
Speaking Memory: How Translation Shapes City Life
Book
Speaking Memory evokes the complex "language-scapes" that form at the crossroads of culture and...
Royal City: Next of Kin: Volume 1
Book
In his most ambitious and most personal project to date, JEFF LEMIRE spins the captivating and...

The Waves
Book
A formally innovative work of modernist fiction, Virginia Woolf's The Waves is edited with an...

Orlando: A Biography
Virginia Woolf, Sandra M. Gilbert and Brenda Lyons
Book
Once described as the 'longest and most charming love-letter in literature', the Virginia Woolf's...

Chardin and Rembrandt
Book
Long overlooked in Proust’s posthumously published writings, Chardin and Rembrandt, written when...
art essays

Warriors
Book
“People have been telling stories about warriors for as long as they have been telling stories....

Alison Pink (7 KP) rated The House of Hades (The Heroes of Olympus #4) in Books
Jan 15, 2018

Suswatibasu (1703 KP) rated Engleby in Books
Aug 20, 2017
There is an element of exploring mental illness and what makes a psychopath, but it is covered up by the self-serving first person narrative. Very cringe-worthy indeed.

Awix (3310 KP) rated Can You Ever Forgive Me? (2018) in Movies
Feb 8, 2019
I'm not entirely sure how the two stars have both managed to swing Oscar nominations, for this particular movie at least - it's not as if either of them is actually bad, but they're both essentially delivering variations on their standard performance (McCarthy: abrasive, acid-tongued loudmouth; Grant: pantomime dame). It's hard to shake the impression that McCarthy has managed to get herself Oscar nominated mainly for putting on a wig, but there is a long if somewhat ignoble tradition of the academy rewarding actresses for being brave enough to de-glam themselves on screen. So it goes.
