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Hazel (1853 KP) rated The Wanderers in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.
“As they look to the stars, what are they missing back home?” </i>In a handful of year’s time, it can be presumed that dreams of humans on Mars will become closer to a reality. In Meg Howey’s <i>The Wanderers</i>, the time has come to select the potential candidates to participate in the first crewed mission to the Red Planet. Yet, as the astronauts prepare to walk among the stars, their families are left to consider a life without them.
The story is told through the perspectives of seven characters. Perhaps the most important are the three astronauts: Helen, Sergei and Yoshi, who are enclosed in a tiny mock-spacecraft, as they practice the hypothetical challenges and experiences they may encounter on a real trip to Mars. The remaining chapters are shared out amongst family members: Mireille, Helen’s adult daughter; Dmitri, Sergei’s fifteen-year old son; and Madoka, Yoshi’s wife – the final character being Luke, a psychiatrist tasked with observing the mental state of the astronauts throughout the experiment.
Interestingly, those being left behind are less concerned about their parent or spouse, choosing to focus on their own, everyday life, problems. Left to their own devices, they worry about their careers, their sexuality and the ways in which others perceive them. All, presumably as a result of the lack of contact with their significant family member, have become capable of surviving independently, however do not appear to realize how lonely they are.
The astronauts, on the other hand, are preoccupied with thoughts of space, concentrating so hard on the mission ahead of them that they fail to think of anything else. However, after months of only having each other for company, their thoughts begin to drift in the direction of home, their childhood, worries about their family, guilt – all notions that are fairly alien to the career driven characters.
Whilst it is interesting to witness the character developments, there is not a significant storyline. The book only encompasses the training period for the prospective space mission, and does not appear to have a substantial conclusion. Whether the astronauts eventually make it to Mars, and whether their consciences encourage them to behave differently towards their families, remains unknown.
<i>The Wanderers</i> has the essence of a work of fiction that English Literature students or professors would enjoy pulling apart, examining the language and literary techniques as they seek the understanding of the various emotions portrayed. Unfortunately, the majority will not have chosen to read this book for this precise purpose, expecting a science fiction novel full of excitement and interesting plot. Without either of these elements taking precedence, many are bound to be disappointed.
My rating for this book (two of five stars) is on the basis of the storyline, rather than the concept of family versus space. Yes, Howey writes well, is informed of the ins and outs of space programmes, and is knowledgeable enough to write an accurate representation of an astronaut’s experience, however as a form of entertainment, it is considerably lacking. Those expecting a narrative similar to other well-written science fiction novels will be sorely disappointed.
“As they look to the stars, what are they missing back home?” </i>In a handful of year’s time, it can be presumed that dreams of humans on Mars will become closer to a reality. In Meg Howey’s <i>The Wanderers</i>, the time has come to select the potential candidates to participate in the first crewed mission to the Red Planet. Yet, as the astronauts prepare to walk among the stars, their families are left to consider a life without them.
The story is told through the perspectives of seven characters. Perhaps the most important are the three astronauts: Helen, Sergei and Yoshi, who are enclosed in a tiny mock-spacecraft, as they practice the hypothetical challenges and experiences they may encounter on a real trip to Mars. The remaining chapters are shared out amongst family members: Mireille, Helen’s adult daughter; Dmitri, Sergei’s fifteen-year old son; and Madoka, Yoshi’s wife – the final character being Luke, a psychiatrist tasked with observing the mental state of the astronauts throughout the experiment.
Interestingly, those being left behind are less concerned about their parent or spouse, choosing to focus on their own, everyday life, problems. Left to their own devices, they worry about their careers, their sexuality and the ways in which others perceive them. All, presumably as a result of the lack of contact with their significant family member, have become capable of surviving independently, however do not appear to realize how lonely they are.
The astronauts, on the other hand, are preoccupied with thoughts of space, concentrating so hard on the mission ahead of them that they fail to think of anything else. However, after months of only having each other for company, their thoughts begin to drift in the direction of home, their childhood, worries about their family, guilt – all notions that are fairly alien to the career driven characters.
Whilst it is interesting to witness the character developments, there is not a significant storyline. The book only encompasses the training period for the prospective space mission, and does not appear to have a substantial conclusion. Whether the astronauts eventually make it to Mars, and whether their consciences encourage them to behave differently towards their families, remains unknown.
<i>The Wanderers</i> has the essence of a work of fiction that English Literature students or professors would enjoy pulling apart, examining the language and literary techniques as they seek the understanding of the various emotions portrayed. Unfortunately, the majority will not have chosen to read this book for this precise purpose, expecting a science fiction novel full of excitement and interesting plot. Without either of these elements taking precedence, many are bound to be disappointed.
My rating for this book (two of five stars) is on the basis of the storyline, rather than the concept of family versus space. Yes, Howey writes well, is informed of the ins and outs of space programmes, and is knowledgeable enough to write an accurate representation of an astronaut’s experience, however as a form of entertainment, it is considerably lacking. Those expecting a narrative similar to other well-written science fiction novels will be sorely disappointed.
Nighty Night! - The bedtime story app for children
Book and Education
App
The most popular bedtime story on the App Store! Over 4 million downloads. „App of Year“...
Nighty Night! - The bedtime story app
Book and Education
App
The most popular bedtime story on the App Store! Over 4 million downloads. „App of Year“...
The Thief (The Queen's Thief #1)
5.8
Rate It
Book
Discover the world of the Queen's Thief New York Times-bestselling author Megan Whalen Turner's...
Journey by Moonlight
Antal Szerb, Len Rix and Eoin Ryan
Book
A major classic of 1930s literature, Antal Szerb's Journey by Moonlight (Utas es Holdvilag) is the...
BookInspector (124 KP) rated The Woman in the Wood in Books
Sep 24, 2020
I would like to begin by saying, that this is my first book by this author, and it really surprised me. It felt like I was reading a literary classics and I really hope it will become one day.
The main characters of this book are twins Maisy and Duncan, and author really puts a lot of effort in introducing them. Generally, all the characters in this book were very well introduced and rounded. Their personalities were shining in this book, and there were so many to choose from. Lesley Pearse kept really pleasant balance between cold and warm characters, giving a taste of both and keeping the diversity going. I really liked the way author chose different ages for the characters, so everyone, from young to old will find someone to relate to. I do love books where characters have a voice, and this book didn’t disappoint me with that, but the transition between different perspectives was sometimes difficult to follow for me, as it just starts from new paragraph. That’s why, for me, this book required some concentration and suitable atmosphere to read it.
The plot of this book starts in 1960 in West London but quite quickly it is transferred to Nightingales mansion in Burley. Well, it was way before I was born and there are so many clues of the 60ies, but during whole book I had the feeling of early nineteenth century. It was because of the elegant and refined writing style used in this book, everything in this book screamed of politeness and rich mannerism, that’s why it felt like reading one of the classic books.
The story of this novel was flowing very smoothly, without any story changing twists or turns. There were some really interesting discoveries along the way, which made the book interesting, but it was not very fast paced for me. L. Pearse was discussing really interesting topics in this book, such as: children growing up with lack of parental love; the strong bond between siblings (in this case twins); how paedophilia and child abuse affects young kids mentally and physically; why people choose to live away from society; and I believe some of them were taken from author’s own colourful life.
As I mentioned before, the writing style of this book is very refined and sophisticated, and for me it is not easy to read such work, but very refreshing at the same time. The chapters of this book are not very short, but it changes between different characters perspectives, so they are not boring. I would like to throw in a disclaimer, there are some nasty things discussed in this book, so if you have an eager sensitive child who would like to read this novel, it could be a little distressing. The ending of this book wasn’t very exciting, but it was well deserved and rounded the story fully, leaving me satisfied with the outcome of this story. So to conclude, I enjoyed reading this rich novel, filled with unexpected writing style, well rounded, interesting characters, and it discusses very wide range of life aspects. Get it, read it, enjoy it!
Was given this book by publisher and NetGalley for honest review.
The main characters of this book are twins Maisy and Duncan, and author really puts a lot of effort in introducing them. Generally, all the characters in this book were very well introduced and rounded. Their personalities were shining in this book, and there were so many to choose from. Lesley Pearse kept really pleasant balance between cold and warm characters, giving a taste of both and keeping the diversity going. I really liked the way author chose different ages for the characters, so everyone, from young to old will find someone to relate to. I do love books where characters have a voice, and this book didn’t disappoint me with that, but the transition between different perspectives was sometimes difficult to follow for me, as it just starts from new paragraph. That’s why, for me, this book required some concentration and suitable atmosphere to read it.
The plot of this book starts in 1960 in West London but quite quickly it is transferred to Nightingales mansion in Burley. Well, it was way before I was born and there are so many clues of the 60ies, but during whole book I had the feeling of early nineteenth century. It was because of the elegant and refined writing style used in this book, everything in this book screamed of politeness and rich mannerism, that’s why it felt like reading one of the classic books.
The story of this novel was flowing very smoothly, without any story changing twists or turns. There were some really interesting discoveries along the way, which made the book interesting, but it was not very fast paced for me. L. Pearse was discussing really interesting topics in this book, such as: children growing up with lack of parental love; the strong bond between siblings (in this case twins); how paedophilia and child abuse affects young kids mentally and physically; why people choose to live away from society; and I believe some of them were taken from author’s own colourful life.
As I mentioned before, the writing style of this book is very refined and sophisticated, and for me it is not easy to read such work, but very refreshing at the same time. The chapters of this book are not very short, but it changes between different characters perspectives, so they are not boring. I would like to throw in a disclaimer, there are some nasty things discussed in this book, so if you have an eager sensitive child who would like to read this novel, it could be a little distressing. The ending of this book wasn’t very exciting, but it was well deserved and rounded the story fully, leaving me satisfied with the outcome of this story. So to conclude, I enjoyed reading this rich novel, filled with unexpected writing style, well rounded, interesting characters, and it discusses very wide range of life aspects. Get it, read it, enjoy it!
Was given this book by publisher and NetGalley for honest review.
Kristy H (1252 KP) rated You Think It, I'll Say It in Books
Apr 19, 2018
Great, satisfying set of stories
This short story collection features ten short stories from author Sittenfeld, featuring a cast of diverse, real characters. Told from a variety of point of views--a bored housewife, a wealthy bachelor, a new mom, and more--they offer pointed and humorous insight into current society.
I typically am not a huge fan of short stories because they don't give me enough information about the characters, and I'm a very character-driven person. But when I saw that Curtis Sittenfeld had a short story collection coming out, I knew I wouldn't be able to resist. She gets a lot of press for Prep, but I feel like American Wife and Eligible are both still so fully ingrained in my brain. I loved them both so much, and they are go-to recommendations when I get the standard, "oh you like to read, what should I read?" question.
But, I digress. Sittenfeld. Short stories. I shouldn't have been surprised, honestly, that her collection would be above the typical fare. I probably enjoyed this set of short stories more than any other I've read in ages. It's so well-written and engaging. As with Sittenfeld's other work, the stories are so wonderfully descriptive, so you can immediately picture the characters and their situations. I felt like I was quickly transported to the setting of each story as soon as it began.
The stories are similar but not repetitive, which was also refreshing, and seem to be real, instead of striving to reach some sort of literary bar that makes them tedious and therefore unreadable. They are about real, relatable characters struggling with misinformed impressions, lingering resentments, and different types of relationships. But - oh hooray - even better, the majority of the stories didn't leave me with that unfinished feeling. They are honestly fascinating, and I enjoyed how they all start (I enjoyed them all the way through too, of course, but it seemed like each had a bit of a common thread in its beginning). I could have read more about each story's characters, sure, but I didn't feel frustrated when they ended, which was so amazing and different for me.
I really liked each and every story. For instance, there's "Vox Clamantis in Deserto" which begins with a woman (girl?) who idolizes a fellow college student from afar in line at the post office. Two of the stories, "Plausible Deniability" and "The Prairie Wife," had actual twists and surprises, which was so much fun. And some of the longing that came across in these characters was very touching and heartfelt. I have a soft spot for slightly nerdy high school/college kids, even once they're all grown up, and for slightly fatigued moms, so these stories were my cup of tea.
Overall, this was a great set of short stories. They are filled with real people set in complicated yet enjoyable and interesting situations. They are easy-to-read and don't leave you wanting for more--except maybe more stories. This only cements my feeling that I'll continue to read (and adore) anything Ms. Sittenfeld writes.
I received a copy of this story collection from the publisher and Netgalley in return for an unbiased review.
I typically am not a huge fan of short stories because they don't give me enough information about the characters, and I'm a very character-driven person. But when I saw that Curtis Sittenfeld had a short story collection coming out, I knew I wouldn't be able to resist. She gets a lot of press for Prep, but I feel like American Wife and Eligible are both still so fully ingrained in my brain. I loved them both so much, and they are go-to recommendations when I get the standard, "oh you like to read, what should I read?" question.
But, I digress. Sittenfeld. Short stories. I shouldn't have been surprised, honestly, that her collection would be above the typical fare. I probably enjoyed this set of short stories more than any other I've read in ages. It's so well-written and engaging. As with Sittenfeld's other work, the stories are so wonderfully descriptive, so you can immediately picture the characters and their situations. I felt like I was quickly transported to the setting of each story as soon as it began.
The stories are similar but not repetitive, which was also refreshing, and seem to be real, instead of striving to reach some sort of literary bar that makes them tedious and therefore unreadable. They are about real, relatable characters struggling with misinformed impressions, lingering resentments, and different types of relationships. But - oh hooray - even better, the majority of the stories didn't leave me with that unfinished feeling. They are honestly fascinating, and I enjoyed how they all start (I enjoyed them all the way through too, of course, but it seemed like each had a bit of a common thread in its beginning). I could have read more about each story's characters, sure, but I didn't feel frustrated when they ended, which was so amazing and different for me.
I really liked each and every story. For instance, there's "Vox Clamantis in Deserto" which begins with a woman (girl?) who idolizes a fellow college student from afar in line at the post office. Two of the stories, "Plausible Deniability" and "The Prairie Wife," had actual twists and surprises, which was so much fun. And some of the longing that came across in these characters was very touching and heartfelt. I have a soft spot for slightly nerdy high school/college kids, even once they're all grown up, and for slightly fatigued moms, so these stories were my cup of tea.
Overall, this was a great set of short stories. They are filled with real people set in complicated yet enjoyable and interesting situations. They are easy-to-read and don't leave you wanting for more--except maybe more stories. This only cements my feeling that I'll continue to read (and adore) anything Ms. Sittenfeld writes.
I received a copy of this story collection from the publisher and Netgalley in return for an unbiased review.
Rachel King (13 KP) rated Redemption in Books
Feb 11, 2019
I did not read the first book in the series, Protector, but that did not seem to matter all that much in reading this book. I caught up relatively easily to what the author felt I needed to know about Jane Perry's story so that I could dive into the action-packed, suspense-filled plot of this book.
One of the first things I noticed about the main character of Jane Perry is both her seemingly-abrasive personality, complete with a foul mouth, and her battle with alcoholism. Throughout the book, her strong personality is both her greatest strength and her biggest weakness. Her daily battle to remain sober - pushing six months - is also a prominent theme, complete with AA meetings, sobriety chips, and the 12-step program. I found these details interesting from the educational standpoint, since I have known a few alcoholics, both recovering and not, but nothing about the process of recovery from this horrible addiction.
The woman that hires Jane Perry, Katherine Clark (better known as Kit), is in many ways the very opposite of Jane. A woman in her 60's, she describes her personality as that of an "earth mother". Dealing with stage 4 cancer, she is a strict adherent of New Age philosophies and herbal medicine to treat both her cancer and her particular brand of spirituality. In addition, several of the plot's "bad guys" were followers of a particular sect of Fundamentalist Christianity that Kit spends an overt amount of time condemning, despite her many lectures of tolerance, love, and forgiveness. This in turn incites Jane to regularly mock Fundamentalist Christianity by proxy.
While I realize that radicals of any religion are easy fodder for mainstream literature, the personal beliefs of the author completely overpower the actual plot of the book. It is patently obvious that Dewey is a major supporter of all things New Age, with a penchant for Buddhism, and is completely against a literal translation of the Bible. As I have said in previous reviews, a good author is invisible to the reader, but in this book, the author often felt more present in the plot than the actual characters the book was intended to be about - some sort of amalgamation of Jane and Kit. Despite the good intentions that I am sure Dewey harbors in writing in this fashion, I became rather depressed by the end of the book by the over-saturation of Dewey's agenda of New Ageism versus Christianity, as the book became less and less about the heroics of Jane Perry and more about the beliefs of Laurel Dewey.
While I acknowledge that I do not agree with everything within the particular doctrines of the character of Dr. John Bartosh, I do consider myself a Fundamentalist Christian, a person who believes in both the literal and figurative translation of the Bible. For the author to expect me, the reader, to not even be slightly offended by the condemnation and open mockery of what I consider to be the foundation of my morality and how I live my life on a daily basis is both presumptuous and insensitive.
Despite this, the book was well-written from a literary approach, with unique characters, an unpredictable plot, and no loose ends.
One of the first things I noticed about the main character of Jane Perry is both her seemingly-abrasive personality, complete with a foul mouth, and her battle with alcoholism. Throughout the book, her strong personality is both her greatest strength and her biggest weakness. Her daily battle to remain sober - pushing six months - is also a prominent theme, complete with AA meetings, sobriety chips, and the 12-step program. I found these details interesting from the educational standpoint, since I have known a few alcoholics, both recovering and not, but nothing about the process of recovery from this horrible addiction.
The woman that hires Jane Perry, Katherine Clark (better known as Kit), is in many ways the very opposite of Jane. A woman in her 60's, she describes her personality as that of an "earth mother". Dealing with stage 4 cancer, she is a strict adherent of New Age philosophies and herbal medicine to treat both her cancer and her particular brand of spirituality. In addition, several of the plot's "bad guys" were followers of a particular sect of Fundamentalist Christianity that Kit spends an overt amount of time condemning, despite her many lectures of tolerance, love, and forgiveness. This in turn incites Jane to regularly mock Fundamentalist Christianity by proxy.
While I realize that radicals of any religion are easy fodder for mainstream literature, the personal beliefs of the author completely overpower the actual plot of the book. It is patently obvious that Dewey is a major supporter of all things New Age, with a penchant for Buddhism, and is completely against a literal translation of the Bible. As I have said in previous reviews, a good author is invisible to the reader, but in this book, the author often felt more present in the plot than the actual characters the book was intended to be about - some sort of amalgamation of Jane and Kit. Despite the good intentions that I am sure Dewey harbors in writing in this fashion, I became rather depressed by the end of the book by the over-saturation of Dewey's agenda of New Ageism versus Christianity, as the book became less and less about the heroics of Jane Perry and more about the beliefs of Laurel Dewey.
While I acknowledge that I do not agree with everything within the particular doctrines of the character of Dr. John Bartosh, I do consider myself a Fundamentalist Christian, a person who believes in both the literal and figurative translation of the Bible. For the author to expect me, the reader, to not even be slightly offended by the condemnation and open mockery of what I consider to be the foundation of my morality and how I live my life on a daily basis is both presumptuous and insensitive.
Despite this, the book was well-written from a literary approach, with unique characters, an unpredictable plot, and no loose ends.
Kristy H (1252 KP) rated Into the Water in Books
Feb 8, 2018
When the police show up at her door, Jules Abbott knows it isn't good news, but she isn't expecting this. Her older sister, Nel is dead--drowned in the lake known as the Drowning Pool back in their hometown. Jules has always vowed to never return to that place, but she finds herself back: in her childhood home, where Nel lived with her fifteen-year-old daughter, Lena. The assumption is that Nel committed suicide in the Pool, but Jules knows that isn't possible. Even though she hasn't seen her sister for years, she is convinced her water-loving sibling would never willingly die in the water. Meanwhile, Jules discovers that Nel was looking into other local residents who died at the Drowning Pool over the years for a book she was writing. What exactly happened to them--and Nel?
It's never easy to follow up a blockbuster like [b:The Girl on the Train|22557272|The Girl on the Train|Paula Hawkins|https://images.gr-assets.com/books/1490903702s/22557272.jpg|41107568] - I cannot even imagine the pressure. I didn't adore that book, but I do remember that I basically read it in one sitting. That wasn't the case with INTO THE WATER, though in its defense, I read it during an extremely busy period with work, where I basically collapsed in bed each night to read a few chapters.
This is not a bad book, but it wasn't a great one, either. It's not one that will stay with me. For one thing, much of its plot is predicated around one of my most reviled literary pet peeves: ridiculous miscommunication. You know, that whole thing where if the characters would just talk to each other, as normal folks do, for about 5 minutes, we wouldn't have to go through any of this? Yes. That. So that irritated me to no end.
There are also a lot of points of view in this book. It's not necessarily a bad thing, but it certainly took a while to keep everyone straight. I was glad I was reading this as an actual book, so I could flip back and see whom I'd been reading about earlier. Slogging through those early portions of many characters slowed things down for me and made it harder to get into the story.
As I said, it's not a bad book. I enjoyed reading it. The storyline is fairly interesting, overall, and it held my attention, even when I was pretty tired. I had a pretty decent suspicion of "whodunnit" fairly early on and turned out to be correct, but about halfway through, I was still second-guessing myself and pretty captivated. Nel, Jules, and Lena are intriguing characters, if not fairly frustrating in their lack of ability to talk to one another.
Still, overall, I was left feeling a little deflated by this one. There was no big "gasp" moment for me (perhaps because I had a decent inkling what had happened early on?) like GIRL. It was just a fairly good thriller that kept me entertained for a few days.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
It's never easy to follow up a blockbuster like [b:The Girl on the Train|22557272|The Girl on the Train|Paula Hawkins|https://images.gr-assets.com/books/1490903702s/22557272.jpg|41107568] - I cannot even imagine the pressure. I didn't adore that book, but I do remember that I basically read it in one sitting. That wasn't the case with INTO THE WATER, though in its defense, I read it during an extremely busy period with work, where I basically collapsed in bed each night to read a few chapters.
This is not a bad book, but it wasn't a great one, either. It's not one that will stay with me. For one thing, much of its plot is predicated around one of my most reviled literary pet peeves: ridiculous miscommunication. You know, that whole thing where if the characters would just talk to each other, as normal folks do, for about 5 minutes, we wouldn't have to go through any of this? Yes. That. So that irritated me to no end.
There are also a lot of points of view in this book. It's not necessarily a bad thing, but it certainly took a while to keep everyone straight. I was glad I was reading this as an actual book, so I could flip back and see whom I'd been reading about earlier. Slogging through those early portions of many characters slowed things down for me and made it harder to get into the story.
As I said, it's not a bad book. I enjoyed reading it. The storyline is fairly interesting, overall, and it held my attention, even when I was pretty tired. I had a pretty decent suspicion of "whodunnit" fairly early on and turned out to be correct, but about halfway through, I was still second-guessing myself and pretty captivated. Nel, Jules, and Lena are intriguing characters, if not fairly frustrating in their lack of ability to talk to one another.
Still, overall, I was left feeling a little deflated by this one. There was no big "gasp" moment for me (perhaps because I had a decent inkling what had happened early on?) like GIRL. It was just a fairly good thriller that kept me entertained for a few days.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;