Smashbomb

How awesome is this scrapbook page from author Teddy Jones about West Texas!?! Check it out on my blog, and learn about her women's fiction novel MAKING IT HOME. Enter the giveaway to win a set of all three novels in her Jackson's Pond, Texas-the Series or a copy of her short stories/literary fiction novel Nowhere Near and a $25 Bookshop.org gift card!

https://alltheupsandowns.blogspot.com/2021/07/book-blog-tour-and-giveaway-making-it.html

**BOOK SYNOPSIS**
In this third novel in the Jackson’s Pond, Texas series, fifty-five-year-old Melanie Jackson Banks encounters racism, intolerance, and violence both in her family’s distant past and in current day Jackson’s Pond. She leads family and community efforts to create reconciliation for past wrongs and also to demonstrate strength and defiance in the face of vandalism, cross-burning, domestic violence, threats to Jackson Ranch’s operation, and kidnapping. In the midst of this stormy period, she finds allies in her mother’s long-time companion, Robert Stanley; her mother, Willa Jackson; her daughter Claire Havlicek; and many others.

Kudos Comment

Robert Eggers recommended Nosferatu (Eine Symphonie Des Grauens) (1922) in Movies (curated)

"I’ve seen the Herzog one a good many times too, but the Murnau film… Murnau is neck to neck with Bergman as my favorite director. He’s responsible for some of the best images in cinema of all time, from Nosferatu to Faust to Sunset. His work was so influential that filmmakers generations later can be referencing Murnau without knowing it. But Nosferatu is an interesting movie. It was produced by Albin Grau, an occultist who started an independent film studio to make occult-themed movies. Nosferatu was his first endeavor. And he hired the screenwriter, and he hired Murnau, and he was the production designer and did a lot of concept art. Very much part of the authorship of this film. And Max Schreck, as much as he is a folk vampire and a reinterpretation of Stoker’s literary gothic vampire, he’s also influenced by Albin Grau’s early 20th-century occultist views on vampirism. But in many ways — there’s horror movies before it, obviously — Nosferatu invents horror movies. The editing of the parallel story together in some ways invents cinema."

Source

Kudos

David McK (3557 KP) rated Death to the French in Books

Jul 26, 2021

A name that is probably more familiar - perhaps even all but synonymous - with his most famous literary creation, Horatio Hornblower.

Hornblower, however, is not the only of his creations that has their adventures set during the Napoleonic Wars: Rifleman Dodd is another.

He's also one that I was totally unfamiliar with, or with the fact that this creation (and story) inspired Bernard Cornwell's still-ongoing 'Sharpe' series - it's very easy, reading this, to see the similarities between the two creations!

This is set in Spain, round about the times of the Lines of Torres Vedras (1810 or thereabouts, I think), with Rifleman Dodd cut off from his company during a retreat and forced to spend several months behind enemy (French) lines as he tries to make his was back to his own company, sometimes with the (dubious) aid of Spanish (or was it Portuguese? ) Guerilla's and other times entirely on his own.

This also doesn't shy away from the full horrors of the war, with several of the passages and chapters told from the French point of view.

Kudos

Awix (3310 KP) rated Tales That Witness Madness (1973) in Movies

Oct 27, 2020

Tales That Witness Madness (1973)

1973 | Classics, Comedy, Horror

6.7

(3 Ratings)

Movie Rating

Enjoyably (and appropriately) bonkers portmanteau horror movie based around the experiences of asylum patients. An imaginary friend turns out to be real, an antique bike turns out to be cursed, man falls in love with a tree stump, etc, etc. Kim Novak came out of retirement to play a slightly vacant literary agent who ends up eating her own daughter's flesh at a cannibal luau.

Not up to the standard of any of the Amicus portmanteaus, mainly because of a sub-par script - the twists to the various tales are either screamingly obvious, completely baffling or non-existent - but it's sort of campy fun anyway, with an interesting cast and reasonably good direction. Not remotely scary, though. The fact that much of it is totally ridiculous (the so-called Hawaiians look eastern European, and that's before we even get to the stuffed tiger or Michael Jayston going to bed wth a log) somehow doesn't detract from the entertainment value. Would have been nice to see more of Donald Pleasance, but you can't have everything.