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The Exorcist (1973)
The Exorcist (1973)
1973 | Horror
Shocking for its time
The Exorcist is one of those classics that for me is perhaps slightly overrated. Don't get me wrong, for something made in the 70s it's very impressive, it's just very difficult to judge an older film when you live in more modern times.

The film itself is a very slow burner, which isn't a bad thing as it at least relies more on subtlety rather than being in your face like a lot of more modern horrors are. For me it was a little too slow in parts and I wouldn't say this was scary in the slightest. The physical effects are very good for its time, and some of the scenes are still fairly shocking even now. There are some brilliant classic lines in this too, and Linda Blair is very good as Regan. What I like the most about this film is the ending, as it isn't quite your bog standard predictable Hollywood ending and the first time I saw this I was hugely surprised (but pleased) at how this played out.

This is definitely a classic and one worth watching, just try not to judge on today's standards!
  
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Sarah (7798 KP) Oct 30, 2018

Popcorn is good with me, much prefer what you have in the US compared with the rubbish we have over here!

I’d agree, it’s so refreshing to watch something that doesn’t rely on CGI. I wish more modern films were like this.

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Andy K (10821 KP) Oct 30, 2018

Me too.

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Gene Simmons recommended The Exorcist (1973) in Movies (curated)

 
The Exorcist (1973)
The Exorcist (1973)
1973 | Horror

"The step-by-step horrific setup of the film is just great filmmaking. The movie starts, and you’re on a movie set, and this actress is bringing her daughter along with her to Boston, because she has broken up with her husband. So while she’s busy working, [actress] Linda Blair is at home, doing whatever, except the home is haunted, and eventually the evil spirit, a demon takes over her, and her mom doesn’t believe in it. Sure, you get the punch in the gut and the kick in the nuts when her head spins around and she spits out pea soup and everybody just flips out, but leading up to that is a very well-written script. It’s easy to do the action sequences. You sit down, and say, ‘OK, we’re gonna have a head pop off here, and then I’m gonna have a ghost dive off somebody’s ass, and use them like a hand puppet.’ OK, I get it. Those are all gonna be good hand-puppet scary moves, but what’s the script? You have to care about the characters, and stuff. That’s what we mean by elevated.”

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