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The Portrait of Mr W.H.
The Portrait of Mr W.H.
Oscar Wilde | 2014 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
Quick read. Great insight into the Victorian fin de siecle . Great suspence. (0 more)
Too quick. I wanted more. (0 more)
. As a paradox to the realism and ethics of the period, decadent writers, artists, and poets challenged a society that strove for a standard in public discourse.
First published in 1889, Oscar Wilde’s The Portrait of Mr W.H., is a short story about the efforts of three characters trying to discover the identity of Shakespeare’s Mr W.H. ; the dedicatee of his many sonnets. Wilde’s novel is a prime example of decadent literature and aestheticism, which, as a result, challenges the Victorian ideals of moral decency and public rectitude. The author uses paradox in the novel to present a theory that contradicts the conservative critics of Shakespeare’s sonnets.

Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.

On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.

Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
  
The Golden Compass
The Golden Compass
Philip Pullman | 1995 | Science Fiction/Fantasy, Young Adult (YA)
10
7.6 (68 Ratings)
Book Rating
Originally reviewed on http://www.frommybookshelf.com

Philip Pullman's The Golden Compass will forever be one of my favorite books. I remember reading it when it was first published in 1995 and thinking then I had never read anything like it before, and each subsequent reading (along with the other books in the His Dark Materials series, The Subtle Knife and The Amber Spyglass) still brings that feeling of wonder. The ideas and themes that Pullman introduces in these books challenged me as a reader then, and still do over 20 years later.

Lyra's story of friendship and loyalty found in the most unlikely places, and opposing and challenging those whose beliefs may be strong but not necessarily in the right, resonated strongly with me right out of high school, and I still think that these are important themes for any young reader to experience, especially told through Lyra's eyes. Her strength of character and resolve in what she believes right creates a fantastic role model for anyone, but especially those, I think, who are trying to find their way in the world and are looking to literature to help them. Of course, Pullman disguises much of this in a fast-paced adventure story filled with political intrigue and suspense around every corner, so it will keep readers both young and old eager to find out what happens next. Not every book deserves the title "unputdownable", but I think this was one of my first experiences with a book that earned that description for me. An alternate universe, witches, daemons, polar bears who talk, and more make this book one of the more unique books you'll read, and Philip Pullman's writing is beautiful and poignant.
  
I know very little about the Amish lifestyle, though there is a similar community near where I live. This book was a good introduction to their beliefs and practices without the details getting in the way of the plot. Tidbits of the Dutch language are also interspersed throughout the dialogue to make it more realistic. Food plays a prominent role in the plot, with several of the main characters running a restaurant together called "Sweet Season." Many of the recipes featured in the back of the book were served up in the restaurant, and many descriptions of the food sparked my appetite, such as the cinnamon rolls and orange knots. So many of the Amish ways focus on Plain living, such as an old-fashioned washing machine and garden-grown fruits and vegetables. While some aspects could be considered inconvenient, such as no telephones except for businesses, other practices make for a healthier lifestyle. "Modern" society could certainly learn a few things from the Amish.
The characters were easily relate-able, even with such polar opposites as Rachel - high-maintenance and emotional - and her long-lost sister, Tiffany/ Rebecca - withdrawn and goth. I also rather liked Micah, Rachel's fiance, for his desires to help others and be responsible while also being honest with himself. Rebecca is the perfect dichotomy to the Amish faith, as she questions everything and behaves and dresses nothing like the Plain people, though she was born in the community. Miriam, the triplet's widowed mother, is also a subtle example of how even the women can gain independence and self-sufficiency by operating her own restaurant with the aid of her daughters.
I thoroughly enjoyed this book, especially for its conservative approach to romance and drama, and I know that I will be delving into more Amish literature.