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Becs (244 KP) rated The Book Thief in Books
Oct 2, 2019
I have no idea why I didn’t pick The Book Thief up sooner. It was honestly one of the best novels I’ve read so far this year. Scratch that, probably even one of the best novels I’ve read in my entire lifetime. Well, it might actually be a very close second to Six of Crows by Leigh Bardugo haha.
One thing that I enjoyed while reading was the narrator of the story (death himself) and all the little bits that are thrown throughout the text like this:
***THE ONLY THING WORSE THAN A BOY WHO HATES YOU***
A boy who loves you.
The author takes such a serious and sad topic and throws in love, sarcasm, and happiness. This was such a well rounded, beautiful and classic novel that I just couldn’t put it down. I loved every second of it, even though at first I was a little skeptical. But that’s only because I was in such a sour mood and reading slump when I started The Book Thief.
If you’re looking for a fast read, don’t read this. This took time to read and to understand. To process all that was going on. Markus Zusak doesn’t write The Book Thief in a morbid way that most books about the Holocaust are written, but instead with humor and love and happiness. The good and the bad all intermingled together to create an amazing book that I will be recommending to everybody from now on.
I cried. I laughed. I got pissed. I was stricken with grief, with pain, and with love. I felt that I went through almost every emotion that my body has while reading The Book Thief. And I honestly wanted more.
I wanted more of Liesel’s story after being the only one to survive on Himmel Street. I wanted spin-offs of Rudy and Liesel developing a relationship as they became teenagers and giving me that love story with a tragic back story. I wanted so much more but at the same time, I was content and happy with how the novel ended. I wouldn’t have changed anything about The Book Thief and I will most definitely be rereading it very soon. This is a book that will be cherished for an eternity.
If you haven’t picked up The Book Thief yet, please drop what you’re doing and read it. It will most defiantly change your life.
“And it would show me, once again, that one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.”
One thing that I enjoyed while reading was the narrator of the story (death himself) and all the little bits that are thrown throughout the text like this:
***THE ONLY THING WORSE THAN A BOY WHO HATES YOU***
A boy who loves you.
The author takes such a serious and sad topic and throws in love, sarcasm, and happiness. This was such a well rounded, beautiful and classic novel that I just couldn’t put it down. I loved every second of it, even though at first I was a little skeptical. But that’s only because I was in such a sour mood and reading slump when I started The Book Thief.
If you’re looking for a fast read, don’t read this. This took time to read and to understand. To process all that was going on. Markus Zusak doesn’t write The Book Thief in a morbid way that most books about the Holocaust are written, but instead with humor and love and happiness. The good and the bad all intermingled together to create an amazing book that I will be recommending to everybody from now on.
I cried. I laughed. I got pissed. I was stricken with grief, with pain, and with love. I felt that I went through almost every emotion that my body has while reading The Book Thief. And I honestly wanted more.
I wanted more of Liesel’s story after being the only one to survive on Himmel Street. I wanted spin-offs of Rudy and Liesel developing a relationship as they became teenagers and giving me that love story with a tragic back story. I wanted so much more but at the same time, I was content and happy with how the novel ended. I wouldn’t have changed anything about The Book Thief and I will most definitely be rereading it very soon. This is a book that will be cherished for an eternity.
If you haven’t picked up The Book Thief yet, please drop what you’re doing and read it. It will most defiantly change your life.
“And it would show me, once again, that one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.”
JT (287 KP) rated In Time (2011) in Movies
Mar 10, 2020
I wanted to like this, I really did, but it was a film that failed to go anywhere, and time just slipped away to the end credits. Justin Timberlake is a likeable character, and more favourable as an actor I would say, although he’s certainly got a decent voice as we all know – here, he was singing a bit flat.
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
Hazel (1853 KP) rated But Then I Came Back in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Gareth von Kallenbach (980 KP) rated Collateral Beauty (2016) in Movies
Jul 12, 2019
Loss is something that all of us must face at one time or another. It affects each person differently. While some seem unfazed, others cannot adjust to life after the death of a loved one.
In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.
He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.
In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.
Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.
We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.
The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.
The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.
At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.
In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.
He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.
In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.
Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.
We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.
The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.
The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.
At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.
Goddess in the Stacks (553 KP) rated Alice in Zombieland - White Rabbit Chronicles in Books
Feb 1, 2018
This was an interesting re-imagining of Alice in Wonderland. In Alice in Zombieland, Alice Bell's life has always been curtailed by her father's insistence that monsters exist. The family cannot leave the house after dark, she's been taught how to fight hand-to-hand and with a couple of weapons, and they never - NEVER - drive past the graveyard. All of this changes in one night - when Alice "falls down the rabbit hole" as it were - and discovers her father wasn't insane after all.
Now, living with her grandparents, haunted by visions of her little sister and glimpses of monsters in the dark, Alice - or Ali, as she insists on being called - finds herself being called on to fight the monsters alongside the roughest crowd in her high school. Falling in love with the leader of the bad boys doesn't help her social life, but might help her stay alive.
I enjoyed this book and will probably pick up the sequel, Through the Zombie Glass, if I can find it at the library. The writing flowed well most of the time, and while Alice began a little whiny, by the end of the book she was pretty bad ass. It felt.... a little more "young adult" than some young adult books I've read; the emotions seemed detached or damped down a bit. While she was dealing with grief over the loss of her family, and possible death at the hands of zombies, it just didn't feel as raw as I think those emotions should have felt. And the notion of a bunch of high school kids fighting zombies - with the support of adults, including the high school principal - was a little weird. Still an interesting book, and not a waste of time, but it felt a lot like "teenagers are special snowflakes!"
You can find all my reviews at http://goddessinthestacks.wordpress.com
Now, living with her grandparents, haunted by visions of her little sister and glimpses of monsters in the dark, Alice - or Ali, as she insists on being called - finds herself being called on to fight the monsters alongside the roughest crowd in her high school. Falling in love with the leader of the bad boys doesn't help her social life, but might help her stay alive.
I enjoyed this book and will probably pick up the sequel, Through the Zombie Glass, if I can find it at the library. The writing flowed well most of the time, and while Alice began a little whiny, by the end of the book she was pretty bad ass. It felt.... a little more "young adult" than some young adult books I've read; the emotions seemed detached or damped down a bit. While she was dealing with grief over the loss of her family, and possible death at the hands of zombies, it just didn't feel as raw as I think those emotions should have felt. And the notion of a bunch of high school kids fighting zombies - with the support of adults, including the high school principal - was a little weird. Still an interesting book, and not a waste of time, but it felt a lot like "teenagers are special snowflakes!"
You can find all my reviews at http://goddessinthestacks.wordpress.com
W. J. Stein: A Biography
Johannes Tautz and John M. Wood
Book
Based on personal knowledge and intimate interviews with his subject, as well as access to W.J....
Boy: One Child's Fight to Survive in the Brutal British Care System
Book
"My parents had to try for eighteen months to conceive me, but my father was adamant he wanted one...
Hazel (2934 KP) rated Vera Wong's Unsolicited Advice for Murderers [Audiobook] in Books
Apr 16, 2023
![Vera Wong's Unsolicited Advice for Murderers [Audiobook]](/uploads/profile_image/300/2ffa3ab2-a7f9-4edd-8d81-161ea4223300.jpg?m=1681658635)
After initially thinking "oh dear, I'm not going to like this", the more I listened the more I grew to love Vera Wong.
Vera lives on her own after the death of her husband, her son being successful and not in her life quite as much as she would like. Once a thriving tea shop, Vera Wang's World Famous Tea House is now on it's last legs having only one regular customer so when she discovers a dead body in the middle of her shop one morning, she decides it has to be murder and begins to investigate and find out who killed Marshall.
Using her own logic, Vera decides that those who turn up at her shop to ask questions about the body immediately become suspects and she begins to ingratiate herself into their lives using her forthright nature, a little bit of manipulation, fantastic cooking and, if course, tea.
As the story develops, we get to know each of the characters and suspects more so by the end, you don't want any of them to be guilty of murder but one of them must be surely?
This is definitely within the 'cosy mystery' genre and whilst there is little action, I was caught up in the story hook, line and sinker and desperate to know what the ultimate outcome was going to be and I definitely wasn't disappointed.
The narrator was excellent and she totally drew me into the story and into Vera's life. This, for me, was definitely a book to listen to rather than to read myself and I am hopeful that Vera will do more investigating in the future.
Many thanks to HarperCollins UK Audio and NetGalley for enabling me to listen to and share my thoughts of Vera Wong's Unsolicited Advice for Murderers.
Vera lives on her own after the death of her husband, her son being successful and not in her life quite as much as she would like. Once a thriving tea shop, Vera Wang's World Famous Tea House is now on it's last legs having only one regular customer so when she discovers a dead body in the middle of her shop one morning, she decides it has to be murder and begins to investigate and find out who killed Marshall.
Using her own logic, Vera decides that those who turn up at her shop to ask questions about the body immediately become suspects and she begins to ingratiate herself into their lives using her forthright nature, a little bit of manipulation, fantastic cooking and, if course, tea.
As the story develops, we get to know each of the characters and suspects more so by the end, you don't want any of them to be guilty of murder but one of them must be surely?
This is definitely within the 'cosy mystery' genre and whilst there is little action, I was caught up in the story hook, line and sinker and desperate to know what the ultimate outcome was going to be and I definitely wasn't disappointed.
The narrator was excellent and she totally drew me into the story and into Vera's life. This, for me, was definitely a book to listen to rather than to read myself and I am hopeful that Vera will do more investigating in the future.
Many thanks to HarperCollins UK Audio and NetGalley for enabling me to listen to and share my thoughts of Vera Wong's Unsolicited Advice for Murderers.
Ivana A. | Diary of Difference (1171 KP) rated Ready Player One in Books
Oct 26, 2018
"Everyone my age remembers where they were and what they were doing when they first heard about the contest.’’
We are in the year 2045, where while Earth is deserted and almost destroyed, people don’t realise because they are too busy living in a virtual world - the Oasis!
The Oasis is a place where you can create an avatar for free, you can level up, you go to a school and you work inside the Oasis. This virtual world is filled with references from the 1980s. Cities are built in such a way, video games and books and movies still go on.
When the famous creator of the Oasis, James Halliday, dies, it turns out that there is a contest, and the person that will manage to find the ''Easter egg'' would inherit ownership of the Oasis.
We see the story from the point of view of the young Wade, that calls himself Parzival in the Oasis. He is in love with everything from the 1980’s, you name it - video games, pop culture, movies, shows, books. He is also amazed with Halliday’s work and life.
When five years from James Halliday’s death pass, people seem to have forgotten about the contest, and that’s when Parzival’s courage and knowledge will help him find the first key that unlocks the first of the three gates for the contest, putting him on the top of the scoreboard, and after five years, people start talking about Haliday’s ‘’egg’’ again.
Making friends along the way, and maybe finding the love of his life, Parzival faces millions of challenges, adventures, dangerous, funny and adorable moments. This is a book that will reveal a whole new world for you, and make you love Parzival while you follow his adventure into winning the contest.
With time running out, danger surrounding from all sides, and suddenly finding the ‘’egg’’ becoming a life or death game, Parzival and his friends have no choice but to win this contest. But will they make it, with the IOI Corporation behind their backs, following them both in the real and in the virtual world, endangering their lives?
We are in the year 2045, where while Earth is deserted and almost destroyed, people don’t realise because they are too busy living in a virtual world - the Oasis!
The Oasis is a place where you can create an avatar for free, you can level up, you go to a school and you work inside the Oasis. This virtual world is filled with references from the 1980s. Cities are built in such a way, video games and books and movies still go on.
When the famous creator of the Oasis, James Halliday, dies, it turns out that there is a contest, and the person that will manage to find the ''Easter egg'' would inherit ownership of the Oasis.
We see the story from the point of view of the young Wade, that calls himself Parzival in the Oasis. He is in love with everything from the 1980’s, you name it - video games, pop culture, movies, shows, books. He is also amazed with Halliday’s work and life.
When five years from James Halliday’s death pass, people seem to have forgotten about the contest, and that’s when Parzival’s courage and knowledge will help him find the first key that unlocks the first of the three gates for the contest, putting him on the top of the scoreboard, and after five years, people start talking about Haliday’s ‘’egg’’ again.
Making friends along the way, and maybe finding the love of his life, Parzival faces millions of challenges, adventures, dangerous, funny and adorable moments. This is a book that will reveal a whole new world for you, and make you love Parzival while you follow his adventure into winning the contest.
With time running out, danger surrounding from all sides, and suddenly finding the ‘’egg’’ becoming a life or death game, Parzival and his friends have no choice but to win this contest. But will they make it, with the IOI Corporation behind their backs, following them both in the real and in the virtual world, endangering their lives?
Micky Barnard (542 KP) rated Postscript in Books
Nov 3, 2019
The sequel I didn’t know I needed
Review POSTSCRIPT was the sequel I never thought I needed. Let’s face it, PS I Love You finished in a good place and so it has existed for over a decade. I was worried that book two would sully the good memories I have of book one, I was worried it would disappoint, it did none of these things.
Holly was seven years down the line from Gerry’s death, living her life, happy, in a relationship and officially in a different phase of her life from when she recceived the original letters. I wondered where Cecelia Ahern would take us, without harping back to the experiences of the first book too much but Gerry’s letters were used for good, to empower others.
What I liked about Holly in this book was that she was still a bit of a hot mess. She didn’t have it all together, even after all this time, showing this was just a personality trait. What I also loved reading about was Holly’s grief for Gerry and the life she lost. The grief that shone through was dulled down but with occasional acuteness and this seemed real.
The quest that Holly went on alongside others in her PS I Love You club was a journey. I had my reservations about it just like her boyfriend, friends and family but I was won around by those characters of Bert, Genika and Jewel especially. I made it to 88% rather smugly thinking that ‘I’ve not cried, I wont now’… and then proceeded to sob twice before the end.
“…ultimately, it’s all anyone wants. Not to get lost, or left behind, not to be forgotten, to always be a part of the moments they know they’ll miss. To leave their stamp. To be remembered.”
Cecelia Ahern wrote about the journey towards death and the grief that ensues with sensitivity and tangibility. She also wrote it in an uplifting style. She connected me to the characters and narratives with skill and affection. I am so glad that this second instalment came along and made it seem as though no years had passed since the last book.
Holly was seven years down the line from Gerry’s death, living her life, happy, in a relationship and officially in a different phase of her life from when she recceived the original letters. I wondered where Cecelia Ahern would take us, without harping back to the experiences of the first book too much but Gerry’s letters were used for good, to empower others.
What I liked about Holly in this book was that she was still a bit of a hot mess. She didn’t have it all together, even after all this time, showing this was just a personality trait. What I also loved reading about was Holly’s grief for Gerry and the life she lost. The grief that shone through was dulled down but with occasional acuteness and this seemed real.
The quest that Holly went on alongside others in her PS I Love You club was a journey. I had my reservations about it just like her boyfriend, friends and family but I was won around by those characters of Bert, Genika and Jewel especially. I made it to 88% rather smugly thinking that ‘I’ve not cried, I wont now’… and then proceeded to sob twice before the end.
“…ultimately, it’s all anyone wants. Not to get lost, or left behind, not to be forgotten, to always be a part of the moments they know they’ll miss. To leave their stamp. To be remembered.”
Cecelia Ahern wrote about the journey towards death and the grief that ensues with sensitivity and tangibility. She also wrote it in an uplifting style. She connected me to the characters and narratives with skill and affection. I am so glad that this second instalment came along and made it seem as though no years had passed since the last book.