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Kevin Phillipson (10072 KP) rated Lisa frankenstein (2024) in Movies
Mar 8, 2024
Watched today if u like a dark horror comedy like this one which I did simple teenage girl has a thing for a dead guy who basically comes back to life and she tries to hide him from the parents and gets away being a modern take on frankenstein its brilliant especially kathryn Newton as Lisa definitely a star there overall loved it
Blazing Minds (92 KP) rated Life After The Navigator (2020) in Movies
Oct 29, 2021 (Updated Nov 3, 2021)
It’s a movie from the 80s that is loved by many and has gained such a huge following since its release back in 1986, now in Life After The Navigator from renowned writer/director Lisa Downs we are taken beyond the Flight of the Navigator and find out more about the rollercoaster life that its star Joey Cramer took after the films immense popularity.
The new documentary is the second in the series of “Life After” documentaries with the first being the brilliant Life After Flash which brought us the journey that star of Flash Gordon, Sam J. Jones, went on after his success in a movie that has become a cult classic.
The new documentary is the second in the series of “Life After” documentaries with the first being the brilliant Life After Flash which brought us the journey that star of Flash Gordon, Sam J. Jones, went on after his success in a movie that has become a cult classic.
Lee KM Pallatina (951 KP) rated Nick Fury: Agent of S.H.I.E.L.D (1998) in Movies
Jun 18, 2019
MARVELs Action Man
Contains spoilers, click to show
Nick Fury: Agent of S.H.I.E.L.D is a TV superhero Movie based on the Marvel Comics character. originally broadcast on May 26, 1998 on Fox & Directed by Rod Hardy, the film stars David Hasselhoff as Fury, who ws forced to retire in solace. approached to return to duty to take down the terrorist organization HYDRA, led by the children of Baron Wolfgang von Strucker. threatening to attack Manhattan with a reconstituted pathogen known as the Death's Head virus.
Lisa Rinna plays Contessa Valentina "Val" Allegra de Fontaine, and Sandra Hess plays Andrea von Strucker / Viper. It was released on DVD on September 30, 2008. The film was met with a mixed to poor reception.
Lisa Rinna plays Contessa Valentina "Val" Allegra de Fontaine, and Sandra Hess plays Andrea von Strucker / Viper. It was released on DVD on September 30, 2008. The film was met with a mixed to poor reception.
Sassy Brit (97 KP) rated Then She Was Gone in Books
Jun 5, 2019
Then She Was Gone by the Sunday Times Bestseller Lisa Jewell, was a super-fast read for me. Several years after her daughter Ellie has gone missing , Laurel meets new man Floyd, who is absolutely smitten with her. When he takes her home to meet his kid Poppy, Laurel is surprised as how much she reminds her of her missing daughter when she was the same age. Coincidence? Or something much more untoward?
I think you can tell where this one is heading…
Admittedly, I guessed pretty early on, what was going to happen and how Noelle was involved in the whole situation. Yes, I’m being cryptic here, trying hard not to reveal spoilers for anyone who has not read this yet. But, even the blurb is an unsubtle clue. What blew me away was what was really going on with Laurel’s new boyfriend, Floyd in the final scenes. The way Lisa Jewell connected everything together and revealed the truth made this a very exciting read.
Was Floyd really as bad as Jake’s girlfriend, Blue had thought? Could he really be blamed for his actions bearing in mind his upbringing and how he came to be with Poppy? Would there ever have been a right time to reveal all? It’s bit like those situations when you mean to call someone up, but forget, and keep forgetting until much later. Only by then, so much time has passed it feels too late to ring at all. But in Floyd’s case, and in this analogy, he doesn’t even own a phone…
I thought the plot was a little bit far fetched, but despite this it worked. In fact, as we hear what really happened to Ellie, I found myself thinking the theme had changed from psychological thriller to borderline horror. By the time I got to the end I was positive this was a four star read, and then the last page did it for me. I shed a tear! Yep, I thought it was sad and unless my hormones are playing up for some odd reason, that last page did it for me. In between howling and sniffing, I moved my 4 stars to a 4.5 star rating! Oh, Lisa Jewell, please promise me you’ll never go back to chicklit! I cannot wait to see what you come up with next in this genre. I await to be dazzled! (And I don’t have to wait long as Watching You is due out in July).
Clever, moving and addictive reading.
I think you can tell where this one is heading…
Admittedly, I guessed pretty early on, what was going to happen and how Noelle was involved in the whole situation. Yes, I’m being cryptic here, trying hard not to reveal spoilers for anyone who has not read this yet. But, even the blurb is an unsubtle clue. What blew me away was what was really going on with Laurel’s new boyfriend, Floyd in the final scenes. The way Lisa Jewell connected everything together and revealed the truth made this a very exciting read.
Was Floyd really as bad as Jake’s girlfriend, Blue had thought? Could he really be blamed for his actions bearing in mind his upbringing and how he came to be with Poppy? Would there ever have been a right time to reveal all? It’s bit like those situations when you mean to call someone up, but forget, and keep forgetting until much later. Only by then, so much time has passed it feels too late to ring at all. But in Floyd’s case, and in this analogy, he doesn’t even own a phone…
I thought the plot was a little bit far fetched, but despite this it worked. In fact, as we hear what really happened to Ellie, I found myself thinking the theme had changed from psychological thriller to borderline horror. By the time I got to the end I was positive this was a four star read, and then the last page did it for me. I shed a tear! Yep, I thought it was sad and unless my hormones are playing up for some odd reason, that last page did it for me. In between howling and sniffing, I moved my 4 stars to a 4.5 star rating! Oh, Lisa Jewell, please promise me you’ll never go back to chicklit! I cannot wait to see what you come up with next in this genre. I await to be dazzled! (And I don’t have to wait long as Watching You is due out in July).
Clever, moving and addictive reading.
BTPBookclub (18 KP) rated Spare Room in Books
May 11, 2019
Where do I begin? … Bare with me here. Spare Room is a rollercoaster of a read, it totally messed with my mind! This book actually blew me away… Wow.
Everyone has their secrets in this story… But the truth will shock you. Not everything is as it seems… I did not expect anything that got thrown at me during this read. Chilling, dark and creepy.
Main Character Lisa is facing her own personal issues throughout, but I actually felt scared, sorry and fightened for her. Half way through this book is a major PLOT TWIST that actually had me holding my breathe and screaming WHAT! WOAH! EXPLAIN!!!
Ex boyfriend Alex is the perfect gentleman throughout, he’s friendly, caring and I just loved his character. Jack and Martha, now this had me changing my mind about their characters all the way through. Are they a nasty, evil couple? Or just a normal happy couple who Lisa has misjudged wrongly.
With all that went on in this book I devoured it in two days. This is the first book I have read by Dreda Say Mitchell and it wont be my last, very impressed. With an explosive, in your face ending like that you can cue me having a lie down and book hangover after this…
I think it’s only fair to award a five star rating and a place in my top twenty reads of 2019 ALREADY. I know. Shocking. Highly recommend. You will not regret reading this one.
Everyone has their secrets in this story… But the truth will shock you. Not everything is as it seems… I did not expect anything that got thrown at me during this read. Chilling, dark and creepy.
Main Character Lisa is facing her own personal issues throughout, but I actually felt scared, sorry and fightened for her. Half way through this book is a major PLOT TWIST that actually had me holding my breathe and screaming WHAT! WOAH! EXPLAIN!!!
Ex boyfriend Alex is the perfect gentleman throughout, he’s friendly, caring and I just loved his character. Jack and Martha, now this had me changing my mind about their characters all the way through. Are they a nasty, evil couple? Or just a normal happy couple who Lisa has misjudged wrongly.
With all that went on in this book I devoured it in two days. This is the first book I have read by Dreda Say Mitchell and it wont be my last, very impressed. With an explosive, in your face ending like that you can cue me having a lie down and book hangover after this…
I think it’s only fair to award a five star rating and a place in my top twenty reads of 2019 ALREADY. I know. Shocking. Highly recommend. You will not regret reading this one.
Whatchareadin (174 KP) rated Better Than I Know Myself in Books
Apr 3, 2019
Did you ever have a friend who was more like family? For Regina Foster, Jewel Prescott, and Carmen Webb this is exactly true. Better Than I Know Myself starts in the late 70's when the girls are seniors in high school and making the decision on where to go to college. Three different girls from three very different backgrounds. Jewel, a former child star. Regina, the daughter of two college educated parents and little sister to older brothers who had all attended and graduated from college. And Carmen whose parents had left her at a young age.
The story progresses through their meeting in New York at Barnard and continues through their graduation. Regina and Jewel were already roommates when they met Carmen at the university library. They all got stuck in an elevator together and as they say, "The rest is history." They lived together through the early 80's as they grew into women and started to become independent.
The book covers twenty years of friendship and sisterhood and all the trials and tribulations that entails.
This book made me laugh out loud and brought a tear or two to my eyes. It also made me want to get together with my closest girlfriends. This is a book that you have to read until the end.
I listened to this book through the iPod and Overdrive. The audio was read by Lisa Renee Pitts.
The story progresses through their meeting in New York at Barnard and continues through their graduation. Regina and Jewel were already roommates when they met Carmen at the university library. They all got stuck in an elevator together and as they say, "The rest is history." They lived together through the early 80's as they grew into women and started to become independent.
The book covers twenty years of friendship and sisterhood and all the trials and tribulations that entails.
This book made me laugh out loud and brought a tear or two to my eyes. It also made me want to get together with my closest girlfriends. This is a book that you have to read until the end.
I listened to this book through the iPod and Overdrive. The audio was read by Lisa Renee Pitts.
Molly J (Cover To Cover Cafe) (106 KP) rated Pursued (Nikki Boyd Files #3) in Books
Feb 27, 2019
Holy smokes! Ms. Harris is a FABULOUS thrilling, suspense author. Her book had it all. I mean all. It had the thrills of suspense, the chilling twists, the roller coaster ups and the breath taking romance that makes up a well rounded, beautifully written romantic suspense novel.
The characters within this book are perfectly chiseled. They are real-to-life and complexly portrayed in this thriller. Nikki, Erika, Tyler and the other secondary characters really pulled me into the heart of the story with them. Every fast paced move, every heart pounding scene truly came to life for me. I loved that!
Ms. Harris had me on the edge of the my seat through this whole book. I read it in one intense sitting! That is how a book is written, that's for sure. She added the perfect amount of messages from God and kept the story line flowing. This story is filled with hope and trusting in Him. You need both in today's world!
While this is not the first book in this series, it wasn't hard to get acquainted with the characters and their stories. But, I will for sure be checking out the first two books in the series as well as looking forward to the next installment! Ms. Harris, you are truly, superbly talented and I give this book a whopping 5 star praise and roof-top-shouting recommendations. <a href="http://cafinatedreads.com/revell-reads-review-pursued-by-lisa-harris/"; target="_blank">This review was originally posted on Cafinated Reads</a>
The characters within this book are perfectly chiseled. They are real-to-life and complexly portrayed in this thriller. Nikki, Erika, Tyler and the other secondary characters really pulled me into the heart of the story with them. Every fast paced move, every heart pounding scene truly came to life for me. I loved that!
Ms. Harris had me on the edge of the my seat through this whole book. I read it in one intense sitting! That is how a book is written, that's for sure. She added the perfect amount of messages from God and kept the story line flowing. This story is filled with hope and trusting in Him. You need both in today's world!
While this is not the first book in this series, it wasn't hard to get acquainted with the characters and their stories. But, I will for sure be checking out the first two books in the series as well as looking forward to the next installment! Ms. Harris, you are truly, superbly talented and I give this book a whopping 5 star praise and roof-top-shouting recommendations. <a href="http://cafinatedreads.com/revell-reads-review-pursued-by-lisa-harris/"; target="_blank">This review was originally posted on Cafinated Reads</a>
JT (287 KP) rated Easy A (2010) in Movies
Mar 10, 2020
Flat, dull and lacking in any laughs. Harsh this verdict might be, but I’m afraid it is about the long and the short of it. As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles. The lovely Emma Stone whose turn in Superbad put her on the road to stardom is short of her best, and at times is cringe worthily bad.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Bob Mann (459 KP) rated Lucy in the Sky (2019) in Movies
Mar 9, 2020
Natalie Portman and Jon Hamm together (1 more)
Interesting premise
Mind. Blown - A thoughtful film that's hard to like.
Natalie Portman plays the eponymous Lucy Cola, a NASA astronaut who has achieved her ambition of reaching space and experienced the enormity of the universe first hand. Her mind is officially blown. Such that, on returning to earth, nothing seems ‘enough’ any more. Her family; her comfortable home; her life.
She becomes desperate to be selected for the next program… to get that literal) ‘high’ all over again. So desperate that her mind and morals burn up on trying to re-enter.
You look at the career choices of Natalie Portman, and they have often revolved around cool and detached woman: “Black Swan” and “Jackie” for example. Here, looking incredibly fit and strong (as you would expect from an astronaut at the peak of her powers) , she again plays something of an ice queen. She is – of course – brilliant at it.
Starring with her here is the ever-watchable Jon Hamm as fellow astronaut Mark Goodwin, the omni-present – at the moment – Zazie Beetz as a fellow program competitor and Dan Stevens (from “Downton”) as her exasperated colleague and husband Drew. (Stevens was COMPLETELY UNRECOGNISABLE to me in this movie…. just like in “Beauty and the Beast“! To the extent that I had to wind back the film from the end-titles after seeing his name to check!).
This was always a film that was going to struggle to identify its audience. Yes, it starts in space, but it is in NO WAY a “Sci-Fi” movie (which is one of its tags on IMDB. Shameful!). This is a drama about a woman progressively losing her grip on reality: almost a PTSD movie, but without the “S” being “T” in the normal sense of things.
Lucy’s ‘other-worldliness’ is reflected in the aspect ratio of the movie, which varies from a claustrophobic ‘old-TV’ format 4:3 ratio to a ratio bordering on ‘Cinemascope’. (This makes for a very challenging watch on a small airline TV screen, as I was doing!). It’s a motif that’s obviously meant to reflect Lucy’s drifting grip on reality. But it eventually gets irritating…. I had the sense that first-time feature director Noah Hawley was ‘trying too hard’ for something quirky and different.
Far more successful is a ‘green-screened’ trippy sequence seeing Lucy being transported to a hospital bedside to the rendition of The Beatles iconic song, performed by Lucy Hannigan (listen here). It’s dreamlike and unsettling. In fact, one of the high-spots of the movie for me was Jeff Russo‘s score, which I have made a mental note to make sure to listen to again on Spotify. It’s more electronica than orchestral but matches the mood of the film really well.
But, here’s the thing. I didn’t enjoy it. The problem is (and no spoilers here) that Portman’s Lucy is such a downright BITCH that it is impossible to warm to her as the movie’s star. There is, in fact, only one of the characters that you really side with, and she’s the one doing the most damage to them.
This shouldn’t be a problem to the story, since the film is reflecting (loosely) true events: the astronauts in question were Lisa Nowak and William Oefelein. And there are lots of ‘feel-bad’ films about mental illness (“One Flew over the Cuckoo’s Nest”, for example) that stand on their own merits. But this one just seemed to be a fairly miserable and destructive story that didn’t have enough of a payoff – either positive or negative – to merit the journey.
This was disappointing, since after hearing the premise, I’d been looking forward to this one.
For those who love movies, and the way movies are structured, it is an interesting watch. But it is not by any stretch an entertaining mainstream movie. The director Noah Hawley will need to do better in the “commercially-appealing” stakes for his next film: since he’s been (rather surprisingly) given the helm for the sequel to “Star Trek: Beyond“.
(For the full graphical review, check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/03/09/one-manns-movies-dvd-review-lucy-in-the-sky-2019/ ).
She becomes desperate to be selected for the next program… to get that literal) ‘high’ all over again. So desperate that her mind and morals burn up on trying to re-enter.
You look at the career choices of Natalie Portman, and they have often revolved around cool and detached woman: “Black Swan” and “Jackie” for example. Here, looking incredibly fit and strong (as you would expect from an astronaut at the peak of her powers) , she again plays something of an ice queen. She is – of course – brilliant at it.
Starring with her here is the ever-watchable Jon Hamm as fellow astronaut Mark Goodwin, the omni-present – at the moment – Zazie Beetz as a fellow program competitor and Dan Stevens (from “Downton”) as her exasperated colleague and husband Drew. (Stevens was COMPLETELY UNRECOGNISABLE to me in this movie…. just like in “Beauty and the Beast“! To the extent that I had to wind back the film from the end-titles after seeing his name to check!).
This was always a film that was going to struggle to identify its audience. Yes, it starts in space, but it is in NO WAY a “Sci-Fi” movie (which is one of its tags on IMDB. Shameful!). This is a drama about a woman progressively losing her grip on reality: almost a PTSD movie, but without the “S” being “T” in the normal sense of things.
Lucy’s ‘other-worldliness’ is reflected in the aspect ratio of the movie, which varies from a claustrophobic ‘old-TV’ format 4:3 ratio to a ratio bordering on ‘Cinemascope’. (This makes for a very challenging watch on a small airline TV screen, as I was doing!). It’s a motif that’s obviously meant to reflect Lucy’s drifting grip on reality. But it eventually gets irritating…. I had the sense that first-time feature director Noah Hawley was ‘trying too hard’ for something quirky and different.
Far more successful is a ‘green-screened’ trippy sequence seeing Lucy being transported to a hospital bedside to the rendition of The Beatles iconic song, performed by Lucy Hannigan (listen here). It’s dreamlike and unsettling. In fact, one of the high-spots of the movie for me was Jeff Russo‘s score, which I have made a mental note to make sure to listen to again on Spotify. It’s more electronica than orchestral but matches the mood of the film really well.
But, here’s the thing. I didn’t enjoy it. The problem is (and no spoilers here) that Portman’s Lucy is such a downright BITCH that it is impossible to warm to her as the movie’s star. There is, in fact, only one of the characters that you really side with, and she’s the one doing the most damage to them.
This shouldn’t be a problem to the story, since the film is reflecting (loosely) true events: the astronauts in question were Lisa Nowak and William Oefelein. And there are lots of ‘feel-bad’ films about mental illness (“One Flew over the Cuckoo’s Nest”, for example) that stand on their own merits. But this one just seemed to be a fairly miserable and destructive story that didn’t have enough of a payoff – either positive or negative – to merit the journey.
This was disappointing, since after hearing the premise, I’d been looking forward to this one.
For those who love movies, and the way movies are structured, it is an interesting watch. But it is not by any stretch an entertaining mainstream movie. The director Noah Hawley will need to do better in the “commercially-appealing” stakes for his next film: since he’s been (rather surprisingly) given the helm for the sequel to “Star Trek: Beyond“.
(For the full graphical review, check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/03/09/one-manns-movies-dvd-review-lucy-in-the-sky-2019/ ).
Bob Mann (459 KP) rated Reminiscence (2021) in Movies
Aug 24, 2021
Soggy special effects. (1 more)
Ramin Djawadi's music score
I’ll only remember how disappointing it was.
It's the near future and global warming and a recent war have drastically changed life in Miami. The days are too hot to do anything other than sleep, and the oceans have risen deluging the city. Ex-military colleagues Nick Bannister (Hugh Jackman) and 'Watts' Sanders (Thandiwe Newton) run a 'reminiscence' business, allowing customers to re-experience memories from their past as if they were there. But when nightclub singer Mae (Rebecca Ferguson) begs for their help in finding her lost keys Nick's heart, life and livelihood are thrown into turmoil.
Positives:
- The special effects showing a submerged Miami are impressive enough.
- I enjoyed the soundtrack by "Westworld" and "Game of Thrones" composer Ramin Djawadi.
Negatives:
- The script is dreadful. Hugh Jackman's does a voiceover.... and regular readers of mine will know my feelings about those!!! Here he drones on incessantly about things like "memories being beads on time's necklace". Outside of the voiceover, the dialogue generally doesn't sound remotely like things that people would say to each other. There are some cringe-inducing segments of speechifying. That's when you can actually understand what's being said: I found the sound mix makes that really difficult with some of the lines.
- This seemed to me to be reflected in the performances of Jackman, Ferguson and Newton. Star-power indeed, but it appeared to me that they didn't have confidence in the words. Fans of the trio will, I think, be disappointed. (And I am a big fan of Rebecca Ferguson. She is again gorgeous here and - unlike in "The Greatest Showman" - actually gets to sing).
Summary Thoughts on "Reminiscence": This film is a big disappointment to me. When I first saw the trailer, I went "YES, YES, YES!!". It looked like an interesting post-apocalyptic sci-fi with perhaps elements of "Inception", "Waterworld" and "Flatliners" thrown in. Jackman even gets to tussle with sheets on a rooftop again! (Was anyone else playing "A Million Dreams" in their head?). But then came the film itself. The result was that about two-thirds in I was really willing it to end. (On principle, I don't walk out of movies). To be fair, the story did pick up slightly towards the conclusion, so I could quietly put my 1* rating away.
I really feel sorry for writer/director Lisa Joy for writing such a negative review. The executive producer of "Westworld" (who's also written and directed some episodes) had secured Jackman and brought some of her "Westworld" talent with her. I'm sure she put her heart and soul into this as her directorial feature debut. But I'm afraid it just did nothing for me and - given the talent available - came across as a wasted opportunity.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- The special effects showing a submerged Miami are impressive enough.
- I enjoyed the soundtrack by "Westworld" and "Game of Thrones" composer Ramin Djawadi.
Negatives:
- The script is dreadful. Hugh Jackman's does a voiceover.... and regular readers of mine will know my feelings about those!!! Here he drones on incessantly about things like "memories being beads on time's necklace". Outside of the voiceover, the dialogue generally doesn't sound remotely like things that people would say to each other. There are some cringe-inducing segments of speechifying. That's when you can actually understand what's being said: I found the sound mix makes that really difficult with some of the lines.
- This seemed to me to be reflected in the performances of Jackman, Ferguson and Newton. Star-power indeed, but it appeared to me that they didn't have confidence in the words. Fans of the trio will, I think, be disappointed. (And I am a big fan of Rebecca Ferguson. She is again gorgeous here and - unlike in "The Greatest Showman" - actually gets to sing).
Summary Thoughts on "Reminiscence": This film is a big disappointment to me. When I first saw the trailer, I went "YES, YES, YES!!". It looked like an interesting post-apocalyptic sci-fi with perhaps elements of "Inception", "Waterworld" and "Flatliners" thrown in. Jackman even gets to tussle with sheets on a rooftop again! (Was anyone else playing "A Million Dreams" in their head?). But then came the film itself. The result was that about two-thirds in I was really willing it to end. (On principle, I don't walk out of movies). To be fair, the story did pick up slightly towards the conclusion, so I could quietly put my 1* rating away.
I really feel sorry for writer/director Lisa Joy for writing such a negative review. The executive producer of "Westworld" (who's also written and directed some episodes) had secured Jackman and brought some of her "Westworld" talent with her. I'm sure she put her heart and soul into this as her directorial feature debut. But I'm afraid it just did nothing for me and - given the talent available - came across as a wasted opportunity.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
