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There will be spoilers, so you have been warned!
I have said this before and I will say it again, this series is amazing! I love how much power Meyer gives to her leading female protagonists, and I especially like how she makes them to be so dynamic. The same goes to the male characters, but honestly, I don't think they are given as much of a role as the women, and I am okay with that.
Lets start off with Cinder. She is so kick ass in this book. Not like she isn't in the others, but in Winter, she allows herself to become the queen she is. Even though she is scared to death and does not want any harm to come to her friends, she is willing to accept their help and start a gosh darn revolution to save both the Lunar colonies and all of Earth! All of this while trying to stay sane, learning how her powers work, trying to not become like her Aunt, trying to save all of her friends, and have a romantic relationship with a certain Emperor. I just really appreciate how, even though she is painted as this weird thing being a cyborg, she is able to push past those hardships and still come out a great person.
Iko is so amazing in this series as well. She is such a great friend and, honestly, I just freaking love her! All of the sarcastic comments she makes give me happy thoughts. Plus, she is just as bad a flirt as Thorne is!
Scarlet is so fierce. Not only has she been kidnapped (multiple times in this series), she also has to deal with the fact that basically all of her family is dead and the only person she loves is a Lunar wolf-hybrid. She is so strong and loving. Once someone comes into her pack (yes, I said pack because she is the freaking Alpha), she protects them at all costs. Her relationship with Winter, while it started off rocky, ends up to be really special. I love how Meyer made her so strong and level headed, but still gave her a "soft" side. (I put soft in quotation marks because she is never really soft, but she cares a lot and I couldn't think of a better way to describe that.)
Cress is one of my favorite characters in this whole series. She is just so full of hope and love and joy and is able to spread that to everyone else. I love how much she loves Thorne, but she doesn't want to ruin their friendship, so she kinda tries to hide it and push away the fact that HE FEELS THE SAME WAY ABOUT HER. Sorry, I am just very passionate about these two. They are just so freaking cute together I want to die. Also, even though she is this tiny, cute thing, she is a bad ass as well. She can hack literally anything and shot her boyfriend's fingers off. On top of that, SHE SURVIVED BEING STABBED IN THE STOMACH! How much more metal can she get? (Apart from becoming cyborg, I guess)
Now, to conclude our leading ladies, we come to Winter. I feel so horrible for her. She had to endure her whole life with her evil step-mother Levana, but she was still able to come out on top. She used her kindness and compassion to succeed in life rather than manipulation. She genuinely cares about the people in her life and her love for Jacin is stellar. (get it?) I am so glad she is able to be happy in the end because, stars above, she deserves it. I kinda wanted her to become queen for just a second, but I am honestly fine with her being ambassador. Like I said before, her friendship with Scarlet is so pure and good. I just love her so much.
Now onto the boys starting with Kai. Kai is so great. He has to marry Levana, yet he still believes in Cinder as much as he can. He just wants what is best for his country, and while being emperor is difficult, he still makes time for his friends. Well, they do kidnap him for about a month, but he helped them with their plans!
Wolf is too good for the world. He has been through so much, from the alterations, to his brother being drafted and then killed (?), his girlfriend being kidnapped, then his mother being shot in front of him, and more alterations. Give the guy a break! I do love how he tries to quell his animal instincts for Scarlet and how he shows how much he loves her.
Thorne was so adorable when he got his sight back and all he could do was stare at Cress. Like, oh my stars goals! He was still as sassy as ever, but we also got to see a super sweet side to him that was very insecure about his feelings toward Cress. I thought that was really cool to see alongside his arrogant asshole side.
Jacin was a mystery from the start. I knew he wasn't all bad, even when he sold out the crew to Levana, but I didn't really know the extent to his feelings toward Winter. Everything, and I mean everything, he does is for her. He just wants to protect her from the world, Levana, and herself, but he doesn't really know how to do that completely. He is so shy with his emotions, but once he lets them out, it's like he can't hold back the floods anymore!
The plot was very well thought out as well. I was very impressed with the structure of it, and quite possibly more important, the actual format. I did NOT expect the book to be over eight hundred pages just looking at it. When I looked to the end to see the page count when I was about 42 pages in, I was shocked to say the least. Holy cow Fiewel and Friends! Great printing job! But back to the actual plot, I really enjoyed it, and while I was sad to see it over, I loved the way it ended. There was hope and happiness, but it wasn't as if it was not hard won. They all had their battle scars, but they were functioning and moving past their problems.
Overall, I freaking loved this series so much! If any of you ever want to talk about it with me, feel free! I am up to the task!
I have said this before and I will say it again, this series is amazing! I love how much power Meyer gives to her leading female protagonists, and I especially like how she makes them to be so dynamic. The same goes to the male characters, but honestly, I don't think they are given as much of a role as the women, and I am okay with that.
Lets start off with Cinder. She is so kick ass in this book. Not like she isn't in the others, but in Winter, she allows herself to become the queen she is. Even though she is scared to death and does not want any harm to come to her friends, she is willing to accept their help and start a gosh darn revolution to save both the Lunar colonies and all of Earth! All of this while trying to stay sane, learning how her powers work, trying to not become like her Aunt, trying to save all of her friends, and have a romantic relationship with a certain Emperor. I just really appreciate how, even though she is painted as this weird thing being a cyborg, she is able to push past those hardships and still come out a great person.
Iko is so amazing in this series as well. She is such a great friend and, honestly, I just freaking love her! All of the sarcastic comments she makes give me happy thoughts. Plus, she is just as bad a flirt as Thorne is!
Scarlet is so fierce. Not only has she been kidnapped (multiple times in this series), she also has to deal with the fact that basically all of her family is dead and the only person she loves is a Lunar wolf-hybrid. She is so strong and loving. Once someone comes into her pack (yes, I said pack because she is the freaking Alpha), she protects them at all costs. Her relationship with Winter, while it started off rocky, ends up to be really special. I love how Meyer made her so strong and level headed, but still gave her a "soft" side. (I put soft in quotation marks because she is never really soft, but she cares a lot and I couldn't think of a better way to describe that.)
Cress is one of my favorite characters in this whole series. She is just so full of hope and love and joy and is able to spread that to everyone else. I love how much she loves Thorne, but she doesn't want to ruin their friendship, so she kinda tries to hide it and push away the fact that HE FEELS THE SAME WAY ABOUT HER. Sorry, I am just very passionate about these two. They are just so freaking cute together I want to die. Also, even though she is this tiny, cute thing, she is a bad ass as well. She can hack literally anything and shot her boyfriend's fingers off. On top of that, SHE SURVIVED BEING STABBED IN THE STOMACH! How much more metal can she get? (Apart from becoming cyborg, I guess)
Now, to conclude our leading ladies, we come to Winter. I feel so horrible for her. She had to endure her whole life with her evil step-mother Levana, but she was still able to come out on top. She used her kindness and compassion to succeed in life rather than manipulation. She genuinely cares about the people in her life and her love for Jacin is stellar. (get it?) I am so glad she is able to be happy in the end because, stars above, she deserves it. I kinda wanted her to become queen for just a second, but I am honestly fine with her being ambassador. Like I said before, her friendship with Scarlet is so pure and good. I just love her so much.
Now onto the boys starting with Kai. Kai is so great. He has to marry Levana, yet he still believes in Cinder as much as he can. He just wants what is best for his country, and while being emperor is difficult, he still makes time for his friends. Well, they do kidnap him for about a month, but he helped them with their plans!
Wolf is too good for the world. He has been through so much, from the alterations, to his brother being drafted and then killed (?), his girlfriend being kidnapped, then his mother being shot in front of him, and more alterations. Give the guy a break! I do love how he tries to quell his animal instincts for Scarlet and how he shows how much he loves her.
Thorne was so adorable when he got his sight back and all he could do was stare at Cress. Like, oh my stars goals! He was still as sassy as ever, but we also got to see a super sweet side to him that was very insecure about his feelings toward Cress. I thought that was really cool to see alongside his arrogant asshole side.
Jacin was a mystery from the start. I knew he wasn't all bad, even when he sold out the crew to Levana, but I didn't really know the extent to his feelings toward Winter. Everything, and I mean everything, he does is for her. He just wants to protect her from the world, Levana, and herself, but he doesn't really know how to do that completely. He is so shy with his emotions, but once he lets them out, it's like he can't hold back the floods anymore!
The plot was very well thought out as well. I was very impressed with the structure of it, and quite possibly more important, the actual format. I did NOT expect the book to be over eight hundred pages just looking at it. When I looked to the end to see the page count when I was about 42 pages in, I was shocked to say the least. Holy cow Fiewel and Friends! Great printing job! But back to the actual plot, I really enjoyed it, and while I was sad to see it over, I loved the way it ended. There was hope and happiness, but it wasn't as if it was not hard won. They all had their battle scars, but they were functioning and moving past their problems.
Overall, I freaking loved this series so much! If any of you ever want to talk about it with me, feel free! I am up to the task!
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Lottie disney bookworm (1056 KP) rated Cinderella is Dead in Books
Jun 6, 2020
Contains spoilers, click to show
Thank you to Netgalley and Kalynn Bayron for giving me the opportunity to read an advance copy of Cinderella is Dead in exchange for an honest review.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
With such a strong title to a novel, it’s easy to predict that an author would struggle to maintain the sense of danger and mystery that is immediately evoked. However, as Kalynn Bayron opens on the revelation that Cinderella has been dead for 200 years and introduces us to two young women hiding from those who are sure to kill them, I think it is safe to say that she has the drama side of things covered!
The kingdom of Mersaille was once ruled by none other than Prince Charming and Cinderella. After her untimely death, Cinderella’s tale is held in almost biblical stature for generations, with young girls reciting it each night in preparation for their own chance to attend an annual ball once they turn 16 and wishing for their own fairy godmother to grant their happily ever after.
However, as the reader enters the town of Lille 200 years later, we witness that life within the kingdom is far from that of a fairytale. The balls that act as a tribute to Cinderella are mandatory meat markets with lecherous “suitors”, domestic violence and the suppression of women is commonplace and the ruler, Prince Manford, thrives on the power, fear and violence.
The reader witnesses this abysmal society through Bayron’s use of a first-person perspective: that of our protagonist Sophia. Sophia is everything a modern protagonist should be: she questions the unjust world around her and, having just turned 16 is preparing to attend her first ball, not with excitement, but with trepidation.
Sophia reveals to the reader that a girl only has three chances to be chosen by a suitor at the ball, after that she is considered forfeit, taken away from her family in disgrace and placed either into a workhouse or service. Men, however, are under no such conditions: they can attend balls when they wish and can choose a number of girls if they want to. Many girls’ singular hope is to be chosen by a good man at the ball, one who will not beat her, perhaps even one who will take them away from Lille. This is not enough for Sophia, she wants more for her life and, as she says herself:
“I don’t want to be saved by some knight in shining armor. I’d like to be the one in the armor, and I’d like to be the one doing the saving.”
At the beginning of the book, Sophia’s main gripe with the society she lives in is that it will not allow her to be with Erin, the girl she loves. As the book continues, the underlying theme of the rights and treatment of women strengthens, along with Sophia, but the first few pages at least are centered on the teenage relationship between Sophia and Erin.
What I absolutely adored about Bayron’s writing style here is the complete lack of shock or awe in this relationship: it is mentioned right from the start and at no point in this novel does Sophia “come out”, there is simply no need. All those around Sophia, who know her and care for her, are aware of her feelings for Erin and, although Sophia is occasionally referred to as “different”, the author chooses to abolish any unnecessary labels within her novel.
Unfortunately, Bayron does not have an easy ride in store for Sophia: reeling from a firm separation from Erin, Sophia is cast a lifeline, an “easy way out” in the form of a local boy who is also “different”. Sadly, this option is quickly and dramatically ripped away from her: forcing her to find her strength pretty damn quickly as she begins a life as an outlaw.
Along her path, Sophia meets two strong female characters: Constance and Amina. Although, wildly different, both these women play a significant role in Sophia’s self-discovery.
Amina is as far from the traditional fairy godmother image as you can get and, although she feels guilt for her previous actions, it takes meeting Sophia for her to recognise her previous denial and to help change the way of the world. Amina is a protector to Sophia right to the end, in her own unique way.
Constance, what can we say about Constance? I defy anyone to read this book and not fall in love with this girl! Constance possesses the strength that Sophia does not yet recognise within herself; she is fiery and, as a descendant of an “evil stepsister”, leads a resistance movement to uncover and publicise the truth about the real tale of Cinderella. Despite, technically saving Sophia towards the beginning of the story, Constance is not Sophia’s saviour: nor is Sophia the saviour; however, the power that they find together is monumental.
Constance is a complete juxtaposition to Erin: whereas Erin accepts the rules of society out of fear for herself and her family, Constance actively rebels against them. It is almost as if they represent the paths Sophia has to choose from. Nevertheless, along their adventure, Sophia and Constance’s relationship strengthens into love. This is no fairytale, love at first sight deal though! If anything, the slow-burning romance between the two made it more believable and I really appreciated that Sophia didn’t just rebound due to Erin’s choices: she had been burnt and she was still unsure of her own feelings never mind anyone else’s.
At the hands of Bayron, Sophia experiences heartbreak, friendship, murder, love and conspiracy: she is on the brink of danger too many times to count and is constantly second guessing who she can trust. Yet, it is clear that the author adores her main character: Sophia’s journey to realise that she is enough is incredible and the strength that she finds within herself is inspirational. Sophia is also surrounded by a cast of strong female characters: there are no Prince Charming’s in this novel that’s for sure!
I wasn’t that far into this book when I decided I need to read more of Kalynn Bayron’s work. I love how there are no chapters in this novel, we are taken on this relentless journey with Sophia: the reader is not given a chance to stop and take stock, reflect or rest until it is all over and this creates the tensest experience. Even we don’t know who to trust towards the end!
‘Cinderella is Dead’ is powerful, thought-provoking and is constantly leaving the reader guessing. On a basic level the novel deals with violence, love, politics and a little bit of necromancy thrown in there for good measure. However, the intelligent writing as well as the massive plot twist and the subjects of LGBTQ love, women’s rights and domestic violence lifts this novel from that basic level into, what I predict could be a bestseller.
The Bandersnatch (199 KP) rated Goodnight Mister Tom in Books
Nov 7, 2019
In September 1939, as Britain stands on the brink of the war, many young children from the cities are evacuated tot he countryside to escape an imminent German bombardment. Willie Beech, a boy from Deptford who is physically and emotionally abused by his mother, arrives at the home of Tom Oakley, a widower in his sixties who lives in the village of Little Weirwold. The boy is thinly clad, underfed and covered with painful bruises, and believes he is full of sin, a result of his upbringing by his mother, a domineering, insane, God-fearing widow.
"Mister Tom", as William christens his new guardian, is reclusive and bad-tempered, and as such is avoided by the community. Willie lives with him as his Mother wants him to live with someone who is either religious or lives next to a church. Though initially distant, he is touched after discovering William's home-life and treats him with kindness and understanding, helping to educate him. Under his care, William begins to thrive, forming a small circle of friends at school among his classmates including fellow-evacuee Zach. He also becomes proficient in drawing and dramatics. As William is changed by Tom, so is Tom transformed by William's presence in his home. It is revealed that Tom lost his wife and baby son to Scarlatina some 40 years previously, and he has become reclusive because of this.
The growing bond between William and Tom is threatened when William's mother requests that the boy returns to her in the city, telling him she is sick. At first, William thinks this will be a good thing, as he can be helpful to his mother. However, his mother is not pleased to learn the details of his time with Tom, feeling that he has not been disciplined properly. While William has been away, she has become pregnant and had a girl, but is neglecting the baby. After a bad reunion, where his mother becomes furious upon learning the details of her son's life with Tom, abhorring his association with the Jewish Zach among other things, she hits William and puts him in the under-stairs cupboard, chains him to the piping. William regains consciousness briefly to find himself in the cupboard – he has been stripped of his clothes, minus his underwear, and his ankle is twisted. He quietly sobs for Tom, before he falls asleep.
Back in Little Weirwold, Tom has a premonition that something is not right with William. Although he has never travelled beyond his immediate locality, he ventures into London and eventually locates William's neighbourhood of Deptford and his home. He persuades a local policeman to break down the door of the apparently empty home, to be greeted with a vile stench. They find William in the closet with the baby, who had also been locked under the stairs by William's mother and has now died. William is malnourished and badly bruised as he had been locked under the stairs for a number of days. William is hospitalised, but whilst there suffers horrific nightmares and is drugged simply to prevent his screams from disturbing other children. Tom is warned that it is likely that William will be taken to a children's home, and, unable to observe William's distress any longer, kidnaps him from the hospital and takes him back to Little Weirwold.
Back with Mister Tom, William is much damaged by his ordeal and is also blaming himself for the death of his sister as he had not been able to provide enough milk to feed her whilst locked away, and becomes very depressed. Later, when his favourite teacher Annie Hartridge has a baby, William is shocked to learn from Zach that a woman cannot conceive a child on her own, and realises that his mother was having a relationship with a man, even though she had previously told him that it was wrong for unmarried couples to live together or have children together (something which society in general had regarded as unacceptable at this time). Tom is traced by the authorities, who have come to tell William that his mother is dead, having committed suicide. They also offer him a place in a children's home, as they've been unable to trace any other relatives who may have been able to take care of him. Luckily the authorities realise that William has already found a good home and allow Tom to adopt him.
Tom, William and Zach then enjoy a holiday at the seaside village of Salmouth, where they stay in the house of a widow whose sons have been sent out to war. Zach then receives news that his father has been injured by a German bomb in London and he hurries home on the next train saying farewell to all his friends. Unfortunately this is the last time they see him. William later learns that Zach has been killed and is grief-stricken for some time, but his grief is later healed by another recluse, Geoffery Sanderton. Geoffery, a young man who had lost a leg during the war and takes William for private art lessons,recognises the signs of grief and gives William a pipe to paint along with a picture of two smiling young men. One of the men is Geoffery and he tells William about the loss of his own best friend, the other man in the picture and the owner of the pipe. This is when William starts to come to terms with Zach's death. Adding to this, Doctor Little, the village doctor, who was Zach's guardian while he was evacuated, is surprised but pleased when William asks to have Zach's bike. Through learning to ride it, William realises that Zach lives on inside him and he will never forget his wonderful companion that Zach was.
In the months following, William grows closer to Carrie, one of his friends. One night, on returning home to Tom (whom he now calls "Dad"), he thinks back on how much he has changed since arriving in Little Weirwold and realises that he is growing.
Goodnight Mr Tom Wiki.
Goodnight Mr Tom was published by Kestrel in 1981 and later on in that same year in the US by Harper and Row. The book won Author Michelle Magorian the annual Guardian Children's fiction prize. Magorian was also a runner up for the Carnegie Medal. The book has been adapted as a Movie, a play and a musical. The most recent theatrical adaption won the Laurence Olivier award for Best Entertainment.
I came across the book when I was 10/11 years old. I needed the book for English at primary school, since we needed to read the book and complete a series of assignments for our teacher. I have in the subsequent years read and re-read the book. The book is rather good and I recommand it for children from the ages of 9/10 upwards. The book is a good representation of what happened during WW2 in a fictional setting. And William and Mr Tom healing each other from what they both experienced (Tom loosing family to Scarlatina and William being abused by his mother). I give the book an 8/10.
"Mister Tom", as William christens his new guardian, is reclusive and bad-tempered, and as such is avoided by the community. Willie lives with him as his Mother wants him to live with someone who is either religious or lives next to a church. Though initially distant, he is touched after discovering William's home-life and treats him with kindness and understanding, helping to educate him. Under his care, William begins to thrive, forming a small circle of friends at school among his classmates including fellow-evacuee Zach. He also becomes proficient in drawing and dramatics. As William is changed by Tom, so is Tom transformed by William's presence in his home. It is revealed that Tom lost his wife and baby son to Scarlatina some 40 years previously, and he has become reclusive because of this.
The growing bond between William and Tom is threatened when William's mother requests that the boy returns to her in the city, telling him she is sick. At first, William thinks this will be a good thing, as he can be helpful to his mother. However, his mother is not pleased to learn the details of his time with Tom, feeling that he has not been disciplined properly. While William has been away, she has become pregnant and had a girl, but is neglecting the baby. After a bad reunion, where his mother becomes furious upon learning the details of her son's life with Tom, abhorring his association with the Jewish Zach among other things, she hits William and puts him in the under-stairs cupboard, chains him to the piping. William regains consciousness briefly to find himself in the cupboard – he has been stripped of his clothes, minus his underwear, and his ankle is twisted. He quietly sobs for Tom, before he falls asleep.
Back in Little Weirwold, Tom has a premonition that something is not right with William. Although he has never travelled beyond his immediate locality, he ventures into London and eventually locates William's neighbourhood of Deptford and his home. He persuades a local policeman to break down the door of the apparently empty home, to be greeted with a vile stench. They find William in the closet with the baby, who had also been locked under the stairs by William's mother and has now died. William is malnourished and badly bruised as he had been locked under the stairs for a number of days. William is hospitalised, but whilst there suffers horrific nightmares and is drugged simply to prevent his screams from disturbing other children. Tom is warned that it is likely that William will be taken to a children's home, and, unable to observe William's distress any longer, kidnaps him from the hospital and takes him back to Little Weirwold.
Back with Mister Tom, William is much damaged by his ordeal and is also blaming himself for the death of his sister as he had not been able to provide enough milk to feed her whilst locked away, and becomes very depressed. Later, when his favourite teacher Annie Hartridge has a baby, William is shocked to learn from Zach that a woman cannot conceive a child on her own, and realises that his mother was having a relationship with a man, even though she had previously told him that it was wrong for unmarried couples to live together or have children together (something which society in general had regarded as unacceptable at this time). Tom is traced by the authorities, who have come to tell William that his mother is dead, having committed suicide. They also offer him a place in a children's home, as they've been unable to trace any other relatives who may have been able to take care of him. Luckily the authorities realise that William has already found a good home and allow Tom to adopt him.
Tom, William and Zach then enjoy a holiday at the seaside village of Salmouth, where they stay in the house of a widow whose sons have been sent out to war. Zach then receives news that his father has been injured by a German bomb in London and he hurries home on the next train saying farewell to all his friends. Unfortunately this is the last time they see him. William later learns that Zach has been killed and is grief-stricken for some time, but his grief is later healed by another recluse, Geoffery Sanderton. Geoffery, a young man who had lost a leg during the war and takes William for private art lessons,recognises the signs of grief and gives William a pipe to paint along with a picture of two smiling young men. One of the men is Geoffery and he tells William about the loss of his own best friend, the other man in the picture and the owner of the pipe. This is when William starts to come to terms with Zach's death. Adding to this, Doctor Little, the village doctor, who was Zach's guardian while he was evacuated, is surprised but pleased when William asks to have Zach's bike. Through learning to ride it, William realises that Zach lives on inside him and he will never forget his wonderful companion that Zach was.
In the months following, William grows closer to Carrie, one of his friends. One night, on returning home to Tom (whom he now calls "Dad"), he thinks back on how much he has changed since arriving in Little Weirwold and realises that he is growing.
Goodnight Mr Tom Wiki.
Goodnight Mr Tom was published by Kestrel in 1981 and later on in that same year in the US by Harper and Row. The book won Author Michelle Magorian the annual Guardian Children's fiction prize. Magorian was also a runner up for the Carnegie Medal. The book has been adapted as a Movie, a play and a musical. The most recent theatrical adaption won the Laurence Olivier award for Best Entertainment.
I came across the book when I was 10/11 years old. I needed the book for English at primary school, since we needed to read the book and complete a series of assignments for our teacher. I have in the subsequent years read and re-read the book. The book is rather good and I recommand it for children from the ages of 9/10 upwards. The book is a good representation of what happened during WW2 in a fictional setting. And William and Mr Tom healing each other from what they both experienced (Tom loosing family to Scarlatina and William being abused by his mother). I give the book an 8/10.
Annie Chanse (15 KP) rated Surrender the Sky in Books
Dec 20, 2017
Contains spoilers, click to show
** spoiler alert ** *contains spoilers*
This was a very decent story. I give it three stars because I'm a tough critic, and I have to put it up against things like the "A Song of Ice and Fire" books and "American Gods" which are what I consider five star books, but honestly, I think most average readers of these types of books would probably give it a four.
The book centers around Gabby, a member of the Sary, which are basically guardian angels who come down to earth in the guise of humans to "guard" potential suicide victims and try everything to keep them from killing themselves and ending up in the vast nothingness that awaits suicides after death. This is the sole purpose of the Sary's existence. They do not fall in love; they do not have families; they do not do anything outside of their sacred duty.
Gabby's assignment is a troubled high school student, and within five pages of the book's opening, she has obviously very much failed in her assignment. The worst part, however, isn't that the student killed himself. Instead, it is that, in killing himself, the student shot Gabby, and in her pain and shock at being shot, she accidentally changes her form and exposes all six-feet of the winged goodness that is her Sary form.
This, of course, causes massive problems because secrecy is totally imperative for the Sary. Enter Jassen, next in line for the Sary crown -- although there is no ACTUAL crown, mind you. Beautiful, powerful, dutiful Jassen, who is dedicated to the Sary's solitary way of life. So, of course, he becomes the love interest. :-p Seriously though, I joke about it -- and it IS a bit predictable -- but still, it was a really good story all in all.
And it isn't just romance. Jassen has a twin brother who is a bit psychotic and isn't happy with the way Jassen and the Teacher (the leader of the Sary) are running things. He believes the Sary should live out in the open, sort of a Gods-among-men situation, and because they are identical twins, he causes all sorts of trouble, not just for the Sary, but for Gabby in particular.
I actually really enjoyed the story, but there were a few places in which the action was a little weak, and those spots brought my overall opinion of the story down a bit. For instance, Gabby's best friend, Bea -- the only true friend she's ever really had -- falls in love with a Sary member of the "clean-up crew" sent to fix Gabby's mess. This particular Sary, Nathan, eventually turns on Gabby, Jassen, and the rest of the Sary and allies himself with Jassen's twin, Leon. He does a couple of terrible things, including kidnapping Gabby, and is caught and locked up in a bedroom for a day. Then, he helps heal Gabby, and he is all out about, lying in Bea's lap, letting her stroke his hair.
I'm sorry, but I have a best friend, too, and no matter how much she loved her significant other, if he kidnapped me and led to me suffering a serious injury -- even if he helped patch me back together afterwards -- she would never forgive him, much less in a little over a day. That was completely ridiculous and unbelievable to me, and it really bothered me quite a bit. It bothered me so much, in fact, that it truly did affect my overall opinion of the book.
However, that being said, again I will say that I did enjoy the book, and it is a very solid three star story.
This was a very decent story. I give it three stars because I'm a tough critic, and I have to put it up against things like the "A Song of Ice and Fire" books and "American Gods" which are what I consider five star books, but honestly, I think most average readers of these types of books would probably give it a four.
The book centers around Gabby, a member of the Sary, which are basically guardian angels who come down to earth in the guise of humans to "guard" potential suicide victims and try everything to keep them from killing themselves and ending up in the vast nothingness that awaits suicides after death. This is the sole purpose of the Sary's existence. They do not fall in love; they do not have families; they do not do anything outside of their sacred duty.
Gabby's assignment is a troubled high school student, and within five pages of the book's opening, she has obviously very much failed in her assignment. The worst part, however, isn't that the student killed himself. Instead, it is that, in killing himself, the student shot Gabby, and in her pain and shock at being shot, she accidentally changes her form and exposes all six-feet of the winged goodness that is her Sary form.
This, of course, causes massive problems because secrecy is totally imperative for the Sary. Enter Jassen, next in line for the Sary crown -- although there is no ACTUAL crown, mind you. Beautiful, powerful, dutiful Jassen, who is dedicated to the Sary's solitary way of life. So, of course, he becomes the love interest. :-p Seriously though, I joke about it -- and it IS a bit predictable -- but still, it was a really good story all in all.
And it isn't just romance. Jassen has a twin brother who is a bit psychotic and isn't happy with the way Jassen and the Teacher (the leader of the Sary) are running things. He believes the Sary should live out in the open, sort of a Gods-among-men situation, and because they are identical twins, he causes all sorts of trouble, not just for the Sary, but for Gabby in particular.
I actually really enjoyed the story, but there were a few places in which the action was a little weak, and those spots brought my overall opinion of the story down a bit. For instance, Gabby's best friend, Bea -- the only true friend she's ever really had -- falls in love with a Sary member of the "clean-up crew" sent to fix Gabby's mess. This particular Sary, Nathan, eventually turns on Gabby, Jassen, and the rest of the Sary and allies himself with Jassen's twin, Leon. He does a couple of terrible things, including kidnapping Gabby, and is caught and locked up in a bedroom for a day. Then, he helps heal Gabby, and he is all out about, lying in Bea's lap, letting her stroke his hair.
I'm sorry, but I have a best friend, too, and no matter how much she loved her significant other, if he kidnapped me and led to me suffering a serious injury -- even if he helped patch me back together afterwards -- she would never forgive him, much less in a little over a day. That was completely ridiculous and unbelievable to me, and it really bothered me quite a bit. It bothered me so much, in fact, that it truly did affect my overall opinion of the book.
However, that being said, again I will say that I did enjoy the book, and it is a very solid three star story.
RəX Regent (349 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Feb 20, 2019
This is not the first Star Wars spin-off, but it is joining a legacy of sub par entries to the franchise, certainly as where the big screen has been concerned, with two Ewoks movies and The Clone Wars TV pilot come movie to contend with. But Rogue One is first to take on the mantle of a blockbuster and attempt to compete with the very best of the Saga, if not join them.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
Heather Cranmer (2721 KP) rated Those People in Books
Apr 20, 2019
Enthralling Read
I must admit that I was sucked into Those People by Louise Candlish as soon as I read the synopsis. I had a feeling this was going to be a good read, and I was correct. I found this book to be very interesting.
The plot of Those People really held my attention. Basically, the short of it is, Lowland Way, the road where the story takes place, is full of rich people. When neighbors Darren and Jodie inherit a house from a relative, they make their neighbors' lives a nightmare by being loud, playing loud music all day and night, taking up a lot of space with their car business, and not following the neighborly rules of being good neighbors. When a murder occurs, the rich folk of Lowland Way think it will be an open and shut case and that their lives will return to normal. However, nothing could be further from the truth. After reading about Darren and Jodie, I could definitely relate to the feelings of the people on Lowland Way because I've had some pretty bad neighbors. Luckily, they've never been as bad as Darren and Jodie though. I found the plot to be extreme, but it was believable. Sometimes people will go too far if they are driven mad enough (not that I agreed with their actions) as was the case in Those People. There were a few good plot twists. However, I felt like I need more closure at the end of the book. Those People is not part of a series, so I feel like I will never get answers. It's more of a speculative ending which I am never a fan of.
I did enjoy reading about the lives of the characters in Those People. I felt they were all written perfectly and were fleshed out enough to feel like real people instead of just characters in a book. I did find many of the characters to be snobby especially Naomi. She was written really well, but I felt her character had a giant chip on her shoulder. Emma was a complete basket case. I get that she just had a baby, but some of her actions were quite extreme. However, I do know someone like her in real life. Sissy was my overall favorite character. She was the oldest, and she also had the most to lose especially as Darren and Jodie's actions were causing her to lose her bed and breakfast business. My heart really went out to her. I did think Darren and Jodie made for great baddies. I like how Darren would keep his cool for the most part when the others of Lowland Way would lose their cool towards him. For the most part, I felt that females in this book overshadowed the men with the exception of Darren and Jodie. The females seemed to be the stronger characters. This wasn't necessarily a bad thing though.
The pacing for Those People always stayed consistent and held my attention throughout. In fact, I never wanted to put this book down because I was so entranced with what was going on and what would happen next.
Trigger warnings for Those People include violence, death, profanity, and alcohol and drug use.
Overall, Those People is a really good read. I was consistently absorbed by all the drama happening at Lowland Way. The characters were written well, and the plot definitely held my attention. I would definitely recommend Those People by Louise Candlish to everyone aged 18+ especially those who have ever had to deal with some horrible neighbors.
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(A special thank you to the publisher for providing me with an ARC paperback of Those People by Louise Candlish in exchange for an honest and unbiased review.)
The plot of Those People really held my attention. Basically, the short of it is, Lowland Way, the road where the story takes place, is full of rich people. When neighbors Darren and Jodie inherit a house from a relative, they make their neighbors' lives a nightmare by being loud, playing loud music all day and night, taking up a lot of space with their car business, and not following the neighborly rules of being good neighbors. When a murder occurs, the rich folk of Lowland Way think it will be an open and shut case and that their lives will return to normal. However, nothing could be further from the truth. After reading about Darren and Jodie, I could definitely relate to the feelings of the people on Lowland Way because I've had some pretty bad neighbors. Luckily, they've never been as bad as Darren and Jodie though. I found the plot to be extreme, but it was believable. Sometimes people will go too far if they are driven mad enough (not that I agreed with their actions) as was the case in Those People. There were a few good plot twists. However, I felt like I need more closure at the end of the book. Those People is not part of a series, so I feel like I will never get answers. It's more of a speculative ending which I am never a fan of.
I did enjoy reading about the lives of the characters in Those People. I felt they were all written perfectly and were fleshed out enough to feel like real people instead of just characters in a book. I did find many of the characters to be snobby especially Naomi. She was written really well, but I felt her character had a giant chip on her shoulder. Emma was a complete basket case. I get that she just had a baby, but some of her actions were quite extreme. However, I do know someone like her in real life. Sissy was my overall favorite character. She was the oldest, and she also had the most to lose especially as Darren and Jodie's actions were causing her to lose her bed and breakfast business. My heart really went out to her. I did think Darren and Jodie made for great baddies. I like how Darren would keep his cool for the most part when the others of Lowland Way would lose their cool towards him. For the most part, I felt that females in this book overshadowed the men with the exception of Darren and Jodie. The females seemed to be the stronger characters. This wasn't necessarily a bad thing though.
The pacing for Those People always stayed consistent and held my attention throughout. In fact, I never wanted to put this book down because I was so entranced with what was going on and what would happen next.
Trigger warnings for Those People include violence, death, profanity, and alcohol and drug use.
Overall, Those People is a really good read. I was consistently absorbed by all the drama happening at Lowland Way. The characters were written well, and the plot definitely held my attention. I would definitely recommend Those People by Louise Candlish to everyone aged 18+ especially those who have ever had to deal with some horrible neighbors.
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(A special thank you to the publisher for providing me with an ARC paperback of Those People by Louise Candlish in exchange for an honest and unbiased review.)
Phillip McSween (751 KP) rated Up (2009) in Movies
May 30, 2019
A Movie That Never Stumbles Towards its End Goal.
After the death of his wife (tear), Carl Fredericksen (Edward Asner) decides to tie a bunch of balloons to his house and fly off on a great adventure. He gets more than what he bargained for when he realizes he won’t be alone on this adventure.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Kyera (8 KP) rated The Rose Society in Books
Feb 1, 2018
This is the second book in the Young Elites series. Adelina has been cast off by the Dagger Society and the darkness in her heart is consuming her. Accompanied by only her sister, who she discovered is also a Young Elite like her, Adelina sets out to form her own version of the Dagger Society - the Rose Society. The crown prince is dead and Adelina focuses all of her rage and vengeance against Teren. She and Violetta have been practicing with their abilities and are stronger than before.
About one-quarter of the way through the book and it has hit its stride already. It is more immersive than the first, which seemed to suffer from slow pacing. Now that the plot has been established, it seems to allow the author more freedom with writing and storytelling. A number of new characters are introduced like Queen Maeve and her brothers, an unnamed charlatan, and the infamous Magiano.
Magiano is a greedy thief, but you can't help but be a little charmed by him. Adelina plans to surround herself with other Elites so that her Rose Society can flourish. She sets her sights on Magiano whose power is <spoiler>mimicry. He is able to copy the powers of the other Elites</spoiler> Unfortunately, he is not eager to abandon his life of solitary thievery and challenges the sisters. If they succeed, he will join them. Will his skills as a thief give him victory or will Adelina be able to weave enough illusions to secure herself an ally?
Her acts may even gain her the support of others, thus growing her society. But mercenaries aren't the most loyal of followers. Adelina causes chaos during the theft and must flee with Magiano and her sister. During the course of their escape, they discover another Elite, called <spoiler>Rainmaker, or Sergio. As his Elite name suggests, he can control the rain. His abilities are impressive enough to brew fierce storms and call down deadly lightning strikes</spoiler>. Her Society may be called Rose, unlike the Daggers she left behind, but she is much more ruthless and cold than her more violent sounding counterparts.
Queen Maeve has the ability to <spoiler>bring people back from the dead and she plans to do so with Enzo. Whether he will be the same Enzo as before his death or be utterly changed by his new bond with the Underworld, Maeve cannot know. </spoiler>
Adelina's love for Enzo and introduction of Magian leads to a typical love triangle. Enzo may have died, but Adelina still pines for him and it show. Despite those feelings, she forms a connection with Magiano and it complicates their relationship because "caring for a scoundrel is a dangerous thing." Magiano plays the role of the rogue with a hidden heart of gold, like Sinbad, Thorne from the Lunar Chronicles or Flynn Rider (*cough* Eugene Fitzherbert *cough*) from Tangled. He is a thief and a trickster, who is seemingly on in it for the money but over the course of the novel his heart gets in the way.
The battle is painted so vibrantly that it plays like a movie in your mind. The anticipation is palpable, each attack makes you catch your breath - who is going to die? Who will be victorious? The action and revelation in the book keep the reader hooked until the end.
Recommended, but you need to read the Young Elites first book for the story's foundation to be build... otherwise the story won't be as affecting and probably won't make sense. The conclusion of Rose Society leaves the reader intrigued and wondering what happens in the third novel.
About one-quarter of the way through the book and it has hit its stride already. It is more immersive than the first, which seemed to suffer from slow pacing. Now that the plot has been established, it seems to allow the author more freedom with writing and storytelling. A number of new characters are introduced like Queen Maeve and her brothers, an unnamed charlatan, and the infamous Magiano.
Magiano is a greedy thief, but you can't help but be a little charmed by him. Adelina plans to surround herself with other Elites so that her Rose Society can flourish. She sets her sights on Magiano whose power is <spoiler>mimicry. He is able to copy the powers of the other Elites</spoiler> Unfortunately, he is not eager to abandon his life of solitary thievery and challenges the sisters. If they succeed, he will join them. Will his skills as a thief give him victory or will Adelina be able to weave enough illusions to secure herself an ally?
Her acts may even gain her the support of others, thus growing her society. But mercenaries aren't the most loyal of followers. Adelina causes chaos during the theft and must flee with Magiano and her sister. During the course of their escape, they discover another Elite, called <spoiler>Rainmaker, or Sergio. As his Elite name suggests, he can control the rain. His abilities are impressive enough to brew fierce storms and call down deadly lightning strikes</spoiler>. Her Society may be called Rose, unlike the Daggers she left behind, but she is much more ruthless and cold than her more violent sounding counterparts.
Queen Maeve has the ability to <spoiler>bring people back from the dead and she plans to do so with Enzo. Whether he will be the same Enzo as before his death or be utterly changed by his new bond with the Underworld, Maeve cannot know. </spoiler>
Adelina's love for Enzo and introduction of Magian leads to a typical love triangle. Enzo may have died, but Adelina still pines for him and it show. Despite those feelings, she forms a connection with Magiano and it complicates their relationship because "caring for a scoundrel is a dangerous thing." Magiano plays the role of the rogue with a hidden heart of gold, like Sinbad, Thorne from the Lunar Chronicles or Flynn Rider (*cough* Eugene Fitzherbert *cough*) from Tangled. He is a thief and a trickster, who is seemingly on in it for the money but over the course of the novel his heart gets in the way.
The battle is painted so vibrantly that it plays like a movie in your mind. The anticipation is palpable, each attack makes you catch your breath - who is going to die? Who will be victorious? The action and revelation in the book keep the reader hooked until the end.
Recommended, but you need to read the Young Elites first book for the story's foundation to be build... otherwise the story won't be as affecting and probably won't make sense. The conclusion of Rose Society leaves the reader intrigued and wondering what happens in the third novel.
Hazel (1853 KP) rated Flame in the Mist in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Famed for her highly rated <i>The Wrath & The Dawn</i>, Renée Ahdieh has created a new fantasy world full of original characters. Set in a land similar to the Middle Eastern countries we are familiar with, <i>Flame in the Mist</i> incorporates out-dated ideology, ancient lifestyle with a hint of supernatural, and, of course – it is a Young Adult novel after all – a dash of romance. With an eclectic mix of themes, it is a book without cessation of adventure.
The protagonist, Hattori Mariko, at the mere age of 17, is destined to marry the son of the Emperor’s favourite concubine, Prince Raidan. The book commences with the journey from her home, however, Mariko never makes it to the city. Ambushed and presumed dead, Mariko is alone in the dangerous forest, at risk of being discovered by the infamous Black Clan. Instead of waiting for rescue, Mariko, fed up of women being treated as inferior to men, decides she does not want to go home, nor does she want to marry the prince. Her only remaining option is to locate the Black Clan and discover who attempted to murder her. But for this to work, she needs to convince everyone she is a boy.
Whilst Mariko is worming her way into the clan, her twin brother is determined to track down and rescue his sister. Unbeknownst to him, Mariko is beginning to feel more affiliated with their enemies than with her own family. And so a dilemma arises. Does Mariko betray her new “friends” or be unfaithful to the brother she loves?
<i>Flame in the Mist</i> is not only about Mariko’s predicament; it also concerns an age-old feud between powerful families, involving the wrongful death of a disgraced Samurai. As the younger generation reach maturity, they determine to avenge the deaths of their fathers, and, without knowing, Mariko ends up in the centre of two warring parties.
It is a little difficult to get into the story initially; many characters are introduced, but their significance is not obvious for some time. To add to the confusion, vital persons are only formally presented at the end of the novel, which finishes on a cliffhanger. The similarity of the foreign sounding names also creates uncertainty.
Ahdieh cleverly includes a problematic situation that our own world has (almost) overcome. Mariko represents the female population, a gender that is believed to be inferior to their male counterparts. Controlled by fathers, husbands, and powerful leaders, women do not have the opportunity to make their own decisions about their lives. Although it is disconcerting that someone wishes to take Mariko’s life, the ambush provides her with the freedom and chance to prove women are as capable as men. Sadly, she has to pretend to be a boy in order to do this.
It was inevitable that there would be a love interest in <i>Flame in the Mist</i>, however, it is not as inspiring as readers may hope for. The attraction between Mariko and a member of the Black Clan almost comes out of nowhere. Not only was Mariko believed to be male for a wide stretch of the novel, the character in question was one of the more abusive.
<i>Flame in the Mist</i> being the first novel I have read by Renée Ahdieh, I have nothing with which to compare it or state why it is readers particularly admire her writing. The story was mediocre at best, with very little characters that garner respect. Having been published less than a month ago, there is already a lot of hype surrounding this book – either I am missing something vital, or readers are going to be disappointed.
Famed for her highly rated <i>The Wrath & The Dawn</i>, Renée Ahdieh has created a new fantasy world full of original characters. Set in a land similar to the Middle Eastern countries we are familiar with, <i>Flame in the Mist</i> incorporates out-dated ideology, ancient lifestyle with a hint of supernatural, and, of course – it is a Young Adult novel after all – a dash of romance. With an eclectic mix of themes, it is a book without cessation of adventure.
The protagonist, Hattori Mariko, at the mere age of 17, is destined to marry the son of the Emperor’s favourite concubine, Prince Raidan. The book commences with the journey from her home, however, Mariko never makes it to the city. Ambushed and presumed dead, Mariko is alone in the dangerous forest, at risk of being discovered by the infamous Black Clan. Instead of waiting for rescue, Mariko, fed up of women being treated as inferior to men, decides she does not want to go home, nor does she want to marry the prince. Her only remaining option is to locate the Black Clan and discover who attempted to murder her. But for this to work, she needs to convince everyone she is a boy.
Whilst Mariko is worming her way into the clan, her twin brother is determined to track down and rescue his sister. Unbeknownst to him, Mariko is beginning to feel more affiliated with their enemies than with her own family. And so a dilemma arises. Does Mariko betray her new “friends” or be unfaithful to the brother she loves?
<i>Flame in the Mist</i> is not only about Mariko’s predicament; it also concerns an age-old feud between powerful families, involving the wrongful death of a disgraced Samurai. As the younger generation reach maturity, they determine to avenge the deaths of their fathers, and, without knowing, Mariko ends up in the centre of two warring parties.
It is a little difficult to get into the story initially; many characters are introduced, but their significance is not obvious for some time. To add to the confusion, vital persons are only formally presented at the end of the novel, which finishes on a cliffhanger. The similarity of the foreign sounding names also creates uncertainty.
Ahdieh cleverly includes a problematic situation that our own world has (almost) overcome. Mariko represents the female population, a gender that is believed to be inferior to their male counterparts. Controlled by fathers, husbands, and powerful leaders, women do not have the opportunity to make their own decisions about their lives. Although it is disconcerting that someone wishes to take Mariko’s life, the ambush provides her with the freedom and chance to prove women are as capable as men. Sadly, she has to pretend to be a boy in order to do this.
It was inevitable that there would be a love interest in <i>Flame in the Mist</i>, however, it is not as inspiring as readers may hope for. The attraction between Mariko and a member of the Black Clan almost comes out of nowhere. Not only was Mariko believed to be male for a wide stretch of the novel, the character in question was one of the more abusive.
<i>Flame in the Mist</i> being the first novel I have read by Renée Ahdieh, I have nothing with which to compare it or state why it is readers particularly admire her writing. The story was mediocre at best, with very little characters that garner respect. Having been published less than a month ago, there is already a lot of hype surrounding this book – either I am missing something vital, or readers are going to be disappointed.