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Heather Cranmer (2721 KP) rated Snuggle with the Strange: 9 Twisted Tales (The Snuggle Series #1) in Books
Jul 28, 2021
I usually try to stay away from books featuring short stories because usually they aren't that great. However, there was something about Snuggle with the Strange: 9 Twisted Tales by Liane Carter that jumped out at me. I felt compelled to read it, and I'm glad I did. I thoroughly enjoyed this book and all the short stories.
I didn't really know what to expect with Snuggle with the Strange except that the stories would be a bit out there. The first two stories gave me Scary Stories to Tell in the Dark by Alvin Schwartz vibes but for adults. These stories were more paranormal/supernatural in nature, and I really enjoyed them. The next six stories were more realistic in the fact that they could actually happen to anyone (which is a scary thought!). The last story returned to being supernatural again. I loved each and every story, and I thought the pacing and world building for each was done very well. Each story has an original feel and isn't like any of the other stories in the book. Even though this is a fairly short book, all the suspense makes it seem as if time has stood still. My favorite stories in Snuggle with the Strange were "Life in the Shed" and "He Looked Like My First Mistake." Although all the stories are written very well, I just loved those a little extra. Oh, and something else I loved was that the cover of the book links each of the nine stories. I thought that was very cool!
All of the characters are well fleshed out in each story. There's just enough information on each character so you can love them or love to hate them. At times, I felt like I was the main character in the story!
As this is an adult horror book, there are quite a few trigger warnings for Snuggle with the Strange which include demons, underage drug use (a few mentions of marijuana), implied rape, implied child rape, attempted rape, death, murder, violence, attempted murder, domestic abuse, child abuse, and profanity.
Overall, Snuggle with the Strange is a breath of fresh air for those who love the genre horror. With it's interesting cast of characters and original short stories, this is one book that every horror lover should read. I would definitely recommend Snuggle with the Strange: 9 Twisted Tales by Liane Carter for those aged 16+ who like their horror with a flair of originality instead of rehashed fiction. If that sounds like you, this is your kind of book!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Strange: 9 Twisted Tales in exchange for an honest and unbiased review.)
I didn't really know what to expect with Snuggle with the Strange except that the stories would be a bit out there. The first two stories gave me Scary Stories to Tell in the Dark by Alvin Schwartz vibes but for adults. These stories were more paranormal/supernatural in nature, and I really enjoyed them. The next six stories were more realistic in the fact that they could actually happen to anyone (which is a scary thought!). The last story returned to being supernatural again. I loved each and every story, and I thought the pacing and world building for each was done very well. Each story has an original feel and isn't like any of the other stories in the book. Even though this is a fairly short book, all the suspense makes it seem as if time has stood still. My favorite stories in Snuggle with the Strange were "Life in the Shed" and "He Looked Like My First Mistake." Although all the stories are written very well, I just loved those a little extra. Oh, and something else I loved was that the cover of the book links each of the nine stories. I thought that was very cool!
All of the characters are well fleshed out in each story. There's just enough information on each character so you can love them or love to hate them. At times, I felt like I was the main character in the story!
As this is an adult horror book, there are quite a few trigger warnings for Snuggle with the Strange which include demons, underage drug use (a few mentions of marijuana), implied rape, implied child rape, attempted rape, death, murder, violence, attempted murder, domestic abuse, child abuse, and profanity.
Overall, Snuggle with the Strange is a breath of fresh air for those who love the genre horror. With it's interesting cast of characters and original short stories, this is one book that every horror lover should read. I would definitely recommend Snuggle with the Strange: 9 Twisted Tales by Liane Carter for those aged 16+ who like their horror with a flair of originality instead of rehashed fiction. If that sounds like you, this is your kind of book!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Strange: 9 Twisted Tales in exchange for an honest and unbiased review.)
Felipe (17 KP) rated Chaplin (1992) in Movies
Dec 7, 2020
A modern tragedy meant to be one of the greats
Contains spoilers, click to show
Richard Attenborough delivers another masterpiece of cinematic biography and is a worthy successor to Ghandi. The structure of the film is told as a flashback while Charlie Chaplin is writing his autobiography with a fictional editor that does not exist. We see for the first time the flaws of who Chaplin is as a person and we see him confront his past in a way that is painful not unlike how it is painful when we relive moments in our lives we would rather choose to forget. However, the success of the film is how it strips the illusion of who Chaplin was and presents to us a person who is tragically flawed but who is unbale to appreciate his own genius. An example is when Chaplin's version of the invention of the Tramp is seen for what he imagined it to be an idealized moment in which the character is calling to him except for what it really was, We see the reality of the movies during this time; a hectic spur of the moment improvised invention drawn from real life. Yet we see Chaplin as the midwife to this new artform the movies and we see him develop it for what it is, the highest expression of art that stirs our imagination and makes us believe anything is possible. We even cry during Chaplin's moments of personal tragedy; the insanity and loss of his mother; repeated failed marriages; the death of his best friend, Douglas Fairbanks and finally his tragic and painful exile from America the only place he knew as home all taking place in the backdrop of the invention and evolution of cinema. However, I feel that in the end Chaplin is the one that comes out triumphant. In the last moments of the movie we see how Chaplin despairs that he feels that he has been forgotten and made irrelevant by the changing times; he feels that the weight of not only his age but the weight of the world on his shoulders and yet we see that everything he believes himself to be is completely wrong when Hollywood bestows on him the greatest honor which is not only the special Oscar but also a standing ovation. His final triumph is to be made a knight by Queen Elizabeth II, we are truly made to see that although flawed he is triumphant in the end.
Matthew Krueger (10051 KP) rated Creepshow 2 (1987) in Movies
Sep 27, 2019
More Scary Stories To Tell In The Dark
Creepshow 2- is also a very good movie, with its three stories. That are horrorfyed and terrorfyed. Each one of them of are scary.
The Plot: This second horror anthology presents more eerie tales based on Stephen King stories. One episode finds a cigar-store Native American statue coming to life to avenge the death of the shop owner (George Kennedy) and his wife (Dorothy Lamour). Another features a group of teens menaced by a blob-like creature. The final installment follows a wealthy and callous woman (Lois Chiles) who hits a hitchhiker with her car and decides to flee the scene, but the victim isn't inclined to remain dead.
It features three more horror segments consisting of Old Chief Wooden Head, The Raft and The Hitchhiker.
Originally, the film was planned to have five stories much like the first film, two of these consisted of Pinfall and Cat from Hell. These two segments, however, were cut from the film due to the film's budget. "Cat from Hell", which would later be used in Tales from the Darkside: The Movie, focused on a wealthy old man hiring a hitman for $100,000 to kill a black cat, which was believed to killed three other people inside the residence he lives in and fears to be next. Unbeknownst to them, the cat soon exacts cosmic revenge on the two.
Pinfall", which was set to appear after Old Chief Wood'nhead, told the story of two rivalry teams consisted of the Regi-Men and the Bad News Boors competing in a bowling alley owned by an aged millionaire; the owner is soon killed in a freak accident and the teams found out afterwards that he would award one of them $5 million for whoever got the highest score. Soon, things turn up for the worst of the Regi-Team when the Boors, after they were killed in a fiery car-crash purposely caused by the Regi-Team, return as burnt-up revenants and soon get their revenge on their killers. Unlike Cat from Hell which managed to be brought onto the screen through a different film, Pinfall was never shot and never appeared outside of the film's original script.
During "The Raft" segment, actor Daniel Beer cited that he had almost died from hypothermia due to the water being very cold. While the crew wanted him to continue working with his role, the director Michael Gornick brought him to the hospital as he feared the actor would leave the set and never return if they get him to keep working during his cold condition. After a full recovery, he managed to finish the segment.
Again i would highly reccordmend this movie.
The Plot: This second horror anthology presents more eerie tales based on Stephen King stories. One episode finds a cigar-store Native American statue coming to life to avenge the death of the shop owner (George Kennedy) and his wife (Dorothy Lamour). Another features a group of teens menaced by a blob-like creature. The final installment follows a wealthy and callous woman (Lois Chiles) who hits a hitchhiker with her car and decides to flee the scene, but the victim isn't inclined to remain dead.
It features three more horror segments consisting of Old Chief Wooden Head, The Raft and The Hitchhiker.
Originally, the film was planned to have five stories much like the first film, two of these consisted of Pinfall and Cat from Hell. These two segments, however, were cut from the film due to the film's budget. "Cat from Hell", which would later be used in Tales from the Darkside: The Movie, focused on a wealthy old man hiring a hitman for $100,000 to kill a black cat, which was believed to killed three other people inside the residence he lives in and fears to be next. Unbeknownst to them, the cat soon exacts cosmic revenge on the two.
Pinfall", which was set to appear after Old Chief Wood'nhead, told the story of two rivalry teams consisted of the Regi-Men and the Bad News Boors competing in a bowling alley owned by an aged millionaire; the owner is soon killed in a freak accident and the teams found out afterwards that he would award one of them $5 million for whoever got the highest score. Soon, things turn up for the worst of the Regi-Team when the Boors, after they were killed in a fiery car-crash purposely caused by the Regi-Team, return as burnt-up revenants and soon get their revenge on their killers. Unlike Cat from Hell which managed to be brought onto the screen through a different film, Pinfall was never shot and never appeared outside of the film's original script.
During "The Raft" segment, actor Daniel Beer cited that he had almost died from hypothermia due to the water being very cold. While the crew wanted him to continue working with his role, the director Michael Gornick brought him to the hospital as he feared the actor would leave the set and never return if they get him to keep working during his cold condition. After a full recovery, he managed to finish the segment.
Again i would highly reccordmend this movie.
Gareth von Kallenbach (980 KP) rated Almost Christmas (2016) in Movies
Jul 12, 2019
It’s that time of year again, well maybe a little bit sooner than I would prefer because we haven’t hit thanksgiving yet. Holiday Season is here! So the attempts from the studios to get a piece of the holiday season box office. This new comedy from writer David E. Talbert (Baggage Claim) and producer Will Packer (Ride Along, Think Like a Man series, This Christmas), Almost Christmas, tells the story of a beloved patriarch, Walter, played by Danny Glover, a retired mechanic who owned a chain of auto shops and is now getting ready to spend the holiday with his four adult children and their families.
This year is the family’s first Christmas since the death of Walter’s wife, Grace, and the film flashes back to show us a beautiful 45 year relationship, that even when their home overflowed with children, they kept their love and affection.
Grace showed her dedication to Walter and the rest of her family with delicious recipes, especially her sweet potato pie.
Walter asks his family for one gift this holiday season to spend five days under the same roof without killing one another.
But later in the film you find out that the real drama is the rivalry between Rachel and Cheryl and the undergoing feud over each other’s life choices. Rachel (Gabrielle Union) a divorced mom, who after different career attempts, finally decided to become a law student; but unfortunately this last one made her financially unstable. Rachel’s overachieving big sister, Cheryl (Kimberly Elise) is always hiding her own insecurities and trying to control her obnoxious husband J.B. Smoove, and older retired athlete, who played basketball in Croatia in the 80’s, and considers himself a celebrity and an American hero.
Their brothers Christian (Romany Malco) is occupied with his congressional run, and Evan (Jessie Usher), the surprise baby of the family, is attempting to conquer a college football injury and secretly abusing of pain killers.
Finally we have aunt May (Mo’nique), who deserves a special mention for being extremely hilarious having a still-functioning career as a backup singer and in the past performed with Mick Jagger and Chaka Khan and now enjoys imparting all of her wisdom to her nieces, nephews and Walter.
The movie’s sibling dynamics feels authentic, with a relatable blend of rivalry, nostalgia, and dependence; Glover’s quest to perfect his wife’s signature dish will pull at anyone’s heartstrings.
It is surprisingly funny and hits it mark more than it misses. But it is not a secret that the major strength of this movie is its cast led by Danny Glover, and how we start to get too old for some shit, and an amazing team of charming actors and actresses that can transport you in the time with the right music and some dancing in the kitchen.
This year is the family’s first Christmas since the death of Walter’s wife, Grace, and the film flashes back to show us a beautiful 45 year relationship, that even when their home overflowed with children, they kept their love and affection.
Grace showed her dedication to Walter and the rest of her family with delicious recipes, especially her sweet potato pie.
Walter asks his family for one gift this holiday season to spend five days under the same roof without killing one another.
But later in the film you find out that the real drama is the rivalry between Rachel and Cheryl and the undergoing feud over each other’s life choices. Rachel (Gabrielle Union) a divorced mom, who after different career attempts, finally decided to become a law student; but unfortunately this last one made her financially unstable. Rachel’s overachieving big sister, Cheryl (Kimberly Elise) is always hiding her own insecurities and trying to control her obnoxious husband J.B. Smoove, and older retired athlete, who played basketball in Croatia in the 80’s, and considers himself a celebrity and an American hero.
Their brothers Christian (Romany Malco) is occupied with his congressional run, and Evan (Jessie Usher), the surprise baby of the family, is attempting to conquer a college football injury and secretly abusing of pain killers.
Finally we have aunt May (Mo’nique), who deserves a special mention for being extremely hilarious having a still-functioning career as a backup singer and in the past performed with Mick Jagger and Chaka Khan and now enjoys imparting all of her wisdom to her nieces, nephews and Walter.
The movie’s sibling dynamics feels authentic, with a relatable blend of rivalry, nostalgia, and dependence; Glover’s quest to perfect his wife’s signature dish will pull at anyone’s heartstrings.
It is surprisingly funny and hits it mark more than it misses. But it is not a secret that the major strength of this movie is its cast led by Danny Glover, and how we start to get too old for some shit, and an amazing team of charming actors and actresses that can transport you in the time with the right music and some dancing in the kitchen.
Darren (1599 KP) rated Nightworld (2017) in Movies
Sep 16, 2019
Characters – Brett Anderson is a grief stricken for police officer, he retired from the force after his wife’s death, he takes a job as a security guard in an apartment in Bulgaria which leads him to get caught up in a mystery about the apartment which brings him past back to haunt him. Jacob is a former guard that lost his eye sight, he knows the mystery about the apartment and helps guide Brett through the strange events. Martin is the apartment manager and needs to find a new guard to watch over any problems in the apartment when he is away. Zara is the waitress at the local café that offer a romantic angle for Brett, while filling in the blanks about the history of the apartment.
Performances – Jason London is solid enough in the leading role, most of what he does is ask questions which is how the audience must learn what is going on. Robert Englund as the elderly figure that is trying to help works well because he is the biggest draw for the film. Gianna Capaldi and Lorina Kamburova are both fine they never get out of first gear for their performances though.
Story – The story here follows a man that needs to rebuild his life, get given a job as a security guard for an apartment building that has secrets he can’t even imagine. The pace of the story is slow, because we have a lot of building up with little to no hints to what the big conclusion will be, the final third of the film lets everything go, making the early parts of the story more interesting, the time loss angle does feel tagged in for no reason and by the end you still won’t completely understand what just happened. The reveals in the film are big, though they could be considered overkill for what could have be a much more subtle story.
Horror – The horror comes from the nightmares Brett suffers before the big reveal in the final act which shows us just what has been going on.
Settings – The whole film is set in one building, it shows how the layers can hold secrets and the mystery about the building is key t the story being told.
Special Effects – The effects in the film are used well when needed, we don’t go over the top with them and the best one are used for the final act.
Scene of the Movie – Behind the door.
That Moment That Annoyed Me – Starts too slow for the ending.
Final Thoughts – This is a slow burning horror thriller, it does reward us with a manic ending which is worth the wait for, only it does take too long to get there with little hints to help us understand the ending.
Overall: Slow though rewarding.
Performances – Jason London is solid enough in the leading role, most of what he does is ask questions which is how the audience must learn what is going on. Robert Englund as the elderly figure that is trying to help works well because he is the biggest draw for the film. Gianna Capaldi and Lorina Kamburova are both fine they never get out of first gear for their performances though.
Story – The story here follows a man that needs to rebuild his life, get given a job as a security guard for an apartment building that has secrets he can’t even imagine. The pace of the story is slow, because we have a lot of building up with little to no hints to what the big conclusion will be, the final third of the film lets everything go, making the early parts of the story more interesting, the time loss angle does feel tagged in for no reason and by the end you still won’t completely understand what just happened. The reveals in the film are big, though they could be considered overkill for what could have be a much more subtle story.
Horror – The horror comes from the nightmares Brett suffers before the big reveal in the final act which shows us just what has been going on.
Settings – The whole film is set in one building, it shows how the layers can hold secrets and the mystery about the building is key t the story being told.
Special Effects – The effects in the film are used well when needed, we don’t go over the top with them and the best one are used for the final act.
Scene of the Movie – Behind the door.
That Moment That Annoyed Me – Starts too slow for the ending.
Final Thoughts – This is a slow burning horror thriller, it does reward us with a manic ending which is worth the wait for, only it does take too long to get there with little hints to help us understand the ending.
Overall: Slow though rewarding.
Jesters_folly (230 KP) rated Spree (2020) in Movies
Aug 16, 2020
Contains spoilers, click to show
When he was younger, Kurt Kunkle was a streamer but life got in the way and he had to get a job as a 'Spree' driver (an Uber driver). Now he has an Idea of haw to get his viewers back, by streaming him self as he goes on a killing Spree of his Spree customers.
Spree is a warning about the impact streaming and Vlogging can have, both on the streamers and the viewers. Both Kurt and Jessie are shown as being addicted to getting views, although for different reasons; Kurt feels that, if he isn't getting views and streaming everything then he is nothing, he even looks down on others because they are not streaming. Jessie, on the other hand streams to get her act and message across and (to begin with) see's herself as a different, more superior kind of Vlogger to Kurt.
The viewer are shown as being detached from the reality of Kurt's actions (At least until the very final scene). To begin with they think it's all fake, where as Kurt is shown as thinking some other blogs are real, and no-one is really interested until the killings get more extreme, then the viewers don't seem to care whether it's real or not and even involve themselves by egging Kurt on and joining in with polls.
The Spree customers are shown almost as stereotypes, most are self centred and obsessed with their own streams, or they are racist or sexist.
The story is good and not overly reliant on gore, a lot of the actual kills are made off screen with just blood that needs to be washed off the car. One death you don't even see.
Spree is shot mainly as Kurt's stream and often goes split screen as he crosses over with other streams an, at times this can be a bit distracting as, as well as the video footage you also see the comments which are, most of the time, flowing too fast to read, only slowing down when necessary or flashing up on the main screen if they are important enough.
This is the only problem i had with Spree though. As a light weight slasher it lacks some of the tension (at least at the beginning) you might expect but still has some decent kills and manages to make some social statements although the biggest one is probably after everything has happen and we are shown how the video lives on on the web even when it has supposedly been taken down, which is odd because this also has the feel of a set up for a possible sequel.
Spree is a warning about the impact streaming and Vlogging can have, both on the streamers and the viewers. Both Kurt and Jessie are shown as being addicted to getting views, although for different reasons; Kurt feels that, if he isn't getting views and streaming everything then he is nothing, he even looks down on others because they are not streaming. Jessie, on the other hand streams to get her act and message across and (to begin with) see's herself as a different, more superior kind of Vlogger to Kurt.
The viewer are shown as being detached from the reality of Kurt's actions (At least until the very final scene). To begin with they think it's all fake, where as Kurt is shown as thinking some other blogs are real, and no-one is really interested until the killings get more extreme, then the viewers don't seem to care whether it's real or not and even involve themselves by egging Kurt on and joining in with polls.
The Spree customers are shown almost as stereotypes, most are self centred and obsessed with their own streams, or they are racist or sexist.
The story is good and not overly reliant on gore, a lot of the actual kills are made off screen with just blood that needs to be washed off the car. One death you don't even see.
Spree is shot mainly as Kurt's stream and often goes split screen as he crosses over with other streams an, at times this can be a bit distracting as, as well as the video footage you also see the comments which are, most of the time, flowing too fast to read, only slowing down when necessary or flashing up on the main screen if they are important enough.
This is the only problem i had with Spree though. As a light weight slasher it lacks some of the tension (at least at the beginning) you might expect but still has some decent kills and manages to make some social statements although the biggest one is probably after everything has happen and we are shown how the video lives on on the web even when it has supposedly been taken down, which is odd because this also has the feel of a set up for a possible sequel.
Dianne Robbins (1738 KP) rated Merrily We Go to Hell (1932) in Movies
Sep 3, 2020 (Updated Sep 3, 2020)
Pre-code (4 more)
What's good for the goose is good for the gander.
Skeet Gallagher as Buck, the sidekick
Florence Britton as Charlcie, the female sidekick
Directed by female director Dorothy Arzner
Contains spoilers, click to show
It was an important movie of its time. It is a pre-code movie so it was able to get away with sins such as alcoholism and infidelity of husbands AND wives without making them pay in the end.
Sylvia Sidney plays Joan Prentice, the daughter of the president of Prentice coffee and Fredric March plays Jerry Corbett, a newspaperman who wishes to be a playwright. They meet at a society party where she is trying to ignore the advances of a very handsy older man and he is on the terrace drunk and drinking even more. She somehow finds him charming and he finds her "swell." They make a date to meet up again and romance follows. I mean, allegedly follows though it seems like a huge plot point to me what they see in each other and what kind of substance their relationship has. I've never been a very romantic person but even this seems terribly lacking to me.
Skeets Gallagher plays the sidekick Buck and he's worth his weight in gold. He a drinking buddy and scenes with him often start with the camera panning him tap dancing from behind. He's sweet, sympathetic, charming, and adorable and brings so much life to the role and film. Florence Britton plays the female sidekick to Fredric March's Jerry Corbett and is a bold lady, and kind. She and Buck are so much fun and not sloppy drunk like Corbett. I would much rather watch a movie with the two of them.
Sylvia Sidney, the female protagonist was bold and determined. After her husband cheats on her with his former wife, she goes out to have a little fun, too. She gets tired of her husband's constant drunkenness and leaves him. He seems to come to his senses at the end of the movie and goes to her. Spoiler alert: she is in the hospital having delivered their baby. He didn't know she was pregnant and only learned about the baby after reading the birth announcement in the newspaper. This is a premonition of things to come once the code comes into play as any sin must be paid for with a person's ruin or death. However, it ends on a happy note that their marriage will be better and that they are hopeful for the future.
* Watch for Cary Grant in one of his earliest roles as the male lead in the period drama play towards the end of the film.
Sylvia Sidney plays Joan Prentice, the daughter of the president of Prentice coffee and Fredric March plays Jerry Corbett, a newspaperman who wishes to be a playwright. They meet at a society party where she is trying to ignore the advances of a very handsy older man and he is on the terrace drunk and drinking even more. She somehow finds him charming and he finds her "swell." They make a date to meet up again and romance follows. I mean, allegedly follows though it seems like a huge plot point to me what they see in each other and what kind of substance their relationship has. I've never been a very romantic person but even this seems terribly lacking to me.
Skeets Gallagher plays the sidekick Buck and he's worth his weight in gold. He a drinking buddy and scenes with him often start with the camera panning him tap dancing from behind. He's sweet, sympathetic, charming, and adorable and brings so much life to the role and film. Florence Britton plays the female sidekick to Fredric March's Jerry Corbett and is a bold lady, and kind. She and Buck are so much fun and not sloppy drunk like Corbett. I would much rather watch a movie with the two of them.
Sylvia Sidney, the female protagonist was bold and determined. After her husband cheats on her with his former wife, she goes out to have a little fun, too. She gets tired of her husband's constant drunkenness and leaves him. He seems to come to his senses at the end of the movie and goes to her. Spoiler alert: she is in the hospital having delivered their baby. He didn't know she was pregnant and only learned about the baby after reading the birth announcement in the newspaper. This is a premonition of things to come once the code comes into play as any sin must be paid for with a person's ruin or death. However, it ends on a happy note that their marriage will be better and that they are hopeful for the future.
* Watch for Cary Grant in one of his earliest roles as the male lead in the period drama play towards the end of the film.
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