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Tina Hodge (2 KP) rated Wonder Woman (2017) in Movies
Dec 14, 2017
Fran Donohoe (856 KP) created a post
Jun 28, 2017
Dawn Marie (22 KP) rated Wonder Woman (2017) in Movies
Oct 27, 2018 (Updated Oct 27, 2018)
Dc best movie to date
I have been a fan of wonder woman since I was a little girl. I would sit in front of the tv watching Linda Carter go from Diana to wonder woman with a spin. When I first heard that a movie was definitely happening I was happy but real leary. When gal gadot was cast I was one who just didn't see how she could be diana, but the more I saw for her own movie the more I was on board. This movie was everything it should of been (just wish Lynda Carter would of had a cameo or something) all the characters were likable and the scenes with the amazons were amazing. If there was any flaw I would have to say Ares did not look as good as he could of. Chris pine was great and him and gadot had great chemistry. I am hoping the sequel which will take place in 1984( when I was 9) will be just as good. DC should take a look at this and use what made this good into all their love action movies
David McK (3207 KP) rated Wonder Woman (2017) in Movies
Jul 27, 2019 (Updated Jun 22, 2021)
Like, I'm sure, many others, if you'd mentioned the words 'Wonder Woman' to me prior to 2016 Batman Vs Superman: Dawn of Justice I probably would have thought of the 1970s(?) Linda Carter starring TV series.
That was a role that Gal Gadot took in in the 2016 movie, portraying a different take on the character: one who has largely remained in the background throughout history, only revealing herself (and her powers) towards the end of that movie.
This film takes place at an earlier period in her life (albeit 'bookended' by a modern day setting, with Diana receiving a vintage photo of her in costume): during the First World War, to be precise, when Diana first leaves the Amazonian island paradise of Thermiscyra and enters the world, discovering her powers and heritage in the process.
While there may be an element of truth in the criticism that the plot of this movie is - largely - a role-reversed Captain America (World War setting? Sacrificial ending?) and that it probably could have done without the CGI battle at the end (which, IMO, lessened the impact the movie would have had without it) this is still a very enjoyable movie indeed!
As an aside: the stand-out scene where Diana crosses No-Mans land on her own? That was nearly cut from the movie.
That was a role that Gal Gadot took in in the 2016 movie, portraying a different take on the character: one who has largely remained in the background throughout history, only revealing herself (and her powers) towards the end of that movie.
This film takes place at an earlier period in her life (albeit 'bookended' by a modern day setting, with Diana receiving a vintage photo of her in costume): during the First World War, to be precise, when Diana first leaves the Amazonian island paradise of Thermiscyra and enters the world, discovering her powers and heritage in the process.
While there may be an element of truth in the criticism that the plot of this movie is - largely - a role-reversed Captain America (World War setting? Sacrificial ending?) and that it probably could have done without the CGI battle at the end (which, IMO, lessened the impact the movie would have had without it) this is still a very enjoyable movie indeed!
As an aside: the stand-out scene where Diana crosses No-Mans land on her own? That was nearly cut from the movie.
Movie Metropolis (309 KP) rated Alice Through the Looking Glass (2016) in Movies
Jun 10, 2019
Curiously Terrible
Disney is set for a bumper year of takings. 2016 is dominated by the House of Mouse in all of their guises, whether Marvel, Pixar or Disney itself. We’ve already had the fantastic live-action remake of The Jungle Book and now Alice returns to Wonderland in Through the Looking Glass.
Tim Burton took us to the murky depths of “Underland” in the 2010 predecessor; a film that was hugely overrated with a box-office return of $1billion. Naturally a sequel was greenlit soon after, but is Through the Looking Glass another case of style over substance?
Yes is the short answer. Muppets director James Bobin takes over from Burton and recreates his vision of Wonderland with visual panache, but the story is so poor, and lacking in any real connection to Lewis Carroll’s charming 1871 novel that you’ll leave the cinema sorely disappointed.
We join the film three years after the events of its predecessor as Alice, played by an unappealing Mia Wasikowska, returns from a voyage on the high seas to her home in London. After a brief catch up, she returns to a far more colourful “Underland” where Johnny Depp’s Mad Hatter yearns for his family.
In order to reunite the Hatter with his estranged loved ones, Alice must turn back the hands of time to find out their fate. Story wise, that’s pretty much it as we follow Wasikowska’s Alice from one poorly executed set piece to another with no real consequence on the final result.
Even more frustrating is the complete wastage of Through the Looking Glass’ talented cast. The majority of the series’ stars return with Anne Hathaway and Stephen Fry being underused as the White Queen and Cheshire Cat respectively. Sacha Baron Cohen plays another one of his caricatures in the vaguely written villain, Time – I say vaguely written because his motives for stopping Alice in her quest are unclear to say the least.
Helena Bonham Carter and her massive head also make a comeback as does Matt Lucas’ hideous incarnation of Tweedledum and Tweedledee.
However, the worst part is the use of Alan Rickman’s passing as ticket bait. Rickman’s iconic voice was a highlight in Alice in Wonderland, with him taking a central role as narrator in the trailers for this sequel. My worst fear was confirmed however – his character is only in the finished product for five minutes.
Elsewhere, the special effects are decent and Bobin brings a brighter colour palette to the table than Burton did with his bleak, murky wasteland. Scriptwriter Linda Woolverton injects a dash of humour here and there but it’s not enough to save a bland and indifferent script that plods along despite the film’s succinct length.
Through the Looking Glass should have been a recipe for success. A promising director, huge budget, amazing source material and a talented cast all bode well for any film which makes the finished product even more appalling. Good special effects can sometimes successfully mask a wafer-thin story but creating such a poor plot out of Lewis Carroll’s novel is unforgivable.
Please don’t return us to “Underland” any time soon, I haven’t got the stomach for it, and Disney, if you’re listening, don’t let The BFG end up like this.
https://moviemetropolis.net/2016/06/04/curiously-terrible-through-the-looking-glass-review/
Tim Burton took us to the murky depths of “Underland” in the 2010 predecessor; a film that was hugely overrated with a box-office return of $1billion. Naturally a sequel was greenlit soon after, but is Through the Looking Glass another case of style over substance?
Yes is the short answer. Muppets director James Bobin takes over from Burton and recreates his vision of Wonderland with visual panache, but the story is so poor, and lacking in any real connection to Lewis Carroll’s charming 1871 novel that you’ll leave the cinema sorely disappointed.
We join the film three years after the events of its predecessor as Alice, played by an unappealing Mia Wasikowska, returns from a voyage on the high seas to her home in London. After a brief catch up, she returns to a far more colourful “Underland” where Johnny Depp’s Mad Hatter yearns for his family.
In order to reunite the Hatter with his estranged loved ones, Alice must turn back the hands of time to find out their fate. Story wise, that’s pretty much it as we follow Wasikowska’s Alice from one poorly executed set piece to another with no real consequence on the final result.
Even more frustrating is the complete wastage of Through the Looking Glass’ talented cast. The majority of the series’ stars return with Anne Hathaway and Stephen Fry being underused as the White Queen and Cheshire Cat respectively. Sacha Baron Cohen plays another one of his caricatures in the vaguely written villain, Time – I say vaguely written because his motives for stopping Alice in her quest are unclear to say the least.
Helena Bonham Carter and her massive head also make a comeback as does Matt Lucas’ hideous incarnation of Tweedledum and Tweedledee.
However, the worst part is the use of Alan Rickman’s passing as ticket bait. Rickman’s iconic voice was a highlight in Alice in Wonderland, with him taking a central role as narrator in the trailers for this sequel. My worst fear was confirmed however – his character is only in the finished product for five minutes.
Elsewhere, the special effects are decent and Bobin brings a brighter colour palette to the table than Burton did with his bleak, murky wasteland. Scriptwriter Linda Woolverton injects a dash of humour here and there but it’s not enough to save a bland and indifferent script that plods along despite the film’s succinct length.
Through the Looking Glass should have been a recipe for success. A promising director, huge budget, amazing source material and a talented cast all bode well for any film which makes the finished product even more appalling. Good special effects can sometimes successfully mask a wafer-thin story but creating such a poor plot out of Lewis Carroll’s novel is unforgivable.
Please don’t return us to “Underland” any time soon, I haven’t got the stomach for it, and Disney, if you’re listening, don’t let The BFG end up like this.
https://moviemetropolis.net/2016/06/04/curiously-terrible-through-the-looking-glass-review/