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Movie Metropolis (309 KP) rated Pan (2015) in Movies
Jun 11, 2019
Where's the magic? Where's the sparkle?
The mesmerising story of Peter Pan has been told by numerous directors, playwrights and novelists over the years with Disney’s brilliant animation being one of the highlights in a series of standout moments.
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Phil Leader (619 KP) rated The Grim Company in Books
Nov 14, 2019
The Grim Company aims to deliver a swords and sorcery tail in the epic mould while being gritty, grimy and dirty in detail. And to a very large extent it suceeds, managing to tell a tale of war between city states from the point of view of some of the characters cauught up in it.
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
Emma @ The Movies (1786 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 25, 2019
And so to the latest incarnation in Spider-man Homecoming. After seeing Tom Holland in Civil War, well, let's just say that I was not convinced. Then the adverts where he's making the home movie of everything... yeah that began to grate a bit.
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
Benedick Lewis (3001 KP) rated Nothing Lasts Forever (Die Hard, #1) in Books
Sep 30, 2020
Good to see origins to a great film (1 more)
Quick read - less than 250 pages
Only one perspective- feels like it needs more character viewpoints (1 more)
Prose can be difficult to follow
Surprising: film better than book
Nothing Lasts Forever was the framework for the great film Die Hard. Being a massive fan of the film as well as putting it under academic scrutiny, it was interesting to see the similarities and differences between book and film.
However, having seen Die Hard multiple times, it was sometimes difficult to picture the protagonist, Joe Leland, doing the John McClane things. Further more, the book only depicts Leland’s point of view and the story could have benefited from being told from multiple perspectives: Leland’s, the terrorists and the hostages. Unfortunately, the terrorists’ motive is summed up in one page and it doesn’t wholly satisfy, especially given in the film, the plot is more devious and fiendishly clever giving cinema one of its all time greatest villains.
To talk more about the comparisons is doing literature an injustice. Time and again, it needs to be reminded that they are two different mediums with different requirements. That said, there is definitely one big major difference that really distinguishes the two products of this idea and the only thing that can be said is that it is towards the end. Those that know the film and decide to read this book will know when you get to that part but it is one that really sets it apart.
Frank Sinartra played Leland in the prequel to this book, The Detective. It’s not essential that you read that book first to understand this one. Author Roderick Thorp plays catch up in the opening chapters. He does however spoil that story so if you are looking to read that, best put this to one side.
Thorp’s style is a little all over the place, especially regarding the set pieces and it can be difficult to imagine the scenes he is trying to depict. Leland is not the most likeable of heroes either and it can be difficult to root for him but it is a short story and can be done in one sitting so it’ll be over before you have the time to really dislike him.
Read this if you haven’t seen Die Hard. Read this but make sure you watch Die Hard rather adjacent to that. It would be surprising if you found the book better. In this case, the film is superior. A rare case indeed.
However, having seen Die Hard multiple times, it was sometimes difficult to picture the protagonist, Joe Leland, doing the John McClane things. Further more, the book only depicts Leland’s point of view and the story could have benefited from being told from multiple perspectives: Leland’s, the terrorists and the hostages. Unfortunately, the terrorists’ motive is summed up in one page and it doesn’t wholly satisfy, especially given in the film, the plot is more devious and fiendishly clever giving cinema one of its all time greatest villains.
To talk more about the comparisons is doing literature an injustice. Time and again, it needs to be reminded that they are two different mediums with different requirements. That said, there is definitely one big major difference that really distinguishes the two products of this idea and the only thing that can be said is that it is towards the end. Those that know the film and decide to read this book will know when you get to that part but it is one that really sets it apart.
Frank Sinartra played Leland in the prequel to this book, The Detective. It’s not essential that you read that book first to understand this one. Author Roderick Thorp plays catch up in the opening chapters. He does however spoil that story so if you are looking to read that, best put this to one side.
Thorp’s style is a little all over the place, especially regarding the set pieces and it can be difficult to imagine the scenes he is trying to depict. Leland is not the most likeable of heroes either and it can be difficult to root for him but it is a short story and can be done in one sitting so it’ll be over before you have the time to really dislike him.
Read this if you haven’t seen Die Hard. Read this but make sure you watch Die Hard rather adjacent to that. It would be surprising if you found the book better. In this case, the film is superior. A rare case indeed.
Emma @ The Movies (1786 KP) rated Wonder Park (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Contains spoilers, click to show
First off, this is going to be awash with spoilers because I was absolutely amazed by the reaction I had to it. It's not unheard of for movies to turn out differently to how the trailer portrays them but in this case it felt like a rather low blow. I think there should have been some clues to what lay ahead without having to read reviews.
Second thing to get out of the way... the park is called Wonderland... why is the movie called Wonder Park? Pick one and stick to it!
June and her mum create their very own amusement park, it has amazing rides and its animal mascots love to amuse the crowds as they see the wonders that Wonderland has in store. The pair happily create together until June's mum is too sick to carry on. She needs treatment, which means that June and her father need to hold the fort while she's away. Playing with Wonderland isn't the same without her mother and in that moment she decides to pack everything away. Where fun once stood are now bare walls and a serious June who is hellbent on making sure her father doesn't stumble into anything bad.
What I had expected from the trailers was something comedic, the park was surely run down because June had grown up and make believe wasn't cool anymore... What I was served was something with a much more emotional twist of the knife. As soon as June's mother started looking unwell I knew it would be nothing like I'd expected.
We're never privy to what June's mum has, but the whole illness is a much more "glamorous" version of how real life goes. Ultimately we see her leave for treatment and then she comes back "better". No returning home between treatments, no visiting her at the hospital. In this, illness is obviously treated with magic, and while the film shows the more real aspects of the emotions it glosses over the rest.
Let's go to the cast of characters for a bit, and here comes a massive gripe... The UK version and the US version have a different cast. For whatever reason it's only the US cast that got an IMDb listing so I went off for a Google. Here's a quick comparison:
Peanut - Norbert Leo Butz
Greta - Milas Kunis
Steve - John Oliver
Gus & Cooper - UK version: Joe Sugg & Casper Lee, US version: Kenan Thompson & Ken Jeong
Boomer - UK version: Tom Baker, US version: Ken Hudson Campbell
I am at a loss. This film is absolutely not set in the UK, so why would you sub in a different cast when you have so much talent on the original roster? Suggs and Lee were weak and lacked any kind of dramatic quality. Kenan & Ken... I can hear them in my head now, they would have been wonderful together. I love Tom Baker, but he wasn't right either. It was a rather flat performance that needed a little more pep to boost the slightly bland character. My other query would be why John Oliver was cast as Steve for both versions. After seeing the "backing up" bit in the trailer I had hoped for something better in the expanded scene but no, it really was delivered that badly and the rest of his performance was no different. Having him up against Milas Kunis just added to the disaster, while Greta wasn't a great character Kunis did at least give us a good show.
Back to the story. June is sent off to math camp but on the way she has a panic about what might happen to him while he's on his own. There's actually quite a fun little montage here and that convinces her to get off the bus with the help of her friend so she can return home. Scheme executed she dashes off into the forest to make her way home... ba-da-bing ba-da-boom... magic tree portal.
We find that Wonderland is in tatters because it's cuddly little army of toys are dismantling everything that's fun and sacrificing it to the big black swirling vortex in the sky, a vortex that appeared just after the creative voice stopped whispering design ideas into Peanut's ear for the park... that's right... the swirling doom is June's depression, worry and anxiety caused by her mother going away because of her illness... well, shiiiiiiiiiiiiit.
Of course this movie land though, we know everything is going to get better. Our animal friends go from liking June to hating her when she admits the changes were her fault. She then has to redeem herself and everyone lives happily ever after.
I may be paraphrasing a whole section of the film there but that's the basic gist.
There's quite an odd balance in the film, it feels like we hardly get to see much of the park itself, and certainly not a lot in its full glory. The storyline is quite family heavy which for obvious reasons is a little on the serious side. We chop and change between events so quickly that we don't really get to know any of the characters at all, and it's difficult to see how they thought that was sensible in such a short space of time.
The animation is fine, nothing to write home about, but it just seemed to be a little bland on the scale of things. This is really not to say it's bad, we're just lucky to have so much great stuff around at the moment with a standard that is so high.
Wonder Park seems like it's trying to hit a Disney/Pixar level. The message is a surprisingly emotional one and I was surprised how much it affected me, I honestly don't know how I managed to contain my sobbing and on more than one occasion I had tears streaming down my face... there was nothing I could do about it, and I wasn't the only one.
Sadly overall this is a pretty mediocre film but it was so close to being something wonderful. I enjoyed it but there was a lot that could have made it so much better.
What you should do
All of the kids at the screening enjoyed it, for the adults it may well go either way. It definitely deserves a watch at some point.
Movie thing you wish you could take home
If I could have my own magic marker that requires nothing but imagination, I would be unstoppable.
Second thing to get out of the way... the park is called Wonderland... why is the movie called Wonder Park? Pick one and stick to it!
June and her mum create their very own amusement park, it has amazing rides and its animal mascots love to amuse the crowds as they see the wonders that Wonderland has in store. The pair happily create together until June's mum is too sick to carry on. She needs treatment, which means that June and her father need to hold the fort while she's away. Playing with Wonderland isn't the same without her mother and in that moment she decides to pack everything away. Where fun once stood are now bare walls and a serious June who is hellbent on making sure her father doesn't stumble into anything bad.
What I had expected from the trailers was something comedic, the park was surely run down because June had grown up and make believe wasn't cool anymore... What I was served was something with a much more emotional twist of the knife. As soon as June's mother started looking unwell I knew it would be nothing like I'd expected.
We're never privy to what June's mum has, but the whole illness is a much more "glamorous" version of how real life goes. Ultimately we see her leave for treatment and then she comes back "better". No returning home between treatments, no visiting her at the hospital. In this, illness is obviously treated with magic, and while the film shows the more real aspects of the emotions it glosses over the rest.
Let's go to the cast of characters for a bit, and here comes a massive gripe... The UK version and the US version have a different cast. For whatever reason it's only the US cast that got an IMDb listing so I went off for a Google. Here's a quick comparison:
Peanut - Norbert Leo Butz
Greta - Milas Kunis
Steve - John Oliver
Gus & Cooper - UK version: Joe Sugg & Casper Lee, US version: Kenan Thompson & Ken Jeong
Boomer - UK version: Tom Baker, US version: Ken Hudson Campbell
I am at a loss. This film is absolutely not set in the UK, so why would you sub in a different cast when you have so much talent on the original roster? Suggs and Lee were weak and lacked any kind of dramatic quality. Kenan & Ken... I can hear them in my head now, they would have been wonderful together. I love Tom Baker, but he wasn't right either. It was a rather flat performance that needed a little more pep to boost the slightly bland character. My other query would be why John Oliver was cast as Steve for both versions. After seeing the "backing up" bit in the trailer I had hoped for something better in the expanded scene but no, it really was delivered that badly and the rest of his performance was no different. Having him up against Milas Kunis just added to the disaster, while Greta wasn't a great character Kunis did at least give us a good show.
Back to the story. June is sent off to math camp but on the way she has a panic about what might happen to him while he's on his own. There's actually quite a fun little montage here and that convinces her to get off the bus with the help of her friend so she can return home. Scheme executed she dashes off into the forest to make her way home... ba-da-bing ba-da-boom... magic tree portal.
We find that Wonderland is in tatters because it's cuddly little army of toys are dismantling everything that's fun and sacrificing it to the big black swirling vortex in the sky, a vortex that appeared just after the creative voice stopped whispering design ideas into Peanut's ear for the park... that's right... the swirling doom is June's depression, worry and anxiety caused by her mother going away because of her illness... well, shiiiiiiiiiiiiit.
Of course this movie land though, we know everything is going to get better. Our animal friends go from liking June to hating her when she admits the changes were her fault. She then has to redeem herself and everyone lives happily ever after.
I may be paraphrasing a whole section of the film there but that's the basic gist.
There's quite an odd balance in the film, it feels like we hardly get to see much of the park itself, and certainly not a lot in its full glory. The storyline is quite family heavy which for obvious reasons is a little on the serious side. We chop and change between events so quickly that we don't really get to know any of the characters at all, and it's difficult to see how they thought that was sensible in such a short space of time.
The animation is fine, nothing to write home about, but it just seemed to be a little bland on the scale of things. This is really not to say it's bad, we're just lucky to have so much great stuff around at the moment with a standard that is so high.
Wonder Park seems like it's trying to hit a Disney/Pixar level. The message is a surprisingly emotional one and I was surprised how much it affected me, I honestly don't know how I managed to contain my sobbing and on more than one occasion I had tears streaming down my face... there was nothing I could do about it, and I wasn't the only one.
Sadly overall this is a pretty mediocre film but it was so close to being something wonderful. I enjoyed it but there was a lot that could have made it so much better.
What you should do
All of the kids at the screening enjoyed it, for the adults it may well go either way. It definitely deserves a watch at some point.
Movie thing you wish you could take home
If I could have my own magic marker that requires nothing but imagination, I would be unstoppable.
BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated Captain America: Civil War (2016) in Movies
Jun 10, 2019
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Gareth von Kallenbach (971 KP) rated Magic Mike XXL (2015) in Movies
Aug 6, 2019
When we last saw Mike Lane (Channing Tatum) he was trading in his g-string and the adulation of grown women with lots of dollar bills to spare, for a custom furniture business of his own and a serious relationship with a girl named Brooke. He said goodbye to his band of magical, muscular men (and by magical, we mean in the art of making clothes disappear) and headed off into a better future.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Justin Taylor (59 KP) rated Avengers: Infinity War (2018) in Movies
Oct 29, 2018
How the characters react to each other and the different characters that directors Joe and Anthony Russo put side by side (3 more)
Thanks actually does something other than sit in that chair! (Sorry couldn't resist putting that joke in) all joking aside he is practically the star of the film and Josh brolin does a great job in it
The Twist ending which I will not spoil here is freaking brilliant and when I saw it I nearly cried and I assume those who have watched the movie agree with me.
Lots of Easter eggs to the source material...if u remember reading the infinity gauntlet or the infinity storyarch both of which are what this movie is inspired by you'll love the references
Infinity war is the embodiment of what marvel is!
Ok this movie is the greatest marvel movie ever in my opinion and there's reasons why...number one, ten years of story building lead to it. I remember when I was 8 years old and watching iron Man and the incredible hulk on either DVD or on the TV and I never thought that it would lead to something like this, keep in mind this was something that at the time iron Man came out that was never done before and that's pretty darn impressive especially if they keep impressing me with every movie that came out (yes I even liked iron Man 3 and Thor: the dark world).
Now as for reason number 2 almost all of the storylines from every corner of the MCU is tied together here and if u have been watching for the past 8 years u would be invested the same way I was and then they did something I thought took guts.
Which leads me to reason 3, one of if not the best Twist ending since the empire strikes back in my opinion, one that I won't spoil here but warning bring tissues. also like all marvel movies stay til the very end of the credits and I mean not mid credits but waaaay after.
Overall the finest marvel film I have ever seen at Least until avengers 4 comes out next year.
Now I bet y'all are probably wondering what negative thing can I say well...that's kinda hard for a movie this good but if I had to say something it would be I wish some of the side characters got a little more screen time but other than that nothing to major
Now as for reason number 2 almost all of the storylines from every corner of the MCU is tied together here and if u have been watching for the past 8 years u would be invested the same way I was and then they did something I thought took guts.
Which leads me to reason 3, one of if not the best Twist ending since the empire strikes back in my opinion, one that I won't spoil here but warning bring tissues. also like all marvel movies stay til the very end of the credits and I mean not mid credits but waaaay after.
Overall the finest marvel film I have ever seen at Least until avengers 4 comes out next year.
Now I bet y'all are probably wondering what negative thing can I say well...that's kinda hard for a movie this good but if I had to say something it would be I wish some of the side characters got a little more screen time but other than that nothing to major
Lyndsey Gollogly (2893 KP) rated The Best Horror of the Year Volume 1 in Books
Apr 30, 2021
56 of 250
Book
The Best Horror of the Year Volume 1
Edited by Ellen Datlow
Once read a review will be written via Smashbomb and link posted in comments!
I will post in comments a short comment on each story!
An Air Force Loadmaster is menaced by strange sounds within his cargo; a man is asked to track down a childhood friend... who died years earlier; doomed pioneers forge a path westward as a young mother discovers her true nature; an alcoholic strikes a dangerous bargain with a gregarious stranger; urban explorers delve into a ruined book depository, finding more than they anticipated; residents of a rural Wisconsin town defend against a legendary monster; a woman wracked by survivor's guilt is haunted by the ghosts of a tragic crash; a detective strives to solve the mystery of a dismembered girl; an orphan returns to a wicked witch's candy house; a group of smugglers find themselves buried to the necks in sand; an unanticipated guest brings doom to a high-class party; a teacher attempts to lead his students to safety as the world comes to an end around them...
What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the twenty-one stories and poems included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year.
Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume One.
1. Cargo by E.Michael Lewis
So chilling and so sad! This is short I dedication to the families of those children in Jonestown and the men and women who brought the bodies home.
2. If Angels Fight by Richard Bowes
This is about a man searching for his friend who was possessed by an Angel. On this journey you see and find out that this Angel left his friend and left a trail behind him to follow. His family never gave up he managed to find his friend and Angel Michael and return him to his home one last time. Only question was did he bring him home to find his sister to posses or to say goodbye to his mother?.
3. The Clay Party by Steve Duffy
A group of settlers embark on a journey for a new life in California in 1846, the journey does not go as expected. I was a bit bored at the beginning but certainly had a twist at the end.
4. Penguins of the Apocalypse by William Browning Spencer
This is brilliant! A man fighting his personal battles with alcohol! Now is the pulka and penguin freedom movement real or a fragment of his imagination while under the influence? Either way it was entertaining!
5. Esmeralda by Glen Hirshberg
This is a very strange little story involving the end of all books,pens and paper! Very odd!
6. The Hodog by Trent Hergenrader
A good old fashioned urban legend!
7. Very Low Flying Aircraft by Nicholas Royle
Not one for me didnt really grip me.
8. When the Gentlemen Go By. By Margaret Ronald
This was a bit chilling and I would love to have read more about these “Gentlemen” who come at night to make bargains!
9. The Lagerstatte by Laird Barron
Grief does strange things to our minds and body! This was quite chilling.
10. Harry and the Monkey by Euan Harvey
This really plays on every fear a parent has when their kids go missing especially in a place and time where children are vanishing!
11 Dress Circle by Miranda Siemeinowicz
12. The Rising River. By Daniel Kaysen
This was strange and after reading it I’m still not sure what’s happening 😂😂
13 Loup-Garou by R.B. Russell
I enjoyed this strange litte story set in my hometown of Birmingham. A little french film causes a little drama in this mans life.
14. Girl in pieces by Graham Edwards
This was my favourite! So far fetched into a world of monsters a detective helps a Golum save a girl cut to pieces! So much fun
15 It washed up by Joe R. Lonsdale
Wow how to pack a punch in 2 pages! Loved it!
16 The Man from the Peak by Adam Golaski
Brilliant short full of mystery blood and gore! Very well written.
17. The Narrows by Simon Bestwick
This actually chilled me I’d hate sending my child to school and have something like this happen which of course is totally possible.
I loved this book of small tales and discovering those writers I wouldn’t normally be exposed too!
Book
The Best Horror of the Year Volume 1
Edited by Ellen Datlow
Once read a review will be written via Smashbomb and link posted in comments!
I will post in comments a short comment on each story!
An Air Force Loadmaster is menaced by strange sounds within his cargo; a man is asked to track down a childhood friend... who died years earlier; doomed pioneers forge a path westward as a young mother discovers her true nature; an alcoholic strikes a dangerous bargain with a gregarious stranger; urban explorers delve into a ruined book depository, finding more than they anticipated; residents of a rural Wisconsin town defend against a legendary monster; a woman wracked by survivor's guilt is haunted by the ghosts of a tragic crash; a detective strives to solve the mystery of a dismembered girl; an orphan returns to a wicked witch's candy house; a group of smugglers find themselves buried to the necks in sand; an unanticipated guest brings doom to a high-class party; a teacher attempts to lead his students to safety as the world comes to an end around them...
What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the twenty-one stories and poems included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year.
Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume One.
1. Cargo by E.Michael Lewis
So chilling and so sad! This is short I dedication to the families of those children in Jonestown and the men and women who brought the bodies home.
2. If Angels Fight by Richard Bowes
This is about a man searching for his friend who was possessed by an Angel. On this journey you see and find out that this Angel left his friend and left a trail behind him to follow. His family never gave up he managed to find his friend and Angel Michael and return him to his home one last time. Only question was did he bring him home to find his sister to posses or to say goodbye to his mother?.
3. The Clay Party by Steve Duffy
A group of settlers embark on a journey for a new life in California in 1846, the journey does not go as expected. I was a bit bored at the beginning but certainly had a twist at the end.
4. Penguins of the Apocalypse by William Browning Spencer
This is brilliant! A man fighting his personal battles with alcohol! Now is the pulka and penguin freedom movement real or a fragment of his imagination while under the influence? Either way it was entertaining!
5. Esmeralda by Glen Hirshberg
This is a very strange little story involving the end of all books,pens and paper! Very odd!
6. The Hodog by Trent Hergenrader
A good old fashioned urban legend!
7. Very Low Flying Aircraft by Nicholas Royle
Not one for me didnt really grip me.
8. When the Gentlemen Go By. By Margaret Ronald
This was a bit chilling and I would love to have read more about these “Gentlemen” who come at night to make bargains!
9. The Lagerstatte by Laird Barron
Grief does strange things to our minds and body! This was quite chilling.
10. Harry and the Monkey by Euan Harvey
This really plays on every fear a parent has when their kids go missing especially in a place and time where children are vanishing!
11 Dress Circle by Miranda Siemeinowicz
12. The Rising River. By Daniel Kaysen
This was strange and after reading it I’m still not sure what’s happening 😂😂
13 Loup-Garou by R.B. Russell
I enjoyed this strange litte story set in my hometown of Birmingham. A little french film causes a little drama in this mans life.
14. Girl in pieces by Graham Edwards
This was my favourite! So far fetched into a world of monsters a detective helps a Golum save a girl cut to pieces! So much fun
15 It washed up by Joe R. Lonsdale
Wow how to pack a punch in 2 pages! Loved it!
16 The Man from the Peak by Adam Golaski
Brilliant short full of mystery blood and gore! Very well written.
17. The Narrows by Simon Bestwick
This actually chilled me I’d hate sending my child to school and have something like this happen which of course is totally possible.
I loved this book of small tales and discovering those writers I wouldn’t normally be exposed too!