Search

Search only in certain items:

Everything is Lies
Everything is Lies
Helen Callaghan | 2018 | Fiction & Poetry, Thriller
6
6.0 (2 Ratings)
Book Rating
Death, manipulation, and deception are the foremost themes in this suspense-thriller! Sophie arrives at her childhood home to find her mum dead, hanging from a tree, and her father stabbed to inches of his life on the floor.

Before she has time to grieve, Sophie discovers that her mum, Nina, was writing a memoir and had a publication deal. Sophie finds two of her mother’s notebooks, and another life is revealed where Nina had been seduced into a controlling cult.

The book is aimed at Sophie and begins with “Everything is Lies, and nobody is who they seem”. Sophie uncovers her mother’s secrets slowly, page by page. When a death is hinted at, Sophie is determined to find out more.

When she can’t find the third and final notebook, Sophie tries to contact people referred to in the book, and soon finds herself in danger. She even decides to meet the cult leader, where a monumental revelation is made to her. (No spoilers!)

During the course of events, there’s an attempted break-in and an attempt made on Sophie’s life! Just when all seems revealed, there is more action to follow! (No spoilers!)

I don’t normally find thrillers predictable, but this time I’m sorry to say I did. Not all of it, but enough so that most of it was no surprise, but not enough to ruin the book for me. I also felt that the author was needlessly showing off her vocabulary when more well-known words would have been more effective.
  
40x40

Suswatibasu (1703 KP) rated Shot in the Dark in TV

Nov 25, 2017 (Updated Nov 26, 2017)  
Shot in the Dark
Shot in the Dark
2017 | Crime, Documentary
Great for the first few episodes
For fans of @Nightcrawler (2014), this is the real-life version following the journeys of three stringers, competing to out-shoot each other. From fires, crashes to shootings and industrial accidents, it's life and death on a daily basis, but at what cost?

Howard Raishbrook of RMG News attempts to ward off competition from his more successful counterparts Scott Lane of LoudLabs and Zak Holman of OnScene, in this cutthroat industry where morals seem sparse. While not as completely corrupt as Jake Gyllenhaal's character in Nightcrawler, Scott and Zak seem closer to his personality, with nothing off the table. In between are internal battles with Raishbrook's twin brother becoming a news story himself, the monopoly of the industry squeezing out smaller companies such as RMG, and how close each of them get to sudden death every night.

It's a great series, but after four episodes it begins to wear you down quite quickly and the images end up appearing no different to one another (I should know, we used to use stringers in the newsroom every day). As a result, it has a desensitising effect, and the series' initial lure begins to wear thin. The show could have been cut down by four episodes to remain interesting.