknown cast (2 more)
Well written, fun and flows well
Beauty make-up job on the creature
The Loser's Club these kids are NOT
I have been waiting for this film to come out for months now. And it was totally worth the wait.
A group of friends, led by angry disruptive Ayla, venture out to the closed down Field of Screams Halloween Haunt in search of a local urban legend. Prompted by one of their teachers, They are asked to make up their own Legend and try to bring it to life to prove how false facts can create a sort of mass hysteria. And eventually. They become real... Like local urban legend, Lockjaw.
First off... These fucking kids
None of them are likable. They all have something that makes them horrible. There's no smiles and laughs while walking down the fucking train tracks in this not so feel good movie. The performances by these kids. Even the youngest one... Who you kind of want to kick in the face... puts in a stellar showing. The lead girl. With her serial killer like lack of emotion and empathy. If there were Oscars for horror. She would most definitely be nominated. Even the one kid who shows some form of common sense. Has not one real redeeming quality. These kids are just plain horrid. You literally wish death upon these teenagers
Second. The originality of the whole thing. I know it will probably garner some comparisons to Psycho Goreman. But... Believe me when i tell you... There is no similarity. These are two completely seperate entities.
The idea of Urban Legends coming true. And not being projected by some killer in a parka. makes me extremely happy. Not a slight against the series of Urban Legend movies... I love them... But...
Third. I love the pace of the film. It keeps going, doesn't let up in the slightest. Just when you think you've seen it all. The little bastards just break down the morality wall a little bit more. Such a fun ride to be on.
Was it worth the wait. Absolutely.
Would I recommend it to my friends.... 100%.
Will it be something I'd watch again... I'm actually watching it again... Right now... While I do this review.
Mr. Smith, you've done it again.
You have kept my interest and left me utterly satisfied with an hour and a half of pure horrific pleasure.
Not one stitch of disappointment here...
A group of friends, led by angry disruptive Ayla, venture out to the closed down Field of Screams Halloween Haunt in search of a local urban legend. Prompted by one of their teachers, They are asked to make up their own Legend and try to bring it to life to prove how false facts can create a sort of mass hysteria. And eventually. They become real... Like local urban legend, Lockjaw.
First off... These fucking kids
None of them are likable. They all have something that makes them horrible. There's no smiles and laughs while walking down the fucking train tracks in this not so feel good movie. The performances by these kids. Even the youngest one... Who you kind of want to kick in the face... puts in a stellar showing. The lead girl. With her serial killer like lack of emotion and empathy. If there were Oscars for horror. She would most definitely be nominated. Even the one kid who shows some form of common sense. Has not one real redeeming quality. These kids are just plain horrid. You literally wish death upon these teenagers
Second. The originality of the whole thing. I know it will probably garner some comparisons to Psycho Goreman. But... Believe me when i tell you... There is no similarity. These are two completely seperate entities.
The idea of Urban Legends coming true. And not being projected by some killer in a parka. makes me extremely happy. Not a slight against the series of Urban Legend movies... I love them... But...
Third. I love the pace of the film. It keeps going, doesn't let up in the slightest. Just when you think you've seen it all. The little bastards just break down the morality wall a little bit more. Such a fun ride to be on.
Was it worth the wait. Absolutely.
Would I recommend it to my friends.... 100%.
Will it be something I'd watch again... I'm actually watching it again... Right now... While I do this review.
Mr. Smith, you've done it again.
You have kept my interest and left me utterly satisfied with an hour and a half of pure horrific pleasure.
Not one stitch of disappointment here...
Daniel Boyd (1066 KP) rated The Sinner - Season 1 in TV
Nov 30, 2017 (Updated Nov 30, 2017)
Barely any of the characters were sympathetic or relatable (3 more)
The ending was dissatisfying
So many wasted episodes
It was only 9 episodes long, but it felt far longer
A Sin That This Wasn't Better
This show came highly recommended to me by sources that I usually trust, but it turned out to be a total let down. The show opens with a young family going to the beach. The mother who is played by Jessica Biel, suddenly walks over to another young man on the beach and stabs him to death in front of over a hundred witnesses in broad daylight. She is then arrested and the show spends the next 8 episodes clumsily trying to explain why she committed this heinous act.
I like Jessica Biel, I like Bill Pullman and I like Christopher Abbott, who plays the husband to Biel's Cora Tannetti. I like mysterious shows about crime and murder. I should have loved this, but I thought it was a train wreck from start to finish. During the first episode we see the murder occur in graphic detail, then the next couple of episodes ask why she did what she did and then you start to wonder, "how are they going to manage to drag this out for another six episodes without it getting stale?" The answer is, they aren't and it gets old fast. In this sense, the writing is a mess.
Sometimes though, a show can have messy writing, but be saved by it's cast of characters. However, that is absolutely not the case here. Cora is the main character of the show, so I think we are supposed to feel some sort of connection to her, yet she is so grossly off-putting in every way, I was actually was hoping to see her get the death sentence. At first you see her committing this atrocity, which obviously causes you to take an instant dislike to her, but you expect as the show goes on and we learn more about her, that we will eventually feel sympathetic towards her. In fact, the exact opposite is true, every new facet of information that I learned about her backstory just made me hate her more and at no point did I feel like I was on her side.
There is also a flashback subplot going on, which shows Cora as a suspiciously old looking teenager, as for some reason Jessica Biel is still playing the role of the teenage Cora. Through this we see her family life growing up, but her family are some of the most dislikeable characters I have seen in a TV show in years. Her mother is a religious nut to the point of insanity, her father is sleeping with the next door neighbour and her terminally ill sister is such a little shit that you don't feel any sympathy towards her for her illness and you end up hoping she will die sooner rather than later.
I'll try to discuss the ending without giving away any major spoilers, but for those who haven't yet seen the show, you may want to skip to the final paragraph. At around the episode 5 mark, I was very close to giving up on this show, but I had heard that the ending was amazing, so I stuck with it. What a waste of time that turned out to be. The reveal itself was a huge let down and after everything was revealed, I still felt that the murder victim didn't deserve to die and I thought that Cora pretty much getting away with murder was so dissatisfying and undeserved.
Overall, this show is pretty awful. There are so many plot threads that go nowhere, the writing thinks it is far more clever than it actually is, actors that I normally like are playing entirely dislikeable characters and the whole thing seems far longer than just nine episodes. The ending isn't worth sticking around for and really the show is just tons of wasted potential. Do yourself a favour and give this a skip, there are far better shows available to watch on Netflix.
I like Jessica Biel, I like Bill Pullman and I like Christopher Abbott, who plays the husband to Biel's Cora Tannetti. I like mysterious shows about crime and murder. I should have loved this, but I thought it was a train wreck from start to finish. During the first episode we see the murder occur in graphic detail, then the next couple of episodes ask why she did what she did and then you start to wonder, "how are they going to manage to drag this out for another six episodes without it getting stale?" The answer is, they aren't and it gets old fast. In this sense, the writing is a mess.
Sometimes though, a show can have messy writing, but be saved by it's cast of characters. However, that is absolutely not the case here. Cora is the main character of the show, so I think we are supposed to feel some sort of connection to her, yet she is so grossly off-putting in every way, I was actually was hoping to see her get the death sentence. At first you see her committing this atrocity, which obviously causes you to take an instant dislike to her, but you expect as the show goes on and we learn more about her, that we will eventually feel sympathetic towards her. In fact, the exact opposite is true, every new facet of information that I learned about her backstory just made me hate her more and at no point did I feel like I was on her side.
There is also a flashback subplot going on, which shows Cora as a suspiciously old looking teenager, as for some reason Jessica Biel is still playing the role of the teenage Cora. Through this we see her family life growing up, but her family are some of the most dislikeable characters I have seen in a TV show in years. Her mother is a religious nut to the point of insanity, her father is sleeping with the next door neighbour and her terminally ill sister is such a little shit that you don't feel any sympathy towards her for her illness and you end up hoping she will die sooner rather than later.
I'll try to discuss the ending without giving away any major spoilers, but for those who haven't yet seen the show, you may want to skip to the final paragraph. At around the episode 5 mark, I was very close to giving up on this show, but I had heard that the ending was amazing, so I stuck with it. What a waste of time that turned out to be. The reveal itself was a huge let down and after everything was revealed, I still felt that the murder victim didn't deserve to die and I thought that Cora pretty much getting away with murder was so dissatisfying and undeserved.
Overall, this show is pretty awful. There are so many plot threads that go nowhere, the writing thinks it is far more clever than it actually is, actors that I normally like are playing entirely dislikeable characters and the whole thing seems far longer than just nine episodes. The ending isn't worth sticking around for and really the show is just tons of wasted potential. Do yourself a favour and give this a skip, there are far better shows available to watch on Netflix.
Connor Sheffield (293 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Apr 18, 2017
New, yet Nostalgic
So whenever I hear that there's going to be a new Star Wars Movie, I get so excited EVERY TIME! However, that's not to say that I don't always feel nervous about this next one could be "The Bad Star Wars Film" because whilst I can find some good aspects of the prequel trilogy (SOME! Not a lot but there is some) I don't enjoy them and prefer to ignore them when having a Star Wars Movie marathon.
So when I heard that there's this film being made that's not and 'episode' but will have some connections to the original trilogy, I was nervous that it might blow some of the lore out the window and try and make their own lore that doesn't fit in with the prequels or the sequels. On the other hand I was so excited to feel that I was getting to see new characters and more of the lore on film such as Kyber Crystals and Jedha itself.
The characters were incredible in my opinion! Felicity Jones portrayed Jyn Erso, and really brought the strong female lead to a new generation of Star Wars fans and film fans in general. Jyn Erso is the Princess Leia of this new generation and honestly she had quite a lot to live up to following Daisy Ridley's portrayal as the strong female lead character, Rey, in Star Wars: The Force Awakens. Long story short, Felicity Jones nailed it! She's strong, independent but also has a lot of history and emotion that we don't get to see a lot of.
Then there's characters like K-2SO who is hilarious in my opinion and Alan Tudyk really brought a droid to life and made him feel more human, but also 'too good to be a human character', because there are certain aspects of the film where I was sat thinking "This character is hilarious to me, but I think the fact that he's a droid and doesn't fully understand a living, breathing, being's train of thought. So if this character was written as a human he wouldn't be as funny to me."
SPOILERS AHEAD!!!
My issue with the film, whilst I did enjoy it and understand WHY they ended it with Jyn's and Cassian's death, but I would love to have seen MORE of these characters. If they wanted to do a film with those characters in the future, it would have to be a more coming of age movie for Jyn and whilst I wouldn't mind seeing more of her growing up to understand her character more, I'd have preferred to see an aftermath film, because I think they could totally write the character to be someone who still fights for the rebellion but has some reason not to be in the events that take place in the original trilogy. Maybe she's taking care of some surviving death troopers, or trying to find out what the Empire's plans are on another planet or in another system because to think that the Empire had all of their subjects in one place concentrating on one project is ridiculous. Perhaps the First Order was being formed secretly in another system, or the Empire was enslaving some planets to prepare them for the Empires master plan of ruling the galaxy.
Overall, I just wanted more of these characters because they were just well written and the film was shot beautifully. To my knowledge, from the top of my head there weren't any jumpy editing cuts, or any moments where, due to camera movement, I would think "what's going on I can't follow the action" etc. It was brilliantly made and it very quickly became not just one of my favourite movies of all time, but one of my favourite Star Wars movies! But I have to give it a 9/10 because of the reasons I stated above...I need more of these characters in future aftermath films, but it cant happen now because of the ending and that makes me sad.
Brilliant Movie, Brilliant Cast, and of course....
THE DARTH VADER CORRIDOR SCENE!
So when I heard that there's this film being made that's not and 'episode' but will have some connections to the original trilogy, I was nervous that it might blow some of the lore out the window and try and make their own lore that doesn't fit in with the prequels or the sequels. On the other hand I was so excited to feel that I was getting to see new characters and more of the lore on film such as Kyber Crystals and Jedha itself.
The characters were incredible in my opinion! Felicity Jones portrayed Jyn Erso, and really brought the strong female lead to a new generation of Star Wars fans and film fans in general. Jyn Erso is the Princess Leia of this new generation and honestly she had quite a lot to live up to following Daisy Ridley's portrayal as the strong female lead character, Rey, in Star Wars: The Force Awakens. Long story short, Felicity Jones nailed it! She's strong, independent but also has a lot of history and emotion that we don't get to see a lot of.
Then there's characters like K-2SO who is hilarious in my opinion and Alan Tudyk really brought a droid to life and made him feel more human, but also 'too good to be a human character', because there are certain aspects of the film where I was sat thinking "This character is hilarious to me, but I think the fact that he's a droid and doesn't fully understand a living, breathing, being's train of thought. So if this character was written as a human he wouldn't be as funny to me."
SPOILERS AHEAD!!!
My issue with the film, whilst I did enjoy it and understand WHY they ended it with Jyn's and Cassian's death, but I would love to have seen MORE of these characters. If they wanted to do a film with those characters in the future, it would have to be a more coming of age movie for Jyn and whilst I wouldn't mind seeing more of her growing up to understand her character more, I'd have preferred to see an aftermath film, because I think they could totally write the character to be someone who still fights for the rebellion but has some reason not to be in the events that take place in the original trilogy. Maybe she's taking care of some surviving death troopers, or trying to find out what the Empire's plans are on another planet or in another system because to think that the Empire had all of their subjects in one place concentrating on one project is ridiculous. Perhaps the First Order was being formed secretly in another system, or the Empire was enslaving some planets to prepare them for the Empires master plan of ruling the galaxy.
Overall, I just wanted more of these characters because they were just well written and the film was shot beautifully. To my knowledge, from the top of my head there weren't any jumpy editing cuts, or any moments where, due to camera movement, I would think "what's going on I can't follow the action" etc. It was brilliantly made and it very quickly became not just one of my favourite movies of all time, but one of my favourite Star Wars movies! But I have to give it a 9/10 because of the reasons I stated above...I need more of these characters in future aftermath films, but it cant happen now because of the ending and that makes me sad.
Brilliant Movie, Brilliant Cast, and of course....
THE DARTH VADER CORRIDOR SCENE!
Midge (525 KP) rated Death In Provence in Books
Feb 2, 2019
Many twists and turns of the plot (1 more)
Great pacing
A Light And Relaxing Read
DEATH IN PROVENCE is a wonderful, light, and relaxed read with all of the matching vibes you get when on holiday. That’s exactly how I felt - this novel is almost as good being on a long vacation.
It is a refreshing, mystery fiction novel set in wonderfully scenic St Merlot, a sleepy, quiet village that has infrequent visitors at the unfashionable end of the Luberon Valley, France. St Merlot is unspoilt, with dry stone walls and wildflowers.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Penelope Kite. Recently retired and divorced, she is an optimistic, happy, fifty-year-old with plenty of joie-de-vivre. Penelope, or Penny to her friends, has put her unfaithful ex-husband and her ungrateful stepchildren first, for a long time. Since she left her job in forensics at the Home Office in England, she’s been an unpaid babysitter and chauffeur for her grandchildren. Now, she’s going to start living for herself so she buys her dream house, Le Chant d’Eau, or The Song of Water. The stone farmhouse tucked high in the hills is in need of major restoration but is complete with a garden, swimming pool, and sweeping mountain vistas.
But not long after her arrival at Le Chant d’Eau, a corpse is found floating in her swimming pool. The local detective doesn’t seem particularly interested in finding out either the truth or the murderer, but Penny knows a thing or two about murder investigations herself so she starts an investigation of her own.
Enter Clemence Valencourt, the chic but supercilious estate agent, the disdainful chief of police, Inspector Paul Gamelin brought in from the headquarters of the Police Municipale in Cavaillon to investigate. He is 40-ish, has a tanned narrow face, greying hair and a grave demeanour. He also speaks excellent English. The devilishly handsome local mayor is called in to formally identify the corpse. He is the maire de St Merlot, and is gorgeous, with floppy sun-streaked hair, a caramel tan and chiselled cheekbones He also has stunning dark blue eyes...
All this and being tempted by the delightful food and drink delicacies that Provence has to offer. Luckily her kind and high-spirited, old friend, Frankie who is conveniently fluid in French is just a flight away.
One of the highlights of the book is following the many twists and turns of the plot. I liked the fact that Penny is a smart 50-year-old woman who has lots of life experience and is trying to come to terms with ageing and that she is not quite as naive as her new neighbours in St. Merlot seem to believe. Both the plot and the character development are excellent, and the story is captivating and engaging. It held my interest from start to finish.
DEATH IN PROVENCE was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones - a reticent and monosyllabic neighbour, an eccentric but honourable gardener, a jaunty and smiling electrician, and a close-knit village community, to name but a few. Plenty of ups and downs along the way and plenty of surprises. I loved Serena Kent’s writing style which I found to be so vivid and very easy to read. The descriptions of the places, people and food were very real and it was easy to imagine that you were actually there. She has reflected the spirit of the French villagers, their individuality brilliantly.
Although I did not figure out who was behind the murders, even though all the clues were there, I had a great time guessing and I loved it! I was very satisfied with the ending. I have been inspired to read more from Serena Kent and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to Edelweiss and the publisher for a free ARC of this book in exchange for an honest review.
It is a refreshing, mystery fiction novel set in wonderfully scenic St Merlot, a sleepy, quiet village that has infrequent visitors at the unfashionable end of the Luberon Valley, France. St Merlot is unspoilt, with dry stone walls and wildflowers.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Penelope Kite. Recently retired and divorced, she is an optimistic, happy, fifty-year-old with plenty of joie-de-vivre. Penelope, or Penny to her friends, has put her unfaithful ex-husband and her ungrateful stepchildren first, for a long time. Since she left her job in forensics at the Home Office in England, she’s been an unpaid babysitter and chauffeur for her grandchildren. Now, she’s going to start living for herself so she buys her dream house, Le Chant d’Eau, or The Song of Water. The stone farmhouse tucked high in the hills is in need of major restoration but is complete with a garden, swimming pool, and sweeping mountain vistas.
But not long after her arrival at Le Chant d’Eau, a corpse is found floating in her swimming pool. The local detective doesn’t seem particularly interested in finding out either the truth or the murderer, but Penny knows a thing or two about murder investigations herself so she starts an investigation of her own.
Enter Clemence Valencourt, the chic but supercilious estate agent, the disdainful chief of police, Inspector Paul Gamelin brought in from the headquarters of the Police Municipale in Cavaillon to investigate. He is 40-ish, has a tanned narrow face, greying hair and a grave demeanour. He also speaks excellent English. The devilishly handsome local mayor is called in to formally identify the corpse. He is the maire de St Merlot, and is gorgeous, with floppy sun-streaked hair, a caramel tan and chiselled cheekbones He also has stunning dark blue eyes...
All this and being tempted by the delightful food and drink delicacies that Provence has to offer. Luckily her kind and high-spirited, old friend, Frankie who is conveniently fluid in French is just a flight away.
One of the highlights of the book is following the many twists and turns of the plot. I liked the fact that Penny is a smart 50-year-old woman who has lots of life experience and is trying to come to terms with ageing and that she is not quite as naive as her new neighbours in St. Merlot seem to believe. Both the plot and the character development are excellent, and the story is captivating and engaging. It held my interest from start to finish.
DEATH IN PROVENCE was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones - a reticent and monosyllabic neighbour, an eccentric but honourable gardener, a jaunty and smiling electrician, and a close-knit village community, to name but a few. Plenty of ups and downs along the way and plenty of surprises. I loved Serena Kent’s writing style which I found to be so vivid and very easy to read. The descriptions of the places, people and food were very real and it was easy to imagine that you were actually there. She has reflected the spirit of the French villagers, their individuality brilliantly.
Although I did not figure out who was behind the murders, even though all the clues were there, I had a great time guessing and I loved it! I was very satisfied with the ending. I have been inspired to read more from Serena Kent and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to Edelweiss and the publisher for a free ARC of this book in exchange for an honest review.