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Cut the Rope 2: Om Nom's Quest
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Second part of the legendary Cut the Rope logic puzzles series. Get it now for free! Cut the Rope 2...
A California Childhood
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The trade paperback reprint of James Franco's thoughtful reflection on childhood through a series of...
All My Gods HD
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From the creators of Roads of Rome series Become a Roman god! Don't be shy! Epic game that topped...
Ross (3284 KP) rated Nightblade's Vengeance in Books
Oct 10, 2017
*** I received a free advance copy of this book from NetGalley in exchange for an honest review ***
This summer I read the first Nightblade trilogy: I loved the first one (the world-building, the three different stories running in parallel and occasionally crossing over), enjoyed the second one (character development was the focus plus setting up the conflict in the conclusion) and tolerated the final book (largely a repeat of the same plot as the first two plus a number of loose ends left un-tied).
Given how I fell out of love with the series as it went on, I was a little tentative about reading this, the first in a new trilogy following on from the events of the first. I have to say it was very poor.
Pretty much nothing happens throughout the book, the sole focus is on political manoeuvring and the nightblades have become a shadow of what they were to be at the end of the first series.
The king is dying and has no heir, so one of three lords looks likely to be chosen to take the throne (or decide to take it). There is some unrest within the populace of the Kingdom towards nightblades (ninja-like warriors with a spidey-sense warning them of danger and allowing them to sense each other) - rumours are spreading that nightblades are demanding unreasonable payment for protection and are harming those they are supposed to be serving. And a particularly weak nightblade, the daughter of a dayblade (whose powers are used to heal rather than in combat) killed in service, by a mysterious warrior who subsequently vanished, is looking for vengeance (hence the title).
And that is pretty much it. The plot is very basic, the narrative takes an absolute age to cover what few events are happening and the vocabulary is pretty limited (I think at one point within three paragraphs about 6 things were said to have happened "in a moment" or "for a moment").
Twice in the book the phrase "to cut a long, boring story short" was used and I can't help but think Kirk was referring to what he himself should do.
I wasn't sure after ending the nightblade trilogy whether I would return to the world of the nightblades. Now I am certain I won't.
This summer I read the first Nightblade trilogy: I loved the first one (the world-building, the three different stories running in parallel and occasionally crossing over), enjoyed the second one (character development was the focus plus setting up the conflict in the conclusion) and tolerated the final book (largely a repeat of the same plot as the first two plus a number of loose ends left un-tied).
Given how I fell out of love with the series as it went on, I was a little tentative about reading this, the first in a new trilogy following on from the events of the first. I have to say it was very poor.
Pretty much nothing happens throughout the book, the sole focus is on political manoeuvring and the nightblades have become a shadow of what they were to be at the end of the first series.
The king is dying and has no heir, so one of three lords looks likely to be chosen to take the throne (or decide to take it). There is some unrest within the populace of the Kingdom towards nightblades (ninja-like warriors with a spidey-sense warning them of danger and allowing them to sense each other) - rumours are spreading that nightblades are demanding unreasonable payment for protection and are harming those they are supposed to be serving. And a particularly weak nightblade, the daughter of a dayblade (whose powers are used to heal rather than in combat) killed in service, by a mysterious warrior who subsequently vanished, is looking for vengeance (hence the title).
And that is pretty much it. The plot is very basic, the narrative takes an absolute age to cover what few events are happening and the vocabulary is pretty limited (I think at one point within three paragraphs about 6 things were said to have happened "in a moment" or "for a moment").
Twice in the book the phrase "to cut a long, boring story short" was used and I can't help but think Kirk was referring to what he himself should do.
I wasn't sure after ending the nightblade trilogy whether I would return to the world of the nightblades. Now I am certain I won't.
CompTIA Security+ Certification Guide: Power Prep
Book
From zero to certified, your complete guide to the CompTIA Security+ SY0-401 Objectives About This...
LeftSideCut (3778 KP) rated Black Widow (2021) in Movies
Jul 16, 2021
It should have happened way sooner, but finally, Black Widow is here, and in short, it's pretty damn good.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
Fair Food Maker Game
Games and Entertainment
App
Play the BIGGEST and BEST Fair Food Maker chef game! Make 18 delicious fair foods and 8 fair games...
Hazel (1853 KP) rated Zeroes (Zeroes, #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
The author of the <i>Uglies</i> series, Scott Westerfeld, has teamed up with co-writers Margo Lanagan and Deborah Biancotti to create this exciting, whirlwind of a young adult novel. Many people wish they had a superpower, but what if there actually were people with them? <i>Zeroes</i> is a story about a group of teenagers with special gifts, however these unique abilities may be more dangerous than you would imagine.
The superpowers in this novel are not as conventional as the famous comic heroes. Some can control crowds with their minds or destroy electricity, and one blind character can even see through the eyes of others. Collectively these teenagers are called the <i>Zeroes</i>, but only amongst themselves.
Despite how cool it may seem to have these powers, their gifts can easily get themselves in to trouble. One of the teens, Ethan, accidently finds himself involved with drug dealers and a bank robbery, resulting in the police taking an interest. Whilst trying to get him out of this mess, the rest of the team cause even more trouble, sequentially making things worse and eventually leaving Ethan in a life threatening situation.
Told through six different characters, the reader gets the opportunity to learn about the individual powers and how each person deals with them. The novel is fast past with an explosive ending – literally – it is almost impossible to put it down. With an equal mix of male and female characters, it is suitable for all readers who enjoy YA, and by no means is it limited to teenagers only. You will find yourself wanting more.
The author of the <i>Uglies</i> series, Scott Westerfeld, has teamed up with co-writers Margo Lanagan and Deborah Biancotti to create this exciting, whirlwind of a young adult novel. Many people wish they had a superpower, but what if there actually were people with them? <i>Zeroes</i> is a story about a group of teenagers with special gifts, however these unique abilities may be more dangerous than you would imagine.
The superpowers in this novel are not as conventional as the famous comic heroes. Some can control crowds with their minds or destroy electricity, and one blind character can even see through the eyes of others. Collectively these teenagers are called the <i>Zeroes</i>, but only amongst themselves.
Despite how cool it may seem to have these powers, their gifts can easily get themselves in to trouble. One of the teens, Ethan, accidently finds himself involved with drug dealers and a bank robbery, resulting in the police taking an interest. Whilst trying to get him out of this mess, the rest of the team cause even more trouble, sequentially making things worse and eventually leaving Ethan in a life threatening situation.
Told through six different characters, the reader gets the opportunity to learn about the individual powers and how each person deals with them. The novel is fast past with an explosive ending – literally – it is almost impossible to put it down. With an equal mix of male and female characters, it is suitable for all readers who enjoy YA, and by no means is it limited to teenagers only. You will find yourself wanting more.
Learn English with WSE
Education
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Learn English on the go with Wall Street English. Complete English lessons, track your progress,...
Petal Pop Adventures
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Join Fairy Flower Petal and her friend rabbit as they go on their Petal Pop Adventures through the...