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Anand Wilder recommended Nuff' Said! by Nina Simone in Music (curated)

 
Nuff' Said! by Nina Simone
Nuff' Said! by Nina Simone
(0 Ratings)
Album Favorite

"She takes that song 'Ain't Got No, I Got Life' and makes it so much more than a silly musical song [from Hair], she gives it emotional depth. That's the great thing about Nina Simone - she did so many Bee Gees songs - and the Bee Gees are this agreed-upon joke. I think the Bee Gees are amazing geniuses - they are just so prolific and the fact that they were able to make all these changes and keep going. They did this Beatles-esque psychedelic thing which I think is awesome and went onto becoming the kings of disco, and wrote that Kenny Rogers and Dolly Parton song, 'Islands In The Stream'. Nina Simone hears a Bee Gees song or someone suggests it to her and she goes, ""That's such a sweet song - those guys have no soul at all, but I'm gonna make this song sound awesome."" What I love about that album is that it's mostly all recorded live - there's real space to it because of that. That's something we tried to do for the musical - record it live, we wanted to record it in the same room, but because there were so many elements we had to put in it was impossible. The album was recorded four days after Martin Luther King's death. I don't know how big Nina Simone really was in her lifetime, but it feels like we are lacking in politicised chanteuses right now. I think now [there's] this real era of Christian rock - people just want to be uplifted. It's kind of that dynamic thing that the critic criticises Cat Stevens for; you can probably criticise Coldplay or Mumford & Sons for the same kind of thing. Like, ""Oh you're just toying with me, you're starting all small and then making it huge, of course I have a religious feeling right now!""

Source
  
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Richard Hell recommended Journey to Italy (1954) in Movies (curated)

 
Journey to Italy (1954)
Journey to Italy (1954)
1954 | Drama, Romance
(0 Ratings)
Movie Favorite

"Blew my mind. I didn’t see it until I was middle-aged, after decades of thriving on the ongoing French New Wave. I thought of the New Wave as beginning in these subversive young Parisian cineastes’ love for American genre films. My jaw was dropped the whole length of Journey to see the sensibility and techniques of the New Wave appearing first in this Italian flick (though English-language, starring George Sanders and Ingrid Bergman). Later I read that Truffaut called it the “first modern movie,” and I believe he’s right. I haven’t researched, so don’t know if this is a commonplace, but, on a side note, it’s interesting to consider the parallels between Journey and Godard’s Contempt. They’re both about a couple whose marriage is failing, who are foreigners on a visit to Italy, where their stiff estrangement reaches a head amid the vital, pagan-slash-Catholic ancient culture of the area around Naples. Noble, erotically charged, millennia-old statuary reverently track-circled to swelling music. Local color, and travelogue landmarks of aesthetic and mythologically poetic power, integrated naturally into the story (almost Hitchcockian in a way, except with an emotional and intellectual justification). The most groundbreaking thing about it, though, is the way it’s not exactly a story, but rather a situation, depicted in fragments and episodes—the emotional situation of a couple, displaced within a continuously intruding, alien or disorienting environment, and one that keeps us conscious of death and history. A lot is pointedly artificial about it—to me the dialogue all feels like exposition, and is delivered that way, as presentation of the situation, rather than anything natural—or at least frankly cinema, but at the same time it feels like life in a way that movies hadn’t before."

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Eleanor (1463 KP) rated The Whisper Man in Books

Jul 11, 2019  
The Whisper Man
The Whisper Man
Alex North | 2019 | Crime, Thriller
7
7.6 (8 Ratings)
Book Rating
Spine chilling atmosphere set up (1 more)
Jake the cool if spooky kid
Not much mystery in the crime (1 more)
Poor police characters
If you leave a door half open, soon you'll hear the whispers spoken.......
This book got off to a great start with a really creepy feeling to it. A spooky kids rhyme will always get the chills going.

Jake and his father Tom are struggling with life after the death of Jake’s mum and a fresh start in a new house doesn't lead to the new start Tom hopes for when Jake continues to keep saying freaky stuff and knowing things he couldn’t possibly know. There is a very supernatural feel to the beginning of this book that is well done, and how that is wrapped up is also well dealt with.

However I felt the crime plot let this book down, the killer was obvious to me as soon as they were vaguely mentioned but the police detective Amanda Beck just seemed flat out incompetent. I nearly screamed out loud at her when she gave herself the proverbial pat on the back for a job well done. Staying up all night because a kid has gone missing does not in itself make you a good cop - doing some good old style investigating that actually gets results does.

I liked the complex relationship between Jake and Tom but a lot of the other characters left much to be desired for me. Reformed alcoholic cop Pete Willis; haunted by his past felt like a character I have read/ seen a hundred times before. And the reporter with morals seemed a stretch.

All in all I’d recommend coming to this book for the chills but don’t expect the crime mystery to knock your socks off.