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Crossing the Touchline (Auckland Med. #2)
Crossing the Touchline (Auckland Med. #2)
Jay Hogan | 2019 | Contemporary, LGBTQ+, Romance
10
10.0 (1 Ratings)
Book Rating
freaking loved this!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.


*Edited to add the review for the AUDIO version.*

Gary Furlong narrates.

Now, I gotta say this. After listening to audio books for a good while now, I've noticed an influx of NON-American narrators. And I LOVE that, I really do. But Furlong narrates this book in the New Zealand accent, quite correctly, since that is where Reuben and Cam are from, and it just takes a little getting used to! This is the first I've listen to of his work, and I have to say, he NAILS this one!

Furlong gets over every single feeling, emotion, internal wrangling these guys have, and it's painful listening, it really is. It was difficult reading, but hearing it?? Oh Lord I wanted to wrap them both up and look after them so bad! And Reuben's dad?? He headed for another punching!

The emotions in the guy's voices, especially since this is first person, is amazing, and I had to stop what I was doing a time or two, to just LISTEN, you know? To hear the heartbreak pouring out for them, the rage, the passion, and finally, all that love.

I did have a little chuckle though. Michael (from book one, First Impressions, pops up. Michael is American, and it took me a little while to figure out why he sounded all kinds of wrong. It's because of that! His American accent, in the midst of all these New Zealand ones was odd, is all.

I loved this book when I read it, and listening to it?? Loved it more!

5 stars for the narration, my wish list just got a whole lot longer with Mr Furlong's books on it!

*Original Review*


Stealing the tagline from the official blurb, because it is just the perfect tagline I have ever come across!

What if your dream will cost you the man who's stolen your heart?
Reuben Taylor has a choice to make. Cameron Wano is that choice.

I'm struggling to say what I want to about this book, because I FREAKING loved it! So if this review runs away with the fairies, I apologise. I shall try to make a coherent sentence or two!

Reuben is so far in the closet, it's pitch black in his life. His brother is an alcoholic, trying to look after a small child, and his father is (in my humble opinion) an utter douchbag of a man. One kiss with Cameron and Reuben is scared. Scared of what could be, but also, scared of what could NEVER be.

Cam is well aware of his status with the rugby team his brother plays for. He is out and PROUD and loud about it. But becoming Reuben's friend is far more important than the possibility of losing Reuben altogether. When things spiral downwards, and passion between the two men spins out of control, Reuben has to make the one choice he never wanted to: his rugby career, or Cameron.

So, I make no bones that I am not a fan of first person books, especially if they are multi point of view. This book is written as such. But both Reuben and Cam have such distinct voices, it took me a while to actually figure out this was a first person book! So well done to Ms Hogan for that one.

I read this book in one sitting. It's not a short book, some three hundred pages. But I started it at 7pm, and did not stop til I ran out of book.

And I went through the whole gamut of human emotion and then some! I tell ya, this book has funny spots, dark spots, scary spots, sexy bits (so much with the sexy bits!) and points along the way that garnered so much rage out of me, had Reuben's father been around, that man would be flat on his back! You can't blame Reuben's brother for what he is doing to Reuben, because he really is not coping and not getting the correct help he and his son need, but I did want to punch him a time or two, too.

But it's not just Reuben who has such extreme's of emotions. Cam does too. He did all the "in the closet thing" and swore never to again. Which is why he decides Reuben needs him to be his friend. But Cam's emotions run away with him, and he can't stop the avalanche of feelings he gets every time he touches Reuben, even if it's just a brush past, or something. He didn't have the difficult upbringing Reuben did, his family love him just as he is, but he can understand why Reuben is hiding. It HURTS Cam, but he gets it.

But ultimately, it isn't something Reuben or Cam does that outs them, someone else does that. And the fall out?? Well, let's just say, I was very surprised about that! In a good way!

There is a wedding in this book, that Cam and Reuben attend (not together!): Michael and Josh work with Cam at the hospital. Cam says some things about these two guys that make me want to go back and read THEIR book, First Impressions. It's a stand alone to this one, but my interest is piqued and I will go back, at some point, and read. THAT book is Ms Hogan's first, that I can see. And THIS one, her second.

I'm a-gonna be following this one, I reckon!

5 emotional, gut wrenching stars!

**same worded review will appear elsewhere**
  
The Queen of the Night
The Queen of the Night
Alexander Chee | 2016 | Fiction & Poetry
9
8.3 (3 Ratings)
Book Rating
I'm not really sure what to say about Alexander Chee's novel The Queen of the Night other than it is magnificent. A sprawling, epic tale that put me in mind of Arthur Golden's Memoirs of a Geisha, we follow Paris Opera sensation Lilliet Berne as she recounts her life from her humble beginnings as an orphaned American child, who tried to make her way to Europe to the only family she new of after the death of her family and ended up being swept up by one circumstance after another into the spectacle that was the Second French Empire. We follow her life from her time with a traveling circus, to becoming a prostitute in one of Paris' more prestigious whorehouses, to her time as a dresser for Empress Eugénie de Montijo at the Tuileries, until she finally makes her debut at the French Opera. Through this tale, she is trying to discover who might know of her secrets, as each time she took on a new role, she also cast off her old life and name and reinvented herself at each turn, trying to finally free herself from her own past and come into the life that she wants for herself.

Chee seems to have thoroughly researched his setting for Lillet's journey, and his writing is strong and precise. Lilliet's life is quite an adventure, but it never seems to be dull, and I never felt like I was wishing that her tale would hurry along. I listened to the audio version, and Lisa Flanagan's narration is spot on; she truly became the voice of Lilliet for me. The only thing that I added to my own listening of the book that I think could possibly benefit other readers is that I listened to selections of the operas and other musical pieces that are mentioned in the book, to add that next level of enjoyment to the story.

Chee is an extraordinary storyteller and I'll definitely be reading more by him in the future.
  
The Astonishing Color of After
The Astonishing Color of After
Emily X.R. Pan | 2018 | Young Adult (YA)
6
8.3 (3 Ratings)
Book Rating
*some minor spoilers

I was compelled to finish this book, despite not loving it... and There were some things about this book that really irritated me. 

First, I really didn't like the characters. Kinda hard to love the book when you don't like the characters. 

The mom, Dory, I could relate to. Depression is a dangerous disease that steals your body and your life. 

The dad was a horrible person... rude, disrespectful, unthoughtful, and uncaring about his daughter and her passions. Maybe I'm biased because I love art, but who in their right mind tells their kid to stop doing art. 

And then, at the end, when suddenly he is encouraging her that she has a gift and that her mom would be proud? Like, okay, mom dies and suddenly you're not an asshole anymore? What? 


There were a lot of flashbacks, and memories, and not a whole lot of plot. I think it could have been spread better. There were whole sections where she was just having flashbacks and it was annoying. 

The romance aspect was somewhat uncomfortable... like it was too much of a struggle for Pan to write it. It didn't flow well. Maybe that was the point. To be awkward.

It got a little better near the end and I was like : (insert "now kiss" meme here)

I kind of expected Phon (spelling? I listened to the audiobook) to be her aunt, so that wasn't much of a surprise. But the reveal was fun and clever. 

The writing was beautiful, and the color aspect was interesting. Like I said, I felt compelled to finish it, but I found myself irritated while I was listening. 

I did relate to the author's note about re-writing her novel multiple times though... 

And the end of the book felt good... I had a feeling all Lee's visions would become her final series of art, and I'm happy with it.

Recommend to ages 13+. Very little language. 
  
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.

The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.

The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.

The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.

There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
  
I(
Icons (Icons, #1)
6
6.0 (1 Ratings)
Book Rating
This book had a lot of potential, and I was really getting into it… before I just got too out of it to keep going. Maybe one day I’ll read it again but I stopped at chapter 8.

There are only two reasons why. Which is really too bad because like I said, there was A LOT of potential here.

1. Emotionally sappy. Sap city, guys. "It was like “Our wrists touched and I felt it tingling down my arm and into my toes to the depths of my soul” kind of sappy. Overdramatic is another way to say it. I’ve talked about this before, and I’m sure I’ll talk about it again… romantic scenes are hard to write. But if you suck at them, find a way to tell the romantic story without writing sucky scenes.

2. The story itself was almost a repeat of The Hunger Games. Now I know, there are a lot of major differences, but let’s look at the similarities: An evil all-powerful and all-controlling government, a creepy government leader, a boy and a girl who are totally in love with each other but won’t admit it are trying to bring it down and just get back to the way things are supposed to be, they get brought to the main city and forced to participate in something they don’t want to do but don’t have a choice in… etc. Also, love triangle. Yeah. It’s The Hunger Games but more sci-fi technically advanced.

It just wasn’t for me. That being said, there were a lot of good things about it! It was exciting, it drew you in right away, the characters were distinct, the setting and descriptions were excellent. It was just those two things that kept coming back to me, and I knew there was no way I was going to be able to finish listening to it.

Content/Recommendation: occasional use of light language. Ages 13+
  
Wolfhound Century
Wolfhound Century
Peter Higgins | 2014 | Fiction & Poetry
10
8.0 (2 Ratings)
Book Rating
When I first started reading (well, listening) to this book, I got a little confused and disoriented. There were a lot of names and places that, although they were English, they weren’t words or names that I knew, so I had trouble keeping track of what was going on. Part of the problem was I listened to a chapter here, a chapter there. So I put it aside, listened to something else, and went back to it later when I had hours upon hours to invest into it.

Boy am I glad I listened to this story.

I cannot describe to you how beautiful this story was. It was exciting and nerve wracking and terrifying. It was totally new and different and unique from anything else I’ve ever read. It had a love story, but it was an epic love story, not a romance as defined by the modern-day genre. It was sweet and beautiful and enthralling. It’s fantasy, but it’s not “elves and dwarves and fairies” fantasy… it’s fantastical and imaginary and connected with nature, but there aren’t warlocks. Higgins has his own set of creatures, his own city and country, his own history, his own world, and I loved it (though I didn’t want to live there. Read the summary, you wouldn’t either). On top of that, the writing was descriptive and concrete, and I felt like I was a part of the world. I felt like I was Lom an Marucia and Raku (I have no idea how to spell their names because I listened to the audio). I seriously didn’t want it to end.

Man, it’s been a good year for audiobooks! Guys, get this one asap. Give it thirty minutes of your time, and you’ll be sucked in.

Neil Dickson, the narrator, was also wonderful. He’s done a few other audiobooks, including the dramatized edition of The Importance of Being Earnest, and James Patterson’s The Jester. I’m definitely going to keep my eyes open for other work he does.

Content/Recommendation: Some violence, darker themes. Ages 16+