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Movie Metropolis (309 KP) rated Christopher Robin (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Future Classic
The characters of Pooh, Eeyore, Piglet and Tigger are synonymous with the childhood of millions of adults across the globe. A.A. Milne’s classic creatures are etched into the memories of many, passed down through generations with tatty old story books and stuffed animals.
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Kara Skinner (332 KP) rated Bascomville in Books
Jun 12, 2019
Genre: Contemporary, Teen
Page Count: 284
Average Goodreads Rating: 4.67 out of 5 stars
My rating: 4.5 out of 5 stars
Welcome to the life of Max Bascom, whose home is Bascomville. Bascomville has its own special kind of normal, where fathers can get job leads from their sons and Christmas dinners can end up to be Chinese take out. Max does his best to navigate Bascomville and to keep it running as smoothly as possible through good times and tragedy. And he also forms a special bond with the girl next door, Janice, who understands Bascomville despite coming from a world much different.
This book is so fabulously written. I usually don’t take review requests, but I’m glad I did for this book. It’s part romance, part literary masterpiece, and it captures “growing up” so well. I wish I had this book when I was in middle school or high school because I can relate to making your own kind of normal.
“Us? Normal?”
“How do you know we aren’t? How do we know everybody doesn’t make their own?”
She considered this for a moment then dismissed it. “If everybody made their own then nothing would be normal. Nothing could ever be normal.”
“Exactly.”
That’s my kind of definition of normal. And I think everyone needs to remember that normalcy doesn’t really exist a little bit more.
I didn’t see the plot twists coming ahead of time and I never got bored. On top of that, this book is incredibly quotable. There’s some good life advice in here, like when Max helped Janice cover up vandalism on her house:
And I knew then that ultimately we can save neither ourselves nor our loved ones from life. We can only live it.
Max is a complex character that I like and dislike. He is, ultimately, human, not a hero. He tends to overreact sometimes when Janice is involved, but for the most part he’s likeable. He’s loyal to his family, loves his little sister, and wishes for a world with a level playing field.
My favorite character is his little sister Lily, though. She actually has it worse than Max. She lives at home with her parents after Max goes to college and has to deal with her mother pretending she doesn’t exist and her father pretending to be her best friend to make up for it. Her home life is lousy at best and she practically raises herself for her last years of high school. But she’s strong enough to not break under pressure and she’s not one for self-pity.
“Fair is for dorks. I don’t need fair to make things work.”– Lily Bascom
So why only a 4.5 instead of a 5?
It’s because of the long descriptions, like this one that characterizes Mr. Birnbaum, Janice’s father, through his workshop.
I stepped inside and caught my breath. It was, to me, a foreign wonderland, this workshop. I am not a particularly handy person, and the panorama of neatly arranged rows of tools hanging on pegboards, the fittings categorized in plastic bins, the copper piping slung above the rafters, the worktables and vises and clamps and braided electrical cords all echoed the prowess of this man. I felt humbled, and strangely calm. I still wasn’t sure if I was doing the right thing but I was no longer nervous about it. I could leave disappointed, even chastised, and be all right with it. Such was the power of Sheldon Birnbaum and this place.
While these descriptions certainly add character and depth to the story, they can sometimes be a little excessive and make my attention lag. This book is certainly not a fluff book and isn’t meant to be one, but the long descriptions make it slightly more harder to get through than it has to be.
This is a good book for anyone to read and I can’t recommend it enough, especially to teens. It helps us remember that we all need to make our own normal.
Page Count: 284
Average Goodreads Rating: 4.67 out of 5 stars
My rating: 4.5 out of 5 stars
Welcome to the life of Max Bascom, whose home is Bascomville. Bascomville has its own special kind of normal, where fathers can get job leads from their sons and Christmas dinners can end up to be Chinese take out. Max does his best to navigate Bascomville and to keep it running as smoothly as possible through good times and tragedy. And he also forms a special bond with the girl next door, Janice, who understands Bascomville despite coming from a world much different.
This book is so fabulously written. I usually don’t take review requests, but I’m glad I did for this book. It’s part romance, part literary masterpiece, and it captures “growing up” so well. I wish I had this book when I was in middle school or high school because I can relate to making your own kind of normal.
“Us? Normal?”
“How do you know we aren’t? How do we know everybody doesn’t make their own?”
She considered this for a moment then dismissed it. “If everybody made their own then nothing would be normal. Nothing could ever be normal.”
“Exactly.”
That’s my kind of definition of normal. And I think everyone needs to remember that normalcy doesn’t really exist a little bit more.
I didn’t see the plot twists coming ahead of time and I never got bored. On top of that, this book is incredibly quotable. There’s some good life advice in here, like when Max helped Janice cover up vandalism on her house:
And I knew then that ultimately we can save neither ourselves nor our loved ones from life. We can only live it.
Max is a complex character that I like and dislike. He is, ultimately, human, not a hero. He tends to overreact sometimes when Janice is involved, but for the most part he’s likeable. He’s loyal to his family, loves his little sister, and wishes for a world with a level playing field.
My favorite character is his little sister Lily, though. She actually has it worse than Max. She lives at home with her parents after Max goes to college and has to deal with her mother pretending she doesn’t exist and her father pretending to be her best friend to make up for it. Her home life is lousy at best and she practically raises herself for her last years of high school. But she’s strong enough to not break under pressure and she’s not one for self-pity.
“Fair is for dorks. I don’t need fair to make things work.”– Lily Bascom
So why only a 4.5 instead of a 5?
It’s because of the long descriptions, like this one that characterizes Mr. Birnbaum, Janice’s father, through his workshop.
I stepped inside and caught my breath. It was, to me, a foreign wonderland, this workshop. I am not a particularly handy person, and the panorama of neatly arranged rows of tools hanging on pegboards, the fittings categorized in plastic bins, the copper piping slung above the rafters, the worktables and vises and clamps and braided electrical cords all echoed the prowess of this man. I felt humbled, and strangely calm. I still wasn’t sure if I was doing the right thing but I was no longer nervous about it. I could leave disappointed, even chastised, and be all right with it. Such was the power of Sheldon Birnbaum and this place.
While these descriptions certainly add character and depth to the story, they can sometimes be a little excessive and make my attention lag. This book is certainly not a fluff book and isn’t meant to be one, but the long descriptions make it slightly more harder to get through than it has to be.
This is a good book for anyone to read and I can’t recommend it enough, especially to teens. It helps us remember that we all need to make our own normal.
Heather Cranmer (2721 KP) rated The Disappearing Girl in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> at the end of September).
For some reason, this is a book that I really wanted to read. It's like it just spoke out to me. I'm glad I read it because this was such an interesting read!
It's so annoying when a book's blurb tells you what the book's going to be about, but then it turn's out the book is nothing like the blurb. However, The Disappearing Girl's blurb is spot on, so I won't bore you with my own words with what it's about.
The title is what first drew my attention to this book. I think it's intriguing, and it made me want to know why this girl was disappearing.
The cover is alright. For some reason, the girl on the front annoys me. There's just something about her appearance. However, that's just a personal thing. I do like the photo frame of just a brick wall with the title in it though.
I think Ms. Wood did a brilliant job with the world building! I struggled with anorexia when I was 13 years old, so I know what's it like. Ms. Wood seem to get the thought process right and the mannerisms of having this disorder. I remembered thinking those same things that Kayla would think. This book has one of the best built words I've read about in awhile!
I won't lie. I did think there would be times when the pacing would slow down. However, I needn't have worried. This book draws you in and doesn't let you go until the very end. I found myself fully immersed, and not once did my attention waver.
The plot line of a girl with anorexia has been done before, but Heather Topham Wood does an excellent job of creating fantastic sub-plots that support the main plot. As I said before, this is a great read!
Like everything else, the characters were written fantastically! I could totally relate to Kayla and what extreme lengths she'd go to to get to her goal weight. I liked how even though she had this internal struggle going on, she tried her hardest to please everyone. I know that if you end up trying to please everyone, you end up pleasing no one, but I do like how Kayla tried to make everyone happy. Cameron was a sweetie! I admired him for his dedication and loyalty to Kayla. I loved how he kept trying to stick by her side even when she tried pushing him away. I was so angry with Kayla's mother though! I hated how she treated Kayla and her sister Lila. There were times when I felt like screaming at my book to try to reach this literary character! Kayla's mom isn't written horribly, but quite the opposite. In fact, I'd go to say that she's that person you love to hate. I loved Lila! She isn't mentioned a whole lot throughout the story, but I loved reading about how her character grew emotionally. She goes from being a very vulnerable teen to a strong woman.
I thought the dialogue suited this book quite well. The whole anorexia talk doesn't just sound like something the author came up with. Instead, it sounds like the author did her research about this disease. As for bad language, there are some swear words so be warned.
Overall, The Disappearing Girl by Heather Topham Wood is like actually knowing someone with anorexia. This book makes you feel as if the main character is one of your best friends, and you just want her to get better. Everything about this book is perfect, and I can't find even one thing to fault.
I'd recommend this book to those aged 17+ (due to adult themes) who want to know the characters on a very emotional, personal level.
(I received a free ebook of this title from the author in exchange for a fair and honest review).
For some reason, this is a book that I really wanted to read. It's like it just spoke out to me. I'm glad I read it because this was such an interesting read!
It's so annoying when a book's blurb tells you what the book's going to be about, but then it turn's out the book is nothing like the blurb. However, The Disappearing Girl's blurb is spot on, so I won't bore you with my own words with what it's about.
The title is what first drew my attention to this book. I think it's intriguing, and it made me want to know why this girl was disappearing.
The cover is alright. For some reason, the girl on the front annoys me. There's just something about her appearance. However, that's just a personal thing. I do like the photo frame of just a brick wall with the title in it though.
I think Ms. Wood did a brilliant job with the world building! I struggled with anorexia when I was 13 years old, so I know what's it like. Ms. Wood seem to get the thought process right and the mannerisms of having this disorder. I remembered thinking those same things that Kayla would think. This book has one of the best built words I've read about in awhile!
I won't lie. I did think there would be times when the pacing would slow down. However, I needn't have worried. This book draws you in and doesn't let you go until the very end. I found myself fully immersed, and not once did my attention waver.
The plot line of a girl with anorexia has been done before, but Heather Topham Wood does an excellent job of creating fantastic sub-plots that support the main plot. As I said before, this is a great read!
Like everything else, the characters were written fantastically! I could totally relate to Kayla and what extreme lengths she'd go to to get to her goal weight. I liked how even though she had this internal struggle going on, she tried her hardest to please everyone. I know that if you end up trying to please everyone, you end up pleasing no one, but I do like how Kayla tried to make everyone happy. Cameron was a sweetie! I admired him for his dedication and loyalty to Kayla. I loved how he kept trying to stick by her side even when she tried pushing him away. I was so angry with Kayla's mother though! I hated how she treated Kayla and her sister Lila. There were times when I felt like screaming at my book to try to reach this literary character! Kayla's mom isn't written horribly, but quite the opposite. In fact, I'd go to say that she's that person you love to hate. I loved Lila! She isn't mentioned a whole lot throughout the story, but I loved reading about how her character grew emotionally. She goes from being a very vulnerable teen to a strong woman.
I thought the dialogue suited this book quite well. The whole anorexia talk doesn't just sound like something the author came up with. Instead, it sounds like the author did her research about this disease. As for bad language, there are some swear words so be warned.
Overall, The Disappearing Girl by Heather Topham Wood is like actually knowing someone with anorexia. This book makes you feel as if the main character is one of your best friends, and you just want her to get better. Everything about this book is perfect, and I can't find even one thing to fault.
I'd recommend this book to those aged 17+ (due to adult themes) who want to know the characters on a very emotional, personal level.
(I received a free ebook of this title from the author in exchange for a fair and honest review).
Gareth von Kallenbach (980 KP) rated Loveless (2017) in Movies
Jul 8, 2019
Speaking as someone who grew up in the United States, prides themselves on having a vast and diverse movie library, and only leaves the confines of the greater Seattle-area on very rare occasions .. I’m the first to admit that there are times when I don’t fully appreciate the films produced in other countries. It’s amazing how different they can be based on even differences in other cultures. Take films made in Russia for example. Perhaps it’s the cold and bleakness of the country but Russian filmmakers are amongst the best when it comes to tragedies. I imagine it’s a ‘carry over’ in part from the great literary masterpieces to come out of that country. Not to give it all away right from the beginning but if you’re like me, you need to prepare yourself for a good tragedy and that’s exactly what the film is that is up for your consideration.
‘Loveless’ is a 2017 Russian tragedy from noted director Andrey Zvyaginstev and co-written by Zvyaginstev and Oleg Negin. As with Zvyaginstev’s 2014 tragedy ‘Leviathan’, ‘Loveless’ has quickly risen to critical acclaim and already won several accolades including the Jury Prize at 2017 Cannes Film Festival and was nominated for Best Foreign Language Film at the 90th Academy Awards.
‘Loveless’ stars Maryana Spivak, Aleksey Rozin, and Matvey Novikov. It’s the end of the day for 12 year-old Alexey (Novikov). He says farewell to the few friends he has at school and takes the long way home through the woods following a river on the outskirts of Moscow. It’s a cold, dreary afternoon yet it’s preferable to what awaits him at home. His parents Zhenya (Spivak) and Boris (Rozin) are separated and engaged in bitter divorce proceedings but to both, the marriage was over long ago. The only difference is now are that they are living separately and they’re also trying to shrug parental responsibilities off on one another. They seem to have no issue vocalizing their mutual belief that having Alexey was a mistake. Their only real concerns seem to be getting their son out of their lives so they can move on with their new spouses and each begin a whole new family obliterating any connection they ever had or made. All this in a country that that is engaged in a war against its own people and against the Ukraine. The destruction of a family with parents at war with one another leaving the child as the innocent victim.
Zhenya returns to her apartment after spending time with her new lover to find Alexey gone and messages from his school stating he had not been there in two days. She calls Boris in an attempt to locate Alexey and after another argument over the phone finally decides to call in the police. After starting to show the smallest amount of concern for Alexey and disgust over the low priority that the police are assigning their son’s case, Zhenya and Boris call in a special volunteer unit specializing in searching for missing persons. While the parents actively participate in searching for their son, they continue to fight and engage in hostilities towards one another showing such selfishness and a blatant disregard for their son’s well being that you begin to wonder how far they can take it.
Although the film isn’t my ‘normal cup of tea’, i’m going to give it 4 out of 5 stars Zvyaginstev has crafted another tragic masterpiece putting ‘Loveless’ almost on par with ‘Leviathan’. The film highlights the lack of empathy displayed by families in modern society. Although the film has a ‘predictability’ given Zvyaginstev’s past work it is beautifully shot and well written. Watching the downward spiral of the family in this film is almost like reading a piece sheet music. It’s ominous. It’s not just name calling and insults … it’s as though it’s being disassembled piece by piece which although dark and bleak is still quite intriguing. I’d personally recommend you catch it in an independent movie theater or a small art house theater. It’s a 2 hour movie so I’d recommend catching it at a small theater.
‘Loveless’ is a 2017 Russian tragedy from noted director Andrey Zvyaginstev and co-written by Zvyaginstev and Oleg Negin. As with Zvyaginstev’s 2014 tragedy ‘Leviathan’, ‘Loveless’ has quickly risen to critical acclaim and already won several accolades including the Jury Prize at 2017 Cannes Film Festival and was nominated for Best Foreign Language Film at the 90th Academy Awards.
‘Loveless’ stars Maryana Spivak, Aleksey Rozin, and Matvey Novikov. It’s the end of the day for 12 year-old Alexey (Novikov). He says farewell to the few friends he has at school and takes the long way home through the woods following a river on the outskirts of Moscow. It’s a cold, dreary afternoon yet it’s preferable to what awaits him at home. His parents Zhenya (Spivak) and Boris (Rozin) are separated and engaged in bitter divorce proceedings but to both, the marriage was over long ago. The only difference is now are that they are living separately and they’re also trying to shrug parental responsibilities off on one another. They seem to have no issue vocalizing their mutual belief that having Alexey was a mistake. Their only real concerns seem to be getting their son out of their lives so they can move on with their new spouses and each begin a whole new family obliterating any connection they ever had or made. All this in a country that that is engaged in a war against its own people and against the Ukraine. The destruction of a family with parents at war with one another leaving the child as the innocent victim.
Zhenya returns to her apartment after spending time with her new lover to find Alexey gone and messages from his school stating he had not been there in two days. She calls Boris in an attempt to locate Alexey and after another argument over the phone finally decides to call in the police. After starting to show the smallest amount of concern for Alexey and disgust over the low priority that the police are assigning their son’s case, Zhenya and Boris call in a special volunteer unit specializing in searching for missing persons. While the parents actively participate in searching for their son, they continue to fight and engage in hostilities towards one another showing such selfishness and a blatant disregard for their son’s well being that you begin to wonder how far they can take it.
Although the film isn’t my ‘normal cup of tea’, i’m going to give it 4 out of 5 stars Zvyaginstev has crafted another tragic masterpiece putting ‘Loveless’ almost on par with ‘Leviathan’. The film highlights the lack of empathy displayed by families in modern society. Although the film has a ‘predictability’ given Zvyaginstev’s past work it is beautifully shot and well written. Watching the downward spiral of the family in this film is almost like reading a piece sheet music. It’s ominous. It’s not just name calling and insults … it’s as though it’s being disassembled piece by piece which although dark and bleak is still quite intriguing. I’d personally recommend you catch it in an independent movie theater or a small art house theater. It’s a 2 hour movie so I’d recommend catching it at a small theater.
Heather Cranmer (2721 KP) rated Yeah, but I Didn't in Books
Feb 15, 2020
I love books that deal with some sort of downward spiral. I don't mean that in a morbid sense. I just mean that I usually find them interesting. When I was presented with the opportunity of reading Yeah, but I Didn't by Ann Swann, I jumped at the chance.
Benji Stevens is a bright 14 year old high school girl. In fact, she's so smart, she's even skipped a grade in school. When something horrible happens to her one day at her house, her life begins to spiral out of control. With bad things happening right after one another, will Benji find the light at the end of the tunnel or will it be too late?
The premise for Yeah, but I Didn't is really interesting. There were some great aspects of this book. In fact, after reading this book, my new life motto is now, "You can’t control how other people treat you. But you CAN control how you react. And that’s how you take back your power." I love that quote, and it's said a few times throughout Yeah, but I Didn't. I liked the theme of hope and forgiveness towards the end of the book as well. Ann Swann did a fantastic job with her descriptive language at making it easy to picture each scene in the book. I found myself being transported to the setting of Yeah, But I Didn't whenever I started reading.
The characters in Yeah, but I Didn't felt fairly realistic throughout the novel, though Benji's character seemed more like she was 12 with how she would speak and act sometimes. I liked Benji though, and I admired her determination to get through this horrible part of her life. I enjoyed reading about Benji's mom and how (in the last quarter of the book) she turns to God to help her with everything. (Though this was a sudden shift and was a little jarring. The story went from no real mention of God to suddenly focusing on how God can help you.) Janie was a well-written character, but I just wanted to shake that girl sometimes for being so spiteful and horrible to her mom and Benji especially! My favorite characters were Uncle Aidan and Dr Blue. They always came across as being optimistic and wanting to help Benji be the best version of herself. I will also say that each character is described very well, so it's easy to picture each one as a real life person instead of just some character in a book.
As much as I enjoyed the book, there were things that didn't work for me. I found the pacing to be a bit too slow for my liking, and I felt like there was too much narrative description through much of the book; I didn't need to know exact details of every little thing. I could have done without the mention of politics in this book; it didn't seem necessary. And a pet peeve: it's mentioned that Benji and her uncle they order chicken nuggets from Sonic. Sonic does not do chicken nuggets; they do chicken strips, popcorn chicken, and boneless wings -- but never chicken nuggets!
I also felt like, although this book is considered a young adult book and deals with some heavy subject matters, it felt like it was written for a middle grade audience.
Trigger warnings for Yeah, but I Didn't include alcoholism, suicide, attempted suicide, teenage pregnancy, some violence, and attempted rape.
While I found Yeah, but I Didn't to be a bit of a slow read mostly, I do think younger teens that who are going through a dark patch in their life would enjoy this. I would recommend Yeah, but I Didn't by Ann Swann to those 14+ who need a bit of hope in their life.
--
(A special thank you to Lone Star Literary Life for providing me with an eBook of Yeah, but I Didn't by Ann Swann in exchange for an honest and unbiased review.)
Benji Stevens is a bright 14 year old high school girl. In fact, she's so smart, she's even skipped a grade in school. When something horrible happens to her one day at her house, her life begins to spiral out of control. With bad things happening right after one another, will Benji find the light at the end of the tunnel or will it be too late?
The premise for Yeah, but I Didn't is really interesting. There were some great aspects of this book. In fact, after reading this book, my new life motto is now, "You can’t control how other people treat you. But you CAN control how you react. And that’s how you take back your power." I love that quote, and it's said a few times throughout Yeah, but I Didn't. I liked the theme of hope and forgiveness towards the end of the book as well. Ann Swann did a fantastic job with her descriptive language at making it easy to picture each scene in the book. I found myself being transported to the setting of Yeah, But I Didn't whenever I started reading.
The characters in Yeah, but I Didn't felt fairly realistic throughout the novel, though Benji's character seemed more like she was 12 with how she would speak and act sometimes. I liked Benji though, and I admired her determination to get through this horrible part of her life. I enjoyed reading about Benji's mom and how (in the last quarter of the book) she turns to God to help her with everything. (Though this was a sudden shift and was a little jarring. The story went from no real mention of God to suddenly focusing on how God can help you.) Janie was a well-written character, but I just wanted to shake that girl sometimes for being so spiteful and horrible to her mom and Benji especially! My favorite characters were Uncle Aidan and Dr Blue. They always came across as being optimistic and wanting to help Benji be the best version of herself. I will also say that each character is described very well, so it's easy to picture each one as a real life person instead of just some character in a book.
As much as I enjoyed the book, there were things that didn't work for me. I found the pacing to be a bit too slow for my liking, and I felt like there was too much narrative description through much of the book; I didn't need to know exact details of every little thing. I could have done without the mention of politics in this book; it didn't seem necessary. And a pet peeve: it's mentioned that Benji and her uncle they order chicken nuggets from Sonic. Sonic does not do chicken nuggets; they do chicken strips, popcorn chicken, and boneless wings -- but never chicken nuggets!
I also felt like, although this book is considered a young adult book and deals with some heavy subject matters, it felt like it was written for a middle grade audience.
Trigger warnings for Yeah, but I Didn't include alcoholism, suicide, attempted suicide, teenage pregnancy, some violence, and attempted rape.
While I found Yeah, but I Didn't to be a bit of a slow read mostly, I do think younger teens that who are going through a dark patch in their life would enjoy this. I would recommend Yeah, but I Didn't by Ann Swann to those 14+ who need a bit of hope in their life.
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(A special thank you to Lone Star Literary Life for providing me with an eBook of Yeah, but I Didn't by Ann Swann in exchange for an honest and unbiased review.)
Lottie disney bookworm (1056 KP) rated The Story of Silence in Books
Jun 17, 2021
An Arthurian tale, adapted from a 13th century lost poem, containing dragons and knights but tackling the fluid notion of gender? Sign me up! Literally! Thank you to Eidelweiss+ and HarperVoyager for the opportunity to read this in exchange for an honest review.
Silence is born a girl, but due to the laws of inheritance is raised a boy, with only 3 people knowing their true gender (one of whom, initially, is not Silence). The Story of Silence follows Silence from birth, showing their struggles between Nature and Nurture in the medieval period.
The writing style of this fantasy novel is remarkable, with an almost lyrical, ballad quality to it. The settings of Cornwall, and later Brittany, are described in such a way that captivates the reader, transporting them to the jousting fields, the towering castles and the courts of Earls and Kings.
The writing is at a slower pace, a literary journey rather than a sprint and for that reason I didn’t quite get the feeling of “I can’t put this down”, particularly in the middle of the novel. However, the twists and turns in Silence’s life were always quick to pull me back in.
As a character, the reader loves Silence from the very beginning. None of the struggles of their life are of their own making. Indeed, there are moments within this story where it would have been much simpler to tell the truth but Silence does not, displaying true knightly qualities of courage and loyalty. If I had one criticism of this book it is that, after his first “courses”, Silence doesn’t seem to find disguising his Nature very difficult., Yes, he binds his chest but he also travels on the road with male companions for years with no further mention of the more natural signs of his true nature.
The cast of characters surrounding Silence are also excellent, we have the troubled Earl Cador who, despite his original plan, it seems cannot love his child as he should; Griselle and the seneschal who do love and care for Silence and then there is Merlin.
Now, I know Silence should be my favourite character but Merlin stole the show in my opinion! There is no stoical wizard in Myers’ world, oh no! Merlin is a naked, disgusting old man who has an awful habit of laughing out loud at the unseen futures of those he passes. I also appreciated how Merlin wasn’t a solution to Silence’s problems (in fact the opposite is true!). Despite the magical undercurrent within this story, Merlin doesn’t fix everything with the flick of a magic wand – conversely he forces Silence to look inside and solve their own riddle, emphasising that you do not need to fit into one category or another, you can be both, you can be what you decide to be.
It should also be noted that, up to this point in the novel, Silence is referred to with the male pronoun, as that is how he sees himself. He is a boy. He is a knight! However, on processing Merlin’s world this pronoun notably changes to they and their. A beautiful detail that resonated how Silence had accepted their true identity.
The characterisation of women in The Story of Silence is something that has been picked up on a lot by my fellow reviewers and yes, the women in this book are often sex-crazed, deceitful, disloyal creatures. This is also an issue that is directly discussed within the author’s note, further proving that this was not an intentional slight on women. Alex Myers is an author, they are telling a story and that story takes place in the 13th century when, unfortunately, women were depicted like this. The main despicable action by a woman is essential to stay true to the poem. Was it frustrating as a female reader? Sometimes. But are there an equal number of ugly characteristics shown in the male characters? Absolutely!
The Story of Silence is a slow-burning tale which steadily unfurls into a captivating narrative which will stay with the reader long after the final page. The original 13th century poem captures the concept of gender so beautifully but Alex Myers takes this even further, handling Silence’s journey with love and compassion. I feel very lucky to have read this.
Silence is born a girl, but due to the laws of inheritance is raised a boy, with only 3 people knowing their true gender (one of whom, initially, is not Silence). The Story of Silence follows Silence from birth, showing their struggles between Nature and Nurture in the medieval period.
The writing style of this fantasy novel is remarkable, with an almost lyrical, ballad quality to it. The settings of Cornwall, and later Brittany, are described in such a way that captivates the reader, transporting them to the jousting fields, the towering castles and the courts of Earls and Kings.
The writing is at a slower pace, a literary journey rather than a sprint and for that reason I didn’t quite get the feeling of “I can’t put this down”, particularly in the middle of the novel. However, the twists and turns in Silence’s life were always quick to pull me back in.
As a character, the reader loves Silence from the very beginning. None of the struggles of their life are of their own making. Indeed, there are moments within this story where it would have been much simpler to tell the truth but Silence does not, displaying true knightly qualities of courage and loyalty. If I had one criticism of this book it is that, after his first “courses”, Silence doesn’t seem to find disguising his Nature very difficult., Yes, he binds his chest but he also travels on the road with male companions for years with no further mention of the more natural signs of his true nature.
The cast of characters surrounding Silence are also excellent, we have the troubled Earl Cador who, despite his original plan, it seems cannot love his child as he should; Griselle and the seneschal who do love and care for Silence and then there is Merlin.
Now, I know Silence should be my favourite character but Merlin stole the show in my opinion! There is no stoical wizard in Myers’ world, oh no! Merlin is a naked, disgusting old man who has an awful habit of laughing out loud at the unseen futures of those he passes. I also appreciated how Merlin wasn’t a solution to Silence’s problems (in fact the opposite is true!). Despite the magical undercurrent within this story, Merlin doesn’t fix everything with the flick of a magic wand – conversely he forces Silence to look inside and solve their own riddle, emphasising that you do not need to fit into one category or another, you can be both, you can be what you decide to be.
It should also be noted that, up to this point in the novel, Silence is referred to with the male pronoun, as that is how he sees himself. He is a boy. He is a knight! However, on processing Merlin’s world this pronoun notably changes to they and their. A beautiful detail that resonated how Silence had accepted their true identity.
The characterisation of women in The Story of Silence is something that has been picked up on a lot by my fellow reviewers and yes, the women in this book are often sex-crazed, deceitful, disloyal creatures. This is also an issue that is directly discussed within the author’s note, further proving that this was not an intentional slight on women. Alex Myers is an author, they are telling a story and that story takes place in the 13th century when, unfortunately, women were depicted like this. The main despicable action by a woman is essential to stay true to the poem. Was it frustrating as a female reader? Sometimes. But are there an equal number of ugly characteristics shown in the male characters? Absolutely!
The Story of Silence is a slow-burning tale which steadily unfurls into a captivating narrative which will stay with the reader long after the final page. The original 13th century poem captures the concept of gender so beautifully but Alex Myers takes this even further, handling Silence’s journey with love and compassion. I feel very lucky to have read this.
Beautiful well-written story with lovely characters
In 2017, Abby Zimet is struggling. Things are tough at home--her parents can barely stand to be in the same room together. Plus, Abby and her girlfriend, Linh, broke up in June. Abby thought it would only be temporary, but now school has started, and here they are: still friends, still broken up. Abby can't seem to concentrate on school or her senior project. That is until she discovers 1950s lesbian pulp fiction. In particular, a book called "Women of the Twilight Realm." Abby becomes obsessed with the author, who wrote under the name Marian Love. If Abby can somehow track down Marian, maybe life won't be so bad after all. Cut to 1955, where eighteen-year-old Janet Jones is in love with her best friend, Marie. It's a huge secret: one that could destroy their lives and that of their families. Marie is trying to get her security clearance with the State Department, after all. But when Janet finds a book at the bus station by an author called Dolores Wood, which features women falling in love with women, she starts to realize she isn't alone. And Janet, an aspiring writer, begins to wonder if there's more out there than the life that's always been planned for her.
"Janet had never understood, not until she turned the thin brown pages of Dolores Wood's novel, that other girls might feel the way she did. That a world existed outside the one she'd always known."
I loved this book so incredibly much that I can't even really explain it. It was captivating and beautiful and tragic and just appealed to me on so many levels. I have always been interested in lesbian pulp fiction since doing a project on it for a Queer Studies class in college, so it was so fascinating to read about Abby's research within the pages of this novel.
Talley effortlessly weaves so many narratives within this one that it sort of leaves you breathless at times. We have Abby's narrative, Janet's narrative, and then excerpts from the book by Marian Love that Abby grows to love so much, "Women of the Twilight Realm." The parallels are really striking between Abby and Janet, as each are discovering lesbian pulp fiction in their own era and using it to grow and learn about themselves.
Even more, we see how much things have changed between the 1950s and 2017. It's horrifying to see what Janet (and the entire gay community) had to endure, and the book really serves to educate on how terrible things were then. While I knew bits and pieces about the Lavender Scare, its ties to our actual characters here really brings it home. I have to say, I just adored Janet. She seems so incredibly real, and I just fell for her and her incredible strength and bravery. I think she will remain one of my favorite characters in lesbian fiction (and all fiction) for all time.
As for Abby, I really liked her too, although in some of her sections, I was more captivated by her research than her story. Still, she presents a poignant tale of a young bisexual trying to find herself, and I appreciated the diverse set of characters with whom she surrounds herself. Abby and her friends stand in stark contrast to Janet in their sexual freedoms, but, in many ways, they aren't so different at heart.
"That was the best part of being in love. The way it set the rest of the world on mute."
I just really really loved this book. It has so much of what I love--lesbians, diverse characters, passionate and realistic storylines, well-done research, literary references and ties. Reading Janet and Abby's stories took me back to a time when I wasn't yet out and when I had first come out--when the world wasn't yet so forgiving (not that it always is, but things were pretty different even 15+ years ago). I remember how much comfort books provided me, how wonderful it was to realize I wasn't alone in the world. I love how well this book shows that fact, and how the books-within-the book are almost their own characters.
Overall, I can't recommend this one enough. It's just a beautiful, well-written story, and, to top it off, it's informative to boot. The characters are lovely, the story is amazing, and it really leaves you feeling a bit awed. Highly recommend.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Janet had never understood, not until she turned the thin brown pages of Dolores Wood's novel, that other girls might feel the way she did. That a world existed outside the one she'd always known."
I loved this book so incredibly much that I can't even really explain it. It was captivating and beautiful and tragic and just appealed to me on so many levels. I have always been interested in lesbian pulp fiction since doing a project on it for a Queer Studies class in college, so it was so fascinating to read about Abby's research within the pages of this novel.
Talley effortlessly weaves so many narratives within this one that it sort of leaves you breathless at times. We have Abby's narrative, Janet's narrative, and then excerpts from the book by Marian Love that Abby grows to love so much, "Women of the Twilight Realm." The parallels are really striking between Abby and Janet, as each are discovering lesbian pulp fiction in their own era and using it to grow and learn about themselves.
Even more, we see how much things have changed between the 1950s and 2017. It's horrifying to see what Janet (and the entire gay community) had to endure, and the book really serves to educate on how terrible things were then. While I knew bits and pieces about the Lavender Scare, its ties to our actual characters here really brings it home. I have to say, I just adored Janet. She seems so incredibly real, and I just fell for her and her incredible strength and bravery. I think she will remain one of my favorite characters in lesbian fiction (and all fiction) for all time.
As for Abby, I really liked her too, although in some of her sections, I was more captivated by her research than her story. Still, she presents a poignant tale of a young bisexual trying to find herself, and I appreciated the diverse set of characters with whom she surrounds herself. Abby and her friends stand in stark contrast to Janet in their sexual freedoms, but, in many ways, they aren't so different at heart.
"That was the best part of being in love. The way it set the rest of the world on mute."
I just really really loved this book. It has so much of what I love--lesbians, diverse characters, passionate and realistic storylines, well-done research, literary references and ties. Reading Janet and Abby's stories took me back to a time when I wasn't yet out and when I had first come out--when the world wasn't yet so forgiving (not that it always is, but things were pretty different even 15+ years ago). I remember how much comfort books provided me, how wonderful it was to realize I wasn't alone in the world. I love how well this book shows that fact, and how the books-within-the book are almost their own characters.
Overall, I can't recommend this one enough. It's just a beautiful, well-written story, and, to top it off, it's informative to boot. The characters are lovely, the story is amazing, and it really leaves you feeling a bit awed. Highly recommend.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Bob Mann (459 KP) rated Little Women (2019) in Movies
Jan 3, 2020 (Updated Jan 3, 2020)
Saoirse Ronan - just mesmeric. What screen presence! (2 more)
Great supporting cast.
Alexandre Desplat soundtrack.
"God hasn't met my will yet"
Greta Gerwig's follow up to her Oscar-praised "Lady Bird" from 2017 looks set to repeat the job this year. For it's nothing short of a masterpiece of cinema.
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
Heather Cranmer (2721 KP) rated Creatrix Rising: Unlocking the Power of Midlife Women in Books
Aug 21, 2021
There was something about the synopsis of Creatrix Rising by Stephanie Raffelock that really sucked me in. When I read it, I knew that it was a book I would fall in love with. I wasn't wrong!
Creatrix Rising is full of great anecdotes. Reading them, I really felt like I was getting to know the author. Stephanie Raffelock does not hold back in some of the stories which helps to make her book all the more real. While reading, I felt as if Stephanie stripped herself down to her soul for me to see and bared it all especially while reading about her time as a teenager in Los Angeles. Reading Creatrix Rising made me want to actually meet Stephanie Raffelock because she just seems like such an inspiration and an amazing woman! In fact, reading some of what happened in Stephanie's life sort of paralleled mine.
Stephanie Raffelock does a fantastic job at describing what a "creatrix" is. She writes "Creatrix is a distinctly feminine word that simply means a woman who makes things." Raffelock says the world creatrix should replace crone which has such a negative connotation, and I agree! From there, Raffelock gives us plenty of personal stories about different women she has come across in her life that fit the creatrix characteristics. In each story, I felt like I was getting to know these women. I wanted to know these women. Stephanie Raffelock's writing is so beautiful and descriptive. It's hard not to feel like her stories are yours. In fact, it was difficult to not picture different women in my life that fit the bill of a creatrix. I put this down to Raffelock's wonderful writing. She definitely knows how to get her point across in such a sweet and beautiful way. Raffelock also teaches us that there is no shame in getting older and how we really should embrace aging as it's not a bad thing at all but quite the opposite.
Another thing I really loved about Creatrix Rising is at the end of each chapter, there is a section entitled "For Reflection, Activity, and Journaling." This section summarizes the main point of each chapter and asks a few in depth questions for the reader to ponder on. Be prepared to have a journal next to you because you will want to answer these questions. They will really make you think long and hard and look deeper into yourself and others. It's such a great and relaxing mental exercise. At the end of the book, if you decide to write down your answers to Stephanie Raffelock's questions, you will have your own little mini book either to keep for yourself or to share with others. If you need a little bit of help, Raffelock lists some fantastic resources to help you on your journey. I also feel that these questions would be great for a book group's discussion if this was a book picked for a book group which I would totally recommend that!
If you decide to read Creatrix Rising (which you really should), here's my personal advice. Do NOT skip the epilogue. Stephanie Raffelock says that she wrote this book in 2020 when the Corona Virus had just really taken off. Raffelock's epilogue for Creatrix Rising is all about the Corona Virus, but she uses symbolism painting the Corona Virus as a beautiful woman that takes everyone by surprise. My jaw was on the floor the whole time I was reading the epilogue. Again, Raffelock's talent for writing really did shine through in her epilogue. I would have never thought to compare Corona Virus to a beautiful woman, but reading Stephanie's story, I realized just how right she was.
Trigger warnings for Creatrix Rising include profanity, some drug use, death, some violence, and some politics.
All in all, Creatrix Rising is a beautiful masterpiece of a book that will leave its reader thinking of all the women in their life that they have come across and how these women have affected them. Although this book mentions unlocking the power of midlife women, I really think men would enjoy it just as much as they also think about the women that have touched their lives. I would definitely recommend Creatrix Rising by Stephanie Raffelock to everyone aged 18+ who are after a beautifully written book that will really make them think.
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(A special thank you to Lone Star Literary Life and Stephanie Raffelock for providing me with a hardcover of Creatrix Rising in exchange for an honest and unbiased review.)
Creatrix Rising is full of great anecdotes. Reading them, I really felt like I was getting to know the author. Stephanie Raffelock does not hold back in some of the stories which helps to make her book all the more real. While reading, I felt as if Stephanie stripped herself down to her soul for me to see and bared it all especially while reading about her time as a teenager in Los Angeles. Reading Creatrix Rising made me want to actually meet Stephanie Raffelock because she just seems like such an inspiration and an amazing woman! In fact, reading some of what happened in Stephanie's life sort of paralleled mine.
Stephanie Raffelock does a fantastic job at describing what a "creatrix" is. She writes "Creatrix is a distinctly feminine word that simply means a woman who makes things." Raffelock says the world creatrix should replace crone which has such a negative connotation, and I agree! From there, Raffelock gives us plenty of personal stories about different women she has come across in her life that fit the creatrix characteristics. In each story, I felt like I was getting to know these women. I wanted to know these women. Stephanie Raffelock's writing is so beautiful and descriptive. It's hard not to feel like her stories are yours. In fact, it was difficult to not picture different women in my life that fit the bill of a creatrix. I put this down to Raffelock's wonderful writing. She definitely knows how to get her point across in such a sweet and beautiful way. Raffelock also teaches us that there is no shame in getting older and how we really should embrace aging as it's not a bad thing at all but quite the opposite.
Another thing I really loved about Creatrix Rising is at the end of each chapter, there is a section entitled "For Reflection, Activity, and Journaling." This section summarizes the main point of each chapter and asks a few in depth questions for the reader to ponder on. Be prepared to have a journal next to you because you will want to answer these questions. They will really make you think long and hard and look deeper into yourself and others. It's such a great and relaxing mental exercise. At the end of the book, if you decide to write down your answers to Stephanie Raffelock's questions, you will have your own little mini book either to keep for yourself or to share with others. If you need a little bit of help, Raffelock lists some fantastic resources to help you on your journey. I also feel that these questions would be great for a book group's discussion if this was a book picked for a book group which I would totally recommend that!
If you decide to read Creatrix Rising (which you really should), here's my personal advice. Do NOT skip the epilogue. Stephanie Raffelock says that she wrote this book in 2020 when the Corona Virus had just really taken off. Raffelock's epilogue for Creatrix Rising is all about the Corona Virus, but she uses symbolism painting the Corona Virus as a beautiful woman that takes everyone by surprise. My jaw was on the floor the whole time I was reading the epilogue. Again, Raffelock's talent for writing really did shine through in her epilogue. I would have never thought to compare Corona Virus to a beautiful woman, but reading Stephanie's story, I realized just how right she was.
Trigger warnings for Creatrix Rising include profanity, some drug use, death, some violence, and some politics.
All in all, Creatrix Rising is a beautiful masterpiece of a book that will leave its reader thinking of all the women in their life that they have come across and how these women have affected them. Although this book mentions unlocking the power of midlife women, I really think men would enjoy it just as much as they also think about the women that have touched their lives. I would definitely recommend Creatrix Rising by Stephanie Raffelock to everyone aged 18+ who are after a beautifully written book that will really make them think.
--
(A special thank you to Lone Star Literary Life and Stephanie Raffelock for providing me with a hardcover of Creatrix Rising in exchange for an honest and unbiased review.)