Summerwater
Book
The Sunday Times Top Ten Bestseller 'Sharp, searching, thoroughly imagined, utterly of the moment...
Contemporary Literary fiction Scotland
Cloud Cuckoo Land
Book
From the Pulitzer Prize–winning author of All the Light We Cannot See, perhaps the most...
Into the Night (Gemma Woodstock, #2)
Book
After the shocking murder of a high-profile celebrity, Gemma Woodstock must pull back the layers of...
Police procedural Australia Melbourne
The Paper Place
Book
Before anyone else is awake, on a perfect August morning, Elle Bishop heads out for a swim in the...
Literary Fiction Trigger warning: Child Abuse
horse/man
Book
What happens when your entire identity revolves around a way of life that is becoming obsolete? ...
Literary Fiction
We Germans
Book
Winner of the Dayton Literary Peace Prize Shortlisted for the Prix Femina 2022 Shortlisted for...
Historical fiction World War II Eastern Front German Army
Theo and Sprout: A Journey of Growth
Book
Sprout says she’s there to help him, to guide him. Theo, an introverted, teenage boy form a large...
Young Adult Literary Fiction
Ross (3284 KP) rated The Court of Broken Knives in Books
Aug 7, 2018
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!
World of Yesterday: Memoirs of a European
Anthea Bell, Stefan Zweig and David Pearson
Book
'The time provides the pictures, I merely speak the words to go with them, and it will not be so...
Three Graves Full
Jon Gray and Jamie Mason
Book
Hitchcock meets the Coen Brothers in a darkly comic suspense novel with the tense pacing of a...